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A Royal Winton toast rack; a continental treen vesta case, carved with edelweiss; an Art Deco frosted green glass dressing table set; a Denby jug; an interesting matchbook; a stoneware foot warmer; a green glass bottle, Arthur Meakin jug, S Haslam Sutton-in-Ashfield; brushes; tins; an Arthur Woods Deco jug; qty (2 boxes)
A George II red walnut folding tea table, circa 1735 A George II red walnut folding tea table, circa 1735, the folding top opening to form the elliptical top, and hinged further to a compartment beneath, the moulded frieze above tapering cabriole legs headed by scroll terminals and terminating in pointed pad feet, 73cm high, 77cm wide, 46cm deep Provenance: Private Collection of a Gentleman, London
A George I giltwood side table , circa 1725, in the manner of James Moore A George I giltwood side table , circa 1725, in the manner of James Moore, the breche violette marble top above carved frieze of interlaced tellis and flower motifs and centred with shell and scrolls, the hipped legs with leaf carving over conforming square tapering section legs terminating in hoof feet, 80cm high, 90cm wide, 54cm deep Provenance: Private Collection of a Gentleman, London
A George III mahogany triple pillar dining table , circa 1800 A George III mahogany triple pillar dining table , circa 1800, with two additional leaf insertions, the rectangular top with rounded corners, each facetted stem on downswept sabre legs terminating in brass caps and casters, 72cm high, 124cm wide, 299cm long fully extended
A hardwood silver table in George III Chippendale style , mid 19th century A hardwood silver table in George III Chippendale style , mid 19th century, incorporating elements of padouk, the pierced fretwork gallery above rectangular top and further fretwork frieze, on four arcaded and quadruple column cluster supports terminating on stepped block feet, 75cm high, 74cm wide, 52cm deep
A George III mahogany architects or reading table, circa 1770 A George III mahogany architects or reading table, circa 1770, with double ratchet action writing/drawing surface and flap back above single drawer and chamfered square section legs terminating in block feet, with adjustable under tier 79cm high, 89cm wide, 40cm deep closed, 69cm open
A Louis XV tulipwood and gilt metal mounted writing or dressing table A Louis XV tulipwood and gilt metal mounted writing or dressing table, circa 1750, the top with central fliptop mirror and flanking compartments, above sliding writing surface and single drawer, on cabriole legs terminating in conforming gilt metal sabots, 69cm high, 75cm wide, 44cm deep Provenance: Commissioned for Château de Bellevue, possibly by Louis XV. This table bears the Château stamp for Château de Bellevue. The site for the Château was acquired by Louis XV in 1748 and the Château de Bellevue was designated for Madame de Pompadour when it was built there in 1750. It was set in Meudon and had a beautiful view of the Seine. Conveniently enough it was located between Louis XV's own two châteaux (Meudon and Saint-Cloud). Madame de Pompadour and Louis XV were both passionate amateur architects and took a deep interest in the construction of this pleasure house. The architect Jean Cailleteau was hired to create Madame de Pompadour's new property. Madame de Pompadour was given this piece of land by her royal lover just before their physical relationship ended which happened to be in the same year that Bellevue was completed. Eventually Louis bought back the property and had the two extra wings added. In 1774 following the death of Louis XV the Château was occupied by the new King Louis XVI S Mesdames Adelaide, Victoire and Sophie until the revolution. Literature: Alexandre Pradere, Les ebenistes Francais de Louis XIV a la revolution, Paris, 1989, page 198, fig 191.
A George III carton pierre wall mirror, circa 1770 A George III carton pierre wall mirror, circa 1770, the oval plate within a gadroon and acanthus moulded surround and an elaborately pierced frame incorporating scrolling foliage, surmounted by a twin handled urn hung with swags of bellflowers and a further stylised honeysuckle motif above, 184cm high, 95cm wide To be sold by order of the executors of the late Sally, Duchess of Newcastle The original painted colour scheme used for this mirror relates closely to that employed by Thomas Chippendale for a suite of furniture supplied to David & Eva Garrick for their villa at hampton, middlesex (now south-west london) in 1779. Other pieces supplied by Thomas chippendale (1718-1779) included a dressing table (now at anglesey abbey, cambridgeshire), a pair of cabinet bookcases, a pair of clothes presses, a corner cupboard and a bed. several of the pieces from the suite are part of the Victoria and Albert museum collection. The bed is situated in the British Galleries, room 118a, case 1 (W.70-1916) For a related carton pierre mirror see Christie s, Dealing in Excellence, a celebration of Hotspur & Jeremy, 20th November 2008, lot 57. The design for the Christie s example was related to a design by John Linnell in the 1770 s (H. Hayward, 'The Drawings of John Linnell', Furniture History, 1969, figs. 90, 92 and 126). Linnell was not recorded as making carton pierre mirrors but amongst the specialist papier-maché frame makers working in the manner promoted by Linnell was the Berwick street carver and gilder William Duffour (d.1784), who may have executed a related vase-decked pier-glass (acquired in 1926 by the Victoria & Albert museum (m. Tomlin, Catalogue of Adam Period Furniture, London, 1982, N/14). A related 'Oval Glass Frame' pattern, with reed gadrooned border, and another crowned by a basket, were published in W. Ince and J. Mayhew's, Universal System of Household Furniture, 1762 (pls. 78 and 79). Their patterns also relate to those previously issued in 1758 by Thomas Johnson, for his Collection of Designs and other recorded designs by Matthias Lock and Thomas Chippendale. For a mirror design reflecting very similar use of the large scale stylised honeysuckle or anthemion motif surmount above an urn flanked by rams heads, see Susan E. Stuart, Gillows of lancaster and london 1730-1840, antique collectors club 2008, Volume II, page 81, pl.625
A George IV mahogany drum library table , circa 1825 A George IV mahogany drum library table , circa 1825, the tooled and gilt leather inset circular top above four frieze drawers and alternate false drawers, on spiral fluted pillar and quadruple outswept legs with brass lion paw caps and castors, 74cm high, the top 105cm diameter To be sold by order of the executors of the late Sally, Duchess of Newcastle
A George III mahogany 'Breakfaste' Pembroke table , circa 1770 A George III mahogany 'Breakfaste' Pembroke table , circa 1770, after a design Thomas Chippendale, the rectangular twin flap top with frieze drawer above an enclosed undertier with pierced fretwork sides and hinged doors, in the Chinese Chippendale taste, on square section moulded legs, 72cm high, 99cm wide open, 61cm deep, The design of this table closely related to Thomas Chippendale's design for a "Breakfaste Table" . The Gentleman and Cabinet Maker's Director (1762) plate LX For similar examples see the Christie's catalogue prepared for the contents of Dumfries House (Thursday 12th July 2007) p.169, and an example by Samuel Smith p.191 Provenance: Private Collection of the Bagshawe family, formerly of Ford Hall and Snitterton Hall, Derbyshire, see page 97.
A Indo Portuguese macassar ebony, hardwood and ivory table cabinet, circa 1700 A Indo Portuguese macassar ebony, hardwood and ivory table cabinet, circa 1700, decorated profusely throughout with lac heightened engraved ivory depictions of flowers and foliage, the fall front opening to an arrangement of ten drawers, flanked by brass side carrying handles, on a walnut stand, English, circa 1735 , the moulded frieze above turned tapering legs surmounted by lappet terminals and on pad feet, the cabinet 30cm high, 47cm wide, 35cm deep, overall 88cm high, 52cm wide, 37cm deep Provenance: Private Collection of the Bagshawe family, formerly of Ford Hall and Snitterton Hall, Derbyshire, see page 97.
A Scottish Regency mahogany and satin wood banded work/writing table A Scottish Regency mahogany and satin wood banded work/writing table, circa 1815, the retractable pleated silk inset panel above the rectangular top , the single frieze drawer with sliding leather writing surface and sliding compartment containing ink bottles to one side, above a sliding work bag to side, on square section legs brass caps and castors, bears paper label to interior for 'Biggar, Cabinet Warehouse, opposite the College, Edinburgh', 75cm high 60cm wide, 50 deep John Biggar 'Builder and house carpenter' is listed as being resident 'opp College', house Infirmary Street 1804-5; Cabinet-maker, Horse Wynd, house Infirmary Street 1806-7' see p.43 in 'A Dictionary of Edinburgh Furniture Makers 1660-1840', by Francis Bamford, published by Furniture History Society, 1983.
A George IV goncalo alves centre table , circa 1825 A George IV goncalo alves centre table , circa 1825, attributed to Gillows of Lancaster, the circular top with beaded frieze, the triangular stem with floral patera and with gadroon moulded collars, the concave sided base on gadrooned feet and concealed casters, 74cm high, the top 124cm diameter For a number of tables demonstrating very similar design elements, including the distinctive turned and gadrooned feet, patera mounted stem and bead moulded frieze, see Susan E. Stuart, Gillows of Lancaster and London 1730-1840, Antique Collectors Club 2008, pages 326 amongst others.
An Italian ebonised, ebony and mother of pearl marquetry inlaid centre table An Italian ebonised, ebony and mother of pearl marquetry inlaid centre table, second half 19th century, decorated with floral foliage and neoclassical motifs throughout, the rectangular top above a pair of opposing drawers to the ends, on turned and hexagonal tapering legs terminating in turned bun feet, 77cm high, 112cm wide, 62cm deep
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1181390 item(s)/page