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Ï’An Aesthetic Movement amboyna, ebonised and inlaid card table, circa 1890, in the manner of Gillows, with gilt metal mounts, 77cm high, 92cm wide, 46cm deep Provenance: Property from a Private Collection Ï’ Indicates that this lot may be subject to CITES regulations when exported. Please see our Terms & Conditions for more information.
A George IV giltwood and ebonised console table, circa 1825, the top above C-scroll supports and shaped plinth base, 82cm high, 96cm wide, 41cm deep, together with a giltwood and composition pier-glass, circa 1840, the anthemion scroll frieze above plate with flanking pilasters, 218cm high, 88cm wide Provenance: Property from a Private Collection
A pair of late Victorian brass table lamps in the manner of altarsticks, circa 1900, possibly by Hardman & Co of Birmingham, the large circular drip pans with trefoil rims, above diapered shafts and ribbed circular bases, on paw feet, 48cm high overall including electrical fitments
A William IV carved mahogany serving table, circa 1835, of bowfront outline, the upstand with beaded edge and flanking anthemions above the gadrooned and acanthus carved top and frieze and raised on cabriole legs, headed with foliate decoration and terminating in lion paw feet, 117cm high, 149cm wide, 64cm deep Provenance: Property from a Private Collection Please note: This serving table is 250cm wide and not as printed in the catalogue
A giltwood hall stand, late 19th century, of architectural form, the arched rectangular back with a laurel wreath to the cornice above an arched mirror plate within a marginal frame, and with projecting console table with a shaped grey marble top and with a single frieze drawer, the whole flanked by fluted pilasters with recesses for sticks to the base, 244cm high, 140cm wide Provenance: Property from a Private Collection
A Victorian mahogany extending dining table, circa 1870, with three additional leaf insertions, the rectangular top with moulded edge above top on turned and reeded legs terminating in brass caps and castors, the winding action with applied plaque for JOSEPH FITTER/ PATENT/ BRITANNIA WORKS/ CHEAPSIDE BIRMINGHAM, 77cm high, 144cm wide, 200cm long (unextended), approximately 405cm long (extended) Provenance: Property from a Private Collection Joseph Fitter was a Birmingham machinist, and applied for a patent for an extending dining table in 1861. Business directories in 1870 list him at this address
A Regency mahogany extending dining table, circa 1820, in the manner of Wilkinson & Sons, with three additional leaf insertions, on reeded tapering legs terminating in brass caps and castors, 72cm high, 115cm wide, 120cm long (unextended), 216cm long (extended) Provenance: Property from a Private Collection
A giltwood console table in George III style, late 19th century, after the manner of Robert Adam, with a serpentine white marble top above a fluted frieze punctuated by paterae on turned fluted legs, 92cm high, 151cm wide, 59cm deep Provenance: Property from a Private Collection
An Irish George IV mahogany centre table, circa 1825, by Gillingtons, the circular top above a ring turned column and outswept legs terminating in brass caps and castors, the top of the column stamped GILLINGTONS, and serial numbered 4338, 73cm high, 152cm wide Provenance: Property from a Private Collection
A pair of Continental porcelain and gilt metal mounted vase table lamps, early 20th century, the twist lobed and openwork bodies polychrome glazed with flowers and foliage, with waisted necks and socles, raised on octagonal platforms with dolphin feet descending to further shaped plinths, 56cm high Provenance: Property from a Private Collection
Ï’ A George IV rosewood card table, circa 1830, in the manner of Gillows, with lappet carved column above circular platform base and outswept scroll legs, 76cm high, 91cm wide, 45cm deep Provenance: Private Collection, Wantage Ï’ Indicates that this lot may be subject to CITES regulations when exported. Please see our Terms & Conditions for more information.
Please note, the description for this lot should have read: An Italian silver coloured, parcel gilt and verde antico mounted table fountain by Le Argenterie di Milano (Guido Fiorentini), Milan 1944-68, .800 standard, the circular basin cast with everted rim and raised central figure of Neptune, mounted with various shells overall, the waisted and beaded socle relief cast with further sea life and tritons, mounted on a stepped circular plinth, 49cm high overall including plastic fitments inside, 62cm diameter, loaded. Provenance: Property from a Private Collection.
A pair of impressive French gilt and patinated bronze and marble mounted table lamps in Neo Grec taste, circa 1880 and later refitted, each with twin writhen snake handles above an urn body relief cast with dancing, togate maidens, above waisted socles, with fluted rouge griotte plinths and further octagonal beaded bases, 70cm high, 21cm wide
A Regency mahogany writing table, circa 1820, in the manner of Gillows, the rectangular top with black leather inset above a single frieze drawer flanked by anthemions to the angles, the bipedal supports united by a reeded curved stretcher and terminating in lion paw feet, 74cm high, 109cm wide, 74cm deep Provenance: Property from a Private Collection
Ï’A Napoleon III ebonised, tortoiseshell 'Boulle' inlaid, and gilt metal mounted card table, circa 1870, of serpentine outline, the frieze with applied central mask, 78cm high, 89cm wide, 45cm deep Provenance: Property from a Private Collection Ï’ Indicates that this lot may be subject to CITES regulations when exported. Please see our Terms & Conditions for more information.
Ï’ A Sheraton Revival satinwood and tulipwood banded Pembroke table, early 20th century, with typical polychrome decoration, 75cm high, 102cm wide (open), 65cm deep Provenance: Property from a Private Collection Ï’ Indicates that this lot may be subject to CITES regulations when exported. Please see our Terms & Conditions for more information.
A gilt bronze and spelter clock garniture, Roblin, Paris, the eight-day bell striking movement with outside count wheel serial numbered 12815 and signed ROBLIN A PARIS to backplate, the case with maiden and cherub above the drum movement and on a marble plinth, together with a pair of Candelabra en-suite, each 75cm high Provenance: Property from a Private Collection Please note that Lot 241 and 242 have been transposed in the catalogue. Lot 241 is the Console Table and Lot 242 is the Clock garniture.
Ï’ A William IV rosewood work table, circa 1835, with single frieze drawer, 75cm high, 61cm wide, 42cm deep Provenance: Private Collection, Wantage Ï’ Indicates that this lot may be subject to CITES regulations when exported. Please see our Terms & Conditions for more information.
A Victorian mahogany extending dining table, circa 1860, with nine additional leaf insertions, the rectangular top with moulded edge above four carved substantial cabriole legs terminating in brass caps and castors, and two additional legs, , the winding action with applied plaque for SAMUEL HAWKINS PATENTEE, 54 BISHOPSGATE, LONDON, and serial numbered RX567, 75cm high, 137cm wide, 149cm long (unextended), approximately 670cm long (fully extended) Provenance: Property from a Private Collection
A giltwood console table in Louis XVI style, late 19th century, the white marble top above frieze and cabriole supports united by a U-shapped stretcher, 94cm high, 109cm wide, 46cm deep Provenance: Property from a Private Collection Please note that Lot 241 and 242 have been transposed in the catalogue. Lot 241 is the Console Table and Lot 242 is the Clock garniture.
A pair of French marmo cipollino and gilt bronze mounted table lamps in Louis XVI taste, first quarter 20th century, the electrical fitments rising from foliate mounts descending to festooned baluster bodies with twin swan handles, above waisted circular socles and further square section bases, 57m high, 23cm wide
Ï’A Victorian rosewood centre table, circa 1860, the circular top with radial book matched veneers above a turned baluster column and splayed legs terminating in scroll feet, 72cm high, 142cm diameter Provenance: Property from a Private Collection Ï’ Indicates that this lot may be subject to CITES regulations when exported. Please see our Terms & Conditions for more information.
A carved mahogany twin pedestal partner's desk in George III style, late 19th/early 20th century, after the design by Thomas Chippendale for Nostell Priory, the rectangular top with a green tooled leather inset, above a frieze drawer to each long side, the pedestals enclosed by paneled doors enclosing an arrangement of divisions to one side and opposing drawers, with applied moulded decorated throughout, 82cm high, 203cm wide, 128cm wide Provenance: Property from a Private Collection The original desk was supplied by Thomas Chippendale to Nostell Priory, Yorkshire. It was the most expensive item supplied to Nostell and is best described in his own terms as described in his original accounts as 'a large mahogany library table of very fine wood with drawers within on one side and partitions on the other, with terms of ditto carvd & ornamented with Lions' heads & paws & the top covered with black leather, & the whole completely finishd in the most elegant taste - £72.10'.
A pair of fine cut glass and silver plated metal mounted six light standard candelabra by F & C Osler, late 19th/early 20th century, with faceted and hobnail cut spire finials above gadrooned circular bosses issuing lozenge cut scrolling arms each with a scalloped conforming shade, above faceted and hobnail cut stems descending to spreading circular bases on ball feet, probably previously for gas and refitted, stamped F. &. C. OSLER to the bosses and bases, 171cm high, 99cm diameter Provenance: Property from a Private Collection The Osler name is synonymous with exceptional quality, and represents a rich tradition of English 19th century glass manufacture. The firm, originally a supplier of ornaments for chandeliers, was started by Thomas Osler in Birmingham in 1807. However, it was not until Thomas' sons Follett and Clarkson took over the firm in the 1830s that the company grew to achieve worldwide renown, and Osler's 'brilliant cut glass' became popular with royalty and aristocracy across the British Empire, with additional showrooms established in London and Calcutta, India. The brothers renamed the operation 'F & C Osler & Co.' in 1852. The present lot dates from the later 19th century height of Osler's production. Not many standing candelabra by Osler survive, with the most famous examples perhaps being the enormous, ornate examples at Osborne House given to Queen Victoria as a birthday present by Prince Albert. The design of the present lot does exhibit strong similarities to smaller table candelabra created by Osler in the later 19th century. See for example Christie's South Kensington, 17 August 2016, lot 214, also with distinctive spire finials and ball feet. A larger standing candelabrum by Osler was sold at Christie's South Kensington 26 September 2001, lot 163
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1181627 item(s)/page