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A 19th century Queen Anne revival walnut writing table desk being raised on cabriole legs with pad feet supporting a central kneehole recess with drawers either side. Above a cross banded quarter veneer desk top. The drawers with crude dovetailing and oak linings with good brass swan neck handles to the fronts. Measures 76cms by 136cms by 60cms.
A 19th century French solid mahogany serpentine fronted card / games table. Raised on shaped reeded supports with hoof feet, above a fitted frieze, serpentine fold over table top with inset baize lined games table having a gilt tooled border. Measures 73cms high x 84cms wide x 43cms depth
A 19th century Georgian mahogany inlaid demi-lune games card table being raised on square tapering legs with spade feet, fold over top with baize lined inner having satinwood inlaid borders all over and sea weed marquetry details to the frieze. Measures 77cms high x 91cms wide x 45cms depth
A 19th century Victorian walnut inlaid decorated tilt top pedestal dining table. Raised on a tripod base carved legs with castors having bulbous centre column with lozenge shaped table top scalloped to the edges with satinwood bandings and qtr veneer burr walnut centre. Table top measures 120cms long x 87cms wide
A 19th century Georgian mahogany sunburst inlaid side table. Raised on slender tapering legs with spade feet. Above a lower tier with inlaid inverted arch frieze. Above a table top with central sunburst inlaid centre with line inlaid details elsewhere. Measures 68cms high x 46cms wide x 46cms wide
A 19th century High Victorian walnut and seaweed inlaid ladies writing table desk. Raised on turned legs with rose head shoulder, splayed feet on brass castors united by turned stretcher. Above, a lozenge shaped table top with fitted frieze and stunning marquetry inlaid sea weed decoration. Measures 72cms high x 117cms wide x 58cms depth
A good oak miniature refectory dining table together with a set of 6 oak Windsor dining chairs including 2 carvers. The table adorned with a miniature Ridgways ' Millais ' royal semi porcelain pattern dinner service comprising tureens and plates etc. Also a cutlery tray, bread board and knive. Tabe measures 25cms high x 61.5cms long x 30cms depth
A late 18th century Italian mahogany and marquetry inlaid writing table desk. The desk with stub gallery edge surrounding inlaid central sunburst panel set over a single frieze drawer and raised on square tapered supports. The drawers with inlaid details and stunning brass ring handle and urn adorned embossed backplates
WORLD CUP 1970 Large menu, Victoria Sporting Club, in shape of the World Cup and measuring 18" x 6". Farewell World Cup Dinner 3/5/70, just prior to England leaving for Mexico for the 1970 World Cup. Includes base where it stood up on the table and reverse has facsimile autographs of 31 members of the party, England squad, coaching staff and manager and officials. Rare item. Generally good
SUBBUTEO ETC Collection of items relating to Subbuteo football, Subbuteo Cricket and Super Soccer table games. Includes 3 hardback pitches including one for a cricket game. Accessories include Inter-Changeable goalkeepers in box, 377 Hull City / Dundee Utd team in box, cricket scoreboard, cricket sightscreen (in box), Subbuteo Dicer ( in box but a little grubby), and a good number of Super soccer bases, teams and loose players. The three pitches are solid and would be better if collected considering postal charges. Mixed condition as some items are a little grubby. Fair
Table of Isis.- Pignoria (Lorenzo) Mensa Isiaca, 3 parts in 1, third edition, additional engraved allegorical title by A. Blotelingh, title to each part with engraved vignette, 11 engraved plates, of which 10 large and folding, numerous engraved illustrations in text, of which 8 full-page, woodcut initials and decorations, occasional light foxing, bookplate of Edward Winnington, contemporary calf, gilt, red morocco spine label, a little rubbed, [Blackmer 1312], 4to, Amsterdam, Andreas Frisius, 1669. ⁂ Third edition of this important treatise on the Table of Isis by the Padovan scholar and antiquary Lorenzo Pignoria (1571-1631). The Table of Isis or Mensa Isiaca, a very large bronze tablet covered in a dark varnish or enamel and worked in silver with hieroglyphs and figures of Isis, Osiris, Thoth, Apis and other Egyptian deities, is said to have first come to light during the sack of Rome in 1527. Known as the Bembine table after its first owner, the humanist scholar Pietro Bembo, the table was an object of fascination to Renaissance scholars, and was later studied by Kircher, Montfaucon, Jablonski, and Caylus. Today it resides in the Museo Egizio in Turin. Pignoria's description, first published in 1605, was the first detailed printed account of the Table. In his description Pignoria compared the table to other known archeological objects, particularly Egyptian amulets and engraved gems. Unlike some of his contemporaries, who saw the table as a mystical relic from the dawn of creation, Pignoria concluded that the table was a Roman work of the Augustan period. The large folding plates of this edition were engraved by the Venetian engraver and publisher Giacomo Franco in 1600 to replicate the various parts of the Table, and were included, variously assembled and folded, in a handful of copies of the first edition, published by Franco in 1605. The full-page engravings in this edition reproduce the exceedingly rare woodcut illustrations from the first edition.
Britain.- Book (A) of the Names of all Parishes, Market Towns, Villages, Hamblets, and Smallest Places, in England and Wales, folding table (with a duplicate loosely inserted), engraved folding maps of England, Wales and Yorkshire (the last detached) and 37 engraved maps in text combining maps and distance tables, ink ownership inscriptions to endpaper, contemporary sheep, repairs to corners, upper cover detached, rubbed and scuffed, small 4to, S.S. for John Garret, 1677.
Britain.- Speed (John) England, Wales, Scotland and Ireland Described and Abridged... Form a Farr Larger Voulume Done by John Speed, engraved title, table of distances and 63 maps, 2 folding, a few trimmed close at head with loss to upper margin, some very occasional light browning, a few spots, but a good clean example overall, later calf, rebacked, lower cover detached, rubbed, oblong 8vo, George Humble, 1627.
Rolewinck (Werner) [Fasciculus temporum] Dat boek dat men hiet Fasciculus temporum, 334 (of 338 ff., lacking a1, k7 and blanks T8 and U10), 38 lines and 3 columns in table, Gothic letter, preface with early hand-coloured ornamental frame and large decorative initial, 35 woodcuts from 20 blocks and coats-of-arms, of which many with early hand-colouring, large early hand-coloured woodcut printer's device to foot of final f., paragraph-marks in red and blue, red initial strokes, E1&8, H1&8 and sigs. K-N possibly from another copy, sigs. y-B1 misbound between t7&8, short tear to head of preface f. with minor loss to part of border, lower margin of a8 repaired, repaired tear to S8, within text, but with no loss, final f. laid down with small area of loss to lower margin, some ff. trimmed,occasionally affecting a border or side-notes, a few small repairs, mostly marginal, occasional staining or offsetting of hand-colouring, some fingermarking, attractive 18th century speckled calf, gilt, richly gilt spine in compartments and with brown and black leather labels, skilfully rebacked, preserving original gilt backstrip, a few marks, [BMC IX, 12; Goff R-278; Hain 6946; ISTC ir00278000], small folio, Utrecht, Johann Veldener, 14th February, 1480.⁂ The first edition in Dutch of this attractive chronicle of the history of the world. Includes supplementary material to the Louvain-printed Latin edition of 1475 on the dukes of Brabant, bishops of Holland, Zeeland and Hainault, in addition to histories of the Kings of France and England. The coats-of-arms make their first appearance in this Utrecht edition.Provenance: 18th century cardinal (engraved bookplate with motto 'virtutis amore cano'); U.Proost (20th century bookplate).
Chesterton (Gilbert Keith, writer and poet, 1874-1936) Archive of letters, drawings and other material sent to Enid Simon, comprising: (1). 15 poems (12 autograph poems & 3 typescript poems) (2). 4 letters (2 autograph letters signed, 1 typescript letter signed & 1 fragment of a typed letter signed) (3). 6 drawings (4 autograph caricatures, 1 autograph sketch, and 2 sheets with doodles and drawings by Simon), (5). 5 autograph notes and other material (2 autograph notes, 1 greeting signed, 1 typescript note and 1 typescript jeu d'esprit), (6). 7 pieces of printed material (1 broadside poem, programme for "Cinderella", 1919, Christmas cards or greetings from Gilbert and Frances Chesterton, 1 broadside poem, signed "F.C.", Christmas, 1917, 6 Christmas cards all with poems by "F.C.", 1920-24 & 1929) and 4 press cuttings relating to Chesterton, folds, browned, some creasing, v.s., Beaconsfield, v.d., [c. 1920s] (together c. 44 pieces).⁂ G.K. Chesterton's boisterous sense of fun.Includes:(1). Nursery Rhymes for Second Childhood, [title], autograph manuscript, 1p., pen and ink sketch of a donkey and a cat at a tea table [the donkey was modelled on the Chesterton's own donkey, Trotsky, named not after the Russian revolutionary but because he trotted fast].(2). Once when I lived at Overroads, [first line], autograph manuscript initialled "GKC", 20 lines, 2 pencil drawings one of a man in a slouch hat and the other a swell, 1p.(3). But if on some high day of doom, [first line], autograph manuscript initialled "GKC", 36 lines, 2pp.(4). Pasht: If you would know why all these Famous Cats, [first line], autograph manuscript initialled "GKC", sent as a New Year's greeting, with pencil drawing of of a group of cats, 1p.(5). Mink to me only with thine eyes, [first line], autograph manuscript, with pencil drawing of Enid brushing Chesterton's face with a feather duster, 1p.In 1909 the Chestertons moved to Beaconsfield, initially renting a newly built house in Grove Road called Overroads, before purchasing a plot of land across the road called Top Meadow where they built a house, designed by Walter Holden. Enid Simon must have been born in c. 1910 and would have grown up in Beaconsfield as a near neighbour of the Chestertons.
Three Antique Chinese Wood Carved Grain Vessels, one with intricately carved cover and handle depicting figures in a landscape setting, the primary vessel with a Greek key frieze to the upper portion and seven black cartouche of painted with foliate and vegetal decoration, raised on an altar-style table base, the carved spout depicting a horned dragon (bears the Shanghai Antiquities Approval Seal), approx 29 x 29 x 36 cms, one of simple design with a decorative carved handle depicting foo dog, double metal bands to the vessel body, approx 29 x 24 x 30 cms and another of simple design with painted cartouche depicting figures in a garden setting and decorative scroll carving to the cover and handle, approx 27 x 23 x 36 cms.
A Charles II Inlaid Marquetry Walnut and Oyster Veneer Lace Box dated 1675. The box having green-stained bone with contrasting bone and ebony cardinal points. With cursive initials 'E.W.' in flowing script. To our best knowledge this is the only known dated example of these boxes. Green-staining had become fashionable following the importation of decorative inlaid Indian table cabinets.
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