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1949 Wolverhampton Wanderers FA Cup Final Winners Menu: To consist of Cup Final Banquet Cafe Royal London 30th April 1949 signed to back by 10 Players Billy Wright, Bill Shorthouse, R Pritchard, Jimmy Dunn, A Crook, S Smyth, Bert Williams, Civic Banquet Wolverhampton 9th May 1949 Invite and Table card, Team Itinerary (6)
The Football League in Copenhagen 1953 Menu, Itinerary and Invite: 50 Years Jubilee match The Football League v The Combination XI 5th May 1953 consists of Menu at Ingeniorhuset Copenhagen, Itinerary, Invites and Table Name card Mr B F Williams (please note been removed from album having damage to rear) (5)
1963 Football Association 100 Years signed Banquet Menu: Held in London signed by 10 all from Bert Williams table to include Bobby Moore, Eddie Hapgood, Laurie Scott comes with Black & White Press photograph of the table showing who was there (please note been removed from album having damage to rear) (2)
ROBERT LINDSEY CLARK A.R.B.S. (1892-1926) "THE BROKEN LIMBER", signed and dated 1924,cast and patinated bronze, 22" x 26.5", on a carved oak table stand, 54" high overall and fitted with turntable to enable rotation of the piece Provenance: Capt. W.N. McClean and thence by descent. Exhibited: Royal Academy, 1924, no.1551. Acquired at the end of the exhibition by Capt. McClean for £300. An Exhibition of Cheltenham Artists at Cheltenham Art Gallery, December 8th 1925 - January 16th 1925, by kind permission of Capt. W.N. McClean. Literature: `The Best, a history of H.H. Martyn & Co`, John Whitaker, Promenade Publications, 1998 `The Broken Limber` or `The Limber - A Broken Pole` was originally designed as Cheltenham`s Memorial to those lost in The Great War, and was envisaged to be a life size cast set upon a plinth of Portland Stone. The piece depicts two horses lunging to pull an eighteen pounder gun limber of the Royal Horse Artillery from the mud, being expertly controlled by a soldier who is riding one of the horses, despite the broken limber pole which has given under the strain. The bronze offered here is the prime version as exhibited at the Royal Academy in 1924. It appears from correspondence between the Artist and Capt. McClean that two replicas of the bronze had been commissioned at the time of the sale, and that these would be marked `Replica` and have an additional rifle butt amongst the debris at the bottom of the sculpture to distinguish them from the original cast. A replica of the bronze is in the collection of The Museum of Cheltenham. The correspondence between Robert Lindsey Clark and Capt. W.N. McClean is included in this lot.
A REGENCY MAHOGANY AND PIETRA DURA DRUM-TOP TABLE, the circular top with a beaded border and a central white marble panel inlaid with two love-birds above four flush-fitting frieze drawers and four conforming dummy drawers, on a leaf-carved tapering column and triform base with short turned legs and recessed castors, 30" dia. See illustration
A 19TH CENTURY PAINTED PARCEL GILT AND MARBLE CENTRE TABLE with an inset variegated marble top above a carved frieze with central cartouches to either side, with a wavy "X"-form stretcher with a central vase-shaped ornament and hanging gilt swags, on short turned feet, possibly Scandinavian, possibly 18th century and later, 50" wide
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1177565 item(s)/page