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Lot 148

A Victorian mahogany work table with drop leaves and an end drawer, on turned legs. H.72 W.67 D.64cm.

Lot 238

A black painted and parcel gilt tripod table, the top painted with flowers, on a turned stem, with scrolling tripod feet. H.70 W.60cm

Lot 250

A cast iron bistro table, the circular marble top with a moulded edge, the painted base on tripod feet. H.73 Diam.75cm

Lot 283

A George III style mahogany chess table, the octagonal top inlaid with a chessboard, on tripod supports. H.44 &0 D.70cm.

Lot 321

A Tiffany style leaded glass table lamp shade, decorated with dragonflies. H.20 W.31cm

Lot 386

Dining table, extending vintage teak by McIntosh Furniture. H.77 W.170 D.122cm. (Extended)

Lot 390

An early 20th century oak drop leaf dining table, with an oval top, on barley twist legs, joined by stretchers. H.72 W.107 Diam.134cm (ext)

Lot 40

A contemporary table with limed oak top on wrought iron Singer sewing machine base C.1900. H.76 W.110 D.62cm

Lot 460

A mango wood rectangular refectory dining table, on square section tapering legs. H.78 W.200 D.95cm.

Lot 505

A Georgian mahogany dining chair, a Georgian style yew wood occasional table and an Edwardian mahogany side cabinet. H.74 W.56 cm (largest)

Lot 551

A George III style mahogany side table, the rectangular top over two short drawers, on square section tapering legs. H.77 W.93 D.54cm

Lot 63

A circa 1970s G-Plan teak dining table, of eliptical form with a butterfly leaf, on tapering cylindrical legs, bearing label. H.72 W.150 D107cm.

Lot 84

Lamp table, 19th century mahogany on swept tripod base. H.66 W.52cm

Lot 93

Card table, early 19th century mahogany, fold over top on double gateleg action. H.72 W.91 D.88cm

Lot 684

A 19th century Sitzendorf porcelain table mirror having applied decoration featuring florals and two robed putti sat atop holding a wreath of roses. Easel to back. Measures 30cm tall.  

Lot 808A

A collection of vintage 20th century cigarette lighters to include a Wedgwood Jasperware style lighter, zippo lighters, Dutch clog style lighter, table lighters and more.

Lot 830

A collection of vintage 20th century lighters comprising of table examples, zippo, enamel examples and more. 

Lot 872

Doggie People – Robert Harrop – a collection of x7 figurines / statues to include DPKR02 Knights of the Round Table Tri Colour Bull Terrier Sir Gawain, DPFG17 Yellow Labrador Puppy, DP200 Bulldog Victory, DP190C Chocolate Dr Doogood, DP147KL Bulldog A Norfolk Hero Limited Edition 250, Sir Percival Brindle Bull Terrier, DP251BWG Black & White  Staffordshire Bull Terrier Grenadier Guards. Note; from a large collection of Robert Harrop & other statues / figurines. Condition is stated within each description, however buyers are reminded that such statements are not forensic reports and all items will remain sold 'as is'. As a rule, statues do appear mint and undamaged, but this is not guaranteed. Boxes range in condition, and some have wear from storage. In all instances buyers are required to satisfy themselves. Certificates / paperwork are present if photographed, if there are no photographs of certificates then one isn't present.

Lot 671

A good mid 20th century plaster table lamp including shade

Lot 790

A quantity of mid 20th century dressing table brushes & mirrors etc.

Lot 816

A selection of sets of 6 table mats

Lot 817

A side table with book stand below

Lot 845

A 20th century table 7 workshop lamp

Lot 933

A mid 20th century 3 mirror serpentine dressing table & stoolCollect Only.

Lot 935

A ladt figural table lamp in good order

Lot 245

Oil on board. Framed measurements: 64 x 54, table measurements: 40 x 30 cm

Lot 22

Horse with rider. China, Tang Dynasty, AD 619-906.Polychrome terracotta.Provenance: Private collection, USA.Measurements: 33.5 cm (height) x 24 cm (length).Figure of a horse and rider made in polychrome terracotta, probably with the usual engobes of the period (cold-applied), which may have formed part of a funerary trousseau of a prominent member of the Tang Dynasty. It is remarkable for the naturalistic way in which the artist has portrayed it. The Tang Dynasty is considered by historians to be a period of splendour in Chinese civilisation, equal or even superior to the Han period. Emerging after a period of despotism under the cruel Yang Di, it was established by Li Shimin who, out of filial piety, put his father on the throne before assuming the role of emperor himself and founding the Tang dynasty. Stimulated by contact with India and the Middle East via the Silk Road, the Tang empire experienced a creative boom in many fields. Buddhism, which had emerged in India at the time of Confucius, continued to flourish during this period and was adopted by the imperial family, becoming an essential part of traditional Chinese culture. The development of the printing press also extended the dissemination of written works, giving rise to the golden age of Chinese art and literature. The great cultural opening will result in a fundamentally colourful, expressive and very eclectic art, although it is still mainly for funerary use, where the artist remains an anonymous craftsman. However, from this time onwards, high-fired ceramics, decorated with enamels, would come to be used as a status symbol, with typologies such as vessels for the table of the litterateur and all types of tableware. Terracotta, on the other hand, continued to be used for grave goods, although stoneware would also be used from now on, especially for the tombs of nobles and scholars. In funerary pieces, the group to which these bears belong, an important novelty was introduced: tricolour lead glazes (sancai), although pieces decorated with engobes continued to be made. Among the grave goods, there are six typological groups, each with a great variety: tomb guardians, with warriors and protective beasts; ceremonial figures with their servants; animals of all kinds, such as oxen, camels and horses; musicians and court ladies; utensils and vessels; and finally, architectural models. Three periods can also be distinguished. The first of these, between 681 and 683, is dominated by figures decorated with engobes, but not yet glazed, so that the pieces presented here could be dated to between these years. The second period, between 683 and 779, is the great Sancai period, with a predominance of enamel. Finally, until the beginning of the 10th century, pieces with Sancai enamels continued to be made, albeit of lower quality than those of the previous period.

Lot 30

Polo player; China, Tang Dynasty, 679- 907 AD.Polychrome terracotta.Attached thermoluminescence examination.It has slight damage caused by the passage of time.Measurements: 23 x 34 x 11 cm.Round sculpture made in terracotta and decorated with engobes in reddish and cream tones. It represents a woman on horseback, galloping, with the animal captured in the middle of a jump. The human figure also shows the movement and tension of the moment, and turns her torso towards the viewer.The Tang dynasty is considered by historians to be a period of splendour in Chinese civilisation, equal or even superior to the Han period. Emerging after a period of despotism under the cruel Yang Di, it was established by Li Shimin who, out of filial piety, put his father on the throne before assuming the role of emperor himself and founding the Tang dynasty. Stimulated by contact with India and the Middle East via the Silk Road, the Tang empire experienced a creative boom in many fields. Buddhism, which had emerged in India at the time of Confucius, continued to flourish during this period and was adopted by the imperial family, becoming an essential part of traditional Chinese culture. The development of the printing press also extended the dissemination of written works, giving rise to the golden age of Chinese art and literature. The great cultural opening will result in a fundamentally colourful, expressive and very eclectic art, although it is still mainly for funerary use, where the artist remains an anonymous craftsman. However, from this time onwards, high-fired ceramics, decorated with enamels, would come to be used as a status symbol, with typologies such as vessels for the table of the litterateur and all types of tableware. Terracotta, on the other hand, continued to be used for grave goods, although stoneware would also be used from now on, especially for the tombs of nobles and scholars. In funerary pieces, the group to which this amazon belongs, an important new feature is introduced: tricolour lead glazes (sancai), although pieces decorated with engobes continue to be made. Among the grave goods, there are six typological groups, each with a great variety: tomb guardians, with warriors and protective beasts; ceremonial figures with their servants; animals of all kinds, such as oxen, camels and horses; musicians and court ladies; utensils and vessels; and finally, architectural models. Three periods can also be distinguished. The first period, between 581 and 683, is dominated by figures decorated with engobes, even without glazes. The second period, from 683-779, was the great Sancai period, with a predominance of enamel. Finally, until the beginning of the 10th century, pieces with Sancai enamels continued to be made, albeit of lower quality than those of the previous period.

Lot 103

A Napoleon III tableJacaranda, rosewood and other timbers of floral motifs decoration, with four drop-leaves76x59x59 cm

Lot 570

An Art Deco dressing table mirrorSilverArchitectural frame engraved with straight grooves and cluster of circlesBoar hallmark 833/1000 (1887-1938) and same date maker's mark "Joalharia do Carmo"Stamped "1º Título"(scratches to glass)27x12 cmPeso bruto…372 g

Lot 602

Unusual Baroque crossGold, possibly Spanish, 18th centuryFoliage elements decoration set in alveolae with 15 antique table cut diamondsChiselled back with religious symbologyUnmarked3,8x2,8 cm8.9 g

Lot 76

A Prosper Roussel table top clockGilt and patinated bronzePutto resting on column holding clockWhite enamel dial of black Roman numbering marked "Prosper Roussel A Paris"France, 19th century(mechanism in need of service)Alt.: 62 cm

Lot 9018

Silver handled magnifying glass, various early 20th century silver mounted dressing table bottles and jars, glass bowl, Mediterranean pottery vessel and miscellanea in one box

Lot 9035

Nao porcelain table lamp modelled as two Geese, H55cm overall

Lot 9053

Edwardian mahogany card table with fold over top, single frieze drawer on square supports W61cm

Lot 9056

Pair of gilt metal table lamp, another with prunus pattern base and other lamps

Lot 9100

Mahogany fold over table, raised on square tapering supports

Lot 9101

reproduction sofa table

Lot 9131

Reproduction mahogany hall table

Lot 9136

Regency style mahogany tilt-top table, canted rectangular top on collar turned column, three splayed supports with brass cups and castorsDimensions: Height: 71cm  Length/Width: 122cm  Depth/Diameter: 65cm

Lot 9140

Contemporary Chinese rosewood extending dining table, the extendable top, raised on square supports, with additional leaf (W167cm, H76cm, D106cm) together with eight chairs of similar design

Lot 9146

19th century ebonised tilt top table

Lot 9151

19th century mahogany tilt top occasional table

Lot 9167

Mahogany Tripod Table

Lot 9168

Moroccan style hardwood occasional table with brass inlay

Lot 9336

George III mahogany dining table, raised on square tapering supports, terminating in brass castors

Lot 196

An Edward VIII silver rectangular dressing table tray decorated with flowers, leaves and scrolls, Birmingham, 1908, together with a silver backed hand mirror, silver handled magnifying glass, silver backed brush, silver handled button hook, silver topped hair tidy and silver tea spoons weighable silver approximately 295 grams

Lot 197

A George V silver part dressing table set, with line decoration and initials comprising a hand mirror, two clothes brushes, two hair brushes, silver topped and glass dressing table pots, Birmingham, 1938 weighable silver approximately 130 grams

Lot 223

A set of three George III silver fiddle pattern table spoons, London, 1827, John, Henry & Charles Lias, together with a collection of table spoons, tea spoons, sugar nips, napkin rings, tea strainers etc approximately 1270 grams

Lot 230

A silver backed hand mirror together with two silver backed hair brushes, a silver backed clothes brush, a silver backed comb and a silver topped dressing table pot

Lot 231

A set of six Edward VII silver fiddle pattern table forks, together with a set of six matching dessert spoons, all initialled "R", Sheffield, 1908, C W Fletcher & Son Ltd, approximately 775 grams

Lot 232

A pair of George III silver table forks, London, 1810, Thomas Wilkes Barker together with other silver forks, a silver trophy cup and cover etc, approximately 590 grams

Lot 233

A set of six Elizabeth II silver rat tail soup spoons, Sheffield 1942, 1945, 1946 etc together with silver table spoons, silver tea spoons etc approximately 750 grams

Lot 236

A pair of modern silver desk candlesticks embossed with birds, flowers and leaves, Birmingham, 2000, 10cm high together with two silver photograph frames, a silver topped sugar caster, silver topped dressing table pot and a Mexican silver hat

Lot 240

An Elizabeth II silver mustard pot, with matching salt and pepperette, Birmingham, 1974 together with silver topped dressing table pots, a silver bud vase and a silver candlestick

Lot 244

A pair of 19th century clear glass table lustres, of flared form with a shaped rim and faceted baluster column on a spreading foot, with mismatched drops, 28cm high

Lot 272

A 19th century porcelain vase converted to a table lamp painted with a spray of garden flowers to an orange ground with gilt highlights on a square base and lions paw feet

Lot 386

A George III mahogany tea table with a rectangular foldover top on shallow cabriole legs and pad feet, 79.5cm wide x 39.5cm deep

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