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Lot 917

A Satin birch Vitrite glass topped side table, the rectangular section legs and frame supporting the black glass top 70 x 76 x 51cm (27 x 30 x 20in)

Lot 100

Three Lomonosov wares together with a seated figure of Lenin, the biscuit bust of Stalin 11.5cm high, Tolstoy at his writing table 16.5cm high and an inkwell in the form of an open book, 10cm high (4)

Lot 1063

A French mahogany and marble hall table, 80 x 118 x 42cm with mirror (2)

Lot 1051

A reproduction mahogany dining table, together with a similar sideboard and two corner tables (4)

Lot 945

A 19th century mahogany tripod table, 68cm diameter

Lot 965

A Regency mahogany and ebony line inlaid tripod table with canted corners, 47 x 40cm

Lot 1084

An early Victorian mahogany dressing table mirror with cushion moulded drawers, 71 x 71 x 30cm

Lot 208

Textiles to include a Victorian star shaped pin cushion, a beadwork pocket, six needlework small shields, table napkins and a leather suitcase etc.

Lot 955

A 19th century Continental work and writing table, on lyre end supports 72 x 50 x 34cm

Lot 490

A modern silver mounted rectangular dressing table mirror the mount repoussee decorated with flowers and vines, 36.5cm high

Lot 1077

A Victorian mahogany dining table (no leaves), 105cm square

Lot 290

18/19th century oil on canvas, still life fruit and bird on a table, unsigned, 14" x 16", unframed.

Lot 191

Oil on canvas laid on board, woman at a dressing table, modern, 23" x 19", framed.

Lot 24

Arnold Daghani (1909-1985), coloured pastels, couple at a table, signed and dated 21.6.1976, 15" x 18", framed.

Lot 153

A Pair of French Patinated and Gilded Bronze Table Lamps the arms of patinated and gilded bronze issuing from an octagonal column above a domed parchment base bound with lacquered brass band, designed by Dominique and made by Genet and Michon, 33cm wide, 32cm high, 16.5cm deep

Lot 9

A George III Satinwood and Marquetry Pembroke Table the serpentine crossbanded top with a central oval rosewood marquetry medallion inlaid with a neo-classical urn surrounded by engraved bell flowers, within an outer crossbanding inlaid with a running pearl motif border, the leaves each with a fan medallion, the frieze with a single drawer flanked by simulated fluting in boxwood, the square tapering legs decorated with water leaf marquetry feet, terminating in the original brass castors, inlaid throughout with tulipwood bandings and stringing 98cm wide, 68cm high, 70cm deep Comparative Literatue: Clifford Musgrave, ­am and Hepplewhite and other Neo-Classical Furniture', Faber and Faber, London, 1966, figs. 130 and 131. Provenance: Mallett and Son (Antiques), 1960 The term 'Pembroke' table originated from the Countess of Pembroke who reputedly ordered the first example of its type. The Heppalewhite period in late eighteenth century England is epitomised by the neo-classical designs of the cabinetmaker George Hepplewhite. His furniture patterns are characterized by a classic simplicity and delicacy as well as light, curved forms, painted or inlaid decoration, and distinctive details such as slender tapering legs terminating in spade feet. The three oval panels of neo-classical marquetry, the use of inlaid dentil molding framing the central drawer and the collars on the legs above elaborate marquetry inlay to each ankle, relate to furniture produced by Christoph Furlohg. Furlohg was a Swedish cabinetmaker who was trained in Europe by the French ebeniste Jean-Francois Oeben. He became an employee of John Linnell at Berkeley Square and was much in demand for his marquetry work of curiously inlaid mahogany and satinwood articles . He combined his French techniques with the new neoclassical taste in England, which attracted many distinguished patrons including the Prince of Wales and the Duke of Portland.

Lot 57

A Regency Rosewood Sofa Table the well-figured top inlaid with calamander wood cross-banding and boxwood stringing, the pair of frieze drawers with ebony and boxwood stringing, with gilt-metal handles of star form and open anthemion escutcheons, on solid end supports inlaid with anchors and joined by an arched stretcher above splayed legs ending in brass box castors, 150cm wide, 72cm high, 70cm deep

Lot 65

A Carved Mahogany Octagonal Tripod Table the tilting top with a turned spindle gallery inlaid with brass stringing, the spirally fluted stem above a laurel leaf carved baluster section, on reeded scroll legs terminating in block feet, 18th century, the top possibly associated 54cm wide, 74cm high

Lot 50

A Brass and Chrome 1970's Table Lamp constructed as a lattice of interlocking and contrasting rectangular blocks, 47.3cm wide, 108cm high, 32.5cm deep

Lot 168

A Queen Anne Concertina Acton Card Table the shaped top is crossbanded and has herringbone inlay borders, the surface lifts to reveal a baize-lined interior with candle stands and guinea wells, the frieze is similarly crossbanded with herringbone inlay, the whole is raised on circular tapering legs with lappet capitals and terminate in pad feet, the whole in remarkable condition retaining its original hinges and oak card drawer beneath with a wonderful original patina throughout, 89cm wide, 70cm high, 45cm deep

Lot 56

A George III Satinwoodand Inlaid Artist's Table the lifting top with figured veneers, the frieze similarly banded with oval inlay at each corner, the single drawer with an ivory escutcheon and circular brass handles opening to reveal a detachable locked compartment for paints and brushes, the sides with candle slides, on turned reeded tapering legs ending in brass cup castors, inlaid with mahogany crossbanding outlined with boxwood and ebony stringing 58cm wide, 74cm high, 43cm deep

Lot 53

A 19th Century Parquetry Panel Mounted as a Low Table the panel inlaid with two large ebony stars bordered by rosewood and walnut, with elaborate chequer-work detail and boxwood stringing, the walnut frieze with a carved lozenge pattern edge, on an oak chamfered leg base in the Gothic style with inset arches and trefoils, 55cm wide, 48cm high, 104cm deep

Lot 118

A Tric Trac Table by Willy Rizzo signed by Willy Rizzo with reversible top and drawer, the board in leather and the top framed in steel and brass, 85cm wide, 76cm high, 85cm deep

Lot 100

A 'Flaminia' Brass Table by Willy Rizzo with black granite top and dark glass lower tier, edition of 12, signed and certificated, 80cm wide, 50cm high, 50cm deep

Lot 95

A Vintage Console Table by Willy Rizzo each tier with a black glass top to each tier and with two concealed drawers to the front, signed and dated by Willy Rizzo, 140cm wide, 76cm high, 40cm deep

Lot 132

A William & Mary Carved Gilt Gesso Side Table Attributed to Thomas Pelletier A William & Mary giltwood side table the carved acanthus frieze with a female mask at the centre of an open scrolling apron below, the shaped and carved rectangular square tapering column legs richly carved with further foliate ornament and reeding, the legs joined by a boldly modelled scrolling stretcher with a giltwood vase at the centre, with associated veined jasper slab. Provenance: Acquired from John Cragg of Tenby, Pembrokeshire before 1958 and by repute from the Philipps family whose principal family seat is Picton Castle, Pembrokeshire. 130cm wide, 79cm high, 58cm deep

Lot 80

A 19th Century Premier Partie Boulle Writing Table by Town & Emanuel in laid with brass marquetry on an ebony and rosewood veneered ground, incorporating an early 18th century Regence boulle top, decorated with musical vignettes and floral arabesques in the manner of Jean Berain, the frieze containing a drawer on each side and decorated with foliate ornament against a brass ground, on rectangular, tapering legs each supported by a plinth base and joined by a shaped stretcher, bearing the trade label of Town & Emanuel. 117cm wide, 76cm high, 68cm deep Town and Emanuel (1830-1840) traded from 103 New Bond Street and their trade card from a table formerly in the Duke of Bucchleuch's collection is recorded in the Victoria and Albert Museum archives. It bears the trade label dated 183- stating ` Town & Emanuel. Manufacturers of Buhl Marquetrie, Resner & Carved Furniture, Tripods, Screens & c. Of the finest & most superb designs of the times of Louis 14th. Splendid Cabinets & tables inlaid with fine Sevres & Dresden China & c. Old paintings & Curiosities Brought & Exchanged; Buhl & Antique Furniture Repaired. By Appointment to Her Majesty'. Another label recorded on a Kingwood and tulipwood `bureau plat' of Louis XV style bears the Arms of Queen Adelaide. In 1830, the firm supplied 3rd Lord Braybrooke with a looking-glass costing £8 5s for Audley End, Essex or his London house. In 1838 Town and Emanuel delivered `new furniture' for STrafford House, London, at a cost of £12 12s. By 1840 they were listed in directories as Town & Co., `dealers in & Manufacturers of antique furniture, curiosities & pictures (see Geoffrey Beard and Christopher Gilbert, `The Dictionary of English Furniture Makers 1660', 1986, pp. 900-901

Lot 1

An Early 19th Century Chinese Export Black Lacquer Centre Table the gilt decorated circular tilt top bearing the coat-of-arms of the Barons of Elphinstone, above a baluster shaped pedestal on a flat tripod with paw feet, 78.5cm high, 92cm diameter

Lot 21

An Early 19th Century German Mahogany and Ormolu Mounted Gueridon attributed to Johannes Klinkerfuss the V ert M aurin marble top above a plain frieze with rosette and acanthus mounts, the baluster-shaped stem mounted with a band of palmettes and flowerheads, the lower-half elaborately applied with stylized leaves and flowerheads, resting on a stepped-quadripartite base with bun feet, 79.5cm high, 95.5cm diameter With a paper label with the inventory number A.1031 under a Count s crown. a relate table attributed to the same maker sold Sotheby's New York, 18 November 2010, lot 160 Johannes Klinkerfuss (1770-1831) trained under his father Philip Klinckerfuss and Hartman Gürtler (1753-1812). His training was concluded under the auspices of the Roentgen firm of cabinet-makers which he joined in 1789. In 1799 Klinckerfuss was appointed Kabinettebenist to the court shortly after Friederich Eugen's accession the throne and remained in this position until 1812 when he started his own furniture business. However he continued to supply furniture for the Royal court until his death in 1831. A design by Klinkerfuss for a table with similar pedestal support is illustrated in Wolfgang Wiese, `Johaness Klinckerfuss', 1994, p. 354, fig. 43. A further related table by the same maker is illustrated in Johann August, `Biedermeierzeit', pl. 13 (see footnote to Sotheby's New York, 18 November 2010, lot 160 for a more extensive list of comparable furniture associated with Klinkerfuss).

Lot 167

An Early 19th Century Lacquer Altar Table the aubergine ground richly decorated with gilded floral motifs centred by scenes of boats and waves among islands with temples and courtly buildings, the rectangular top supported by straight tapering legs with arrow head feet, 115cm wide, 81cm high, 36cm deep

Lot 18

An Empire Mahogany Tric-Trac Table the removable top with leather writing surface and green baize to the reverse, the interior with stained and polished ivory set within an ebony frame, flanked by highly figured flame mahogany, the frieze and drawer fronts conformingly veneered, on finely turned, reeded legs, terminating in cylindrical feet with brass castors, 115cm wide, 73.5cm high, 57cm deep

Lot 84

A French Empire Rosewood bureau plat by Molitor the top with a pair of leather covered slides and a double tier of citronnier lined drawers in the frieze, on four parcel gilt leopards head monopodia, each end joined by a stepped plinth stretcher, signed Molitor and bearing the JME stamp, gilding restored and the leather replaced, 125cm wide, 81cm high, 83cm deep Bernard Molitor led a charmed life. He was born in Betzdorf, Luxembourg in 1755 and trained as a sculptor before tiring of provincial life and moving to Paris probably before 1778. He lived through the most turbulent of times and survived the French Revolution, the Terror, the Empire and even the Restoration without serious loss. At his death in 1833, at the then very senior age of seventy-eight, he left a substantial fortune. The great and famous ébénistes of the late 18th and 19th centuries rarely enjoyed a lifetime of financial stability, let alone the ability to survive political upheaval. The life and work of Bernard Molitor are exceptional from this perspective alone, before even taking into consideration his prodigious output. Early on in his career his business acumen came to the fore. In 1778, he is recorded in the 'Petites Affiches' advertising a patent insect killer. Later, in 1782, he advertised an ingenious patent hand warmer, fashioned as a small pile of books; the box in mahogany or walnut, had a metal liner which could be filled with hot coals. However, Molitor's output was not limited to innovative gadgets. He had a furniture workshop which he leased at the Arsenal and enjoyed considerable success, though it was not until 1787 that he was received as a maître. In 1788, Bernard Molitor made the usual 'political' marriage to which successful cabinetmakers seem predisposed. He married Elizabeth Fessard, daughter of the charpentier du roi. Perhaps it is cynical to see this marriage as entirely career motivated, as Molitor had already received a royal commission. However shortly after his marriage it was no coincidence thathe began to receive regular commissions from the Queen's circle. The Revolution brought ruin to many and death at the guillotine. The ace Molitor held was that his cousin, Michel, had been actively involved in the storming of the Bastille; so with his help, Bernard, despite being interrogated, managed to avoid arousing serious Revolutionary suspicions. Over the following decades, he was honoured with commissions from the Emperor Napoleon, King Jerome of Westphalia and many private noble collectors including the duc de Choiseul-Praslin. Molitor's remarkable survival owes most to the fact that he managed to create a style that was both simple and original. His work was clearly individual as well as not being too intrusive. Above all other factors, Molitor achieved success over this extended period because his work was consistently of outstanding quality. See: Leben, Ulrich. 1992. Bernard Molitor. Philip Wilson Publishers, 1992. A very similar table by Molitor with three frieze drawers sold Christie's New York, 29 November 2012, lot 261. * Please note that this lot does NOT come with the pair of candelabra which are illustrated with it  

Lot 31

A 19th Century Cut Glass Table Service for fourteen place settings, including glasses for champagne, red wine, white wine, dessert wine, large and small water tumblers and each with a glass rinser, all cut with bands of diamond pattern above lower fluting, the undersides cut with starbursts, on notched cut feet,

Lot 79

A Fine 19th Century Baccarat Table Lamp with a spiral cut column above a fluted and diamond cut plinth, mounted in gilt bronze with neo-classical decoration 82cm high, 24.5cm diameter * Please note that the shade and fitting to the upper section is associated  

Lot 78

A George III Oval Painted Occasional Table the centre of the top with a coloured engraving in the manner of George Morland depicting a bucolic group of a lady accompanied by a musician and a dog, on an ochre ground within oval bands, floral garlands and leaves surrounded by a scalloped border of hatchwork, on triple splayed legs ending in scrolled feet and joined by a platform with a central rosette and guilloche border 90cm wide, decoration refreshed, 73cm high, 67cm deep Provenance: Probably offered Christie's London 5 July 1990, lot 114. The possible provenance stated for Christie's 5 July 1990, lot 114 was ` supplied as part of George Germain's modernisation of Drayton Park when he took over in 1769 A London cabinet-maker and upholsterer named Chisholme (probably Thomas Chisholme of 7 Great Pulteney Street) supplied a set of painted seat furniture in 1774.

Lot 158

A Victorian Calamander and Marquetry and Gilt-Bronze Mounted Writing Table inlaid with ivory stringing, purple heart bandings and floral marquetry, in the manner of Holland and Sons, the D-ended top with a pair of real and opposing dummy frieze drawers, on fluted legs joined by an elaborate conformingly inlaid stretcher, with gilt-bronze mounts throughout 112cm wide, 74cm high, 58.5cm deep

Lot 98

An 18th Century Piedmontese Painted and Parcel Gilt Side Table in the Manner of G. M. Bonzanigo the original rectangular brè che violette marble top above a frieze decorated with enclosed anthemia centering on a suspended carved profile portrait of a young lady supported by a key pattern surrounded by gilt foliate scrolls, the turned tapering legs with laurel leaf carving up to the centre and reeded flutes above, decoration refreshed, in the manner of G.M. Bonzanigo, 118cm wide, 86cm high, 51cm deep Giuseppe Maria Bonzanigo was born in Asti in 1740, and died in Turin in 1820. During his long and distinguished career he established himself as the finest exponent of neo-classical carved furniture in Piedmont. His commissions included many carried out for Vittorio Amedeo III, and, in 1787, Bonzanigo received the accolade of being named a Royal Sculptor, with a salary of 20 lire. Examples of his work can be seen in the Palazzo Reale in Turin, and also in the hunting lodge at Stupinigi, where he supplied many of the furnishings for the royal apartments.

Lot 555

An Edwardian inlaid mahogany 3 piece bedroom suite comprising double door wardrobe, dressing table and washstand; 2 similar bedroom chairs

Lot 520

A stained pine dining table with drawer

Lot 540

A 1950's mahogany 2 tier fold over-card table/tea trolley

Lot 528A

A colonial style crossbanded kneehole dressing table with 5 drawers, on turned legs

Lot 521

A modern light oak desk / dressing table with 2 pedestal cupboards

Lot 623

An Edwardian rosewood envelope card table with extensive marquetry inlay, frieze drawer, undertier and square top legs

Lot 569

An early 19th century oak circular tilt top occasional table on tripod base

Lot 594

A 19th century mahogany extending dining table on turned legs and castors, 2 spare leaves, extended length 76"

Lot 647

A 1950's Gordon Russell style walnut dining suite comprising rectangular extending table, 6 chairs and a sideboard

Lot 413

A 1920's Lloyd Loom table lamp with original gilt spray red paint finish and silk fringe, 19"

Lot 527A

A reproduction burr walnut sofa table with crossbanded decoration, 2 drawers, twin turned columns and splay feet

Lot 492

A 1920's style table top windup gramophone with brass horn

Lot 552

A 1930's oak extending refectory table on bulbous legs, and a set of 4 Carolean style carved oak dining chairs

Lot 313

A Victorian part canteen of crested silver cutlery with reeded stems and oval palmette terminals, London 1867/1864, comprising 6 dessert spoons, 3 dessert forks, 7 table spoons and 11 table forks

Lot 600

A late 19th / early 20th century carved oak dining suite comprising rectangular dining table with lion mask mounts and bulbous legs with a set of 6 high back dining chairs on turned legs with fawn velvet upholstery

Lot 592

A 1970's teak dining suite with rectangular extending table and 4 chairs

Lot 553

A 1930's oak side table with 2 drawers and bulbous legs

Lot 231

A pair of Mason's Mandalay covered vases and table lamp; a Maling lustre bowl; a 1930's Wade jug; decorative china

Lot 557

A dark oak drop leaf oval dining table on turned legs

Lot 577

A traditional style oak hall seat/telephone table; a spinning chair; another chair

Lot 593A

A pine and bamboo effect writing / side table with matching balloon back chair

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