A French Art Deco console table,1940s, in the manner of Raymond Subes, the rectangular black marble top, raised on a scrolling gilt-metal support, on a smaller rectangular black marble base, 132cm wide39cm deep85cm highCondition ReportThe frame with scuffs and marks throughout. The marble top and base with scratches and wear. The marble with chips to the edges, the support with some stains and marks throughout with some built-up verdigris to the front. The marble plinth with chips to the edges and the scratches to the top where the console has been sat. Additional images uploaded.
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John Makepeace (b.1939),a cherrywood breakfast suite, dated 1982 and inscribed by maker Norman Illingworth, comprising:a dining table, the square top with rounded edges, raised on cylindrical supports, 120cm wide89cm deep72cm high, and, four rawhide leather chairs, each with a slung leather seat and back, with studded detailing, raised on chamfered supports,49cm wide48cm deep76cm high, seat 46cm high (5)
Robert Welch (1929-2000), an Old Hall stainless steel 'Alveston' pattern canteen of cutlery for eight place settings, c.1960s, comprising: table forks, dessert forks, table knives, dessert knives, tablespoons, soup spoons, teaspoons, coffee spoons, and two serving spoons, within a fitted Indian rosewood canteen, stamped marks, canteen 51cm wide 35.5cm deep 10.5cm high Condition Reportdoes not appear to have been used, some minor wear and losses to the lining, some minor knocks and wear to the case.82 items.
A Knoll 'Tulip' dining table,modern, originally designed in 1955 by Eero Saarinen, with a circular Carrara marble top, on a powder-coated stand, 120cm diameterProvenance: 'Plateau', Conran restaurant, in Canada Place, London.Condition ReportWith flaking to the top. With a number of chips to the top. With some filled chips to the rim. The varnish to the marble with flaking and stains. The support with scratches, wear, and marks. Additional images uploaded.
A French wrought-iron 'Grotesque' table lamp,modelled as an ogre with its body and tail coiled to the frame, the stand its knees, with webbed feet, stamped 'F Capon' and '1987' to the underside, 36cm high to the top of the lamp39cm overallCondition ReportWired and working. Rust spots to all areas. No shade.
A pair of brutalist table lamps,1970s, by Paul Moerenhout, each with a gilt-brass support, mounted on a marble block, with matched shade, signed, 61cm high (2)Condition ReportOne of the stems appearing a bit loose, may just need to be tightened at the nut underneath. Both with some minor pitting to the metal throughout and scuffs to the stone bases. One with a stain to the shade. Pat test past on both. Additional images uploadedPAT tested 26.10.23 - Pass
An Italian 'Bighe' coffee table, c.1950, designed by Piero Fornasetti (Italian, 1913-1988), with a lithographed rectangular top, depicting Grecian warriors on chariots, 100cm wide 50cm deep 48cm high Condition ReportThe top with a notable scratch to the left hand side as well as the lower middle. With some scuffs and marks to the edges. The support with some stains to the brass. Additional images uploaded.
A chrome console table,1970s, designed by Guy Lefevre for Maison Jansen, with a floating glass top, over an undertier with a glass shelf, 117cm wide 37cm deep70.5cm highCondition ReportSome scratches to glass and frame. Small chip back right corner on the top panel. and two small flakes to the opposite side.
A painted pine sculptor's stand, c.1900, attributed to Charles Rennie Mackintosh (1868-1928), with a square revolving surface, raised on a tapering triangular stand with an undertier, raised on metal castors, 41.5cm square110.5cm highFor a similar design, see Billcliffe, Mackintosh sculptor's table cf. Billcliffe, pg. 205, image 1909.h. of table in situ.Condition ReportWith wood and paint losses, Dented and worn. The top has pieces missing. Castors worn and rusted.Burn marks to the top of the surface.
Carlo Bugatti (1856-1940),a walnut and ebonised, copper and pewter-inlaid side table, with a square top with loose embossed and pierced border pieces, an unmounted central portion, over an apron with embossed copper panels, the supports mounted with pewter and brass chevron panels, to the inner with square repeat details, over ebonised stepped supports, 57.5cm square 39cm highCondition ReportLoose top panels. No central panel. Splits and knocks to the corners and top with splits.Worn and knocked throughout. Garaged for many years and bought by the vendor in the 1960s.
An Art Deco alabaster and patinated table lamp,with a tulip-shaped shade, raised on a pierced scrolling leaf column, on a square plinth with block feet, stamped 'P Testard', 35.5cm highCondition ReportWired, working. Some wear to the patina. Minor nibbles to the shade. With some pitting and spotting.PAT tested 26.10.23 - Fail Additional images uploaded.
John Francis Bentley (1839-1902), an ebonised stretcher table, designed for Sunnydene, Rockhills, Sydenham (1868-1870), the rectangular top with a moulded edge, supported on end supports with crisply carved and pierced fruiting foliate decoration, within turned uprights on downswept legs linked by stretchers and turned supports, 155cm wide 74cm deep 71cm high Provenance: The Clive and Jane Wainwright Collection, with Sotheby's 19 April 1978, lot 110 from the Charles Handley-Read collection; with Haslam & Whiteway Literature: Winefride de L'Hôpital, 'Westminster Cathedral and its Architect', Hutchinson & Co., London, Vol.2, p.571, plate XCI. John Francis Bentley (1839-1902) was an English ecclesiastical architect and designer who was most famous for his design of Westminster Cathedral, influenced by Byzantine architecture. Sunnydene, built for the late W R Sutton, was originally designed by T C Lewis, but due to the complicated nature of the property, construction was ultimately taken over by Bentley, and the house therefore has always been attributed to him. Charles Henry Ralph Handley-Read (1916-1971) was an architectural writer and collector, and the first serious 20th-century student of the work of William Burgess. Charles and Lavinia Handley-Read compiled a pioneering collection of Victorian and Edwardian decorative arts in the 1950s/1970s. The entire collection was displayed at the Royal Academy in 1971 shortly before their deaths. The collection was then dispersed in 1972 to museums and at auction. Condition ReportPlanks to top have opened and require clamping and glueing. Wear to the ebonised finish. Scratches to the top. A 4.5cm length with an area of loss to the top edge.
Betty Joel for Token Handmade Furniture, an Art Deco sycamore kidney-shaped dressing table, c.1935, the top with an inset mirror glass, above a frieze drawer and kneehole with vertical reeded details, flanked by cylinder pedestals, each with four graduated drawers fitted with ivory shell handles, two central drawers on both sides having ivory escutcheons and locks, no keys, raised on coromandel veneered plinths, unlabelled, 168cm wide 63cm deep 78.5cm high IMPORTANT NOTE This lot contains elephant ivory material. Please be advised that several countries, including those in the EU and the USA, now prohibit the importation of ivory items unless under specific conditions. Accordingly, prospective buyers should familiarise themselves with the relevant customs regulations of their country and ensure they are able to import this item prior to bidding. This item has been registered as exempt from the UK Ivory Act 2018. Ivory declaration submission reference: DZY9UEMN. Condition ReportDrawers open freely, with ball catches. One shell handle missing its bolt - slightly loose. Light scratches to the top of the mirrored glass. Minor knocks to the edges and carcass. Pin nails visible to the sides of the desk. Some knocks and strips missing to the coromandel plinths. No keys. Further photos of the back done - the base has veneer repair and some loose pieces. The back of the desk is slightly scuffed but veneer appears fair.
A Danish oak dining suite,1960s, designed by Niels-Otto Møller (1920-1982), comprising:a pair of 'Model 56' armchairs, each with a curved back and armrests over a woven paper cord seat, branded to the inside of the frame 'J.L Møller Model Made in Denmark',58cm wide51cm deep76cm high, seat 44cm high,a set of four 'Model 75' dining chairs, each with a curved backrest over a woven paper cord seat, raised on tapering supports, branded to the inside of the frame 'J. L Møller Model Made in Denmark', 51cm wide45cm deep75cm high, seat 44cm high, andan extending dining table, the round top raised on a cruciform pillar support, with two extending leaves, 119cm diameter229cm wide extended70cm high (7)Condition ReportWith some staining to the paper cord throughout. The frames somewhat faded in areas. The paper cord with some minor damage to two of the dining chairs. The frames with scuffs and marks commensurate with age and use. Branded to the inside of the frame. Additional images uploaded
A French Art Deco dinanderie table lamp,by Paul Mergier, with a silver and copper swirling design, fitted with a single light, raised on a circular foot, stamped 'P Margier', 29.5cm diameter29cm highCondition ReportDented and worn. Fitted with a light fitting not tested as working. With spots of tarnish and verdegree throughout. Signature to the side rubbed down. The underneath with remnants off sticky labels. Additional images uploaded.PAT test 26.10.23 - Failed
An 'aquarium' Lucite table lamp,1950s, the rectangular panel with fish, a seahorse, coral and shells, the metal mount with hatched marks, mounted with a single bulb to the base, 21.5cm wide 7.5cm deep23cm highCondition ReportWire cut. Some scratches to the lucite where rubbed to the mount.
A Danish reversible teak and oak 'Model JH-575' coffee table, 1950s, designed by Hans Wegner for Johannes Hansen, the top with a black Formica insert, branded 'Johannes Hansen Copenhagen Denmark', 160cm wide 67cm deep49cm highCondition ReportGood colour and condition. Some wear - used. The ebonised side with some notable scratches and marks. The support with some scuffs. Additional images uploaded.
A Finnish Masur birch and bentwood side table, late 1930s, designed by Alvar Aalto, the circular top raised on bentwood supports, stamped to the underneath 'Artek Aalto Design, Made in Finland', and with 'CC41' stamp, 47.5cm diameter43.5cm highCondition ReportThe supports with knocks and scratches. The top with some scratches and marks. The supports with some stains. No detected splits or losses. Additional images of the labels, the top, and the support added. Image of the CC41 stamp uploaded.
A tile-top coffee table, 1950s, in the manner of Arthur Boyd for Murrumbeena Pottery, fitted with fifteen chequer-painted tiles in blue and yellow, with musical instruments, signed 'Boyd', raised on a metal stand with a wood base board, 77.5cm wide 47.5cm deep30cm highArthur Boyd was born at Murrumbeena, Victoria, Australia, on 24 July 1920, the son of the potter, sculptor, and painter, Merric Boyd, and a member of a family of successive artists. He left school at the age of 14 to begin a career in painting, but after his father's studio burnt down, Boyd took night classes at the National Gallery School, Melbourne, whilst also living and painting with his grandfather, the artist Arthur Merric Boyd.With the outbreak of the Second World War, Boyd was conscripted and served in the Army Survey Corps from 1941 to 1944. After the war, he established the Arthur Merric Boyd Pottery Workshop at Murrumbeena, with John Perceval and Peter Herbst. Deeply affected by his wartime experiences, he turned to the Bible for inspiration in his work, and as a means of expressing something of the horror of conflict. During the 1950s, he travelled to Central Australia and his work turned to landscapes; in particular he painted poetic views of the luminous Wimmera landscape. In 1957, he began his milestone Half-Caste Bride series of paintings, raising contentious issues on Australia's racial divide and the treatment of indigenous peoples.He gave a large collection of paintings, drawings, prints, as well as sculptures, ceramics, and tapestries, to the National Gallery of Australia in 1975.Condition ReportFour tiles cracked and with some scuffs and chips to the paint.The vendor bought this from a property in Hampshire.
§ An Italian rosewood card table, attributed to Paolo Buffa, with a central leather panel with a brass edge, each corner fitted with brass dishes, raised on angular supports, united with a turned 'X' frame stretcher,100cm square 78cm highCondition ReportOne foot has a missing end. Otherwise good top and frame. Further inspection to the underside shows that it has a small split and looseness of the wood - one photo shows this.Some minor spotting to two of the brass dishes.Additional images uploaded.
William Butterfield's drawing table, the George III mahogany chest with an adjustable drawing slope on brass ratcheted supports, over two panelled doors with Bramah locks enclosing six folio slides, on moulded outswept bracket feet, with ebony moulding to the front of the cabinet, 115cm wide 73cm deep 92cm high Provenance: The Clive and Jane Wainwright Collection; purchased from Christopher Gibbs in 1981. William Butterfield (1814-1900) was a British Gothic Revival architect associated with the Oxford Movement. He designed many churches and, most notably, Keeble College, Oxford, in his signature polychromatic style. Condition ReportHinges to both top sections have been unscrewed. One lock missing. The back left castor missing. Some ebony trim missing. Wear and tear. With scratches to the front doors. The extending surfaces to either side missing a handle. The right surface appears stuck. Additional images uploaded.
A Linley cherrywood dining table, designed by David Linley, in the Biedermeier taste, the oval banded top raised on four column supports, terminating on to a cruciform base, 180cm wide110cm deep73cm high Provenance: Mr Evan & Mrs Patricia Steadman - Mr Steadman was the former organiser of The Grosvenor House Antiques Fair.
§ A Danish rosewood dining suite,1960s, designed by Johannes Andersen for Christian Linnebergs Møbelfabrik, comprising:a set of eight 'Model 89' dining chairs, each with a slightly curved latticed back, the seat upholstered in floral fabric, raised on turned tapering supports, bearing manufacturer's marks and 'Danish Furniture Makers' Control' marks to the underneath of the seat, 48cm wide47cm deep78cm high, seat 45cm high, andan extending dining table, the rectangular top with rounded corners, either side with pull-out supports for the leaves, raised on tapering supports, stamped with 'Danish Furniture Makers' Control' mark to the underneath, 265cm wide extended90cm deep72cm high (9)Sold with nontransferable CITES A10 licence no. 23GBA10ACQ779.Buying this table and chairs at auction could save up to 0.46 tonnes of CO2e compared to buying new.Condition ReportOne leg to the table pinned and restored. With fading throughout to all pieces. The upholstered seats of the chairs fadeded.
A Knoll 'Tulip' dining table,modern, originally designed in 1955 by Eero Saarinen, with a circular Carrara marble top, on a powder-coated stand, 135cm diameter72cm highProvenance: 'Plateau', Conran restaurant, in Canada Place, London.Condition ReportWith some polished chips to the edges. With some flat chips to the top. Remnants of sticky label to one edge with general scratches and marks. The support with scratches, scuffs and stains. Additional images uploaded. The round top 135cm diameter
A satin oak Art Deco table mirror,1930s, designed by Betty Joel for Token Works, the waterfall mirror plate within stepped supports, on a scalloped base, 50cm wide69.5cm highCondition ReportFoxing to the mirror and plating to the back. Knocks and wear throughout commensruate with age.
A George IV-Victorian matched Fiddle, Thread and Shell pattern canteen for six, various dates and makers, the terminals with a crest, comprising: six table forks, six tablespoons, six dessert spoons, six dessert forks, five teaspoons, a sauce ladle, a butter knife, and two condiment spoons, in a fitted brass bound case, with a storm jacket, approx. weighable 74oz. (qty)
A matched George III-Victorian silver Fiddle and Thread pattern canteen for twelve, various dates and makers including William Chawner, London 1833, and George Adams, London 1866, the terminals with a crest, comprising: twelve tablespoons, twelve table forks, twelve dessert forks, twelve dessert spoons, twelve teaspoons, a soup ladle and a pair of basting spoons, approx. weight 134oz. (qty)Provenance: A Private Collection. The crest is that of Christopher of Norton, Durham.
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1181390 item(s)/page