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Pair of late Victorian silver Corinthian column table candlesticks with square bases H20cm Birmingham 1898 Maker J Sherwood & Sons - Condition Report Approx 26.8oz gross (weighted bases), structurally sound, hallmarks rubbed, sit flat on a surface, pin prick dent to one at the base which has pierced through and one other to the body, the top edge to this is slightly sloping downwards, small dent and very small hole (knocked) no structural damage, sconce also slightly dented at the base, the other stick has a few small dents to the base and a split at the corner, very small pin prick hole to the body, one does not quite stand up straight
Suite of Old English pattern silver cutlery comprising eleven table forks, eleven table spoons, six larger table spoons, eleven dessert spoons, twelve dessert forks, six tea spoons and a pair of sauce ladles Sheffield 1910/11/12 Maker Maple & Co together with a matching table fork, two table spoons and six tea spoons by John Round 120oz - Condition Report
Silver Corinthian column electric table lamp the square base with acanthus leaves and presentation inscription to William Gow H32cm excluding fitting Sheffield 1904 - Maker Hawksworth Eyre & Co - Condition Report Approx 37.9oz weighted (excluding wire and plug), sits flat on surface, couple of small dents at base, silver in good condition stands straight
Silver Corinthian column electric table lamp the square base with acanthus leaves, H32cm excluding fitting Sheffield 1904 - Maker Hawksworth Eyre & Co - Condition Report Approx 37.6oz weighted (excluding wire and plug), sits flat on surface, couple of small dents at base, silver in good condition stands straight
Silver circular dressing table box with pull off tortoiseshell cover and silver pique decoration D8.5cm Birmingham 1931, a similar smaller box with hinged cover and a 19th century continental silver oval box and cover with embossed decoration, import marks Chester 1899 (3) - Condition Report Approx 10.2oz gross, larger box good, sits flat on a surface, interior fabric and leather base bit tired, base rim not quite circular couple of small dents and one leg slight bent inwards (dent visible from outer body), small tortoise lid cracked, sits flat but dented around base rim, embossed box decoration lid good, structurally sound
A DUTCH GILTWOOD AND COMPOSITION AND MARBLE TOPPED CONSOLE TABLE, of neo-classical design, the Italian green serpentine top above a projecting tablet, with crossed thyrsi across a wreath in recessed relief, flanked by fluting, with floral paterae above fluted tapering legs, height: 93cm, width: 132cm, depth: 35cm
A FINE GEORGE III SATINWOOD AND AMBOYNA PEMBROKE TABLE OF SHERATON DESIGN, late 18th century, the rectangular crossbanded top with central oval reserve, the twin drop leaves with rounded corners, with a drawer at one end with twin metal ring handles, the legs with brass caps and castors, height: 73cm, length opened: 87cm, width: 69cm
A GEORGE V LEATHER DRESSING CASE OF SILVER MOUNTED AND IVORY FITTINGS, by Drew & Co of London, the case exterior gilt tooled E.G.C, the interior with six glass dressing table jars with engine milled lids hallmarked for London 1913, with various ivory brushes, shoe horns and a glove stretcher, and other items, the case: 40cm high, 56cm long
A DUTCH SILVER MINIATURE TOMBOLA" by Johannes Van Geffen, circa 1740the base shaped as a tripod table, the top engraved with a scene of two adults and a child walking (possibly biblical) and with sections numbered from one to twelve, the detachable revolving top formed as an acrobat on a balancing wire, holding a hat in his right hand and a stick in his left, height: 12.5cm, (66.77 grams). Literature: for a similar example see Lot 327, Christie's Amsterdam, The Decorative Arts Sale, 22nd-23rd September 2009 . Provenance: Part of the collection (lots 167-231) formed by Baron Michiels van Verduynen (1885-1952), the Dutch ambassador to the Court of St James’(1939-1942). After the collection returned to the family’s residence Huys Clingendael. Thence by descent to the Barons Van Tuyll van Serooskerken.
A DUTCH SILVER MINIATURE TRIPOD TABLE with the Amsterdam and later taxation mark, 18th/19th century with a shaped oval tilt-top, on a tripod base, length: 11cm, width: 8cm, height: 7cm (87.62 grams). Provenance: Part of the collection (lots 167-231) formed by Baron Michiels van Verduynen (1885-1952), the Dutch ambassador to the Court of St James’(1939-1942). After the collection returned to the family’s residence Huys Clingendael. Thence by descent to the Barons Van Tuyll van Serooskerken.
JOHN 'HB' DOYLE (1797-1868) THREE OF 'HB'S SKETCHES' Fall of the Vaux-Hall Performer' no. 348, depicting Henry Brougham, 1st Baron Brougham and Vaux, Lord Chancellor, on a tightrope, coloured lithograph, 29cm x 36cm; 'A Cabinet Council', no. 355, depicting Prime Minister Arthur Wellesley, 1st Duke of Wellington seated at an otherwise empty table, coloured lithograph, 29cm x 38cm; and 'Unhappy Ghosts Crossing the Styx', no. 359, depicting King William IV receiving payment to cross the river from noble gentleman, coloured lithograph, 24cm x 40cm (3). Note: John Doyle was born in Dublin and moved to London in 1822 where he initially worked as a portrait lithographer. In 1827 Doyle began publishing political prints anonymously. From 1829-1851 Doyle published his well-known Political Sketches series, signing his work with the initials "HB" to hide his identity. He was the paternal grandfather of Arthur Conan Doyle, who wrote of him "My father was the youngest son of John Doyle, who under the nom de crayon of "H. B." made a great reputation in London from about 1825 to 1850. He came from Dublin about the year 1815 and may be said to be the father of polite caricature, for in the old days satire took the brutal shape of making the object grotesque in features and figure. Gilray and Rowlandson had no other idea. My grandfather was a gentleman, drawing gentlemen for gentlemen, and the satire lay in the wit of the picture and not in the mis-drawing of faces. This was a new idea, but it has been followed by most caricaturists since and so has become familiar. There were no comic papers in those days, and the weekly cartoon of "H. B." was lithographed and distributed. He exerted, I am told, quite an influence upon politics, and was on terms of intimacy with many of the leading men of the day. I can remember him in his old age, a very handsome and dignified man with features of the strong Anglo-Irish, Duke of Wellington stamp. He died in 1868."
A SMALLL GROUP OF VINTAGE PARLOUR GAMES, comprising TABLE CROQUET, with beech mallets and pine case; TABLE BOWLS, with lignum vitae balls, with card case; Banda CARPET BOWLS, with card case; a set of twelve table skittles with two balls; and a set of miniature steel boules, the croquet box: 8cm high, 30cm long
A NAPOLEAN I GILT METAL AND TORTOISESHELL SNUFF BOX, Circa 1815, of rounded form with a gilt metal medallion of Napolean and his wife Marie Louise inset to the lid, together with a tortoiseshell and white metal mounted bon bon dish and tortoiseshell, a white metal mounted snuff box with twinned compartments, and a 19th century table seal with blood coloured stone handle (4)
A GEORGE IV SILVERED BRONZE TABLE LAMP, circa 1825, previously for oil and later converted, the electrical fitment above an urn burner vent, the sectional shaft with foliate cast, concave faceted baluster and waisted mouldings to a boss, supported on the necks of three adorsed and monopodial swans, the triform base on scrolled acanthus cast feet, 58cm high overall
A JAPANNED METAL TWIN LIGHT BOUILLOTTE TABLE LAMP, in early 19th century style, 20th century, the conical shades height adjustable on a square section stem, above twin electrical fitments on outscrolled arms, above a galleried oval base on four ball feet: a red and gold painted metal table lamp modelled as a Spanish altar stick, 20th century; and a modern black ceramic urn table lamp, the Bouillotte lamp: 52cm high, 37cm wide, the altar stick: 80cm high, the urn lamp: 39cm high overall
TWO WILLIAM IV GILT METAL MOUNTED TABLE LAMPS, circa 1835, previously for oil, one with later electrical fitment above a foliate cast collar, straight shaft and square form foliate cast base, on four paw feet; the other with decorated milk glass baluster stem to a foliate cast base, height of former: 55cm excluding later fittings, height of latter: 57cm overall
A PAIR OF GEORGE IV PATINATED BRONZE COLZA TABLE LAMPS, circa 1820, each with a swagged urn reservoir on a cylindrical shaft, the burners and vents on horizontal arms, above truncated fluted columnar pedestals, each with imbricated laurel collar and square base, height including shades: 42cm, width: 23cm
A PATINATED AND GILT BRONZE TWIN LIGHT TABLE LAMP, IN EMPIRE TASTE, the electrical fitments with flambeau finial, above a reeded column, rising from above the head of a standing and formally draped maiden, a laurel sprig held in each hand; the cylindrical white marble plinth with foliate cast swag and mask mounts, height: 80cm
A PAIR OF EDWARDIAN BRASS ELECTRIC TABLE LAMPS with adjustable pleated silk shades and circular bases, 49cm high (2). Provenance: These lamps form part of the original fittings when electricity was first introduced to Castle Ashby. Later the lamps were purchased by the Thynn family of Longleat.Â
A REGENCY CUT-GLASS CEILING SHADE previously with colza fittings, the circular dished shade cut with a radiating band of flutes, and with gilt metal mounts chased with acanthus leaves and guilloche, 37cm diameter, and a pair of late regency cut-glass table lustres with gilt metal stems from which are hung spear-shaped glass drops, 31.5cm high (3)
A SET OF FOUR VICTORIAN MOULDED GLASS TAZZAS, Second half 19th century, each with lobed edge and hobnailed underside, on faceted stams to lobed feet; a pair of moulded and cut glass goblets; a suite of Continental, possibly Bohemian parcel gilt table glass, later 19th century, comprising ewer, twin goblets and a stem bowl, all with crackle moulded exteriors; a pair of English moulded and cut glass tazzas, second quarter 19th century;Â and other items, the four Victorian tazzas: 15cm high, 21cm diameter, the ewer: 36cm high, the goblets: 20cm high, the pair of tazzas: 14cm high
ADRIAN KING FOR WAYWOOD FURNITURE: A CIRCULAR DINING TABLE AND EIGHT CHAIRS oak and stained hardwood, the circular table top with a band of burr inlay to the edge and eight matching roundels to the centre, above eight legs and an intertwined base, 150cm diameter x 73cm high; the chairs with red upholstered backs and seats above four legs joined by asymmetric curved stretchers, 111cm high x 44cm wide
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1181390 item(s)/page