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An assembled group of vintage cigarette lighters, including a Fujiama crocodile cased 'oversize' table lighter, three Ronson table lighters, two Ronson leather lined lighters, a Ronson stainless lighter in associated crocodile carry case and two Colibri crocodile-cased lighters. (10)
A Sitzendorf figural wall bracket, late 19th Century, of rocaille form, applied with trailing flowers and foliage and a putti holding a flower garland, 23cm, together with a Sitzendorf figural table mirror, of oval shape and applied with flowers and putti (some repairs). (2)
A collection of silver flatware to include: a part Elizabeth II hanovarian with rat tail dinner service - 4 table forks, 4 dessert spoons, pair of table spoons, pair of serving spoons and 6 soup spoons, by Garrard & Co, London, various dates 1960s together with a matched table fork & spoons; a quantity of teaspoons, various dates and makers ad early 20th Century silver handled knives, filled - weighable silver 45.09 ozt - knives not weighed
A collection of silver mounted dressing table ware including: large hob nail cut glass jar and cover; scent bottle and cover (CR: damage and split to cover); oblong bottle and cover, chased with scrolling decoration, various dates and makers also included three brushes, two combs and mirror, en suite mountss together with tortoiseshell circular clothes brush and an engine turned mirror, various dates and makers (1 bag) CR: general condition good, some brushes with worn bristles (Q)
A collection of silver flatware to include: a pair of Old English pattern with shell by W.T, London, circa 1774, marks rubbed; another by TP, London, 1794; a fiddle pattern table spoon, by CL, London, 1847; a George III sugar nippers, by P,A & W Bateman, London, 1799 and another by GS, London, 1812 (6) 10.71 ozt
A Matched Hallmarked Silver Backed Three Piece Dressing Table Set, allover decorated in relief; together with a hallmarked silver trinket port, of shaped circular form, the hinged lid with foliate decoration, raised on four feet (damages/loss) and a small hallmarked silver pill box, 2.9cm diameter.
WH&S Plated Lamp Base, converted to electricity/electrically untested) semi gadrooned on circular spreading base, 20.7cm high; a hallmarked silver Kings pattern table spoon, (decoration double struck) London 1834; a matched set of six hallmarked silver Old English Pattern teaspoons, initialled "C", Sheffield 1900-1901, a Continental table spoon.
The Bedroom, circa 1928 signed 'FITTON' (upper right) oil on canvas 45 x 50cmFootnote: Provenance Sale; Anderson & Garland, Scotland, 30 January 2017, lot 1442 where acquired by the present owner Exhibited London, Dulwich Picture Gallery, James Fritton, 1899 - 1982 , November 1986-January 1987 “He won’t be good at anything – that is except drawing”, remarked the headteacher of Watersheddings Board School, following James Fitton’s departure from the school aged 14. An unsuccessful mastoid operation, performed on a kitchen table, and subsequent infections, had rendered Fitton completely deaf in one ear. Although his ill health had adversely affected him academically, his time convalescing had borne in him a great passion for drawing. After leaving school, Fitton studied alongside L.S. Lowry at the Manchester School of Art, before moving to London in 1920, where he attended classes at the Central School of Arts and Crafts under the tutelage of Archibald Standish Hartrick. Fitton was an active member of the London Group and from 1928, had become a regular exhibitor with the Royal Academy. He held his inaugural solo show, which was received with great critical acclaim, at the Arthur Tooth and Sons Gallery in 1933. In 1954 Fitton was elected a member of the Royal Academy and was appointed as a Senior Member in 1974. Fitton’s paintings are notable for his use of bold colours and for his empathetic and candid treatment of scenes from everyday life.Condition report: Oil on canvas. The canvas tension is poor and there are undulations across the surface. Near the bottom of the canvas are three tears with associated paint loss. The paint layer is stable overall but has suffered from several scrapes and scratches with small paint losses. There is a thin varnish which has yellowed with age and a layer of surface dirt.
Still life of a Kettle and Bottles on a table top signed 'Pawle' (upper right) oil on canvas, unframed 50.5 x 61cmCondition report: Oil on a coarse weave canvas support which is plane. The paint layer is stable. The painting is unvarnished, the surface gloss is uneven and very matte in the darker areas. The wooden stretcher has a few woodworm exit holes.
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