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A Plymouth mug, c.1769-70, the bell shape painted in polychrome enamels with a Chinese man seated at a low table between two ladies holding flower sprays and a long feather, with tall tea stands beside, the rim with a formal foliate design in puce, a section of the rim broken and restuck, a further short crack, 12.5cm.Provenance: the David Stopher Collection.
A Vienna white porcelain mythological group, c.1749, impressed shield mark, modelled with Andromeda chained to a large rock, scantily clad, her robe tied with a strap over her shoulder, Cupid flying down from above, 31.9cm highProvenance: With Christophe Perlès, Paris.The Property of John Kenworthy-Browne FSA.Note: A large table centrepiece with Andromeda is illustrated by Elisabeth Sturm-Bednarczyk (Ed.) and Elisabeth Sladek, Ceremonies · Feasts · Costumes, Viennese Porcelain figures during the Reign of Maria Theresa, Vienna, 2007, p. 65, no. 86.Condition Report: There is restoration to cupid's right wing and loss to his right forefinger. With restoration to Andromeda's right forefinger and firing crack between her legs. Firing cracks and large filled areas to base, and further small firing cracks to the rock and robes. There is a hole to the top of the rocky outcrop, slight chipping to flowers and foliage and overall general surface dirt. Christophe Perlès label to underside.
A Regency penwork table cabinet, early 19th century, decorated overall with trailing flowers and foliage, the doors enclosing five graduated drawers with bone handles, 43cm high, 36cm wide, 22.5cm deep Condition Report: Both doors are slightly warped, the doors do not align with each other, both front bracket feet have been repaired, some loss of decoration, no key, split to the back panel, scratches to decoration.
Greenwood, Charles and John, Map of London, An Actual Survey made in the Years 1824, 1825 & 1826, engraved by James & Josiah Neele, 352 Strand, published by Greenwood, Pringle and Co., 13 Regent Street, Pall Mall, London, August 21, 1827, large engraved hand-coloured folding map, dissected and backed onto linen, with calligraphic cartouche and table of explanation, dedication to George IV, and engraved views of St Paul's Cathedral and Westminster Abbey, framed and glazed, 123cm x 184cmProvenance: Property from the estate of the late David Cornwell, best-known as the author John le Carré.Condition Report: Has not been examined out of the frame. There are numerous areas of damage and wear to include: tearing, creasing, and folding to edges of dissected sections, visible linen is stained brown. Some general discolouration with some light marks, to include scuff marks and light brown marks to lower centre. Tearing and discolouration to centre fold. 'Top Front' written in pencil to top right. There are later light ink marks, to include pink, yellow and blue demarking areas to the centre, and there are red wax marks. Some spotting to include lower left.
A pair of brass Corinthian column table lamps, late 20th century, each with reeded shaft, stepped base and black and gilt paper shades, 41cm high exc. fitments; together with a pair of brass and glass Corinthian table lamps, late 20th century, each with reeded shaft, stepped base and pleated fabric shade 4)It is the buyer's responsibility to ensure that electrical items are professionally rewired for use.
A set of four gilt-brass and white painted Corinthian column table lamps, second half 20th century, each column wrapped with vines and grapes, the stepped square bases with palmette motifs, 84cm high overall (4)It is the buyer's responsibility to ensure that electrical items are professionally rewired for use.Condition Report: Areas of tarnishing to the gilt-brass elements, more noticeable to one of the stepped bases. Some scratches/scuffs to bases. The vine mounts to the shafts are rubbed in places so the gilding has worn to a grey colour.It is the buyer's responsibility to ensure that electrical items are professionally rewired for use.
A pair of Spanish white glazed Casa Pupo table lamps, second half 20th century, each of stylised leaf and berry design, the giltwood bases with maker's labels, 56cm high exc. fitments; together with a white glazed Corinthian column table lamp, late 20th century, the reeded shaft with rope swags, the square-section base with a relief of a spread eagle, 71cm high (3)Provenance: The Property of the late Lord AveburyIt is the buyers responsibility to ensure electrical items are professionally rewired for useCondition Report: One of the Casa Pupo lamps has a restored leaf. There are small nicks to the glaze to both lamps and some glaze crazing. Otherwise, there are no other detractions to the lamps.The column lamp has a 3cm loss at the foot of the column shaft. One of the rope swags has a horizontal crack which is possibly a restoration. There are some dark surface marks which need to be gently cleaned away. Nicks to the glaze in places. The base is drilled for an electric wire.It is the buyers responsibility to ensure electrical items are professionally rewired for use.
A large Victorian mahogany serpentine fronted dressing table mirror, c.1870, the rectangular mirror with round top, set on twin cylindrical pillars with turned finials and mounted brass candle sconces, above hinged compartment, 90cm high, 75cm wide, 34cm deepProvenance: The Property of John Kenworthy-Browne FSA.
A George III mahogany and marquetry Pembroke table, c.1780, with fan paterae, single drawer and dummy drawer, raised on square tapering legs to brass caps and castors, 73cm high, 103cm wide, 78cm deepCondition Report: Splits to inlay, splits to veneer all over, dark spots and stains to top, scratches, gouges, knocks and marks to top, gouges to drawer front, gouges to drawer front, many splits to veneered edge, portions of inlay and veneer have been replaced, knocks and scratches to legs, drawer runs smoothly, large repair/ reglued chunk of wood to top, smaller repair to edge of middle section, brass handles and castors are tarnished and scuffed, structurally sound
A George III mahogany pier table of Adam design, c.1780, the later marble top above dentil frieze with central swag, raised on square tapering legs to carved block feet, with moulded hair bells, 85cm high, 183cm wide, 47cm deepProvenance: Property from the estate of the late David Cornwell, best-known as the author John le Carré.
A George III mahogany tilt top breakfast table, c.1800, rosewood cross banded, raised on ring turned column and four splayed legs to brass caps and castors, 72cm high, 160cm wide, 115cm deep, together with a set of eight George III mahogany spar back dining chairs (9) Condition Report: Table: Splits to veneer border, large dark stains to top, cuts, marks, gouges and scuffs to top, some ring marks, knocks, chips and gouges to edge of top, one castor is missing inducing a large wobble in the table, minor splits to central support, knocks, marks and scratches to legs and supports, brackets to underside of support are partially corroded, brass feet and castors are scuffed and tarnished, some old repairs to gouges in top, signs of old woodworm to top of support and base of top. Chairs: All with knocks, marks and scratches to woodwork all over, upholstery is slightly worn in places on all, minor stains and marks to upholstery of all, signs of old woodworm on all, all structurally sound, seat blocks have been reglued on some, all with dark stains and gouges to backrest, three with larger cuts to edges of backrest, moulding/ carved edges are chipped in places
A Victorian amboyna and ebonised card table, c.1860, ormolu mounted and ivory inlaid, the swivel fold over top enclosing green baize with red tooled leather border, the frieze set with green jasperware plaques, raised on four square tapering columns, joined by stretcher with urn finials, to splayed feet and castors, 75cm high, 92cm wide, 49cm deepIvory Submission: PXAACD33Condition Report: Splits/crazing to the ebony, the top is slightly warped, scratches and knocks to wood around the base and feet, light scratches to top, structurally sound, overall very good condition.
An Edwardian Sheraton revival satinwood crossbanded mahogany cylinder desk, c.1910, boxwood and ebony strung, with fully fitted interior and green felt writing surface, above single drawer, raised on square tapering legs to spade feet, joined by shaped undertier, 91cm high, 73cm wide, 44cm deepCondition Report: Veneer missing in places all over, split to drawer front and splinter of wood missing, mechanism works very smoothly, knocks and scratches to legs, larger portions of veneer missing from sides of cylinder, scratches, knocks and marks all over, minor gouges to top, stains and marks to fabric interior, decorative edging of writing slope missing (shadow from where there was a decorative fabric border), 7 knobs missing from interior drawers, knocks and marks to interior, table is slightly wobbly but relatively stable, moulding is slightly loose in places, scratches to undertier
An Edwardian Sheraton revival satinwood and line inlaid oval occasional table, first quarter 20th century, the radiating veneered top, on square tapering legs united by x-shaped stretchers and oval shelf, on brass caps and castors, 76cm, high, 84cm wide, 50cm deep (VAT Charged on Hammer Price)
Sybil Colefax & John Fowler, a bespoke console table, of recent manufacture, the D-end top with scalloped frieze, on square tapered supports, 85cm high, 170cm wide, 40cmCondition Report: Faint ring marks to top (water marks), minor scratches and marks to top, joints are in good condition, minor knocks to edge of top, paint is in good condition, structurally sound.
A North European mahogany dressing console table, circa 1810, ebony and brass inlaid, the hinged top enclosing camphor wood lined fitted interior, the central green felt lined writing surface rises with mirror to the reverse, with hidden drawers and compartments, raised on two front sabre legs to concave base, 89cm high, 100cm wide, 53cm deep (VAT Charged on Hammer Price)
An Italian Rococo giltwood console table, third quarter 18th century, parcel green painted, the carved S-scrolling supports with hoof feet, joined by X-frame stretcher with carved shell finial, lacking marble top, 82cm high, 160cm wide, 57cm deep ( VAT charged on the Hammer price)Condition Report: There are signs of old woodworm, all of the legs have has repaired/reglued at some point in its life, loss of paint, one foot has partially rotted away,
A Scottish provincial silver spoon by James Cornfute, Perth, c.1780, Old English pattern, with engraved initial to terminal, together with five further silver Old English pattern table spoons comprising: an 18th century example by John Quantock, maker's mark only; two bright-cut engraved George III examples, London, 1797, IB; a George III example by William & John Fisher, London, 1794; and an example with very rubbed marks, all spoons with engraving and/or monograms, total weight approx. 10.6oz (6)Condition Report: Cornfute spoon in good condition commensurate with age. Some minor nicking and scratching. Slight thinning/sharpness to bowl on one side and thinning to terminal. Initial to terminal slightly worn. Other spoons: heavy bruising to bowl of one, and thinning to terminnal (and the marks on this spoon almost totally erased). Some wear to bright cut engraving on IB examples. Bowls slightly misshapen and worn. Quantock example in good overall condition but some thinning to terminal. William & John Fisher example with bruising to bowl and thinning to terminal. All spoons with some nicking, scratching and wear commensurate with age.
A set of ten early George II silver dessert spoons, London, 1729, William Petley, Hanoverian pattern with single drop to reverse of bowls, engraved with squirrel crest to reverse of terminals, together with a matched spoon and three Hanoverian pattern table spoons, London, 1762, William Cripps, with extended drop to reverse of bowls, total weight approx. 19oz (a lot)Provenance: Property from the estate of the late David Cornwell, best-known as the author John le Carré.
A set of eleven George II silver table forks, London, 1749, Ebenezer Coker, Hanoverian pattern with engraved crest to reverse of terminals, together with a set of ten dessert forks, marks rubbed, probably Thomas Chawner, c.1775, engraved with crest to reverse of terminals, and two later silver dessert forks, total weight approx. 42.1oz (a lot)Provenance: Property from the estate of the late David Cornwell, best-known as the author John le Carré.Condition Report: Good condition generally. Some wear to tines (worn down unevenly). General scratching and nicking commensurate with age and use. Some tines bent. Some heavy nicking to tines of some. Some wear to crests. Hallmarks to table forks generally clear, less so to dessert forks.
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1181390 item(s)/page