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Lot 673

mark of A. Taite & Sons Ltd., London 1958, each filled and stepped square base with beaded decoration, underside with green baize table protector, panelled column with acanthus sconce and friction fitting beaded edged wax pan, 10 x 10cm, 27cm high (2)

Lot 676

mark of Harrison Brothers & Howson Ltd., London 1995, each of circular form, the straight sided gallery with display hallmarks, turned wooden base with raised central silver boss and green baize table protector, 11.5cm inside diameter (2)

Lot 684

all three Birmingham 1979, with turned wooden base and green table protector; the first with mark of Bishton's Ltd., slightly baluster solid gallery with gadrooned rim, 9cm inside diameter; the second with mark of S. J. Rose & Son, straight pierced gallery with turned rim, 13cm inside diameter; the third with mark of S. J. Rose & Son, convex solid gallery with repoussé trailing vine decoration, 11cm inside diameter (3)

Lot 695

'Queens' pattern, monogrammed, comprising 6 tablespoons, 8 teaspoons and 3 toddy ladles, mark not traced (G.B) 1830, together with 6 table forks, mark of Peter Aitken I,1832, 43.4ozt gross (23)

Lot 112

A pair of continental cobalt blue vase shaped table lamps, with gilt metal mounts, each approx. 39cmH, together with a gilt metal figural table lamp

Lot 131

A 19th century muffin dish, heightened in gilt, together with a pair of opaque Granite China side plates and a Royal Worcester acanthus jug and a cut glass dressing table bottle with silver collar

Lot 234

A Chinese blue and white model of a man in a boat, with impressed marks; a table lamp, 20cmH; and one other armorial dish (3)

Lot 252

A bronze table lamp in the form of a classical dolphin, on a turned wood base, 21cmH

Lot 315

A brass five arm chandelier with acanthus detail and cut glass drops, approx 40cmW, together with a gilt metal table lamp, height to top of shade 44cm

Lot 327

A pair of modern turned and carved wood urn table lamps, cream painted and parcel gilt, 32cmH to top of fitting

Lot 349

A large pair of Kashmiri candlesticks, holes drilled for table lamp conversion, 46cmH

Lot 402

A mixed lot to include Klimt design 'Smile' teacups and saucers; silvered glass dressing table pots; letter rack; Bernard Pearson figurine etc

Lot 427

Jimmy Nelson, Before They Pass Away, collector's edition XXL, published by teNeues, hardcover, coffee table book

Lot 112

3x Tiffany style table lamps, includes a matching pair & 1 larger lamp

Lot 191

A pair of metal and brass table lamps together with brass table lamp

Lot 272

Gilt framed watercolour painting of “Table Rocks” Whitley Bay - signed by the artist A.J.Sticks, 48x22cm

Lot 347

Moorcroft pottery baluster table lamp in the anemone pattern 25cm

Lot 395

Box lot comprising of miscellaneous items including oriental style table lamp, royal Worcester collectors plates, vintage brass bowl, box of photo frames etc

Lot 55

A silver and enamel pin dish stamped 950, possibly Russian, with floral decoration, 8cm wide; together with a silver and tortoiseshell dressing table lid, and a chased silver dressing table pot (3)

Lot 670

A small Indian occasional table, the top carved with foliage and elephants, 77x47cmH

Lot 68

A silver topped glass dressing table pot, the lid hallmarked Birmingham 1914; together with three pressed white metal charms

Lot 699

A Jones sewing machine and table

Lot 700

A ceramic table lamp, bronze paint effect, on a hardwood style base, 45cmH to top of fitting

Lot 710

An oval oak gateleg table, on barleytwist supports and peripheral stretchers, 91x44x73cmH

Lot 715

A substantial hardwood dining table, 140x90x75cmH, the drop ends each adding 30cm

Lot 748

A ceramic Art Deco style table lamp, height to top of fitting 34cmH

Lot 751

An oak side table, early 18th century, 58cm high, 65cm wide, 45cm deep Provenance: Property from the estate of the late Joe Constantine

Lot 753

A mahogany Pembroke table of large proportions, late 19th century, 76cm high, 132cm long, 46cm wide (105cm wide when open)

Lot 754

A panelled pine plinth coffee table, 101x53x32cmH

Lot 765

An octagonal coffee table, 83cmW; together with a carved octagonal table on folding base, 54x59cm

Lot 767

A Victorian oak extending dining table, circa 1870, with two additional leaves, on reeded legs, 73cm high, 120cm wide, 151cm long (not extended), 244cm long (fully extended)

Lot 773

A Regency rosewood circular tip-top breakfast table, on an octagonal faceted column and triform base, 122cmD

Lot 778

A mid century low beech coffee table/sewing box, 92x38x38cm; together with a mid century stool, 46cmH

Lot 779

A mid century red formica topped kitchen table, 106x61x75cmH

Lot 786

A George III mahogany card table, with green leather inset top, on square tapered legs, 91x45x74cmH

Lot 787

A mahogany wine table with dish top, on repaired cabriole legs, 42x49cm

Lot 790

An arts and crafts circular tripod table, 35x49cmH

Lot 800

A light oak circular faux bamboo occasional table with undershelf, 50cmH 38cmD

Lot 803

An oak cricket table, 18th century and later, the sixteen sided top above the typical triform base with turned supports 68cm high, 68cm wideProvenance: Property from the estate of the late Joe Constantine

Lot 826

An oak side table in 17th century style, single drawer, barley twist legs, 68x42x74cmH, together with a 20th century oak joint stool

Lot 865

A 20th century dressing table, adjustable mirror with two drawers above, the base with two short over a single long drawer, on square tapered legs and casters, 106x49x78cmH

Lot 874

An octagonal oak occasional table, with mother of pearl inlay, 39x49cm

Lot 887

A George III oak single dropleaf table, af, 93x45x71cm, the leaf 45cmW

Lot 890

A white stained bedside cabinet, together with a lacquered occasional table, each approx. 70cmH

Lot 893

A Chinese table cabinet with brass mounts, 50cmW

Lot 897

A pine kitchen table with single drop leaf, bolt on legs, 140x80x74cm, the leaf adding 50cm

Lot 899

A square oak table on pedestal base, 61x61x74cmH

Lot 915

A mid century dressing table, three part mirror and light, kneehole with seven drawers, 152x45x71cmH; together with a matching green upholstered stool

Lot 932

A bamboo and cane coffee table with single drawer below, 76x44x47cm

Lot 28

Harold KNIGHT (1874-1961)Portrait of the artist Robert Morson Hughes (1873-1953)Circa 1915/16 Oil on canvas 102 x 127.5 cmExhibited: ‘Artists by Themselves’ 2019 Penlee House GalleryProvenance: From the Estate of Robert Morson Hughes, thence by descent. A professional conservator's condition report is available upon request. This heroic portrait, so reminiscent of Harold Knight’s self-portrait in the National Portrait Gallery, ostensibly appears to be a study for his large, important work 'The Council,' (exhibited RA 1916) which features Robert Hughes on the right of the painting, also with pint in hand, walking stick and overcoat on left arm.In 'The Council' Hughes leans forward, intently facing his good friend the artist Samuel John Lamorna Birch. Birch is expounding an opinion, no doubt upon a war-related subject, whilst three other Lamorna locals around the table look on, including Old Jory, the landlord of the Lamorna Wink where the painting is set. Knight was an accomplished portraitist and completed numerous commissions, but his sensitive portraits of women differ greatly to many of his male studies, which although technically brilliant, could be dour and lacking in emotional warmth. Rapport, respect or a connection with his subject really mattered. In this portrait Hughes (Bertie to his friends) looks directly at us out of the painting, with a truly penetrating, almost intimidating gaze. He is life sized, and the full force of his personality is almost simmering upon the canvas. It says: “This is a man of character.” And who are we to argue? It is a painting that demands respect. It is one of Harold Knight's most powerful portraits, and is very much a finished work in its own right. Prior to the war, life for the Knights in Lamorna had been idyllic, aside from the tragedy of Florence Munnings’s suicide in July 1914, these had been halcyon days in the ‘Happy Valley’ of Cecily Sidgewick’s novels, and Harold had done some of his best work here.They moved to Lamorna in 1913 when Laura’s career was still developing and although Harold had established himself as a portrait painter, money was still tight for them. They needed to sell paintings to live, unlike their friends and neighbours, the independently wealthy Hughes’.Robert Morsen Hughes and his wife Eleanor were popular and significant members of the artists group living in pre-war Lamorna. Like the Procters, the Simpsons and several others, they had come to Newlyn to study under Stanhope Forbes, had fallen in love, not just with each other but also Cornwall. They married, stayed, and made their lives there.Along with the Napers, Sidgewicks, Leaders and the Heaths, the Hughes bought a parcel of land from Colonel Paynter of Boskenna and in 1911, designed and built their own home, 'Chyangweal' above the Lamorna Valley. Eleanor was an accomplished pianist and their home became popular for social gatherings and musical evenings. Along with S J Lamorna Birch and his family, this was a social group of great harmony and friendship. Although undated, this work was probably painted in 1915 and in the context of that time frame, it is a fascinating portrait. As illustrated by ‘The Council’, war dominated every conversation. Many Lamorna friends and colleagues joined up, and by 1915 there had been tragic deaths and woundings amongst them. This portrait and ‘The Council’ document a point in Harold’s life just before a great emotional shift, because in 1916 Harold declared himself a conscientious objector. It was the start of a period of immense mental and physical strain. Friendships fractured, even long standing friendships with the Sidgewicks and the Birchs were put to the test. Although too old to serve, in 1916 S J Lamorna Birch and Robert Hughes became members of a local volunteer force, guarding Newlyn harbour, and so struggled with Harold’s pacifist stance. When Knight got his call up papers in 1916, he was asked to explain himself before a tribunal. Unimpressed, they sent him to work as a farm labourer on the Cornish coast. He was alienated by friends and colleagues, writing: '’I have lost the friendship of several people whose friendship I valued, and my career as a portrait painter has been prejudiced by my attitude towards the war I have been compelled to take.’' It must have been an immensely painful episode for him. Knight was a quiet, sensitive man, often overshadowed by his brilliant, vivacious artist wife, Laura, but this stance showed immense courage. It took its toll on him both mentally and physically. 'Hoeing', Laura remarked, 'for days on end without seeing a living soul. He was again a sick man.' By 1917, Knight's health had deteriorated to such an extent that he was excused from further labour and returned to painting. After the war they left Cornwall for London, whilst this portrait, arguably one of Harold Knight’s finest, remained in the Lamorna home for which it was painted. We don’t know whether this work was a gift or a purchase, but other than a three month loan to Penlee House in 2019, this marvellous portrait has hung at Chyangweal for over 100 years and never been exhibited elsewhere.

Lot 1005

Fold Down Occasional Table with drawer at one end and mock drawer at the other, both with brass knobs. Measures 38" length, width closed 20" with two 10" lift up sides. 28" tall, raised on four turned legs.

Lot 1006

Teak Sewing Table, raised on four turned legs, with a lift up lid containing fitted cotton reel holder filled with cotton, tins of pins, boxes of buttons, scissors, thimbles, hooks, etc., with a drawer beneath filled with every sewing accessory. Good piece of useful and attractive furniture.

Lot 1026

Hall Console Table, Gilt pedestal raised on claw feet, decorated with putti, with a cream marble top. Measures 32.5" wide x 11" deep x 32" tall.

Lot 1034

Tiffany Style Table Lamp, on decorative base, with stained glass shade. Approx 20" tall.

Lot 1035

Tall Table Lamp with gilt painted column and stepped base, with round white globe shade. Base 6" square, height 25".

Lot 1038

Art Deco Style Table Lamp, base with two German Shepherd dogs, on a marble base with a white globe shade. 11" long x 44" deep x 6" tall.

Lot 1233

Box of Brass & Copper Items, including a pair of candlesticks, plant sprayer, trays, horse brasses, brass bed knobs, planters, etc. Including a dressing table set of brush, comb and mirror.

Lot 1596

Quantity of Collectible Items, comprising a Liquorice Allsort sweet jar, a Gingerbread Man cookie jar, two table lighters, a set of decorative brass scales, and four ceramic miniature pictures.

Lot 228A

Silver Dressing Table Set, comprising a mirror, two hairbrushes, comb, and two clothes brushes, in ornate scrolled design, fully hallmarked and maker's mark B & Co. for Broadway & Co. All in fitted box lined in cream silk.

Lot 244

Golden Sheen Sapphire Drop Earrings, oval cut drops totalling 3cts of the golden sheen sapphire with the natural effect glowing on the faceted table of the stones; set in platinum vermeil and silver lever back fittings

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