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Click here to subscribeA VENETIAN 'CANNA' STUDIO GLASS CAT PAPERWEIGHT, overlaid in clear glass and with gold flecked highlights, 11cms H, a Stewart Crystal cut glass vase, 15cms H, a circular cut glass dressing table jar with embossed plated cover, various other glass dressing table jars, a Beswick foal lying down, two ivory effect shell carved ornaments, a Canadian carved puffin ornament, 13cms H, ETC
VICTORIAN CIRCULAR COPPER KETTLE with acorn finial, 30cms H, a copper bugle with coloured rope lanyard, 30cms L, brass framed dressing table mirror, 35.5cms H, Eastern oval brass two-handled tea tray with chased and coloured decoration, 85 x 39cms, other items of brassware ETC
OAK CASED SHEFFIELD SILVER CANTEEN OF CUTLERY - 99 pieces, Maker Emile Viner, to include 72 hallmarked items consisting 12 table forks, 20cm lengths, 12 desert forks, 17.5cm lengths, 12 x desert spoons, 18cm lengths, 12 soup spoons, 17.5cm lengths, 12 teaspoons, 12.25cm lengths, 4 table serving spoons, 21cm lengths, 2 mustard spoons, 4 salt spoons, butter knife, jam spoon, along with 12 table knives, 24cm lengths, 12 desert knives, 21cm lengths, bread knife, 32cms L and two parts of a three piece carving set, 36cms L the knife, 31.5cms the sharpening steel, all but the silver have stainless steel blades and xylonite/celluloid handles, the set in an oak standing case, shaped across the front with beaded decoration on barley twist supports with applied presentation plaque reading 'Presented to Mrs Williams by the Church people of Glan Conwy, as a token of their affection and esteem, January 1939', 70cms H, 64.5cms W, 39.5cms D, gross weighable silver content 117.5ozt
MAHOGANY PHARMACIST'S CHEST - early 20th century, lid with brass drop handle enclosing interior fitted with compartments over four graduated, long drawers, 27cms H, 32.5cms W, 21cms D and a table top specimen chest, early 20th century having eight drawers with compartmented interiors and knob handles, 32.5cms H, 31.5cms W, 20.5cms D
HALLMARKED SILVER CASED SETS OF 6 SPOONS (2) and other items to include a dressing table hand mirror and brush, Birmingham 1930 and 1926, child's feeding spoon and pusher, pair, Sheffield 1933 and 35, the teaspoons appear as a set of 6 with stylised boar's head decoration to the handles, Birmingham 1959, and a set with Royalty image to the handle for the Silver Jubilee 1910 - 1935, Sheffield 1934, various makers, 5.5ozt weighable
MIXED LOT to include two leather Martingales with horse brasses, 1930s circular dressing table mirror with floral encrusted top, 34cms diameter, an oval frameless wall mirror with hand painted decoration, 40.5 x 26cms, a vintage Indian club, brass gong with striker, antique map of Anglesey, 14.5 x 17cms, various maps, ETC
An inlaid hardwood octagonal occasional table,c.1900, Syrian, Damascus, with mother-of-pearl and bone decoration throughout, and pierced detail to the sides, 42cm wide42cm deep57cm highCondition ReportSome areas of loss to inlay throughout. Some splits and separation to joints. A small amount of wobble on a flat surface, but generally solid and sound. Some rubbing and surface wear to wood. Some loose and lifting metal stringing. Perfectly usable in its current condition, however may benefit from a small amount of cosmetic attention.
An oak tripod table,probably second quarter of the 19th century, the circular top above a turned column and a stepped tripod base, 69cm diameter63cm highCondition ReportSpits, marks, wear and discolouration to top. General knocks and wear to column and base, with a split running through the centre of the base. A small amount of wobble in top, but joints generally solid. Overall appears in fair cosmetic and structural order and is perfectly usable in its current state.
A George III oak cricket table,early 19th century, with a circular top raised on tripod supports, 59cm diameter65cm highCondition ReportThe top split, with knocks and wear throughout. Joints generally solid. The top braced to the underside, feet with worm/damp damage to the bases. The central plank possibly an old repair/replacement
A small Victorian specimen marble and ebonised wooden occasional table,c.1880, the inset chequerboard top above a magazine rack, set between ring-turned supports, terminating in peg feet,66cm wide52cm deep73cm highCondition ReportSome small chips, cracks, losses and surface wear to marble. Rubbing and wear to ebonised detail. General knocks and wear to edges, corners, frieze, undertier and supports, commensurate with age and use. Some slight separation to joints. Divisions slightly wobbly, however joints generally sound and solid and the whole thing is sturdy. Overall appears in fairly good structural and cosmetic condition, with general wear commensurate with age and use.
A walnut, rosewood and marquetry occasional table, early 19th century, Dutch, the oval top inlaid with a bird among floral and foliate motifs, raised on slender cabriole legs, 75cm wide52cm deep68cm highProvenance: The Late Sir John Craven, The Barn, Long Newnton, Tetbury, Gloucestershire.Condition ReportSome splits and small losses to inlay. Some small repairs. General knocks and wear. Fading and discolouration. Splits to carcass. Areas of strengthening and repair beneath. Knocks and wear to supports. Generally solid and sturdy. Perfectly usable in its current condition.
An Empire-style giltwood and ebonised occasional table, second half of the 19th century, French, with an octagonal faux marble top, above a palm-carved column and a circular base, standing on three feet carved with Egyptian-style masks, 42cm wide37cm deep69cm highCondition ReportGeneral small knocks, splits, losses and wear. The top a little loose, with some moulding lost. Some scratches to glass. Re-gilded and probably re-painted. Chip to the base of the column. Loss and repair to the feet. Other than the top, which is in need of strengthening, the joints are generally sound.
A George III mahogany rent table,c.1800, the revolving circular top above an arrangement of alternating drawers and cupboards, each in alphabetical order bearing an engraved ivory plaque, raised on a baluster column and tripod supports, terminating in brass caps and castors, 112cm diameter78cm highProvenance: The Late Sir John Craven, The Barn, Long Newnton, Tetbury, Gloucestershire;purchased by the above from Norman Adams Ltd., London.IMPORTANT NOTEThis lot contains elephant ivory material. Please be advised that several countries, including those in the EU and the USA, now prohibit the importation of ivory items unless under specific conditions. Accordingly, prospective buyers should familiarise themselves with the relevant customs regulations of their country and ensure they are able to import this item prior to bidding.This item has been registered as exempt from the UK Ivory Act 2018. Ivory declaration submission reference: XX8CEA1Y.Condition ReportThe leather later, with general wear, fading and light scratches. Minor splits, knocks and losses to veneer and beading. Some slight lifting. Minor repair to veneer and stringing in places. Drawers and doors open smoothly. General wear to interior. General knocks and wear to base. Tarnish and discolouration to brass. Joints sound. Re-polished. Overall appears in good structural and cosmetic condition.
A pair of archaistic bronze table lamps,20th century, Chinese, each in the form of a vase with twin handles and decorated in relief, with a pale green silk shade,33cm diameter37cm high (2) Condition ReportWould need re-wiring. Some light signs of wear but in overall very good cosmetic condition. Some slight pulls and marks to the shades and the trim has come unstuck in pieces.
A pair of faux marble and embossed metal table lamps,of recent manufacture, each with a slender column and foliate-decorated base, fitted with a pleated shade,28cm diameter91cm high (2)Provenance: The Late John Scott-Oldfield, 65 Warwick Square, London, SW1.Condition ReportWires cut. Some light fading and wear to shades. General light surface wear throughout. Overall appear in fairly good cosmetic condition.PAT tested passed 6.3.23
A George III silver canteen of flatware,by Eley & Fearn, and William Fearn, London 1796,of thread pattern, crest engraved, comprising one hundred and sixteen pieces, including a Victorian fish slice and a dessert fork,fish slice 31cm long, 220ozt (116)For an itemised list, please see the online catalogue.Condition ReportFour basting spoons Ten teaspoonsTwenty-two dessert spoonsNineteen dessert forksTwenty-six table forksTwenty-seven tablespoonsFour sauce ladlesA pair of salt spoonsOne sugar sifter spoonOne fish sliceOne table fork has a missing tineOne tablespoon has a cracked bowlThe tines of the dessert forks are wornOverall some expected scratches and expected wear
A marble low table, 20th century, the panelled top with inlaid foliate decoration, raised on foliate-decorated composition marble supports, 151cm wide80cm deep35cm highCondition ReportGeneral surface wear and scratches to the marble. Some losses to the inlay. Some small chips, knocks and losses to the edges and corners. The legs later.
A painted cast iron garden table,late 19th/early 20th century, the circular top above a twisted column and triform base,51cm diameter72cm highCondition ReportThere is a crack to the top extending to about half way across. Loss to paintwork throughout, some parts unstable. Rust and weathering commensurate with age and use. See additional photos.
A yew refectory table,17th century, with a plank top over a carved frieze, raised on turned baluster legs, united with stretchers,224.5cm long 82cm wide77.5cm highBuying this dining table at auction could save up to 0.46 tonnes of CO2e compared to buying a new table.Condition ReportLots of old chips, splits, knocks, breaks and repairs throughout. Old cuts, scratches, knocks and marks to the top. The top with strengthening batons beneath. Repolished and re-finished. Evidence of historic professional attention and repair. Joints solid and stable. The rails are carved on three sides, with the un-carved example having undergone some repair. Please see additional photos.
A walnut centre table, late 17th century, Portuguese, the single-piece top above a panelled frieze with a drawer to each end, with a pierced scrolling apron punctuated with ball finials, raised on bulbous turned supports united by a moulded stretcher,186cm wide85cm deep84cm highCondition ReportSome fading and discolouration to the top. General scratches and surface wear. Split to one corner. General old knocks and wear to corners and edges. A repaired split to one end. The top ever so slightly warped. Knocks, splits and wear to the frieze. One drawer sticks a bit. Old splits, knocks and repairs to pierced apron. The finials are possibly later. Glue repair and some minor repacements. Repair to supports, with filling and re-finishing. Knocks, losses and repairs to the feet and stretchers. Traces of woodworm beneath, none of which appears active. Joints are all sound and solid. Overall appears in fairly good structural and cosmetic condition.
A large Victorian oak extending dining table by Eadon & Son, Sheffield,c.1860, the rectangular top with a wind-out mechanism and ten leaves, above a deep apron with carved detail, raised on turned and fluted legs, terminating in large Cope & Collinson brass and ceramic castors, stamped with maker's marks beneath, 680cm long150cm wide76cm high,with a leaf case and a winding handleBuying this dining table at auction could save up to 0.46 tonnes of CO2e compared to buying a new table.Condition ReportSome warp to leaves. One castor off but present. General knocks, cracks, scratches, marks and wear to top commensurate with age and use. The legs are knocked, worn and scuffed, with some more significant wear, damage and repair to lower legs and castors. Winding action functional. Joints generally. The table would benefit from some professional attention, but is generally structurally sound. Some looseness in joints to the case, which doesn't appear totally sturdy when all leaves are inside it.
A narrow oak console table,of recent manufacture, Continental, with a pale marble top above three frieze drawers, raised on cabriole supports terminating in hoof feet,170cm wide40cm deep79cm highProvenance: The Late John Scott-Oldfield, 65 Warwick Square, London, SW1.Condition ReportVery light surface wear to marble. General light surface wear and knocks to timber. A few small splits to the drawers, which all run smoothly. Joints very tight and sound. Overall appears in good structural and cosmetic condition and is ready for use.
An oak refectory table in the 17th century style, 20th century, the plank top raised on baluster supports united by stretchers, 225cm long84cm wide79cm highBuying this dining table at auction could save up to 0.46 tonnes of CO2e compared to buying a new table.Condition ReportThe top split. General surface wear, knocks, small losses and scratches, some of which is probably artificial. General wear to the top. Joints solid and sturdy.
A George IV mahogany serving table,c.1825, the galleried, rounded rectangular top, above a moulded frieze, raised on tapering reeded supports terminating in peg feet,142cm wide60cm deep90cm highCondition ReportSmall knocks, scratches, marks and light wear to top. Some small dings and areas of wear to gallery. Some slight fading and discolouration. General light knocks and wear to supports. Joints sound and solid. Overall appears in good structural condition and is ready for use.
A giltwood and marble centre table,19th century and later, the circular grey marble top raised on a putti-decorated base, 99cm diameter71cm highCondition ReportThe top and base are associated. The possibly adapted from a column or architectural element. General light wear to the marble. The base re-gilded. General knocks and wear. Losses to fingers and other raised areas. Cracks, breaks, filling and repairs. Dirt and dust.
A painted pine writing table,early 20th century, Italian, with all-over scrolling foliate and gilt detail, the shaped top above an arrangement of five drawers, raised on cabriole supports, 145cm wide66cm deep77cm hightogether with a similar elbow chair (2)Provenance: The Late John Scott-Oldfield, 65 Warwick Square, Pimlico, London, SW1.Condition ReportSome craquelure, rubbing, small losses and wear to painted and gilt detail. Some marks, stains and discolouration to top. General light knocks and wear throughout. Drawers run smoothly. Joints tight and solid. Overall appears in fairly good structural and cosmetic condition and is ready for use. The chair, 58cm wide, 58cm deep, 95cm high. Some general rubbing, knocks and wear to painted detail. Some chips, knocks and small splits. Some areas of discolouration. Some repainting and touching up. Joints tight and solid. Light wear to velvet seat. Overall in fairly good structural and cosmetic condition and ready for use.
An ebonised and parcel-gilt occasional table,19th century, Italian, with a painted faux specimen marble top above a turned column and tripod base, terminating in cast metal paw feet,51cm wide51cm deep76cm highProvenance: The Late John Scott-Oldfield, 65 Warwick Square, London, SW1.Condition ReportSome general light surface wear and scratches to top. Minor rubbing and wear to paint. Some chips, knocks and losses to ebonised and gilt detail beneath, with some of the gilding particularly a little unstable. Joints tight and the whole generally solid. Overall appears in fair cosmetic and structural condition.
A pair of porcelain table lamps,20th century, with printed decoration of various specimens including malachite, each with a blue cotton cone shade,15cm wide56cm highshade 55cm diameter (2)Condition ReportRecent manufacture and in very good overall condition. Some wear to the underside as to be expected. Sits flat and sturdy. Overall in very good cosmetic condition with very light signs of wear commensurate with use.PAT passed 6.3.23
A walnut side table,late 17th century, Italian, the rectangular top above a single moulded drawer set with brass pulls, with a fret-carved frieze, raised on ring-turned supports united by stretchers,123cm wide54cm deep80cm highProvenance: The Late John Scott-Oldfield, 65 Warwick Square, London, SW1.Condition ReportA small amount of warp to top. General surface wear, knocks, scratches, small losses and marks to top. Traces of woodworm damage, which appears inactive. General old chips, knocks and losses to edges and corners. Further characterful old knocks and wear throughout. Drawer runs smoothly, with a split to the liner. Knocks, wear, tarnish and discolouration to handles. Front stretcher replaced. Possibly lacking feet, with woodworm and rot damage. One small area of repair to back corner of foot. Some wobble in joints, but generally sound and sturdy. Overall appears in fairly good structural condition, with characterful old wear and damage commensurate with age and use.
A baroque-style giltwood console table,c.1900, Italian, with a pink marble top raised on a pair of figural supports united by a stretcher, terminating in claw and ball feet, 100cm wide39cm deep97cm highCondition ReportSome small chips and knocks to the edges of the marble. General surface wear and scratches. One piece of dentil moulding missing. Further small chips, knocks and losses. Some rubbing and wear to gilding. Crack through the right leg. The stretcher finial re-glued. Some separation to joints at stretcher.
A walnut side table,17th century, Italian, the rectangular top above a single moulded drawer, raised on square supports united by stretchers,76cm wide53cm deep71cm highProvenance: The Late John Scott-Oldfield, 65 Warwick Square, London, SW1.Condition ReportGeneral surface wear, scratches and knocks to top, with a few small splits. Old knocks, chips and wear to edges and corners. Further general old knocks, marks and wear throughout. Drawer runs smoothly, with a later pull. Historic woodworm damage to drawer interior, supports and stretchers, none of which appears active. Rot damage to feet. Joints very tight and sound. Overall appears in fairly good structural condition, with some characterful cosmetic wear commensurate with age.
A Renaissance-style walnut extending table 'en Croix de Lorraine',incorporating a mixture of 16th and 19th century elements, French, the rectangular top with two draw leaves, above an apron punctuated with turned toupies, raised on seven Tuscan column supports and a stepped base, terminating in bun feet, bearing two painted accession numbers,248cm long at full extension77cm wide80cm highProvenance: The Late John Scott-Oldfield, 65 Warwick Square, London, SW1;purchased by the above from Gallori Turchi, Florence, 1996;Sotheby's New York, 'European Works of Art, Arms and Armour, Furniture and Tapestries', Wednesday 13 May 1995, lot 161;The Metropolitan Museum of Art, New York, loaned 1906 and accessioned 1916 (inv. no. 16.32.44),;John Pierpont Morgan (1837-1913);Georges Hoentschel (1855-1915).Literature: D. Kisluk-Grosheid, D Krohn, Deborah & U Leben ed., 'Salvaging the Past: Georges Hoentschel and French Decorative Arts from The Metropolitan Museum of Art', 2013, p.74, 152, figs.4.9, 5.5;J Boccador, 'Le Mobilier Français du Moyen Age a la Renaissance', 1988, p.227, figs.215-6.Tables of this sort take their title from the shape of the stretcher, which bears similarity to the French Cross of Lorraine, which was initially called the Cross of Anjou, but following the marriage in 1431 of Isabelle of Lorraine to Rene I of Naples, or Rene d’Anjou, developed its new name. Along with a great deal of French Renaissance furniture design, tables ’en Croix de Lorraine’, which are commonly linked with the Loire Valley, undoubtedly take their influence from Italian architecture and the ideas of its artists and craftsmen who travelled to France to work at the court of Francis I, and subsequently his daughter-in-law, Catherine de’ Medici. This is most clearly seen in the supports of many known examples which take the form of Tuscan columns. The present example was in the collection of Georges Hoentschel (1855-1915), the successful Parisian decorator and proprietor of Maison Leys. In 1906, the financier and president of the Metropolitan Museum of Art, New York, J Pierpont Morgan (1837-1913) purchased a large number of objects from Hoentschel as a gift for the museum, including a collection of important 18th-century French decorative arts. Also loaned to the museum at the time, and eventually gifted on the death of J P Morgan by his son Jack, were pieces of medieval and Renaissance art, among which was this table. The Morgan Gift is credited for its pivotal role in establishing the Museum’s Department of Decorative Arts and we are extremely grateful to the Met for their assistance in the research and cataloguing of this lot.For similar examples, see:Christie's, 'The European Connoisseur', 4 June 2014, lot 588;Christie's, 'Au Bord Du Lac: An interior by François-Joseph Graf', 26 January 2022, lot 41.Condition ReportImage credit: Salt Images. Apparent areas of replacement, repair and restoration throughout. Old knocks, scratches, stains, marks and traces of woodworm damage to the top. Repaired splits to the centres of each leaf. A few small patch repairs. Draw action working well. Two blocks beneath longest leaf replaced. Evidence of some further structural repairs and replacement to rails, blocks and apron, with historic woodworm damage, none of which appears to be active. Turned terminals later. Some knocks, wear and small losses to column supports, which also appear later. Some chips to corners of stepped bases. General wear, knocks and small losses to stretcher, with a few small areas of repair. Feet later. All joints solid and sound. Overall presents in usable condition.
A Regency mahogany and rosewood banded sofa table,c.1810, with two frieze drawers and splayed supports united by a turned stretcher,141cm wide61cm deep73cm highCondition ReportScratches, knocks and surface wear. Splits and lifting to veneer. Knocks and wear to supports. Strengthening and repair to the legs. Slightly wobbly.
An oak side table, 17th century, the moulded top above a frieze drawer with applied geometric decoration, raised on square baluster front supports, 122cm wide56cm deep74cm highProvenance: The Estate of Mrs Althea Lloyd.Condition ReportThe top split and warped. General knocks, marks, scratches, losses and wear. Some splits to the drawers. General knocks and wear to supports. The back legs are a little wobbly. Some wear to the feet. Joints generally sound and solid, with some minor repairs beneath. Overall appears in pleasantly rustic cosmetic order and is perfectly usable.
A George I walnut side table,c.1720, the rounded rectangular top with strung detail, above a single drawer and raised on tapering turned supports, terminating in pad feet, 83cm wide51cm deep74cm highProvenance: The Late Sir John Craven, The Barn, Long Newnton, Tetbury, Gloucestershire;acquired by the above from Norman Adams Ltd., London.Condition ReportThe top is a little warped and loose at the back and in need of re-affixing. Re-finished and re-polished, with general knocks, wear and areas of cosmetic repair. Some splits, knocks and losses to the veneer throughout. Wear and repair to the legs and feet. A small amount of movement in legs.
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