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A Victorian silver dressing table tray by John & William Deakin, of rectangular form with gadrooned rim and heavily embossed with green man mask and bird amongst foliate scrolls, Chester 1897, width 30cm, weight 13 toz.Some wear to the raised areas but otherwise good. A small dent on the vacant cartouche No engraved inscriptions.
§ Alvar Aalto for Finmar, a birch veneered table 91 and six chairs, the table with lazy susan, designed 1933, having a circular top on four rectangular legs, birch veneer, with applied plaque for Finmar, together with four vinyl upholstered 611 stacking chairs, designed 1929, each with birch veneer, Finmar plaques and branded marksthe table 71 x 130cm Well scuffed and marked with surface chips and scratches, chairs are also scuffed and upholstery is stained and marked, one chair with a small old repair. All chairs and table are relatively sound.
Robert 'Mouseman' Thompson, an oak dining table and five chairs, the adzed rectangular table on octagonal column supports and sleigh base, the carver and four single chairs with lattice backs and tan leather seats, all with carved mouse signaturethe table 74 x 152 x 86cmIn good overall condition, structurally sound, some marks and staining to leather upholstery.
Mathieu Mategot, (French, 1910-2001), a Bellevue coffee table base, the yellow painted metal base lacking its circular glass top37.5 x 104cm Provenance: By repute, from the home of Dirk Bogard in the South of FranceMathieu Mategot (1910-2001) was one of the most renowned designers in France during the 1950s. Born in Hungary, he moved to France when he was 21 years old. He volunteered for the French Army during WWII and was taken prisoner and freed in 1944. After the war, and throughout the 1950s, he designed furniture using steel and sheet metal. He was the first person to combine metal tubing with perforated sheet metal, known as rigitulle, a technique which he subsequently patented. To ensure the quality of production of his designs, he set up his own workshops and limited the number in production of each piece. In 1959, he abruptly ended his production of furniture and switched his attention to tapestries, with which he continued to work for the rest of his career. His furniture can be found on display in the Centre George Pompidou in Paris.A number of paint chips around the rim. Lacks glass top. Paint is original.
Attributed to André Dubreuil, a dressing table and stool, circa 1985, the hardwood topped table to a bent wrought iron base and integral mirror, the stool with leather upholstered top146 x 101 x 58cmIn good condition, hardwood top is likely a replacement. No known provenance, we offered this lot approximately six years ago when it was unsold, it has remained in our stores since. Attribution is stylistic, see https://www.phillips.com/detail/andre-dubreuil/UK050315/71 for a loosely similar table.
A pair of Andrew Martin table lamps, each with chrome base and clear glass columns, complete with natural coloured linen shades70cm total heightChrome and glass in excellent condition with no obvious damage/tarnishingOne lamp lacking the weight within its base (not affecting its use or aesthetics)
An Art Nouveau penwork occasional table, the shaped top decorated with foliate design and central 'NM' monogram, raised on three pairs of shaped legs united by a second tier below66 x 70cmSome notable scratching and wear to top surface, veneers lifting slightly in places - see additional images.
Pair of French bronze patinated spelter table lamps in the form of ring flasks with seated nymph fairy figures, the socle base bearing the signature 'Ferville Suan' after Charles Georges Ferville-Suan (1847-1925), raised on veined red marble bases, 22cm tall to the top of the metal work. (2)
Regency mahogany breakfront sideboard or serving table, the shaped top with ebony strung edge, above frieze drawer flanked well carved lion masks and by a pair of faux drawers having cupboards below, flanked further by a pair of reeded tapering columns with Ionic capitals, the whole raised on carved paw feet, 171cm long. Some scratches to the top surface. Scuffs to the feet, otherwise appears well. Not 100% on age. 95cm tall and 51cm deep.
A Hallmarked Silver Oval Lidded Trinket Box, (lid detached) plush lined, raised on four slender feet, 8.5cm wide; together with hallmarked silver and piqué work brushes, a plated hat pin stand, a hallmarked silver and piqué lidded turned wood (later) dressing table box, glass tidy jar etc :- One Tray
Interesting single weight driven machine with turret clock type movement, with lead off work to a lathe type attachment, contained within a blue painted open cast iron case surmounted by a governor and supported upon a rectangular oak table, 60" high overall, movement 24" high (weight)
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1181390 item(s)/page