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Click here to subscribeBernhard Rohne (German, b. 1944) for MasterCraft, United States. Burled Amboyna wood dining table with brass inlay. With two leaves and two table cover mats.With leaves; height: 29 in x width: 110 in x depth: 43 3/4 in. Each leaf: 19 3/4 in.Condition: Please contact us for a detailed condition report. Please note that the lack of a condition statement does not imply perfect condition. Email condition@revereauctions.com with any condition questions.
Willy Daro (French, 20th c). Brass coffee table in the form of a bonsai tree. With an oval plate glass top.Glass Top; height: 49 in x width: 37 in. Base; height: 16 in x width: 37 in x depth: 20 1/2 in.Condition: Wear throughout, particularly along the base and the underside. The glass top does not have any visible chips, cracks, or losses; however, it has multiple surface stretches consistent with use. In addition, there are a few scattered accretions adhered to the surface, which can be easily cleaned. The base does not have any major dents or losses that would alter the overall appearance of the item. Along the underside, there are multiple scattered areas with dents as expected from use and age; please see the listing image. No visible sign of restoration under UV light.
Group of three vintage audio equipment including one portable Sony TC-D5M Capstan Servo Control Stereo Cassette-corder with an S&F (Sendust & Ferrite) Head and Dolby system, ca. 1980s. Also included is one Audio-Technica AT-LP60-USB stereo turntable and one Kenwood Model TK-68 Solid State AM-FM stereo radio. With record maintaining supplies and additional accessories.Tape Recorder; height: 2 in x width: 9 in x depth: 6 1/2 in. Turn Table; height ranges from 3 1/4 in to 5 in; width ranges from 13 3/4 in to 16 1/2 in; depth ranges from 13 1/4 in to 14 in.Condition: Please contact us for a detailed condition report. Please note that the lack of a condition statement does not imply perfect condition. Email condition@revereauctions.com with any condition questions.
Pair of Italian Murano glass table lamps, attributed to Leucos. Each with white conical form glass lampshades and metal bases.Each, height: 25 in x diameter: 20 1/4 in.Condition: Both lamps are in fairly good condition. All components are present and the lamp turns on when plugged in; note that the lamp has not been tested for prolonged use. There are no major cracks, losses, or chips. There are small production flaws throughout such as bubbles and one small protrusion of the glass along the interior of one shade. Wear including scratches and discoloration throughout the metal bases.
Continental school gouache on paper genre scene depicting two figures seated at a table, 19th century. Painted in a dusty blue, brown, with hints of the red preparatory drawing beneath.Provenance: From the collection of Frederick and Catherine Asher, Minneapolis, Minnesota.Frederick M. Asher and Catherine E. Asher were prominent scholars in the field of Art History. Both dedicated their lives to the education of students, teaching for many years as professors at the University of Minnesota. They both had a passion for South Asian art, traveling extensively throughout India, Asia, and the Middle East. Selections from their travels and careers as avid art historians are offered in this auction. Their collection includes Indian jewelry, Japanese woodblock prints, an incredible slide collection, and much more.Sight; height: 7 1/2 in x width: 9 3/4 in. Framed; height: 15 in x width: 17 1/2 in.Condition: There is extensive craquelure throughout the painting. Undulation to the sheet throughout. It is likely that the colors have faded somewhat. Abrasion to the surface throughout, especially the upper left corner along the man's face. Some small paint losses throughout. Light wear to the frame; framed under plexiglass; not inspected out of frame.
Paul Cadmus (American, 1904-1999). Crayon on Arches paper drawing depicting a nude male removing the last pieces of clothing. He is seated on a bentwood chair with a table to his side. Signed along the lower right and inscribed "J. S. 20."Provenance: Estate of Paul Cadmus; The collection of Jon Anderson; Private Minnesota collection.Height: 15 in x width: 12 in.Condition: No visible tears, losses, or visible signs of restoration under UV light. Wear throughout the recto and the verso. The paper appears to be slightly toned as shown in the listing image. Wear along the upper and right margins. The left and the lower margins are trimmed. Throughout the recto, there are areas where the surface is not fully painted and the underlying canvas is seen through. No visible foxing or soiling. Along the upper margin, there is a horizontal line impressed that does not affect the center image. Along the lower margin, there is discoloration. To the four corners, there are pinholes, original to the artistic practice. Along the verso, there are white spotty areas throughout; please see the listing image. Along the upper margin of the verso, there are two pieces of framer's tape adhered. To the upper area of the verso, there are light brown accretions that do not affect the recto.
An Indo-Portuguese style table, Teak and other woods, Top of geometric pattern decoration with overlapping circles, stars and lozenge, On four Nagini shaped legs with square section stretchers and truncated pyramid feet, Three drawers of geometric motifs and bone inlaid decoration, 19th century, (restoration and adaptations), 81x95,4x54 cm
A Napoleon III garniture, Comprising of table top clock and pair of six branch candelabra, Gilt and reliefs bronze of profuse foliage decoration, White enamel dial of black painted Roman numbering, France, 19th century, 66x40,5x22 cm (clock), 76,5x36,5 cm (candelabra)
A 20th Century faux kingwood bijouterie table in the French taste, the shaped and hinged quatrefoil top inset with bevelled glass panel, opening to reveal a red velvet interior, shaped glass panels to the sides,(one replaced with plastic), raised on slender gilt metal mounted downswept legs, 50 x 50 x 75cm high.
Robert Thompson's Craftsmen Ltd: A 'Mouseman' oak refectory coffee table, of rectangular form, the adzed honeycomb surface with a straight edge, over twin hexagonal supports, raised on splayed feet united by a single central stretcher, with carved mouse signature and original 1978 price list, 92 x 37 x 45cm high.
A late Georgian mahogany Pembroke tea table, the rectangular double flap top with fluted edge, above an unusual frieze drawer with tea caddy and mixing bowl fittings, opposed by another drawer, on spiral fluted stem, and four fluted down swept legs, and brass caps and castors, 110 x 54 x 73cm
A Chinese export table salt, Qianlong, of canted rectangular form, decorated in underglaze-blue with figures in a stylised landscape, floral scroll border, 7.5cms; and a Chinese export spoon tray, 13cms. (2)Provenance: select items removed from Carrycoats Hall, Northumberland.
A Victorian mahogany oval extending dining table, the top with moulded edge opening to receive two additional leaves, raised on inverted baluster reeded supports with brass caps, stamped C & C patent (Cope and Collinson) and ceramic castors, comes with winder, closed 168 (263cm extended) x 140 x 76cm high.
Gillows, Lancaster: a George IV mahogany Pembroke table, the rectangular double-flap top above a single frieze drawer, stamped "Gillow", on reeded and turned tapering legs with brass caps and castors, 91 x 106 (opened) x 74cms high.Provenance: The Hirsel, Coldstream, sold by direction of Lord Home, Michael David Alexander Douglas-Home, 16th Earl of Home.
A Very Fine W. Watson & Sons Van Heurck Monocular Exhibition Microscope, English, c.1900, engraved to the back of the tripod stand 'W. WATSON & SONS, 313 High Holborn, LONDON, 5657' the microscope on a massive lacquered brass tripod foot, with brass pad feet, at the top is a large friction-locked trunnion that supports the main body of the microscope, at the bottom is a large plano-concave mirror in a gimbal, above this is the fully mechanical substage with X-Y control, rotational control via a gear and pinion, all with rack and pinion focusing, full mechanical circuit stage with Turrel type adjustment with vernier scales, limb incorporating fine focus control with course rack and pinion to the rear of the bodytube, the monocular body tube with a racked drawer tube and push/pull drawer tube, accessories include: A Watson & Sons London HOLOS 2mm objective & can. A Watson & Sons London HOLOS 4mm objective & can. A Watson & Sons London HOLOS 8mm objective & can. A Watson & Sons London HOLOS 16mm objective & can. A Carl Zeiss 24mm objective & can. A Carl Zeiss 36mm objective & can. A Watson HOLOS x20 eyepiece. A Zeiss 4 Compens-Ocular eyepiece. A Zeiss 8 Compens-Ocular eyepiece. A Zeiss 12 Compens-Ocular eyepiece. A Zeiss 18 Compens-Ocular eyepiece. A x5 eyepiece. A Watson HOLOS achromatic substage condenser. A Watson Abbe-type substage condenser. A large table bullseye A large black microscope stage In a glazed tabletop display cabinet and with the original French Polished mahogany cabinet The Watson-Van Heurck microscope is named after its two inventors, William Watson and Jean-Baptiste van Heurck the Belgian Diatomist. It was developed in the late 19th century and was considered to be one of the most advanced microscopes of its time. William Watson was a British microscope maker who began working on the design of a high-quality microscope in the 1870s. He was motivated by a desire to improve the quality of microscopes used for scientific research and medical diagnosis. He worked on several designs before settling on the final one in collaboration with Jean-Baptiste van Heurck. The Watson-Heurck microscope was designed to improve upon the limitations of existing microscopes. The optics had a good range of magnification and resolution, allowing for more detailed observations of specimens. It also had a more stable base, reducing vibrations and improving the clarity of the image. One of the key features of the Watson-Heurck microscope was its use of a sub-stage condenser. This allowed for more even lighting of the specimen and reduced the distortion caused by uneven illumination. The Watson-Heurck microscope was widely used in scientific research and medical diagnosis throughout the late 19th and early 20th centuries. It was particularly popular for studying diatoms, single-celled organisms with intricate, glass-like shells that are difficult to observe with standard microscopes. The Van Heurck microscope was available in various models, but this, the 'Exhibition' stand, was the most expensive and was sold only as a special order microscope. Due to the cost of this microscope when new very few are found today. Overall, the Watson-Heurck microscope was a significant advancement in the field of microscopy and played an important role in scientific research and medical diagnosis during its time.
A Georgian Camera Lucida, English, c.1820, unsigned but similar to those made by Cary or Dollond, the lucida with table clamp to the base, telescopic drawer tube engraved 2, 3, 4, 5, 7, 10 and D, the prism head with 2 magnifying lenses and a shade, in a sharkskin covered case, case 23cm wide. The Camera Lucida - also known as the "light chamber," is an optical device that was patented by William Hyde Wollaston in 1806. Its purpose is to assist in the precise rendering of objects during sketching. The instrument comprises a small stand supporting a four-sided prism, positioned above a sheet of paper which superimposes the image viewed over the paper. This allows the artist to sketch the scene in front of them.
A REGENCY MAHOGANY TWIN PEDESTAL DINING TABLE CIRCA 1815 With one additional leaf insertion72cm high, 212cm long, 134.5cm wide overallProvenance: The Fulwood CollectionHaughey Antiques, 15th July 2010, £11,500Condition Report: Marks, knocks, scratches, abrasions consistent with age and useOld splits and cracks, some chips and lossesSome signs of old woodworm to some railsThe leaf appears to be original, it is 70cm long, there are later rails to support the table top from below, if more leaves were wished they could probably be sourced but this rail would need to be replaced by a longer one to support The top of the table with marks and signs of age and use, some darker marks, the colour match of the tops is good with minimal colour variation beyond as to be expected, the legs and lower portions are darker. One of the leaves has numerous scratches and indentationsTable clips are all present to secure the tops Overall solid and stablePlease see additional images for visual reference to condition the measurements given are fully extended, the leaf is 70cm long by itself Condition Report Disclaimer
Y AN ASHFORD SPECIMEN MARBLE TABLE THERMOMETER LATE 19TH CENTURY With ivory vernier scale 20cm highTogether with a serpentine marble tazza, probably Cornish, 12.5cm high, 14cm diameter De minimis license ref: DBD479WKProvenance:The Fulwood CollectionCondition Report: The black marble to the thermometer has chips and losses to the angles, the ivory is discoloured, as in the catalogue description we have a licence in order to offer for saleThe mercury tube is complete and intact and there is a reading being displayedThe tazza appears to be in good condition overall - please request additional images for a view of thisPlease refer to additional images for visual reference to conditionCondition Report Disclaimer
Y A NORTH ITALIAN ROSEWOOD AND EBONISED CABINET 19TH CENTURYThe central door opening to three further drawers 62cm high, 105cm wide, 34cm deepON AN ASSOCIATED SPANISH WALNUT TABLE IN 17TH CENTURY STYLE, 20TH CENTURY 99cm high, 111cm wide, 39cm deep (2) Provenance:Airlie Gardens, Holland Park. The home of Herbert Olivier (1861-1952), Edwardian artist and traveller
A SET OF THREE ENGLISH GLASS OIL LAMPS 19TH CENTURY AND LATER ADAPTED AS TABLE LIGHTS 66cm high excluding shadesProvenance: The Fulwood CollectionCondition Report: Minor chips and nibbles to glass mainly to the collars below the reservoirsThese are sold as decorative works of art only and not as useable electrical lights, they would need to be re-wired before use in a domestic settingPlease see additional images for visual reference to conditionCondition Report Disclaimer
A MAHOGANY OVAL TWIN DROP LEAF DINING TABLE MID 18TH CENTURY On club legs 71.5cm high the top 138 x 152cm (open) Provenance: The Fulwood CollectionCondition Report: With marks, knocks, scratches, abrasions consistent with age and useSplits and cracks, chips and losses, stains and marks to the topThe drawer handle is possibly original Please see additional images for visual reference to conditionAdditional measurements:The central top surface is 40cm wide when the table top is closedCondition Report Disclaimer
A MAHOGANY LOW SIDE TABLE IN GEORGE III STYLESECOND HALF 18TH CENTURY AND LATER 48cm high, 82cm wide, 40.5cm deep Provenance:The Fulwood CollectionCondition Report: Marks, knocks, scratches, abrasions, consistent with age and useSome old splits and cracks, some chips and lossesSome marks and signs of age and use to the surfacesAs catalouged this appears to incorporate some late George III elements but has been 'made up' into the present tableThere is one central drawer, the flanking drawer fronts are dummies, the drawer lining has cracked through The castors are later fitted to the legsOverall solid and stablePlease see additional images for visual reference to conditionMeasurements are as published on our website, 48cm high, 82cm wide, 40.5cm deepCondition Report Disclaimer
Y A GEORGE IV ROSEWOOD LIBRARY TABLEIN THE MANNER OF GILLOWS, CIRCA 1825A central frieze drawer to one side, the feet with recessed brass casters72.5cm high, 151.5cm wide, 74.5cm deepCondition Report: Marks, knocks, scratches, abrasions, consistent with age and useSome scuffs and marks to the top but overall appears cleaned and repolished, There is a drawer which is 'blind' by design, it has never had handlesThe supports are a little loose where they meet the table top and there is some wobble in this area, may benefit from reinforcement if wished for regular use as a deskThe clearance from floor to the underside of the frieze is 61cm, As catalogued this table has recessed castors, these could be taken off and replaced or the recessed gaps filled by the purchaser if wished, Dreweatts cannot comment on how easy this may be or the ensuing costs of this workPlease see additional images for visual reference to conditionCondition Report Disclaimer
A JAPANESE ARITA PORCELAIN VASE19TH CENTURYWith later gilt mounts to top and base for use as a table lamp 112cm high overallProvenance: The Fulwood CollectionCondition Report: fitted as a lampwear and loss to the gildings and enamelssee additional images available upon request Condition Report Disclaimer
A FRENCH STAINED OAK AND INLAID TABLE FOOTBALL GAMESECOND QUARTER 20TH CENTURY, BY SWINNENMounted with an ashtray to each corner, with painted metal players above the playing surface, the whole on U-shaped supports94cm high, 145cm long, 82cm wideCondition Report: Marks, knocks, scratches, abrasions consistent with age and useOld splits and cracks, Signs of age and useThe playing surface with old splits and cracks, it has sunk around the goal-mouthsOverall solid and stableThe ball return action working at time of report, doesn't need money, just pull the lever and the cork balls come out, the balls with signs of wear, some losses and knocks, one larger ball quite degradedThe players with signs of age and use, there is lots of chipping to the paint to the players, the rails with dirt and some surface corrosion including rust spotting - this does not appear to be structural Please see additional images for visual reference to condition Condition Report Disclaimer
A STICKLEY SUITE OF DINING FURNITURE 20TH CENTURY Comprising a set of eight chairs to include a pair of armchairs, after the 1905 'spindle armchair' pattern, and an extending dining table, with two additional leaf insertionsWith impressed marks and some applied labels74cm high, 192cm long, 107cm wide (unextended), 260cm long (extended)Condition Report: Overall this dates from the latter part of the 20th century, all elements with marks, knocks, scratches, abrasions consistent with age and use, has been used in a domestic setting for its intended purposeThe table:This has some knocks and indentations, around the middle of one side there are some deeper dents accompanied by some scuffs. It extends by withdrawing lopers to each short side which support the additional elements - these appear to be functioning at time of report and can be seen in place in the online images. These are stiff however and require some lubrication to ease the actionOverall entirely solid and stable The chairs:All solid and stable, each with a leather seat that is upholstered to the frame and not a drop in seats, the armchairs do have removable pads. The seats with creasing and signs of wear, some fading and colour variation but not signs of cracking or breaking, some surface scratches and marks again consistent with use as dining chairs. Removable seat pads in similar condition, more fading and colour variation noted, including vertical bands where these have sat against the slatted uprights of the sides - colour here notably darker (perhaps indicitive of absorbing some polish from the timber as well as less UV exposure overall)Please see additional images for visual reference to condition Condition Report Disclaimer
AN MAHOGANY TEA TABLE IN GEORGE III IRISH STYLE MID 18TH CENTURY AND LATER71cm high, 88cm wide, 57cm deep Please note the dating of this table has been updated to 'Mid 18th Century and later' and not as originally catalogued, please see condition report for full detailsCondition Report: Please note the dating of this table has been updated to 'Mid 18th Century and later' and not as originally catalogued, on closer inspection it is felt that the top probably hadn't started life on the base and the carved element to the centre of the friezes are later associated additions. The blocks to the underside of the top are later replacements Marks, knocks, scratches, abrasions consistent with age and useThe top with old splits and cracks, One leg has a later interior block to the interior with a good spliced repair to secure Overall solid and stable Please see additional images for visual reference to conditionCondition Report Disclaimer
A VICTORIAN MAHOGANY AND TOOLED LEATHER WRITING TABLECIRCA 184074.5cm high, 136cm wide, 81cm deepCondition Report: Marks, knocks, scratches, abrasions consistent with age and useSome old splits and cracks, chips and losses,The writing surface with numerous scratches, marks, signs of use, the heaviest wear roughly central where someone has sat and worked/writtenOverall faded colour and with colour variation The wooden handles appear to be original but are a little 'mean', nicer brass handles would be beneficial to the overall appearance, each lock with its own key which is taped to the interior of the drawersThe interior of the drawers has slipped and has a gap at the front of eachLater rails to the interiorPlease see additional images for visual reference to conditionThe clearance from the floor to the bottom of the table top is 58.5cmCondition Report Disclaimer
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