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Lot 1159

George III mahogany table, oval drop-leaf top on cabriole supports, gate-leg action base Dimensions: Height: 71cm  Length/Width: 111cm  Depth/Diameter: 107cm

Lot 1108

Rectangular oak coffee table moulded frieze rail on turned supports, united by undertierDimensions: Height: 51cm  Length/Width: 92cm  Depth/Diameter: 123cm

Lot 1251

Painted dressing table, raised swing mirror over small trinket drawers, the table fitted with two drawers, on turned supports; matching chair with upholstered drop-in seatDimensions: Height: 149cm  Length/Width: 89cm  Depth/Diameter: 46cm

Lot 1017

20th century French walnut and Kingwood card table, shaped fold-over top with figured quarter-matched veneers and floral egg and dart moulded edge in gilt metal, shaped aprons decorated with shell motifs with extending foliage, pull-out action base revealing storage well, on cabriole supports with ornate gilt metal mounts Dimensions: Height: 77cm  Length/Width: 87cm  Depth/Diameter: 43cm

Lot 1060

French inlaid walnut dressing table, fold-out top with rectangular mirror plate. decorated with floral inlays, flanked by two fold-out hinged compartments, fitted with brushing slide over single drawer, flanked by three faux drawers and one real, on cabriole supports with gilt metal mountsDimensions: Height: 76cm  Length/Width: 78cm  Depth/Diameter: 45cm

Lot 1020

19th century mahogany pedestal table, circular top on turned column terminating in tripod base with cabriole supportsDimensions: Height: 51cm  Length/Width: 56cm 

Lot 1123

20th century inlaid walnut two-tier occasional table, shaped square top with foliate inlay and boxwood stringing, on cabriole supports united by undertierDimensions: Height: 68cm  Length/Width: 52cm 

Lot 1052

Regency rosewood writing table, rectangular drop-leaf top with rounded corners, hinged easel centre with inset leather writing surface, fitted with single cock-beaded drawer, foliage carved corner brackets, on waisted end supports with scroll carved out-splayed feet, central turned stretcher carved with acanthus leaves and flowerheads Dimensions: Height: 73cm  Length/Width: 75cm  Depth/Diameter: 48cmCondition Report:Warp to the central hinged writing surface. The rear adjustable stand is damaged and will need reassembling.

Lot 1179

18th century and later demi-lune side table, fitted with single drawer with horizontal moulded rails to the facia, raised on turned supports united by box stretcherDimensions: Height: 73cm  Length/Width: 101cm  Depth/Diameter: 51cm

Lot 1168

Georgian design mahogany coffee table, oval crossbanded top, on turned and fluted supportsDimensions: Height: 42cm  Length/Width: 70cm  Depth/Diameter: 50cm

Lot 1285

Light beech rectangular dining table; together with two chairs and two stools Dimensions: Height: 75cm  Length/Width: 150cm  Depth/Diameter: 61cm

Lot 1128

Georgian design mahogany silver table, fretwork gallery tray top, on square moulded supports united by fretwork x-framed stretcher Dimensions: Height: 67cm  Length/Width: 61cm  Depth/Diameter: 42cmCondition Report:Damage to the gallery.

Lot 1219

Victorian pine farmhouse dining table, rectangular plank top on painted base, fitted with two end drawers, on turned supports Dimensions: Height: 77cm  Length/Width: 184cm  Depth/Diameter: 82cm

Lot 1077

Early 20th century Georgian design mahogany extending dining table, rectangular top with rounded corners and gadrooned edge, moulded frieze rail over cabriole supports with acanthus carved knees and ball and claw feet, on castors, with additional leafDimensions: Height: 78cm  Length/Width: 120cm  Depth/Diameter: 105cm

Lot 1140A

19th century mahogany extending dining table with three additional leaves, rectangular top with rounded corners, pull-out action, on turned and faceted supports with brass castorsDimensions: Height: 75cm  Length/Width: 112cm  Depth/Diameter: 130cmCondition Report: Extended length - 280cmSome movement in the tops. One end top is currently detached. Various screw holes in the end tops. The mechanism seems to function OK. There look to be some adaptions.

Lot 1267

Stag Minstrel - triple mirror back dressing table, fitted with six drawersDimensions: Height: 128cm  Length/Width: 132cm  Depth/Diameter: 47cm

Lot 1114

Regency mahogany dining table, rectangular top with rounded corners and reeded edge, raised on square pedestal with platform, terminating to sabre supports with brass cups and castorsDimensions: Height: 77cm  Length/Width: 144cm  Depth/Diameter: 108cmCondition Report:No screws. Table moulding detached.

Lot 1221

Wrought metal and glass top coffee table, square glass top on scrolled supports with brass feet, scrolled stretchers with pineapple finial Dimensions: Height: 45cm  Length/Width: 120cm  Depth/Diameter: 120cm

Lot 1094

Georgian design inlaid mahogany kneehole desk or side table, rectangular top with satinwood banding, fitted with two long over two short drawers, raised on square tapering supports with brass castorsDimensions: Height: 81cm  Length/Width: 107cm  Depth/Diameter: 48cm

Lot 1081

Georgian design mahogany tripod table, pie-crust moulded circular top, raised on turned and fluted column with twist baluster, on out-splayed ball and claw carved feet with acanthus carved kneesDimensions: Height: 72cm  Length/Width: 51cm 

Lot 1165

19th century mahogany pedestal table, oval top over turned vasiform column terminating in tripod base (W67cm D69cm H71cm); 18th century mahogany Pembroke table, fitted with single drawer, on ring turned supports (W72cm D55cm H74cm)

Lot 1160

Georgian design hardwood tripod table, moulded pie-crust tilt-top, turned and fluted column carved with foliage, on three acanthus leaf carved splayed supports with ball and claw feetDimensions: Height: 75cm  Depth/Diameter: 72cm

Lot 1104

18th century oak dining table, oval drop-leaf top, on turned supports united by moulded stretchers, gate-leg action baseDimensions: Height: 76cm  Length/Width: 144cm  Depth/Diameter: 117cm

Lot 1206

McIntosh - mid-20th century teak extending dining table, pull-out action with fold-out leafDimensions: Height: 74cm  Length/Width: 166cm  Depth/Diameter: 120cm

Lot 1172

Yorkshire oak - small oak occasional table, rectangular top with carved checkered edge, on four stop chamfered pillar supports, sledge feet united by stretchers, carved with butterfly signature Dimensions: Height: 48cm  Length/Width: 45cm  Depth/Diameter: 26cm

Lot 1156

Early Victorian mahogany breakfast table, circular top with banded edge, raised on octagonal pedestal base with three scrolled cabriole supports with foliate moulding, terminating in stepped square feet and brass castorsDimensions: Height: 75cm  Depth/Diameter: 135cm

Lot 1249

Pair of hardwood nesting lamp tables, rectangular top on square supports, the smaller table fitted with drawerDimensions: Height: 51cm  Length/Width: 55cm  Depth/Diameter: 40cm

Lot 1095

Late 18th century mahogany and oak three-legged cricket table, circular mahogany top on oak base, turned supports united by moulded stretchersDimensions: Height: 54cm  Depth/Diameter: 71cm

Lot 1177

Early 20th century American oak smokers bow tub armchair, shaped cresting rail with pierced handle over ring turned spindle back, seat upholstered in pink tapestry fabric (W56cm, H73cm); small 20th century walnut occasional table on turned supports (W43cm, H70cm, D33cm)Dimensions: Height: 73cm  Length/Width: 56cm 

Lot 1207

Mid-20th century teak rectangular coffee tableDimensions: Height: 35cm  Length/Width: 114cm  Depth/Diameter: 36cm

Lot 1200

Meredew - mid-20th century oak kneehole dressing table, raised triple mirror back over seven drawers Dimensions: Height: 134cm  Length/Width: 122cm  Depth/Diameter: 49cm

Lot 1067

Walnut side table, shaped and moulded top on ring turned supports with out-splayed feet, connected by x-framed stretchers Dimensions: Height: 47cm  Length/Width: 61cm  Depth/Diameter: 51cm

Lot 1237

20th century carved hardwood and metal bound side table, demi-lune form with inset glass top (W74cm, H32cm, D40cm); white metal scroll holder (L27cm)

Lot 1218

Large Victorian pitch pine farmhouse table, rectangular top with shaped edge, over a shaped apron, raised on turned supportsDimensions: Height: 78cm  Length/Width: 244cm  Depth/Diameter: 87cm

Lot 1121

Victorian walnut stretcher table, rectangular top, bobbin-tuned supports on platforms united by stretcher, on turned feetDimensions: Height: 70cm  Length/Width: 92cm  Depth/Diameter: 43cm

Lot 1000

Regency rosewood and brass inlaid card table, the rectangular fold-over and swivelling top with rounded corners with a satinwood band, opening to reveal a blue baize lined interior playing surface, the frieze with a raised panel with satinwood stringing and a lower beaded brass edge, the concave and canted column with a shaped platform base applied with scrolls with brass star inlays and stringing, quadruple splayed supports terminating in foliate cast cups and castorsDimensions: Height: 75cm  Length/Width: 92cm  Depth/Diameter: 45cm

Lot 1272

Contemporary oak and beech dining table, oval drop-leaf top on turned supports united by stretchers, gate-leg action baseDimensions: Height: 75cm  Length/Width: 151cm  Depth/Diameter: 106cm

Lot 61

SYCAMORE & ASH 'CHEESE TOP' CRICKET TABLE, late 18th Century, believed Welsh, single-piece circular top on three hand shaped legs morticed and wedged through the top, 44.5 (diam) x 58cms (h)Provenance: the Welsh art collection of award-winning television producer, the late Pat Llewellyn (1962-2017).Comments: top repair

Lot 74

WELSH SYCAMORE AND ASH CRICKET TABLE, 19th Century, circular top with top with natural insect damage adding inersting texture, raised on hand shaped splayed legs sicketed to an under block with presumed original claret red paint,Provenance: the Welsh art collection of award-winning television producer, the late Pat Llewellyn (1962-2017).Comments: old damage to rim, top slightly worn. Provenance:19TH

Lot 159

‡ NINA HAMNETT (Welsh 1890-1956) pencil - entitled verso, 'Life Class', signed with initials, dated verso c.1920, 44 x 28cmsProvenance: private collection West MidlandsAuctioneer's Note: born Tenby, studied at the Pelham Art School and the London School of Art between 1906 and 1910. Then launched herself into the London art world on the strength of a fifty pound advance on an inheritance from her uncle and a stipend of two shillings and sixpence a week from her aunts. She socialised with the likes of Augustus John, Walter Sickert, and Henri Gaudier-Brzeska. She became very popular as a result of her high spirits, her devil-may-care attitude, and her sexual promiscuity. Like other women at the time revelling in a newfound independence, she had her hair cut short in a ‘crophead’ style (what we would now call a basin cut) and she wore eccentric clothing: It was said that at this phase in her life Nina Hamnett had the knack of being in the right place at the right time. In 1914 she went to live in Montparnasse, Paris, immediately meeting on her first night there the Italian painter Amedeo Modigliani. He introduced her to Picasso, Serge Dighilev, and Jean Cocteau, and she went to live at the famous artist’s residence of La Ruche which housed many other Bohemian artists and modernist writers. It was there that she met the Norwegian artist Roald Kristian, who became her first husband. Rapidly she established herself as a flamboyant and unconventional figure - bisexual, drank heavily, and had liaisons with many other artists in Bohemian society, often modelling for them as a way of earning a (precarious) living. She established her reputation as ‘The Queen of Bohemia’ by such antics as dancing nude on a cafe table amongst her drinking friends. Her reputation as a Bohemian and an artist eventually filtered back to London, where she returned to join Roger Fry and his circle working on the application of modernist design principles to fabrics, furniture, clothes, and household objects as part of the Omega Workshops. She acted as a model for the clothes along with Mary Hutchinson, Clive Bell‘s mistress, and she mingled with other members of the Bloomsbury Group, such as Vanessa Bell and Duncan Grant. Her paintings were exhibited at the Royal Academy and the Salon d’Automne in Paris. She also taught at the Westminster Technical Institute in London. Around this time she divorced her first husband and lived with the composer and fellow alcoholic E.J. Moeran. During the 1920s (and for the rest of her life) she made the area in central London known as Fitzrovia her home and stomping ground. This new locale for arty-Bohemia was centred on the Fitzroy Tavern in Charlotte Street which she frequented along with fellow Welsh artists Augustus John and Dylan Thomas, making occasional excursions across Oxford Street to the Gargoyle Club in Soho.After the glamorous world of modernism and the artistic avant-garde, there was a no less spectacular descent into poverty, squalor, and alcoholism, living in a bed-sit in Howland Street, infested with lice and littered with rodent droppings. It was said that the flat was furnished only with a broken-down chair, a piece of string for a clothes line, and newspapers instead of proper bedding. In 1932 she published a volume of memoirs entitled 'Laughing Torso', which was a best-seller in both the UK and the USA. Following its publication she was sued by Aleister Crowley, whom she had accused of practising black magic. The ensuing trial caused a sensation which helped sales of the book, and Crowley lost his case.Her success in this instance only fuelled her downward spiral, and she spent the last three decades of her life propping up the bar of the Fitzroy trading anecdotes of her glory years for free drinks. She took little interest in personal hygiene, was incontinent in public, and vomited into her handbag. Her ending was as spectacular as had been her previous life. Drunk one night she either fell or jumped from the window of her flat and was impaled on the railing spikes below. She lingered miserably in hospital for three more days, where her last words were “Why don’t they let me die?”Comments: framed and glazed, ready to hang

Lot 179

‡ ROSEMARY BURTON (Welsh b.1939) collage - entitled verso 'Flowers on a Table' on Martin Tinney Gallery label, signed and dated verso 2011, 23 x 23cmsProvenance: private collection CardiffComments: framed and glazed, ready to hang

Lot 382

‡ VIVIENNE WILLIAMS (Welsh b.1955) oil on paper - entitled verso, 'Dark Table with Tulips', 56 x 76cmsProvenance: private collection Rhondda Cynon TaffComments: framed and glazed, ready to hang

Lot 62

OAK AND ASH CRICKET TABLE, late 18th C., believed Welsh, oak and ash, circular top raised on three hand-shaped legs united by T-shaped stretcher, 45 (diam) x 55cms (h)Provenance: the Welsh art collection of award-winning television producer, the late Pat Llewellyn (1962-2017). Comments: top shrunk and rejoined, old nailed repairs through the top

Lot 227

Boxed Subbuteo Table Soccer Continental Club Edition

Lot 573

Good Quality Modern extending dining table with a set of 8 Dining chairs and 2 Leaves

Lot 632

Victorian Leather topped Clerks desk with turned supports, Indian Hardwood Coffee table and a bookcase

Lot 525

Delicate Mahogany Silver table with pierced Fretwork over tapering legs and circular under tier

Lot 356

Gilt Gesso table lamp and a Metal adjustable floor standing Lamp

Lot 537

19thC Tilt top table with hand painted James Purdey & Sons Bespoke Shotguns

Lot 249

2 Art Deco Dressing table sets, collection of Wedgwood Jasperware and 2 Advertising ashtrays

Lot 588

Circular Marble topped table with Cast iron base

Lot 511

Light Oak Modern dressing table/desk with metal drop handles

Lot 372

2 Cased Silver handles sets of Cutlery and a Silver backed dressing table brush set

Lot 564

Good Quality Mahogany Circular Silver table with turned base and carved tripod legs

Lot 532

19thC Fold over Card table on turned tapering legs

Lot 526

Brass topped circular table on turned Oak legs

Lot 187

Brass Corinthian column table Lamp

Lot 554

Edwardian Bedside table of 3 drawers with brass handles over tapering legs

Lot 639

Kettler Low garden Sofa Suite and Coffee table

Lot 560

Walnut shaped top table, Window table and a Upholstered Gout stool

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