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Mid-18th century serpentine gilt gesso console table, with marble top above an apron carved with shell work, acanthus and floral swag, on c-scroll cabriole legs joined by a floral c-scroll stretcher, 88cm x 125cm. CONDITION REPORT: Many losses. Restored throughout. Marble is sun bleached. Lots of light scratches and scuffing to the marble. The marble cannot be guaranteed as original. The marble has been restored and coloured. The original colour was white now yellow. The table is not structurally tight and requires restoration. The table has also been restored.
Mid-19th century mahogany Cape Town longcase clock, with unusual South African view to the dial, titled Table Bay Table Mountain Cape of Good Hope, 212cm. CONDITION REPORT: Dial rubbedNot in working orderPedestal base, split in centreCase otherwise completeRestoration required
ENGLISH SCHOOL, circa 1671 A full-length study of the deceased Sir Edward Widdrington Bt. wearing a friar's habit, recumbent in bed, a table by his feet with crucifix and candles, Latin inscription above reading "Vera Effigies Illustr Mi Domi Domini Edwardi Widdringtoni Eqvitis Et Barronetti Aetitis Sva 57 Obiit Ao 1671 13 Jvny, oil on canvas, 38.75" x 75" In this work Sir Edward Widdrington is painted in the habit of a Friar as a member of the Third Order, that is to say, a patron rather than a religious or lay brother and therein lies its' uniqueness as a proud display of Catholic recusancy in a time of persecution. Sir Edward Widdrington of Cartington was a member of an ancient Northumbrian family who gave their name to (or took their name from) the village of Widdrington near Morpeth, Northumberland. A strongly Royalist family during 17th century, they were rewarded with Baronetcies in England and Nova Scotia. Provenance: Sir Edward Widdrington's daughter Mary married Sir Edward Charleton of Hesleyside. Their daughter Catherine married Sir Nicholas Sherburne of Stonyhurst whose daughter Elizabeth married William Weld of Lulworth, and thence by descent.
A GEORGE III MAHOGANY BACHELOR'S DRESSING TABLE, the rectangular top above a frieze drawer with brass swan-neck handles, opening to a leather-lined writing surface and fitted compartments below, with two small drawers around an arched kneehole on square tapering legs, brass toes and roll castors, 30.5" high x 39" wide. Provenance: The Peter Wood Collection
GILLOWS OF LANCASTER: A REGENCY MAHOGANY AND ROSEWOOD CROSSBANDED BREAKFAST TABLE, the rectangular top with rounded corners with broad crossbanding, on a turned column and four downswept reeded legs with brass cap castors, the underside stamped "Gillows, Lancaster", the locking mechanism stamped "Bullock Patent", the top 47" x 59.5" x 28.5" high
A REGENCY MAHOGANY AND CROSSBANDED PEMBROKE TABLE with rectangular drop-leaf top above a deep end frieze drawer with an opposite dummy drawer, on turned legs with castors, 28.5" high x 31.5" wide x 20" deep. Provenance: An Important Private Collection from London and the Chalke Valley
A roll of 1930s red silk velvet suitable for upholstery, with two further rolls of later (1970s) red velvet, two boxes of mid-century unused boxed Irish linen table mats, a set of Maltese lace mats, drawn threadwork and crochet edged items, a set of table mats showing London street scenes, a lace bedcover and a quantity of similar textiles.
A bolt of brown wool suiting dating from the 1920s/1930s; together with a bolt of 1930s moleskin along with brown packaging and a hand written description for its use in the foundry to prevent burns, An early 20th century Nottingham lace bedcover; with damask table cloths, a 1920s embroidered bedcover and a collection of similar linens within a 1920s laundry case.
Early 19th century mahogany lady's writing table, gallery back supporting shaped shelf, two short drawers, the rectangular top with hinged flap revealing leather inset supported on loafers, 13cm frieze with single drawer, square section tapering legs terminating in brass casters, 69cm wide.
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1181390 item(s)/page