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A SATINWOOD PEMBROKE TABLE GEORGE III AND LATER, THE OBLONG TOP CROSSBANDED IN AMARANTH AND LINE INLAID, FITTED WITH A DRAWER AND OPPOSING BLIND DRAWER, ON LYRE SHAPED PILLAR, PLATFORM AND FOUR SWEPT LEGS WITH BRASS PAW CASTORS, 70CM H, 106 X 84CM ++ In good condition and stable
A VICTORIAN MAHOGANY AND EBONY LINE INLAID KNEEHOLE DESK OR DRESSING TABLE WITH CROSSBANDED TOP, SEVEN DRAWERS WITH BRASS HANDLES AROUND A PANELLED DOOR AND HAVING CARVED APRON, ON OGEE FEET, 80CM H, 52 X 95CM ++ Of overall dry appearance, the top unevenly faded and somewhat heavily stained in places. The backboards and draw linings original as are the handles and escutcheons. Small let in veneer repair above the centre of the top drawer,. small veneer losses, slightly scuffed around the feet, minor losses to cockbeading, etc
A George Jones Majolica Butterfly Box and Cover, circa 1870, the lid moulded and painted as a naturalistic butterfly on a bark and flower moulded shaped base, impressed mark and registration mark, 8cm high See illustration Originally part of a dressing table set. See Bonham`s London, 13.9.06, lot 88 for a similar example. Also see Karmason & Stacke Majolica, pg.102 for a similar example
A Meissen Porcelain Crinoline Group, 20th century, after the model by Johann Joachim Kaendler, as a lady sitting at a rococo style table, a gentleman to her side, a pug dog at their feet, on a flower encrusted mound base, crossed swords mark in underglaze blue, 19cm high
A Chinese Pale Jade Plaque as a Table Screen, 18th/19th century, of arched rectangular form, carved in relief with two deer and bats beside a fruiting tree and with incised and gilt script, the reverse with flowers and foliage, and with further script, 24cm by 18.5cm, hardwood stand See illustration Provenance: Bluett & Sons 1958
An Italian Table Garniture, stamped Armando Possi, Firenze, 800, profusely cast and chased with openwork scrolls and leaf capped columns, comprising a dish and cover, two oval bowls and two covered tureens with liners, the tureens 32cm high, 11,580 grams See illustration
An Edward VII Pistol-Handled Suite of Silver Flatware, Francis Higgins, London 1905, each piece engraved with gothic initial S, comprising eighteen table knives with steel blades, eighteen triple-tine table forks, eighteen dessert forks, nine dessert knives with steel blades, a carving knife and fork; and A Pair of Georgian Silver Sugar Tongs (qty)
An Edward VII Composite Thirteen Piece Silver Dressing Table Set, William Comyns, London 1905, each piece repoussé with classical figures beneath flaming urns and swags, comprising tray, hair brush, pair of clothes brushes, comb, large cut glass powder bowl and cover, trinket box and cover, two ointment jars and covers (London 1908), cotton wool jar and cover, shoe horn (London 1910), coat button hook (London 1910) and hand mirror
A Pair of Late Victorian Two-Branch Three-Light Silver Table Candelabra, Hawksworth Eyre Ltd, Sheffield 1898, with campana urns and circular drip pans, on whiplashed branches from conforming candlestick knopped stems, on filled square bases with indented angles, converting to a four-branch five-light candelabrum 43.5cm high See illustration
A George III and Later Part Service of Flatware, Thomas Wallis & Jonathan Hayne, London 1815, the forks William Eaton, London 1838 and various dates and makers, Old English pattern, crested, comprising two table spoons, twelve table forks, six dessert spoons, twelve dessert forks, and a basting spoon, 60oz 4dwt (33)
A Pair of George III Corinthian Column Table Candlesticks, possibly John Carter II, London 1772, with concave and bead edged sconces (marked for John Winter & Co, Sheffield, no date letter), with pierced capitals and stop fluted stems, on weighted concave sided square bases embossed with urns amongst swags, 28cm high
Attributed to Sir Robert Lorimer An Arts & Crafts Oak 5` Table, the plain octagonal planked top with moulded edge, on eight octagonal legs joined by a chamfered stretcher with eight scroll feet, retailers label ``Scott Morton & Co Murieston Road, Edinburgh``, 152.5cm wide, 76cm high (split to top) See illustration This table was designed for the University of Edinburgh, which holds drawings of the design.
A Stanley Webb Davies Walnut Bedroom Suite, with exposed construction and ebony detailing, comprising a Dressing Table, with two short drawers enclosed by two deep drawers, on solid end supports, signed with SWD monogram in a rectangular cartouche and dated 1935, craftsman`s monogram for Bob Willet, 114cm by 55cm, 79cm high; a Dressing Table Mirror, the bevelled plate in a shaped frame with chip decoration on a plinth base, signed with SWD monogram in a rectangular cartouche and dated 1935, craftsman`s monogram for Bob Willet, 61cm high; a Chest-of-Drawers, with two short over three long drawers, signed with SWD monogram in a rectangular cartouche and dated 1934, craftsman`s monogram for Bob Willet, 114cm by 52cm deep, 84cm high; a Bedside Cupboard, with open shelf above a fielded panelled door, signed with SWD monogram in a rectangular cartouche and dated 1935, craftsman`s monogram for Herbert Marshall, 40cm by 35.5cm, 80cm high; and A Bedstead, panelled head and foot board, signed with SWD monogram in a rectangular cartouche and dated 1935, craftsman`s monogram for Herbert Marshall, 58`` wide with walnut side rails and pegs (5) See illustration
A Group of Stanley Webb Davies Items, comprising an Oak Oval Tray, with chip decoration, signed with SWD monogram in a square cartouche, craftsman`s monogram for Richard (Dick) Cloudsdale and dated 1931, 35cm wide; a Similar Oak Hand Mirror, with chip decoration, unmarked, 28cm; a Pair of Walnut Clothes Brushes, unmarked, 17cm and 21cm; a Walnut Table Lamp, of octagonal form, unmarked, 25cm; a Walnut Rectangular Hinged Trinket Box, unmarked, 14cm by 10.5cm, 5cm; a Walnut Letter Rack, with chip decoration, unmarked, 25cm by 11.5cm, 16cm high; and A Walnut Open Cupboard, with fixed shelf, chip decoration, unmarked, 36cm by 26cm, 32.5cm high (8)
An Art Deco Satinwood Five Piece Bedroom Suite, comprising a double door wardrobe, 122cm wide, 55cm deep, 190cm high; a cupboard, with fitted interior, 84cm by 53cm, 153cm high; a dressing table, with shaped circular mirror over a central drawer, enclosed by three graduating drawers to each side, 123cm by 56cm, 157cm high; a bedside cupboard, with open section over two cupboard doors, 61cm by 46.5cm, 78cm high; and a headboard, with cloud shape top, 138cm wide (5)
A 1960`s Danish Teak Dining Room Suite, comprising an Extending Circular Table, on four tapering legs, stamped FREM ROJLE MADE IN DENMARK, 106cm diameter, 73.5cm high; and A Set of Six Chairs, with black vinyl seats, on three tapering legs, stamped FREM ROJLE MADE IN DENMARK, 70.5cm (7)
A Modern Barcelona Console Table, with mirrored top, sides, back and front, two drawers with glass handles, on two chromium plated X legs, 101cm by 50cm, 75.7cm high; and A Modern Barcelona Stool, with white leather upholstery, on two chromium plated X legs, unmarked, 48.5cm high (2)
A Mahogany Chiming Table Clock, retailed by Manoah Rhodes & Sons Ltd, Bradford, circa 1890, arched top, pierced side sound frets, 7-inch silvered dial with Roman numerals, arch with fast/slow and chime/silent selections, triple barrel movement quarter chiming with four hammers striking four gongs and a larger hammer striking a gong for the hours, movement backplate stamped W&H Sch, 42cm high
An Oak Chiming Table Clock, signed Russells Ltd, 18 Church St, Liverpool, circa 1890, the elaborate carved case with scroll and mask decoration throughout, side opening doors, engraved presentation plaque to the front, 8-inch arched brass dial with a Roman and Arabic chapter ring, arch with three dials for chime/silent, fast/slow and Whittington/Westminster, triple fusee movement with anchor escapement, chiming with eight hammer striking eight bells or four hammers striking four gongs and a further hammer striking a gong for the hours, 70cm high see illustration
An Ebonised Striking Table Clock, signed Thos Gibbons, Popes head Alley, London, circa 1750, the inverted bell top with carrying handle, side windows and pierced sound frets, 7-inch arched silvered brass dial with Roman and Arabic chapter ring, mock pendulum and date apertures, signed in the arch, twin fusee movement, converted to anchor escapement and striking on a bell, movement backplate engraved throughout, 53cm high over handle see illustration
A Mahogany and Brass Inlaid Quarter Striking Table Clock, circa 1890, the caddy top with carrying handle, pierced side sound frets, raised on bracket feet, 7-inch silvered dial with Roman numerals, twin barrel movement quarter striking with two hammers onto two gongs, 48cm high
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1181627 item(s)/page