A parcel gilt bronze table lustre, 19th century, modelled as a cherub riding a dolphin, set to a base modelled as stylised waves on scroll feet, later adapted to a lamp base, 37.5cm high including lamp fitting Lighting lots are sold as decorative items only, prospective buyers must consult with a qualified electrician before use or installation of these items.Codition report;Some speckled tarnishing to light fitting, very minor rubbing/tarnishing to gilt, no visible repairs or breaks, left wing is smaller than the right, but this appears to due to the cast rather any damage
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A selection of silver and white metal tableware, to include; an Asian white metal salver, 30cm diameter, an early 20th century silver jug and cover, 12.5cm high (at fault), a silver christening cup, 9cm high, a silver mounted pipe, 18cm long, in fitted case, a carved pipe in the form of a bull, 12.5cm long, a silver mounted mother of pearl pin dish, 5.7cm high, a silver mounted wooden bowl, 11.2cm diameter, and a selection of cut glass silver mounted dressing table jars (13)
A George III and later mahogany tray top side table, the serpentine top upon legs of tapering square section, 62cm H x 64cm W x 44cm Provenance: Ruyton Hall, ShropshireCondition reportLater stand with only very minor play in joints, hairline crack approx 20cm long to one side of tray, general rubbing and wear commensurate with age and usetray fixed to stand
A pair of George III mahogany demi-lune side tables, each with ebonised inlay, on legs of square section, 73cm H x 131cm W x 62cm D Provenance: Ruyton Hall, ShropshireCondition report; Both tables with general wear, gouges and marks to the tops, one table has 20cm split running along the frieze, second table with a repair to the front RH leg at the top, with a metal bracket to the underside. Both tables with some historic inactive worm to the rear back rail
An unusual George III, serpentine fronted, mahogany demi-lune console table, raised on four fore-legs of tapered square section form and one rear leg, 78cm H x 89cm W x 56cm D Provenance: Ruyton Hall, ShropshireCondition report; Rear leg appears to be later and has splice repair at the top, small repair to the gallery front LH corner, otherwise general wear and marks to the table top commensurate with age and use, gouges to the inside of the two font legs approx. halfway down
A George III mahogany D-end side table, raised on three tapering legs of square section, 71cm H x 98cm W x 51cm D Provenance: Ruyton Hall, ShropshireCondition report; Repairs to the veneer on the frieze, general marks and stains to the top commensurate with age and use
A George III mahogany pedestal library table, the rectangular top above a central dummy drawer and two further drawers, to either side, raised upon a baluster column and three cabriole legs terminating in pad feet, 72cm H x 67.5cm W x 79cm DProvenance: Ruyton Hall, Shropshire
A Regency mahogany dressing table, in the manner of Gillows of Lancaster, the rectangular top with three quarter gallery above two frieze drawers, raised upon reeded tapering legs, peg feet, brass shoes and castors, 89cm H x 122cm W x 54cm DProvenance: Ruyton Hall, Shropshire
A George IV rosewood and brass inlaid card table, the rectangular top with rounded corners enclosing a baize lined interior, above a conforming inlaid frieze, upon a tapering square section column, quatre-form plinth and sabre down-swept supports, 74cm H x 90cm W x 45cm DProvenance: Ruyton Hall, Shropshire
A George III mahogany bow-front side table, with a single frieze drawer, raised on tapering legs of square section, two brass handles, 81cm H x 122cm W x 65cm D Provenance: Ruyton Hall, ShropshireCondition report; General wear stains/marks/gouges to table top, 15cm hairline crack to LHS table top, repairs and veneer chips to LHS frieze, splits to later oak drawer liners, signs of residue on the inside of the drawer due to damp, drawer movement feels 'tight', wear commensurate with age and use
A George III style four pillar dining table, early 20th century, the segmentally veneered and cross banded top raised upon four later pillars, each pillar upon four cabriole down swept supports terminating in pad feet, each section of the table united by an extra leaf, three leaves in total, 76cm H x 443cm W x 138cm D, some historic worm (at fault) Provenance: Ruyton Hall, Shropshire
A five-piece silver backed dressing table set, marks for 'DCBs', London 1969, comprising mirror, two hair brushes and two clothes brushes, engine turned decoration and engraved floral detailing to borders, initial 'G' to the reverse of each piece, length of mirror 25.6cm long, together with a pair of silver plated telescopic candlesticks, each 16.3cm high, and a silver plated goliath pocket watch upon a silver mounted stand (9)
A late 19th century kingwood writing table, the rectangular sliding top with a central herringbone parquetry panel enclosed by cross banding, above a frieze drawer opening to a skiver inset writing slope, twin ink bottle compartments and a pen tray, raised upon slender tapering legs of square section, 74cm H x 65cm W x 43cm DProvenance: Ruyton Hall, Shropshire
An early 19th century mahogany Pembroke table, painted in the manner of Sheraton, the oval drop leaf top centred with a painted spray of blooms, above a single frieze drawer opposed by a faux drawer, raised upon slender tapering legs of square section, brass shoes and castors, 76cm H x 84cm W x 53cm D (at fault) Provenance: Ruyton Hall, ShropshireCoditiuon report; one castor detached, extensive stain to table top
A Burroughes and Watts Ltd, 19 Soho Square London, Victorian mahogany billiard table, 225cm long x 119cm W x 86cm high, converting to a dining table Provenance: Ruyton Hall, ShropshireCondition report; no raise and fall mechanism, although feet appear to be adjustable to keep the table level Mahogany table top has a rubbed mark 10cm x 5cm, other general marks and rubbing to the table top, surround and legs, see further images of the snooker table top for condition of the baize, which has several small holes/tears
A Victorian mahogany Duchess dressing table, the tilting oval mirror above a fall front cylindrical compartment, flanked by two banks of three small drawers upon the shaped moulded top with a single frieze drawer, raised upon front cabriole supports extending to carved scroll terminals and a shaped plinth base, 161cm H x 122cm W x 51cm DCondition report; Minor veneer splits at the plinth where front supports sit, later re polished, mirror supports appear to be associated, otherwise only very light wear commensurate with age and use.Mirror can be removed for transportation
A pair of reproduction golden oak lamp tables, late 20th century, each with a circular moulded top above a single frieze drawer upon ring turned supports united by a convex cross stretcher, upon ball feet, 54cm H x 48cm D, along with a similar D end side table with a pot board undershelf, 48cm H x 46cm W x 50cm D (3)Condition report; Very slight fading to one lamp table top, minor rubbing wear to table top rims, otherwise very little wear and all appear in good general condition
An early 20th century Chippendale revival kidney shaped mahogany dressing table, with a triple mirror above the kidney shaped top and gadrooned border, over an arrangement of four small drawers, raised upon leaf carved cabriole legs with ball and claw feet, 180cm H x 119cm W x 66cm DCondition report; Minor rubbing scratches to top, very minor speckling to the centre mirror, beading detached from RH support, fading to LHS of the dressing table, drawers run smoothly, general wear commensurate with age and use
An Art Deco four-piece silver mounted dressing table set by Walker & Hall, Sheffield 1930?31, comprising mirror, two hairbrushes and a clothes brush, each with engine turned decoration and monogrammed initials to diamond shaped cartouche to reverse, mirror 26.6cm long (4)Provenance: Ruyton Hall, Shropshire
PAIR OF ROSEWOOD MARQUETRY, MOTHER-OF-PEARL, SILVER METAL, AND BRASS BANDED OCCASIONAL TABLES CIRCA the shaped rectangular tops inlaid with specimen woods and white metal stringing, centred by a coronet and four inlaid white metal entwined Bs, the cypher for the Marquess of Breadalbane, raised on folding X supports with trestle bases(67cm wide, 72cm high, 46.5cm deep)Footnote: Note: These exquisite folding tables, executed in a variety of contrasting exotic veneers and luxury materials, were most likely supplied for John Campbell, 2nd Marquess of Breadalbane, prior to the 1842 visit by Queen Victoria and Prince Albert. The west wing of Taymouth Castle was exentisively re-modelled from 1837-1842 by James Gillespie Graham, with interior decoration supervised by the London firm J. G. Crace. Invoices from the firm from 1842 reveal that they did not supply any of the furniture for the refurbishment, with much of the work completed by the Edinburgh furniture company founded by William Trotter, often to the designs of A.W.N. Pugin. While the Banner Hall and Library lavishly adhered to the neo-Gothic taste, others spaces were designed with a less purist approach. These tables, while not truly Gothic in their style, are nonetheless evocative of an earlier style, with elements reminiscent of furniture from the late 17th century. They are designed for convenience; to be quickly set up and moved where needed, but the informal nature of their purpose is quickly overshadowed by the sumptuous execution and materials. The inclusion of the Marquess's cypher, delicately inlaid into the centre of each table top, had one purpose; to impress and remind the user of the power and influence of the family within whose house they reside.
LATE GOTHIC STYLE MAHOGANY AND MARQUETRY LIBRARY TABLE MID 19TH CENTURY the rectangular banded top with a moulded edge and centrally inlaid in two places with a coronet entwined C and B, the cipher of the Marquess of Breadalbane, above a foliate arcaded frieze raised on an H-form base with turned spindle supports and trestle bases carved with acanthus and scrolls with castors below(130cm wide, 75cm high, 69cm deep)Provenance: The 2nd Marquess of Breadalbane, Taymouth Castle, Perth and Kinross. Thence by family descent
WILLIAM IV COMPREHENSIVE COMPOSITE KING'S HONEYSUCKLE PATTERN CANTEEN predominantly Mary Chawner, 1834 (other makers and dates noted), engraved with crest and coronet or initials and coronet, comprising three soup ladles, fish slice, four serving spoons, sixty four tableforks, forty five table knives, twenty one tablespoons, twenty five dessert forks, eighteen dessert spoons, thirty two dessert knives, twenty four teaspoons, two sauce ladles, two pairs of sugar tongs, a salt spoon, a matched six piece carving set, three carving knives and a converted silver plated and silver stilton scoop, all presented in a six tier canteen retailed by Garrards, with name plate for the Dowager Marchioness Breadalbane; together with matched obverse and reverse steel dies and a collection of plated flatware (Weighable silver: 476oz)
Garden seats: A Coalbrookdale Oak and Ivy pattern cast iron seat made for the Colonies, circa 1870, with unusual oak apron and pierced metal seat, possible foundry stamps obscured by paint, 183cm longSeats with metal slats, were those made for export to hot climates where wooden seat slats could be degraded by termites and beetles.The original design, number 119253, was registered and patented by the Coalbrookdale Iron Foundry at the Public Record office on 8th March 1859, and is seat number 30 in their 1875 Castings Catalogue. It was designed by the sculptor John Bell, one of Coalbrookdale’s principal designers, whose famous Deerhound Centre Table was exhibited at the 1855 Universal Exhibition, and which is now in the Iron Bridge Gorge Museum, Shropshire. (See engraving)Part of the Irish Collection of Garden Statuary and Ornament, see lot 35 for further information
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