ERNEST NEUSCHUL (CZECH, 1895-1968) Reclining nude with table, undated [circa late 1950s], oil on board, unsigned, 49.5cm x 67.5cm, unframed. Note: Selected for the Brno & Regensburg retrospective, 2001, but not listed in the catalogue; with Museum Ostdeutsche Galerie label verso. Provenance: The family of the artist, by direct descent. *This lot may be subject to Droit de Suite (Artists Resale Right).
We found 1181627 price guide item(s) matching your search
There are 1181627 lots that match your search criteria. Subscribe now to get instant access to the full price guide service.
Click here to subscribe- List
- Grid
-
1181627 item(s)/page
[Peake (Richard Brinsley)] The Characteristic Costume of France..., first edition in book form, hand-coloured aquatint frontispiece and 18 plates by Peake, plate-guards, some offsetting onto title, light foxing, bookplate to front pastedown, crushed red half morocco gilt by Riviere & Son, spine a little darkened, some light rubbing to joints, g.e., [Abbey, Travel 87; Bobins 544; Colas 2297], folio, William Fearman, 1819. *** Depicting a variety of scenes including arriving at Calais, fishermen, the interior of a coffee house, the Palais Royale, a gambling table, street characters, the catacombs and a morgue. Provenance: Sir David Lionel Godsmid-Stern-Salomons (armorial bookplate).
Louis William Wain (British, 1860-1939)Psychedelic Cat signed 'Louis Wain.' (lower right); indistinctly inscribed 'Saying a table cover in keep colour with the wall' (on sheet verso)gouache, watercolour and pencil on paper17 x 22cm (6 11/16 x 8 11/16in).For further information on this lot please visit Bonhams.com
Keith Vaughan (British, 1912-1977)Farm Land stamped with estate stamp 'K.V.' (on sheet verso)pencil on paper20 x 25.5cm (7 7/8 x 10 1/16in).Executed circa 1955Footnotes:ProvenanceWith Anthony Hepworth Fine Art, London, 19 March 2015, where acquired by the present owner Private Collection, U.K.Vaughan made many drawings throughout his career, life drawings, drawings for paintings, compositional studies, erotic images (which he called his 'Grafitti [sic] Drawings'), sketches made 'in situ', and fully finished presentation drawings which he called 'table drawings'. Early on he evolved a habit of carrying around small notebooks and sketch books in which to jot down visual information and motifs which caught his eye or which he thought might be useful in terms of his painting. The present work is one such drawing, probably made on a walk, or sitting in his car. In an interview in 1962 he discussed what he considered his approach to drawing and painting:'I make drawings from life. I also make drawings for developing ideas. The activity of drawing with me is now entirely independent of the activity of painting. I don't find that I can make preparatory drawings. I think partly because if you make preparatory drawings, then you never really get involved with the actual working out of the problem in terms of the painting. You tend to refer to the drawing for the solution to a problem which concerns the painting and this always leads you down the wrong track because you are trying to reproduce something you have done in the drawing. And so, though I still do a lot of drawings, they are an entirely independent activity. The thing about drawing is that it requires no special situation and the interruption between the activity of the imagination and the act of drawing is at a minimum. It is the nearest possible extension to one's natural faculties. You can draw anywhere; you can draw in the open, in the back of a car, in bed or in an armchair. You can't paint like that. Painting is a dress parade affair. You have got to be standing up in a particular place in a certain light and you have got to have both your hands free to manipulate a considerable quantity of equipment.'(Anthony Carter Interviews Keith Vaughan, BBC Transmission, broadcast unknown. Transcript, 1962) We are grateful to Gerard Hastings for compiling this catalogue entry.This lot is subject to the following lot symbols: ARAR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com
Christopher Bramham (British, 1952)Small Still Life on a Round Table signed and dated 'C Bramham/2011' (on canvas verso)oil on canvas33 x 24cm (13 x 9 7/16in).Footnotes:Provenance Jonathan Clark & Co, London, where acquired by the present ownerPrivate CollectionThis lot is subject to the following lot symbols: * AR* VAT on imported items at a preferential rate of 5% on Hammer Price and the prevailing rate on Buyer's Premium.AR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com
A Louis XVI style dressing table, the oval tilting mirror supported by gracefully down-curved supports with carved scroll terminals, woven split-cane back. The kidney-shaped top, with inset bevelled mirror, and carved frieze with single long drawer, tapering fluted legs, carved stretcher, 132cm high x 107cm wide x 48cm deep, 20th century.
A George V silver embossed dressing table tray, Birmingham 1916, 166g; similar hand mirror, each embossed with cherubs ; six French silver coloured metal floral hafted tea spoons, Indian silver coloured metal Elephant and Lions figures, Chinese Silver Long life spoon etc
SAMOA 2022 "LEGEND OF KING ARTHUR" $5 SILVER FOUR-PIECE COIN SETin the original box and capsules, no. 331/999; "King Arthur & The Knights of the Round Table" bronze medal, in the original box and capsule with Certificate of Authenticity, limited no. 87495; Waterloo Napoleon bronze medal, limited no. 13.500, in the original box with Certificate of Authenticity; and another bronze coin, in the original box and capsule (4)
A GEORGE V SILVER & BLUE ENAMELLED DRESSING TABLE SETby Henry Matthews, Birmingham 1925, with radiating guilloche enamel, comprising hand mirror, two hair brushes, one clothes brush and comb, all in fitted case, two matching jars (one hallmarked Birmingham 1929) and an associated silver mounted comb. (8)
-
1181627 item(s)/page