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A 19th century Continental silver rectangular table box, hinged cover cast with scantily clad putti supporting drapes above an Architectural vignette, the sides chased with foliate masks and birds amongst scrolling foliage and strapwork, scroll feet, 15cm wide, import marks for London 1894, 16.5oz
A Victorian EPNS shaped rectangular table snuff box, brightly engraved with a quatrefoil and leafy scroll terminals, the verso with a patera conforming, 6cm wide, c. 1870; a 19th century steel oval snuff box, in the 18th century taste, 7cm wide; a 19th century Mauchline ware named-view castle money box, printed with a view of the High Street, Llandrindod Wells, [Wales], black ground, 8cm high; a 19th century snakeskin vesta case and cover, 6.5cm long; a novelty marquetry and burr vesta, as a book; a treen vesta; Victorian tortoiseshell case; etc., [9]
A 19th century papier-mâché circular table-top snuff box, the cover printed in colour with amorini in the manner of Bartolozzi, 8.7cm diam, c. 1840; another similar, allegorical, printed and painted with lovers from Classical Antiquity in a walled garden with a pair of white doves, 8.2cm diam, c. 1830, [2]
A 19th century Renaissance Revival black papier-mâché circular table-top snuff box, painted in gilt with a huntsman and his hounds pursuing a buck, the ground with a profusion of foliate scrolls on which rest a rabbit and two birds, red ribbons, push-cover, 10.5cm diam, c. 1840
A Biedermeier tortoiseshell and burr circular snuff box, the cover with an inset colour stipple engraving of a beauty holding a mask, the base turned and outlined with an arrangement of spheres, horn bands, 8cm diam, c. 1830; a 19th century papier-mâché and tortoiseshell bun-shaped snuff box, probably French, the push-cover centred by a stylized white metal and abalone shell flowerhead, 7.5cm diam; an early 19th century Continental papier-mâché circular table-top snuff box, the cover with young ladies enjoying the fruits of nature, black ground, 8.5cm diam, c. 1825, [3]
A large 19th papier-mâché rounded rectangular table-top snuff box, the cover inscribed in gilt: Take A Pinch!, 13cm wide, c. 1870; another similar, smaller, advertising Prince Royal Snuff, surmounted by a royal crown, 7cm wide, c. 1860; another, Have a pinch, 7cm wide, c. 1860; others, various designs, shapes and sizes, (4); a Victorian horn rounded rectangular snuff box, 7cm wide, c. 1860, [8]
A large Soviet Russian rounded rectangular table-top box, the hinged-cover well-painted with a princess from a fairytale, inscribed in Cyrillic characters, within a gilt foliate border, red interior, 17.2cm wide; another similar, smaller and painted with a bucolic and idealized tableau of rural peasant life, 13.5cm wide; another Orthodox, square, 8cm wide; a 19th century Imperial Russian brass circular snuff box, the cover embossed with St. George slaying the dragon, the base with wrigglework borders, 3.6cm diam, [4]
A Victorian papier-mâché rounded rectangular snuff box, marbled in imitation of Cornish serpentine, the hinged cover centred by a monogrammed gilt-metal cartouche above a Rococo Revival thumbpiece, 10.5cm wide, c. 1850; two other 19th century painted papier-mâché snuff boxes, the largest 11cm wide, (2); an Aesthetic Movement black lacquered toleware rectangular table-top snuff box, the cover profusely inlaid with abalone shell marquetry with cranes and blossoming flowers, 12.2cm wide, c. 1880; others, various, (5), [9]
A William IV/early Victorian penwork birch rounded rectangular snuff box, the cover grisaille painted with embracing lovers, 8.5cm wide, c. 1835; a Victorian horn circular snuff box and cover, the basket weave cover centred by a silver sixpence, 5.6cm diam, c. 1850; a 19th century specimen hardwood marquetry octagonal table-top snuff box, possibly Anglo-Indian, the cover inlaid with exotic timbers, the sides conforming, 7.5cm wide; a similar Victorian Tunbridge ware and rosewood, circular, 5.5cm diam, c. 1850; two early 19th century horn navette-shaped horn snuff boxes, probably Scottish, the largest 8.7cm wide, (2); others, various treen, shapes and sizes, [11]
An early 19th century French papier-mâché circular table-top snuff box, the cover printed in monochrome with Epicurean rakes enjoying the pleasures of the table and friendship, indistinctly signed within the plate, push-cover, 8.4cm diam, c. 1825; two others, English, one titled: Padgers in the Back Slums, its counterpart a contrast with a society soirée, the caricatures printed in colour, 8.5cm diam, c. 1835, (2), [3]
An early 19th century French papier-mâché circular table-top snuff box, the push-cover printed in monochrome with a titled print: l'Age d'Or, from Ovid's Metamorphoses, 8.2cm diam, c. 1820; another, similar, novelty, a lady shoos cats on the rooftop with a broom, meanwhile her husband empties their marital chamberpot, 9cm diam, c. 1830; another, fishing, 8.6cm diam, c. 1830, [3]
Royalty - an unusual armorial verre églomisé and papier-mâché circular table-top snuff box, the cover inset with a foil portrait bust of a gentleman in profile, the base painted with the coat of arms of the Royal House of Stuart, the sides painted with palm fronds and stars, scumbled faux tortoiseshell interior, 9cm diam, c. 1810
Treen - Maritime Salvage, Seven Years' War and American Revolutionary War, a turned circular table-top snuff box, from a spar of HMS Royal George (1756), presumably from Pasley's 1839 salvage operation, enclosing a pencil MS and paper collector's note and dated 1782 twice, 8.7cm diam; an early 19th century lignum vitae circular snuff box, turned with alternating and concentric bands, 7.8cm diam; a large 19th century bun-shaped table-top snuff box, bombé base, 10.3cm diam, [3]
A George/William IV rosewood library table, rounded rectangular top above a pair of frieze drawers, centred by a rectangular tablet, knopped pillar, turned socle, incurve base with draught-turned roundels to angles, bun feet, brass casters, 73cm high, 129.5cm wide, c.1830
A 19th century French kingwood, rosewood and marquetry shaped serpentine combination dressing and work table, hinged quarter-veneered top enclosing a mirror and arrangement of compartments, the lock, hinges and fittings engraved with scrolling foliage, cabriole legs, 73cm high, 56cm wide
A 19th century Italian Grand Tour micro mosaic and gilt metal mounted centre table, the top inlaid with a central roundel of flowers, outlined with a band of verde antico marble, the French kingwood base, quarter-veneered and crossbanded throughout, serpentine legs, 75cm high, 41cm diameter, c.1860
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1181390 item(s)/page