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Click here to subscribePair of George III silver table spoons, London possibly 1766, the old English pattern handles with crest depicting a smiling sun, George III silver table spoon, London 1771, maker Richard Redrick, the feather edged handle with single initial H to the reverse, George III silver table spoon, marks rubbed, with beaded handle, 8.8oz
Extensive Elizabeth II canteen of silver table cutlery, London 1966, maker C.J. Vander Ltd. consisting of thirty-six silver handled table knives, forty-eight table forks, forty-eight table spoons, thirty-six fish knives and forks, thirty-eight dessert knives, thirty-six dessert forks, thirty-six dessert spoons, seventy-two silver handled dessert eaters (36 knives and forks), eight sauce ladles, four serving spoons, soup, ladle, thirty-six teaspoons, thirty-six coffee spoons, all with old English pattern handles, housed in a canteen chest of thirteen drawers with green baize fitted interiors, weighable silver 402.1oz
Pair of William IV silver table forks, London 1831, maker John, Henry & Charles Lias, the fiddle patter handle with crest depicting a seated greyhound or whippet, George III silver table fork, Newcastle maker Dorothy Langlands, the fiddle pattern handle initialled WAC, 7.4oz
Matched set of six Victorian silver table spoons, Two London 1841, maker Chawner & Co. (George William Adams), one London 1841, maker William Theobolds, two London 1853 and one London 1854, maker Elizabeth Eaton, all with fiddle thread and shell pattern handles, 19.1oz
Matchbox Models of Yesteryear Y12 1912 Ford Model T Van "Harrods" colour trial pair (1) blue body, black roof and chassis, black seats, gold parts, red 12-spoke wheels, blank rear doors with "Harrods Express Delivery" tampo in gold to one side, "Cerebos Table Salt" to the other; (2) similar but with chrome windscreen and type 2 rear doors - generally Excellent unboxed. (2)
John Piper C.H. (British, 1903-1992)Mosaic Coffee Table, circa 1957 signed 'John/Piper' (lower right)ceramic mosaic, painted metal and wood107.5 cm. (42 1/4) longFootnotes:ProvenanceThe Artist, from whom acquired by the parents of the present ownerPrivate Collection, U.K.In 1957 Piper saw another artist Martin Froy working on a mosaic mural at the Kingston workshop of Dennis M. Williams & Co. Dennis Williams was from a lineage of 'Freeman Tilers' and proposed that he and Piper design some tables. The intention was to revive the use of mosaic as a modern decorative art and indeed during the late 1950s and 1960s many new civic and commercial buildings incorporated mosaics as a featured surface especially in the public areas. With Williams' principal assistant, Mrs Grace Grove, vitreous glass, ceramic and porcelain was imported from Italy, Sweden, Spain and India. Some squares were made to Piper's specification e.g. a rich monastral blue and a delicate pale yellow. Thus Piper had the technical and workshop facilities to interpret directly his designs into mosaic patterns. He worked closely with setting out the individual tesserae in all the ventures.In 1957 Piper's main pre-occupation with stained glass design fed directly into how he set about displaying the mosaic colours onto the table tops. Namely he favoured using distinct colours in bold abstracted patterns but with something of the effect of age and softening of ancient stained glass by partial interspersing and graduating of colour boundaries. Piper created four main scales of mosaic tables, another similar example of the present lot is illustrated in Frances Spalding's John Piper, Myfanwy Piper: Lives in Art, Oxford University Press, Oxford, 2009, colour plate 53. Another example on this scale is also in the collection of Pallant House, Chichester.This lot is subject to the following lot symbols: ARAR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com
An 18ct white gold Zambian emerald and diamond oval cluster ring,with an oval mixed cut Zambian emerald, with a stated weight of 2.44ct, four claw set to a border of brilliant cut diamonds. All claw set to a wire basket, with solid 'D' section shoulders, to a plain shank. 17.85 x 15.57mm, 9.78g.Finger size L LEAccompanied by a report from Gemmological Certification Services, dated 28/09/2015 no. 5776-3041, origin Zambia. Indications of minor clarity enhancement.Condition ReportLight surface marks commensurate with its age.Minor marks to the table facet edges under 10x magnification.Surface reaching inclusions.Visible inclusions to the naked eye.Colour G/H rangeClarity VS1/VS2
A late 18th century flat cut garnet and black dot quartz cross,suspended on an Edwardian fetter chain. The cross composed of a series of foil backed, flat cut garnets, all rub set in dome back collets, with an old Swiss cut black dot quartz at the quarter points, with sprays to the outer edges of the collets. An integral bale with a fetter link chain. Tested as approximately 15ct, chain as 9ct gold. Cross 51 x 35mm, 11.03gCondition ReportThe bale has a patch to build it up. Soft solder present.Gemstones bright and lively.Surface reaching inclusions to the garnets.Minor marks to the table or crown facet edges under 10x magnification.The collet to the centre garnet has been replaced. Slightly chunkier in gauge.Base metal clasp to the chain.Chain length 445mm.Cross 51x55mmChain 445mm long
A gold sapphire and split pearl bee brooch,with split pearl eyes, the abdomen claw set with rectangular cushion cut sapphire and split pearls on either side, the wings claw set with rectangular cushion cut sapphires, with split pearls on either side, to pin and roller catch. Brooch tested as approximately 18ct. Pin tested as approximately 9ct. 27mm x 20mm, 3.09gCondition ReportSurface reaching inclusions to two sapphires.Severe chips to the table and crown facets of the sapphires.One split pearl severely damaged.Scratches, pits and solder marks to the mount.Some claws are very worn.Sapphires: 5.20mm x 4.30mm, 4.20mm x 3.30mm, 4.50mm x 3.40mm.
A Regency three colour gold, sapphire, garnet, ruby and coral Giardinetti brooch,with yellow, rose and green gold textured and incised flower heads and leaves. A cushion cut sapphire, garnet and ruby set amongst cabochon coral birds, to a woven basket, with a pin and 'C' catch. Tested as approximately 18ct gold. 50 x 28mm, 7.79gCondition ReportA rivet/pin to the base of the basket.Wear to the central cabochons.Table and crown facet edge wear to the gemstones. Chip to sapphire.
A Vono black plastic and chrome dining table and chairs designed by Frank Wardle, circa 1970s. Condition - good, plastic seats appear undamaged, general wear including slight losses to chrome, minor scratches, scuffs etc. not sure if seat cushions are original, however one is missing. Dimensions 96.5cm x 96.5cm and 70.5cm high
FOUR BOXED SUBBUTEO CRICKET AND RUGBY SETS, comprising Table Cricket Test Match Edition and 2 x Club Edition, with a Table Rugby International Edition, contents not checked, the Rugby set appears largely complete but the cricket sets may be missing some items, boxes all complete with inner trays but have minor damage, marking and wear to lids
Victorian oak ornately carved side table, the shaped gallery back with carved mask head above a moulded top with carved frieze, single drawer flanked by lion mask heads and ring handles standing on carved and tapered legs. 92x44x102cm approx. (B.P. 21% + VAT) Measurements are on description. Gallery is loose. Scratches/stains, minor dinks/losses, but as expected. Overall ok for age.
Rococo style moulded and gilded consol table with serpentine white marble top on scrolled cabriole legs with scroll moulded shell motif to the frieze and a foliate scrolled stretcher. 94x37x77 cm approx. Together with a similar companion Rococo style rectangular shaped over mantle mirror with foliate 'C' scroll openwork framing to the bevel plate. 111x96cm approx. (2) (B.P. 21% + VAT)
17th century oak gate leg table, the hinged and folded top above a single drawer with knob handle, shaped frieze standing on baluster turned legs and moulded stretchers. 125x137x70cm approx. (B.P. 21% + VAT) Usual wear and tear as expected with a table of this age. Stains, scratches and watermarks, splits in places. Additional images added.
Collection of Indian white metal dressing table items, to include: circular box and cover decorated with exotic birds and animals amongst foliage, octagonal lidded box with repoussé decoration of foliage and a similar circular bowl, 12 troy ozs approx. Together with a Wang Hing of Hong Kong silver overlaid green glass snuff/scent bottle decorated with exotic birds amongst foliage, marks to the base 'W H 90'. (4) (B.P. 21% + VAT)
19th century Pietra Dura marble top wine table, the circular top inlaid with goldfinches, flowers and foliage, inset to a giltwood moulded frame above a painted and giltwood acanthus leaf pedestal with scroll acanthus leaf decorated tripod base. 51cm diameter, 78cm high approx. (B.P. 21% + VAT)
Unusual Thai hardwood stained and lacquered temple table, of circular form, the base decorated with three Dolphin style mythical mounts with central pedestal overall with multicoloured sequins standing on a circular geometric raised base. Diameter 48cm , height 44cm approx. (B.P. 21% + VAT)
Georgian style walnut fold over card table, the moulded top with hinged lid and green baize above two cock beaded drawers with shell design drop brass handles, moulded shell decoration on cabriole legs and ball and claw feet. Early 20th century. 92x92x75cm approx. (B.P. 21% + VAT)
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