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William and Mary design mahogany and stained beech side table, rectangular top with twin brushing slides to each side, fitted with two cock-beaded drawers, raised on spiral turned supports united by curved X-stretcher Dimensions: Height: 77cm Length/Width: 90cm Depth/Diameter: 70cm
Late 19th century mahogany card table, rectangular fold-over top with gadroon moulded edge and baize lined interior, over double gate-leg action base, raised on cabriole supports with cartouche carved knees and claw feetDimensions: Height: 73cm Length/Width: 81cm Depth/Diameter: 42cmCondition Report:Split and various repairs to the rear support.
Late Victorian Aesthetic Movement walnut and ebonised dressing table, raised mirror back supported by foliate carved and pierced horns, three banks of small drawers and central hinged compartment, canted and chamfered white marble top over two drawers, turned and fluted supports on shaped platform Dimensions: Height: 174cm Length/Width: 122cm Depth/Diameter: 56cm
Sheraton Revival - Edwardian satinwood work table, the canted rectangular top with support roundel mounts and banding, shallow single drawer above sliding upholstered storage basket, on collar turned and reeded tapering supportsDimensions: Height: 74cm Length/Width: 54cm Depth/Diameter: 40cm
George II design mahogany card or games table, the shaped hinged top with stepped circular eared corners, revealing sunken counter wells and baize lined interior, shaped front with single frieze drawer, double gate-leg action base, on shell and foliage carved cabriole supports with ball and claw feetDimensions: Height: 76cm Length/Width: 72cm Depth/Diameter: 36cm
Georgian mahogany commode disguised as a four drawer chest (W63cm, H77cm, D48cm); 19th century pine rectangular two-tier side table (67cm x 40cm, H75cm); early 20th century mahogany nest of two tables (46cm x 30cm, H65cm); 19th century birds eye maple framed wall mirror with plain plate (54cm x 67cm)
Wicker ware basket with hinged lid W60cm, containing two amber glass bottles, cut glass dressing table pieces, and other glass bottles, early 20th century smokers cabinet in oak, large copper jardiniere, lacquer boxes, coffee grinder, lantern, mirror with rope hanger etc.
Fine small modern medieval style lute by and labelled David van Edwards, Made for Martin Best, June 1987, with faceted eight sided bowl back, the spruce table with one large and one small geometric cut sound holes, within a plush lined bespoke fitted case *This instrument is sold with handwritten correspondence from the maker to the vendor
Good French violin by and labelled Lutherie Artistique, Albert Deblaye, Luthier, no. 1415, An 1928; also signed on the label, the two piece back of faint medium/broad curl with similar wood to the sides and head, the table of a fine width grain and the varnish of an orange-brown colour, 14", 35.60cm *This violin is sold with the original maker's signed certificate dated 1928
18th century German violin labelled Ioan.Carol.Kloz, Mittenwald, An.17**, the two piece back of faint medium curl with similar wood to the sides, the head of plainish wood, the table of a fine width grain and the varnish of a plum red colour on a golden ground, 13 15/16", 35.40cm
German violin by and labelled Modell Old Bull, Manufactured in Saxony by Schlosler & Sohn, circa 1890; also stamped Conservatory Violin to the back of the peg box, the two piece back of faint medium curl with similar wood to the sides, the head of plainish wood, the table of a medium width grain and the varnish of a light reddish-brown colour on a golden ground, 14 3/16", 36cm
19th century guitar shaped hurdy-gurdy, with satinwood back and sides, chevron banded spruce table, ebony box cover and wheel guard with boxwood stringing; also with an ebony and ivory keyboard with diaper star scratch carved peg box terminating in a carved male head finial, within a fitted case *Ivory submission reference GNDUCP69
Good Dutch violin probably by Alphons Van Hoof and labelled Aures te Fidibus Juret Oblec Tare Canoris Alphonsius Van Hoof Liutaro fecit Antverpiae, no. 202, 1928, the two piece back of fine curl with medium curl to the sides and head, the table of a fine width grain and the varnish of a reddish colour on a golden ground, 14 1/16", 35.70cm, two bows, case (professionally repaired sound post crack in the back)
19th century violin by and labelled Johann Georg Leeb, in Presburg, Anno 1786, the two piece back of plainish wood with similar wood to the sides and head, the table of a fine width grain slightly widening to the flanks and the varnish of a plum red colour on a golden ground, 14", 35.60cm - *This violin is sold with a letter from Christie, Manson & Woods dated 23rd May 1972
Good modern Mandocello by and labelled David Oddy & Son, Luthiers, Devon, U.K., Made for Malcolm Peacock, no. N062103; also signed on the label, the body with satinwood back and sides and spruce table, with snowflake mother of pearl markers to the fingerboard and signed David Oddy on the abalone inlaid head, within a hard case *For more information about this instrument, please visit the David Oddy & Son Luthiers website
English violin by and labelled William Dickie, fecit Wentworth, 1893; also signed on the label, the one piece back of faint medium curl with similar wood to the sides and head, the table of a medium width grain and the varnish of a light reddish-brown colour on a golden ground, 14 1/16", 35.70cm, case *This violin is sold with a silver mounted violin bow stamped P. Hoyer and another nickel mounted violin bow, unstamped
Good modern Mandocello/Bass-ouki by and labelled Davy Stuart Luthier, Christchurch, New Zealand, Model: ZB8, Strings: 42, 32, 17, 13; also signed on the label 16/08, the body with Indian rosewood back and sides, spruce table and mahogany head and neck, within a hard case *For more details about the construction and materials used, please visit the Davy Stuart website
Good early 20th century violin made for Beare and Son and labelled Paolo Fiorini, Taurini, Faciebat anno ****, B&S. L., the one piece back of wild flame with very faint medium curl to the sides and head, the table of a fine width grain slightly widening to the flanks and the varnish of a light reddish-brown colour on a golden ground, 14 3/16", 36cm, bow, case
Good French violin by and labelled René Bernardel, Luthier, no. 111, Annee 1936 Serie 4882 fecit; also signed in ink on the label, the two piece back of faint medium curl with similar wood to the sides and head, the table of a fine width grain and the varnish of a light reddish-brown colour on a golden ground, 14 1/16", 35.70cm
Rare and unusual modern Guitarra Moresca commissioned and made through the Ivor Mairaints Music Centre, with bowl shaped back, perforated spruce table and circular angled head, 33" long overall, within an associated guitar case *The vendor had this instrument specially commissioned through the Ivor Mairaints Music Centre and the construction was copied from a Guitarra contained in the 13th century manuscript from the Cantigas de Santa Maria
Modern Aisling octave mandolin, the shaped sunburst spruce table banded with abalone, with further abalone slot inlay to the fretboard, soft case; also a Countryman octave mandolin with pear shaped banded spruce table and mother of pearl dot markers to the fretboard, Barnes & Mullins six string banjo and a modern Appalachian dulcimer (4)
Good 19th century German violoncello labelled Antonius et Hieronimus Fr. Amati..., the two piece back of faint medium to fine curl with similar wood to the sides and head, the table of a medium width grain and the varnish of a golden-brown colour, 29 3/8", 74.60cm, hard case
Good English violin by and labelled Made by Bert Smith, 'East View', Coniston, Lancs. 1961, the two piece back of faint medium curl with similar wood to the sides and head, the table of a fine width grain and the varnish of a light reddish-brown colour on a golden ground, 13 15/16", 35.40cm, with two nickel mounted carbon fibre bows and good Master Series Musafia plush lined oblong case *This violin is sold with several receipts and correspondence including a Bonhams purchase invoice receipt for £1131.60 when sold by them on 15th December 2009 and a retail purchase receipt for the Musafia case for 1152.71 Euros. There is also a handwritten letter from Bert Smith the maker to the original owners which mentions a television programme made about himself, after which he received 'Close to one hundred letters...from which I could easily book orders for the rest of my life'; also several other letters and newspaper cuttings etc
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1181390 item(s)/page