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Lot 1019

A Pair of Mid XX Century Glass Table Lamps, the opaque glass bodies decorated with pink flowers and scrolling foliage, mounted on footed gilt metal bases, 47cm high. (2)

Lot 1536

A Late XVIII Century Mahogany Dressing Table, with central mirror, four compartments with hinged lids, on tapering legs on castors, 86cm high, 63.5cm long.

Lot 1609

A XIX Century Work Table, with rectangular top, single drawers over tapering basket, carved scroll supports with central turned stretcher, on paw feet, 71.5cm high, 54cm wide.

Lot 1572

An XVIII Century Oak Continental Farmhouse Table, with rectangular top, two side drawers on square chamfered supports united by 'H' stretcher, 190cm wide.

Lot 1379

A Late XIX Century Dressing Table Mirror, with inset clock, the ormolu mount elaborately cast with flowers and scrollwork, the clock inset into a fan with cream enamel chapter ring with Arabic numerals, the reverse stamped ptd in Great Britian and France, Manfd by the British United Clock Co Ltd., Birmingham, England, easel back, 24cm high.

Lot 1081

A Late XIX Century German Porcelain Table Centrepiece Base, (converted to a table lamp), the triangular base applied with musicians, elaborately pierced and applied with flowers, 31cm high; A Similar Candlestick, modelled in the form of a boy with monkey on his shoulder, 35.5cm high. (2)

Lot 1626

A Robert Thompson (Mouseman) Oak Octagonal Coffee Table, on cruciform base, carved mouse signature, 47cm high.

Lot 1513

A Globe 'Empire' Table Clock, by Smith & Son Ltd, patent 19460, with brass horizon ring with Roman numerals, raised on a fluted column and circular base concealing the movement, the underside stamped 'Made in France', 533, 30cm high, no key.

Lot 1612

An XVIII Century Mahogany Pedestal Table, with circular top, turned pedestal on cabriole legs and pad feet, 69cm high.

Lot 1510

A Mappin & Webb 'Ships Bell' Striking Table Clock, the brass case with visible strike work and silvered Roman numeral chapter ring with trident half hour markers and Arabic five minutes within the outer track, the backplate inscribed 'Mappin & Webb, London' serial No. 043, the wooden base with brass plate inscribed 'Maritime, England 1982', under a glass dome with brass carrying handle, 28cm high, key present.

Lot 1628

A Yorkshire Critters Oak Rectangular Tea Trolley/Card Table, the fold-out top with green baize lining, the lower shelf with drawer below, carved with a Yorkshire Rose, possibly by Brian Haw ex Mouseman carver, 78cm high, 74cm long, 48cm wide.

Lot 1591

A Mid XIX Century Octagonal Shaped Centre Table, with quarter veneered marquetry top, on turned supports and scroll feet, 73cm high, 71cm wide.

Lot 1016

A Waterford Crystal 'Colleen' Pattern Part Table Service, to include four hock glasses, two brandy glasses, four small champagne flutes, four tumblers (three sizes), four wine glasses and four sherry glasses, etched marks. (22)

Lot 1060

A Pair of Rockingham Porcelain Plates, the centres painted with flowers and fruit with blue border and moulded gilt rims, red griffin marks, 24cm diameter; Another, painted with flowers on a table, 24cm diameter, unmarked. (3)

Lot 1600

An Early XVIII Century Joined Oak Gateleg Table, with drop leaves, on turned and block supports united by stretchers, 69cm high, 101cm wide.

Lot 1621

A Tom Whittaker (Littlebeck Gnome Man) Oak Table Lamp, carved as a gnome resting on a tree.

Lot 1616

A XIX Century Mahogany Reading Table, with rectangular sliding top, octagonal pedestal and quatrefoil base on carved scroll feet (ratchet for the pedestal does not work), 76cm high, 102cm wide.

Lot 148

manufacturer's label to the chairs, and the table stamped '124', rosewood table 71cm high, 195cmwide (extended), 88cm deep (28in high, 76.5in wide, 34.5in deep); carver 81cmhigh, 60cm wide, 45cm deep (32in high, 23.5in wide, 17.7in deep)Footnote: Note: Sold in compliance with CITES regulations, with (non-transferable) Transaction Specific Certificate no. 606624/01 and 606624/02. Please be aware that this lot contains material which may be subject to import/export restrictions, especially outside the EU, due to CITES regulations. Please note it is the buyer's sole responsibility to obtain any relevant export or import licence. For more information visit http://www.defra.gov.uk/ahvla-en/imports-exports/cites/

Lot 134

maker's label, the drop-in seat stamped '17', laminated wood88cm high, 54cm wide, 42cm deep (34.6in high, 21.2in wide, 16.5in deep)Footnote: Literature: Studio Yearbook of Decorative Art, 1949, p. VIII (advertised);''Austerity to Affluence: British Art & Design 1945-1962'', The Fine Art Society, London, 1997, p. 14 and p. 22, cat. no. F27 (an example of chair illustrated);Long, Philip and Thomas, Jane (Edit.) ''Basil Spence'', Architect National Galleries of Scotland in Association with RCAHMS, Edinburgh 2008, p. 52 and p. 54, fig. 55 (another example illustrated). Sir Basil Spence was one of the leading British architects and designers of the 20th century, whose monumental or ''brutalist'' style came to define modern architecture in Britain. Noted commissions include designs for several exhibitions including the Sea and Ships Pavilion for the Festival of Britain (1951), Sussex University (1962), Glasgow Airport (1966), and Coventry Cathedral (1954-62), for which he received a knighthood. In 1947 Neil Morris of manufacturers Morris of Glasgow asked Spence to collaborate on a range of plywood furniture, which was to include his Bambi chair and celebrated Cloud table. The result was the Allegro dining suite, which was awarded a Diploma by the Council of Industrial Design in January 1949. In March of the same year it was exhibited at the Glasgow Today and Tomorrow exhibition, where it was commended, and an example of the armchair was commissioned by the Museum of Modern Art, New York for their collection. In September 1949 it was displayed at the Morris stand, also designed by Spence, at the Scottish Industries Exhibition. In 1951 another single armchair was commissioned for the collection of the Victoria & Albert Museum in London (V&A CIRC.183-1951). The manufacture of the Allegro suite found its origins in wartime innovation. The Southampton-based manufacturer of helicopters, Cierva Autogiro, had developed techniques of laminating and shaping wood to make strong and light helicopter blades - these blades were supplied by Morris of Glasgow by 1946, and the same technology was applied to this remarkable suite of furniture soon afterwards. Over one hundred layers of wood were bonded together under high frequency electrical pressure with phenoformaldehyde, a synthetic resin. The wood is then shaped and carved to produce the chairs, table and sideboard. Whilst it is now acknowledged as a landmark in immediate Post-War British furniture design, the immense expense of this manufacturing process meant that it went into extremely limited production, and as a result examples are extremely rare. In 1950 a single chair was advertised at £31 18s 3d, at a time when the average British annual income was just £101.

Lot 101

black lacquered metal, glass and brassLargest table: 52cm high, 60cm wide, 43cm deep (20.5in high, 23.6in wide, 13in deep)

Lot 25

Four table top electronic racing games, to include : Turbo 8 Tomy Racing Turbo Grandstand Outrun Tomy Demon Driver Auto Racer To be sold on behalf on Monkey World, Dorset

Lot 2163

A carved oak coat rack with six brass hooks and a yew rustic coffee table

Lot 2107

An early 19th Century mahogany table on four umbrella shaped legs

Lot 2118

An Edwardian mahogany five drawer writing table

Lot 2074

A William IV two drawer mahogany writing table with gallery to top

Lot 2142

A late 19th Century style mahogany shaped table

Lot 2098

A William IV mahogany one drawer writing table

Lot 2021

A 1960's beech and elm drop leaf table

Lot 2113

A pair of vintage mid Century Danish teak coffee table by Povl Dinesen

Lot 2179

A white Lloyd loom table and three armchairs

Lot 2190

A galvanised tin bath tub and watering can, teak picnic table and three directors chairs together with a selection of garden and wood working tools etc

Lot 2079

A 19th Century mahogany drop leaf table on turned legs

Lot 2161

An oak refectory style table with 3" thick reclaimed top, 99" x 33" x 30"

Lot 2017

A vintage Danish mid Century two tier teak coffee table by Povl Dinesen

Lot 2003

A mid Victorian walnut carved tripod table on spiral column

Lot 2119

A 20th Century teak extending dining table and eleven teak rush seated chairs including two carvers (some seats as found). Purchased by the vendor from Heals

Lot 2026

A Victorian inlaid walnut two tier table on castors

Lot 2136

A 20th Century teak coffee table by Trevor Page, Norwich

Lot 2057

A 1930's oak tea trolley and two tier table

Lot 2073

A Victorian walnut trumpet sewing table on cabriole legs, the interior with fitted compartments and marquetry inlaid top

Lot 2124

An Edwardian inlaid mahogany three tier cake stand and a mahogany coffee table

Lot 2055

An Edwardian inlaid mahogany dressing table with shield mirror (please note lot 2071 is part of the same set but not included in this lot)

Lot 2061

An early 19th Century pad foot mahogany gate leg table

Lot 2117

An early 19th Century mahogany oval top flip top tripod table

Lot 2159

An Edwardian rosewood two tier occasional table with hand painted decoration and brass galleries

Lot 2087

An Edwardian walnut stretcher table on turned end supports

Lot 2135

A 20th Century painted oak coffee table

Lot 2054

A 1920's plant stand, a bedroom chair and a 20th Century Regency style coffee table

Lot 2123

A set of teak dining chairs by Macintosh, chair no. 9533, original upholstery and a 1970's teak extending table

Lot 2143

A Regency mahogany breakfast table on reeded splayed feet

Lot 333

JOHN MALTBY (1936-2020) for Stoneshill Pottery; a stoneware sculpture of a table setting and trees covered in matt turquoise glaze, impressed M and pottery marks, length 25cm. (D)Additional InformationGlaze flake inside jug, otherwise appears good with no further signs of faults, damage or restorations.This lot qualifies for Artist Resale Rights. For further information, please visit http://www.dacs.org.uk or http://artistscollectingsociety.org

Lot 108

ERCOL CHESTER ELM EXTENDING DINING TABLE & SIX 'SWAN QUAKER' WINDSOR CHAIRS, table with x-column support, 165 x 115cms, chairs with pierced swan central splats and loose oatmeal cushions (7)

Lot 109

ERCOL ELM SUTHERLAND TABLE & '451' ARMCHAIR, table 69cms wide, chair 67cms high (2)

Lot 112

ERCOL '384' BLONDE ELM DROP FLAP DINING TABLE & FOUR '449' WINDSOR CHAIRS (5) Comments: Table top varnish worn, chairs varnish worn

Lot 113

COTSWOLD SCHOOL OAK DINING TABLE, rectangular top with slightly bowed sides and ends, on shaped legs tied by Y-stretchers, 54w x 74d x 77cms h Comments: Top slightly faded, feet slightly water stained

Lot 120

SUTCLIFFE TEAK DINING SUITE, comprising dining room cabinet, 190 x 160 x 47cms, extending dining table 138cms wide (extended), and four chairs (6)

Lot 126

MODERN ITALIAN GIORGIO COLLECTION 'ALCHEMY' SYCAMORE DINING SUITE, comprising boat shaped dining table on circular support (no.6880), ten dining chairs (no.5642626) , sideboard (no.6810) and mirror (no.6860) (13) Provenance: originally purchased from Harrods Ltd for £35,000 (2017) Comments: table faded on two sides, sideboard with damaged corners.The table dimensions areHeight – 78cm’sLength – 300cm’sWidth – 125cm’s

Lot 130

ASSORTED OCCASIONAL FURNITURE, including 19th Century demi lune dining table and with frieze drawer, reproduction Canterbury, two brass-inlaid Regency-style side chairs, 19th Century mahogany Pembroke table (5)

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