§ A Danish rosewood EP401 desk, 1970s, designed by Eigil Pedersen, the rectangular top over two banks of graduated drawers, each with a brushed steel handle, the front of the desk with three recessed shelves, raised on 'U' shaped rosewood supports terminating on to brushed aluminium feet, 155cm wide 75cm deep 72cm highCondition ReportKnocks to the edges and corners of the table.Some restoration and repolish in the past.Further photos of the top to show - two patched areas. Legs a little wobbley.CITES A10 no. 624190/01
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A set of five Danish teak 'Model 83' chairs,1960s, designed by Niels Otto Møller for J L Møller Højbjerg, each with a slatted back over a seat upholstered in chocolate-coloured leather, labelled and branded to the underneath with manufacturer's marks and 'Danish Furniture Makers' Control' stamps, 50cm wide51cm deep 80cm high, seat 43cm high, anda circular extending teak dining table, designed by Niels Otto Møller for Glostrup, raised on a cruciform base, with two leaves, 220cm wide extended120cm deep72cm high (8)Buying this vintage dining suite could save up to 0.46 tonnes of CO2e compared to buying new.Condition ReportWith some scratches and scuffs to the edge. The tables with some minor denting to the leather.All chairs branded.
An Art Nouveau alabaster figural table lamp,modelled as a maiden in flowing robes holding aloft an urn, losses and wear,90cm highCondition ReportFingers missing.Urn damaged and cracked. Wood handles with losses. The arms, head and bust are loose and are held with pins. Plinth loose. One section of the base of the figure is loose - has been reglued.Further photos added
An Italian carved oak and ebonised side table, 1960s, designed by Osvaldo Borsani (1911-1985), with a circular glass top, raised on a three ebonised supports, united with rippled and reeded stretchers, 95.5cm diameter45cm high Condition ReportSome surface scratches to the glass top. Minor wear to the ebonised supports.
A Liberty-style oak lamp table,early 20th century, with a shaped square top over a shaped apron and undertier, with splayed legs, 41cm wide 39.5cm deep68.5cm highCondition ReportWear commensurate with age. Some repairs to the apron, knocks to the frame and edge. Some spotting to the top.
A 'Traccia' table, designed by Méret Oppenheim (Swiss, 1913-1985) in 1938, produced by Simon International, 1980s, the top in gold leaf with footprints impressed to the top and raised on a gilt-bronze pair of legs, 67.5cm wide 53cm deep 64cm highMéret Oppenheim was a painter and sculptor who moved to Paris in 1918 and became part of the circle of Swiss surrealists which included Jean Arp and Alberto Giacometti. She initially designed this table in 1938 and the prototype was exhibited in an exhibition of furniture at the Galeries René Drouin, Paris, in 1939. Other exhibiting artists included Max Ernst, Leonor Fini and Eugene Berman.The table was not put into production until 1972 when an Italian firm, Simon International, included the design in a new range. It continued to be made until at least 1984.Condition ReportThe top with some scratches and marks. To the right of the forward footstep to the top with a patch of scuffing. With a small gouge to the edge. The bronze legs with tarnish and wear - with some emergence of verdigris to the 'ankles' of the supports. Additional images uploaded. The 'bubbling' around the footprint intentional and corresponding with the spherical joints on the feet of the support.
▴ Zaha Hadid (1950-2016),a white 'Aqua' table, 2006, polyurethane resin and silicone, made by Established and Sons, signed in the mould, 303.8cm wide133.3cm deep75.6cm highLiterature: Zaha Hadid, exh. cat., Solomon R. Guggenheim Foundation, New York, June 3-October 25, 2006, p.167. Sophie Lovell, Limited Edition, Prototypes, One-Offs and Design Art Furniture, Basel, 2009, p.179. Zaha Hadid, Zaha Hadid, l'intégrale, Paris, 2009, p.227. Zaha Hadid and Aaron Betsky, The Complete Zaha Hadid, London, 2009, p.243.Condition ReportTogether with a purpose built crate for transport.Top has been refinished by Established and Sons - it had some surface scratches - now very good indeed.Crate size: 320cm x 147cm x 109.5cm high
A 'Nomos' table, designed by Sir Norman Foster (b.1935) for Tecno, Italy, with a plate glass top raised on a chrome base, 160cm wide 100cm deep73.5cm high, and a Hille 'Ergonom' desk chair,with a grey powder-coated frame and black leather seat and back, adjustable, labelled, 58.5cm wide65cm deep99cm high, seat 45cm high (2)Condition ReportUsed condition. Desk glass good, no chips or damage. Frame good. Chair - scuffed and used.
An Aesthetic walnut centre table,with a moulded edge and apron, raised on turned supports united with high stretchers,106cm diameter 70cm highCondition ReportCleaned and stripped top. Wear commensurate with age. With some scratches and knocks occurring to the top. Some stains and makes to the top and supports. Additional images uploaded.
An oak lamp table, early 20th century, in the manner of Liberty, with an hexagonal top, raised on tapering slatted supports, with an undertier, 49.5cm diameter68.5cm highCondition ReportSome knocks and wear commsurate with age. Appears to have been reglue and some replaced blacks and screws to the base.
A Russian Arts and Crafts table cabinet,attributed to Abramtsevo School, with chip-carved panels, with top hung cupboards to the top, and two sliding cupboards to the lower section flanked with shelves, 68.5cm wide 29.5cm deep54cm highCondition ReportRight side moulding to the top loose.Some scratches to the top. Further photos added.
TABLE DE SALLE A MANGER D'ÉPOQUE FIN LOUIS XVI EN ACAJOUFin du XVIIIe/début du XIXe siècle A LATE LOUIS XVI MAHOGANY EXTENDING DINING TABLE Late 18th/early 19th centuryThe rounded top with extending mahogany veneered leaves, on six turned tapering slender legs terminating in gilt-bronze castors. 73cm (28 3/4in) high x 128cm (50 1/2in) long (without extending leaves) x 125cm (49.1/4in) deep (three extra leaves 49cm (19 1/4in) wide).Footnotes:十八世紀末/十九世紀初 路易十六晚期桃花心木伸縮餐桌For further information on this lot please visit Bonhams.com
RARE ET IMPORTANTE BRIQUE FUNÉRAIRE EN TERRE CUITE ESTAMPÉEDynastie Han (206 avant J-C - 220 ap. J.-C)A RARE AND LARGE IMPRESSED 'ELEPHANT-EYE PATTERN' GREY POTTERY TOMB BRICK Han Dynasty (206 BC-220 AD)The large rectangular brick hollow and impressed with cartouches variously enclosing striding tigers, standing figures carrying spears and swords, trees, chariots, taotie mask-handles, galloping horses, all framed by cross-hatched diaper ground bands, the reverse with a central impressed and embossed diaper-ground with raised bosses surrounded by diamond and cross-hatched borders and a taotie mask-handle cartouche, the sides plain, huali stand. The brick 62.8cm (24 6/8in) high x 51.5cm (20 1/4in) wide x 14.2cm (5 9/16in) deep. (2).Footnotes:Provenance:Robert Rousset, Paris (1901-1981), acquired prior to 1935Jean-Pierre Rousset, Paris (1936-2021) The diagonal lozenge patterns are also known as 'elephant-eye' patterns. According to Wen Zhenheng (1585-1645) in the Zhang wu zhi ('Treatise on Superfluous Things') These were considered desirable on Han or ancient bricks used as part of guqin tables to enhance the sound of the musical instrument. See a related brick on a guqin table, illustrated in C.L.Ma Collection: Traditional Chinese Furniture from the Greater Shanxi Region, Hong Kong, 1999, pp.210-211. Another related brick showing trees, tomb doorways and tethered horse, Han dynasty, is in the Victoria and Albert Museum, London (acc.no.A.13-1924).A hollow tomb impressed brick, Han dynasty, is in the Asian Art Museum of San Francisco, illustrated by He Li, Chinese Ceramics: A New Comprehensive Survey, New York, 1996, p.72, no.58. Related grey earthenware pillars with impressed designs, Han dynasty, are also illustrated in Spirit of Han: Ceramics for the After Life, Singapore, 1991, p.76.漢 灰陶畫像磚來源:巴黎Robert Rousset(1901-1981)舊藏,於1935年前入藏巴黎Jean-Pierre Rousset(1936-2021)舊藏This lot is subject to the following lot symbols: YY Subject to CITES regulations when exporting items outside of the EU, see clause 13.For further information on this lot please visit Bonhams.com
RARE TABLE EN HUANGHUALI, QIAOTOUANXVIIe/XVIIIe siècle A FINE AND RARE HUANGHUALI RECESSED-LEG TABLE, QIAOTOUAN 17th/18th century The table defined by a rectangular top terminating in everted flanges on the shorter ends, supported on a frame formed by the long beaded-edge apron decorated with ruyi spandrels, the rectangular legs housing the long aprons decorated with interlocking geometric designs, the legs and feet framing an inset reticulated panel carved with a cusped cartouche decorated with designs of sinuous chilong writhing amidst vaporous clouds. 178cm (70in) long x 83cm (32 5/8in) high x 40.5cm (15 7/8in) deep.Footnotes:Provenance:Jean-Pierre Rousset, Paris (1936-2021), acquired in the 1980'sIn Chinese households of the late Ming and Qing dynasties, tables of such impressive proportions with upturned ends demonstrated the high status and wealth of their owners. Tables of this type are discussed in Wen Zhenheng's (1585-1645) influential Treatise on Superfluous Things (Zhang wu zhi), the late 17th century guide to refined taste. In his treatise Wen recommended that such tables were placed underneath a painting and even suggested that 'one may place such things as fantastic rocks, seasonal flowers, or miniature tray-landscapes; but avoid garish objects such as red lacquerware'. Although Wen warned against the use of excessive carving, the lively openwork panels on this table are balanced by the simplicity of the apron and spandrels.See a closely related huanghuali side-table, late 16th/early 17th century (188cm long), illustrated by G.Wu Bruce, The Dr. S.Y. Yip Collection of Classic Chinese Furniture, Hong Kong, 1991, pp.74-75, no.25. Compare also a huanghuali altar table of larger proportions and with more exuberantly carved spandrels, from the Florence and Herbert Irving collection, in the Metropolitan Museum of Art, New York, and see also a much larger example in the Minneapolis Institute of Art, illustrated by S.Handler, Austere Luminosity of Chinese Classical Furniture, Berkeley, 2001, pp.237-238, pls.14.16 and 14.17. See a related but smaller huanghuali recessed-leg altar table, 18th century, which was sold at at Sotheby's London, 8 November 2017, lot 98. See also a related larger huanghuali altar table, circa 17th century, formerly with Compagnie de la Chine et des Indes, Paris, which was sold at Christie's Paris, 12 December 2019, lot 32.Dans les maisons chinoises de la fin des Ming et de la dynastie Qing, les tables aux dimensions aussi impressionnantes et aux extrémités relevées en queues d'oiseaux montraient le statut et la richesse de leurs propriétaires. Les tables de ce genre sont mentionnées dans l'important livre de Wen Zhenheng (1585-1645), Traité des choses superflues (Zhang wu zhi), le guide de la vie élégante de la fin du XVIIe siècle. Dans son traité, Wen recommande de placer ces tables sous une peinture et suggère même d'y 'poser des pierres étranges, fleurs de saisons ou paysages miniatures en pot, mais (d') éviter les objets voyants comme les laques cinabres'. Bien que Wen déconseille l'usage excessif de décor sculpté, les panneaux ajourés au décor animé de cette table sont équilibrés par la simplicité du tablier et de ses pendants.Voir un exemple très comparable de table en huanghuali, fin XVIe/début XVIIe siècle (188 cm de long), illustrée dans G. Wu Bruce, The Dr. S.Y. Yip Collection of Classic Chinese Furniture, Hong Kong, 1991, pp.74-75, no.25. Comparer aussi avec une table d'autel en huanghuali de plus grandes dimensions et aux pendants (du tablier) décorés de façon plus exubérante de la collection Florence and Herbert Irving, au Metropolitan Museum of Art de New York, voir enfin un exemple beaucoup plus grand au Minneapolis Institute of Art, illustré dans S. Handler, Austere Luminosity of Chinese Classical Furniture, Berkeley, 2001, pp. 237-238, ill. 14.16 et 14.17. Voir une table d'autel en huanghuali aux pieds en retrait, comparable mais plus petite, XVIIIe siècle, vendue chez Sotheby's Londres, le 8 novembre 2017, lot 98. Voir encore une table d'autel en huanghuali comparable mais plus grande, vers le XVIIe siècle, anciennement de la Compagnie de la Chine et des Indes, Paris, vendue chez Christie's Paris, le 12 décembre 2019, lot 32.十七/十八世紀 黃花梨翹頭案來源:巴黎Jean-Pierre Rousset(1936-2021)舊藏,於二十世紀八十年代入藏在晚明及清代宅邸中,如此形體長大之翹頭案往往彰顯著其所有者之崇高地位及財富。文震亨(1585-1645)在其《長物志》中也有論及這類翹頭案。該書細數十七世紀簪纓大族及書香世家的風雅陳設及日常雅趣事物,其中即建議此種案上'可置奇石,或時花盆景之屬,忌置朱紅漆等架。'雖然文氏亦強調'几榻有度⋯精而便、簡而裁、巧而自然'的簡潔風格,但此處看似繁複的鏤空透雕擋板卻與簡素的牙條平衡有度,相映成趣。伍嘉恩在《攻玉山房藏明式黃花梨家具》(香港,1991年)曾舉一例案面長達188cm之十六世紀晚期/十七世紀早期黃花梨邊几 (見該書頁74-75,器25號),可資比較。另有紐約大都會藝術博物館所藏歐雲伉儷(Florence and Herbert Irving)舊藏之黃花梨祭案 一張,其體量及雕飾更繁複之牙板可與本拍品相互參照。明尼阿波利斯藝術館所藏一例黃花梨案 體量則更為可觀。上述二例均收錄於S. Handler著,Austere Luminosity of Chinese Classical Furniture(中國古典傢具之光輝),柏克萊,2001年,頁237-238,ࢵ... This lot is subject to the following lot symbols: YY Subject to CITES regulations when exporting items outside of the EU, see clause 13.For further information on this lot please visit Bonhams.com
PAIRE DE CABINETS EN LAQUE TIANQI ET QIANGJINPremière moitié du XVIIIe siècleA PAIR OF TIANQI AND QIANGJIN LACQUER CABINETS First half 18th centuryEach cabinet lacquered in red-brown tones with two doors decorated with two pairs of swallows in flight and perched on branches or flowers, one amidst leafy tree peony, prunus, lotus and camelia blossoms amidst rockwork, and the other amidst peach and pomegranate fruit and flowers amidst rockwork, the sides variously decorated with sprays of pomegranates and persimmon with butterflies and insects, all above the apron decorated with blossoms above the hoof-shaped feet, each cabinet opening to reveal two lower drawers decorated with butterflies and scattered bamboo and blossoms below the middle section with a one open compartment and another with two doors with a pair of chi dragons and lingzhi, all below the top open compartment, the reverse undecorated. 84cm (33in) high x 51.5cm (20 1/4in) wide x 25.5cm (10in) deep. (2).Footnotes:Provenance:Robert Rousset, Paris (1901-1981)Jean-Pierre Rousset, Paris (1936-2021) Similar decoration is found on a tianqi and qiangjin lacquer table, early Qing dynasty, in the Qing Court Collection, illustrated in Imperial Furniture of Ming and Qing Dynasties: Classics of the Forbidden City, Beijing, 2008, no.237.十八世紀上半葉 填漆戧金花鳥紋櫃一對來源:巴黎Robert Rousset(1901-1981)舊藏巴黎Jean-Pierre Rousset(1936-2021)舊藏For further information on this lot please visit Bonhams.com
TABLE BASSE EN HUANGHUALI, KANGXVIIe/XVIIIe siècleA HUANGHUALI LOW TABLE, KANG17th/18th centuryThe rectangular panel top set within a rectangular frame carved with a beaded, 'ice-plate' edge above a plain narrow waist surrounded by a shaped, beaded, cusped apron, all raised on elegant cabriole legs carved at the corners with lion masks and terminating in claw feet. 96.5cm (38in) wide x 59cm (23 2/8in) deep x 29.5cm (11 5/8in) high.Footnotes:Provenance:Jean-Pierre Rousset, Paris (1936-2021), acquired in the 1980's Kang tables were typically used on top of a platform, kang, or a couch-bed or daybed. For a discussion on kang tables, see S.Handler, Austere Luminosity of Chinese Classical Furniture, Berkeley, 2001, pp.169-171. Compare one similar but slightly larger example formerly from the collection of Wang Shixiang and now in the Shanghai Museum, illustrated by Wang Shixiang, Connoisseurship of Chinese Furniture, Hong Kong, 1990, p.68, no.B13.Compare with a similar huanghuali kang table, 17th century, with similar beast-head corners, which was sold at Chirstie's New York, 19 March 2021, lot 742. See also a related huanghuali kang table, 17th century, which was sold at Christie's New York, 13 September 2019, lot 873.十七/十八世紀 黃花梨炕桌來源:巴黎Jean-Pierre Rousset(1936-2021)舊藏,於二十世紀八十年代入藏This lot is subject to the following lot symbols: YY Subject to CITES regulations when exporting items outside of the EU, see clause 13.For further information on this lot please visit Bonhams.com
TRÈS RARE ET IMPORTANTE TABLE EN HUANGHUALI SURMONTÉE D'UN PLATEAU EN PIERRE PORTANT UNE INSCRIPTIONFin de la dynastie Ming (XVIe/XVIIe siècle) AN IMPORTANT AND VERY RARE HUANGHUALI INSCRIBED STONE-TOP TABLE Late Ming Dynasty (16th/17th century)Of rectangular form with a single floating purplish-grey and green stone panel, likely duan stone, inscbied with a calligraphic inscription, set in a mitred frame of mortise and tenon construction with moulded edges, above straight waist and a plain apron, supported on four legs of slender square section terminating in hoof feet and joined by humpback stretchers, the well-grained lustrous wood of warm amber-honey tone. 89cm (35in) high x 150cm (59in) wide x 58.7cm (23in) deep. The stone 98.2cm (38 5/8in) wide x 42.5cm (16 5/8in) long.Footnotes:Provenance:Jean-Pierre Rousset, Paris (1936-2021), acquired in the 1980'sTables with a stone top such as the present lot were particularly useful when playing the guqin – a seven stringed zither – with sound boxes underneath. The stone surface allowed the sounds to bounce off and reverberate more loudly. The inscription at the right corner of the stone top highlights its dual use of supporting the musical instrument as well as for reading. Following is the inscription:質賦衡峰,貞似玉溫,而理瑩,而穆二,奏虞弦,熏風處,續人對,明光佇,瞻補牘,朝文Which may be translated as:Its quality is harder than Hengshan mountain,The texture as smooth and gentle as jade.Playing qin solemnly on the lustrous marble top,And feeling the gentle breeze.Reading under the bright light,Dedicated to the Court: duty, loyalty and diligence.Seal: Zhao Wen (朝文)As the poetic inscription suggests, the present table would have been suitable for playing the qin, or for reading, aiding in study and serving the Court. A very similar table of more narrow form and without stone top, late 16th/early 17th century, is illustrated by Grace Wu Bruce, Living with Ming: the Lu Ming Shi Collection, Paris, 2000, p.110, no.23. The author notes on that tables with stone tops are quite rare, 'presumably because they break and perish at a higher rate compared to their wooden counterparts', see ibid., p.12. See also another related huanghuali table of similar form, but without a stone top, circa 1550-1650, illustrated by C.Clunas, Chinese Furniture, London, 1997, p.49. The author notes that according to the Classic of Lu Ban, this is a xiao qin zhuo shi, 'small qin table type'. That the present table is also inscribed with a poem, perhaps signifies its importance to literati gatherings where the qin was played, poetry recited, paintings and calligraphy written and exchanged. It is more likely that such a table with a poetic inscription and imbued with cultural capital would be more suitable for playing the qin, one of the Four Arts of the Scholar along with qi (chess), shu (calligraphy), and hua (painting).See a huanghuali incense table with stone top, inscribed with various collectors seals, Ming dynasty, including that of Xiang Yuanbian, which was sold at Poly Beijing, on 28 July 2022, lot 5563.Les tables similaires à celle-ci étaient particulièrement utiles pour jouer du guqin - une cithare à sept cordes- le plateau en pierre formant une caisse de résonance. En effet, la surface en pierre permettait aux sons de rebondir et de se réverbérer plus fort. L'inscription au coin droit de la pierre souligne son usage double : celui de support pour l'instrument de musique ou pour la lecture:質賦衡峰,貞似玉溫,而理瑩,而穆二,奏虞弦,熏風處,續人對,明光佇,瞻補牘,朝文 Que l'on pourrait traduire ainsi:D'une qualité plus dure que le Mont Heng,Son grain aussi doux que le jade,Jouer du qin avec solennité sur la pierre brillante,Et sentir la brise tièdeLire sous la lumière vive,Dédié à la Cour : devoir, loyauté et diligenceSceau: Zhao Wen 朝文 Comme le suggère l'inscription poétique, cette table aurait convenu pour jouer du qin, ou pour lire, utile dans le cabinet du lettré et pour servir la Cour. Une table très semblable, mais plus étroite et sans plateau en pierre, fin du XVIe ou début du XVIIe siècle, est illustrée dans Grace Wu Bruce, Living with Ming: the Lu Ming Shi Collection, Paris, 2000, p.110, n°23. L'auteur note que les tables à plateau en pierre sont assez rares, « probablement parce qu'elles se cassent et disparaissent davantage que celles en bois. », Ibid. p.112.Voir également une autre table en huanghuali de forme similaire mais sans plateau en pierre, vers 1550-1650, illustrée dans C.Clunas, Chinese Furniture, London, 1997, p.49. L'auteur écrit que d'après le Classique de Lu Ban, il s'agit d'une xiao qin zhuo shi, un type de petite table à qin. Le fait que cette table soit gravée d'un poème est peut-être une indication de son importance lors de réunion de lettrés où l'on jouait du qin, récitait de la poésie ou réalisait et échangeait des poèmes et calligraphies. Cette table, dotée d'une inscription poétique, était particulièrement appropriée pour jouer du qin, un des Quatre Arts du Lettré avec les échecs (qi), la calligraphie (shu) et la peinture (hua).Voir une table à encens en huanghuali avec un plateau en pierre, inscrite de plusieurs sceaux de collectionneurs, dont celui de Xiang Yuanbian, dynastie Ming, vendue chez Poly à Pékin le 28 juillet 2022, lot 5563.明晚期 黃花梨四面平式嵌石面詩文條桌來源:巴黎Jean-Pierre Rousset(1936-2021)舊藏,於二十世紀八十年代前入藏因石質空隙易與聲響產生共鳴,可作為音響加強音色,如本拍品般之嵌石面條桌尤宜作為琴桌使用。刻於該桌桌面右側的詩文亦引證其曾為士人琴桌及書桌的角色:質賦衡峰,貞似玉溫而理瑩,而穆二,奏虞弦,熏風處,續人對,明光佇,瞻補牘,朝文。與本拍品相類但稍窄且無石桌面之十六/十七世紀早期琴桌 可見於伍嘉恩(Grace Wu Bruce)著,Living with Ming: the Lu... This lot is subject to the following lot symbols: YY Subject to CITES regulations when exporting items outside of the EU, see clause 13.For further information on this lot please visit Bonhams.com
EXCEPTIONNELLE TABLE IMPÉRIALE À GUQIN EN BOIS LAQUÉ POLYCHROME AUX 'TRENTE-DEUX DRAGONS'Fin de la dynastie Ming (Première moitié du XVIIe siècle)AN IMPORTANT AND EXCEPTIONALLY RARE IMPERIAL POLYCHROME LACQUER 'THIRTY-TWO-DRAGONS' GUQIN TABLE Late Ming Dynasty (first half 17th century)The top inset in the centre with a highly polished grey pottery rectangular brick moulded with a pair of five-clawed dragons pursuing the flaming pearl of wisdom amidst cloud scrolls and above crashing waves centred around a mountain framed by a continuous lotus scroll, all framed by the black-ground lacquered top decorated on each side with a panel of mirror-image five-clawed dragon pursuing the flaming pearl reserved on a diaper ground, all framed by a border enclosing on each long side with a cartouche a full-faced five-clawed dragon around the pearl, flanked by a pair of striding five-clawed dragons pursuing pearls, the shorter sides similarly decorated with full-faced dragons, all alternating with the Eight Precious Objects, the top with slanted corners raised above the beaded waist decorated with foliate floral and cloud scrolls, the shaped apron with a central foliate terminal, each side with openwork sections carved and gilt-lacquered with the Auspicious Objects flanked on the long sides by five-clawed dragons pursuing flaming pearls above waves and amidst clouds and the short sides with cloud scrolls and waves, the shaped legs similarly decorated on each external side with two five-clawed dragons. 101.2cm (39 7/8in) wide x 73.5cm (28 15/16in) high x 34.3cm (13 1/2in) deep; the inset brick, 64cm wide x 20.3cm deep x 6.2cm high (2).
A 19th century antique Ceylonese specimen table with carved apron and tripod support showing elephants - the top diameter 75cms, standing 85cms highCONDITION REPORTTop is warped and has suffered some loss to the decorative detailing.Condition disclaimerOur team of trusted experts are on hand to help and always endeavour to provide an accurate judgement. The ultimate responsibility lies with the buyer however, and we recommend that you make every effort to inspect the lot yourself.To that end, we have provided a number of additional images for your attention.
A silver quaich table salt together with flatwareCONDITION REPORTquaich is hallmarkedCondition disclaimerOur team of trusted experts are on hand to help and always endeavour to provide an accurate judgement. The ultimate responsibility lies with the buyer however, and we recommend that you make every effort to inspect the lot yourself.To that end, we have provided a number of additional images for your attention.
A large Indian 'elephant' table with carved top - 150cm x 50cmCONDITION REPORTlength 150cm height 52cm depth 51cmsome slight chips and scratchesCondition disclaimerOur team of trusted experts are on hand to help and always endeavour to provide an accurate judgement. The ultimate responsibility lies with the buyer however, and we recommend that you make every effort to inspect the lot yourself.To that end, we have provided a number of additional images for your attention.
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