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H.Pander & Zonen Furniture - A fantastic early 20th Century Queen Anne revival walnut library table / writing desk having a tanned tooled leather writing skiver. Th flared top over two blind fronted hidden drawers with all being raised on decorative cabriole legs. Label for Pander to inner drawer. Measures 76cm x 116cm x 70cm.
An early 19th Century believed Gillows Georgian Regency period English antique mahogany swing mirror / dressing table mirror of large proportions comprising a large rectangular mirror panel raised on scrolled trestle type legs over a gadrooned base Measures: 68cm x 77cm x 31cm.
A stunning 19th Century Victorian English antique rosewood writing table desk / side occasional table having a beautiful full grain table top in a lighter colour wood with keyhole escutcheon detailing to the friese with inverted finials. The supports decorated with English / Tudor rose united by single turned stretcher. All raised on scrolled legs. A fantastic example. Measures: 74cm x 111cm x 58cm.
A 20th Century Chinese hardwood altar table / side cabinet having an inset square top with raised side edges. Carved scrolls to the frieze with flush central drawer having brass drop handle. All raised on a twin door cupboard base with original brass puzzle lock on small block feet. Measures: 77cm x 78cm x 35cm.
A pair of 20th Century English antique cold painted spelter figurine table lighters of equestrian interest in the form of race horses and jockeys. Each one with table lighter section and naturalistic bases raised on black glass plinths. Unusual examples. Measures: 18cm x 17cm.
An impressive 19th Century English antique oak drum table dining table rent table library writing table desk of circular form having a leather writing sciver with a series of drawers to the frieze. All raised on a large bulbous turned carved scroll leg base. Measures: 73cm x 136cm.
A pair of early 19th Century Georgian Regency period English antique polished brass table candlesticks of classical form having square sconces with acanthus leaf cylindrical columns all raised over a gadrooned pedestal base. Both stamped 81 Warszawa. Highly decorative pieces. Measures: 32cm tall.
A 20th Century Chinese Republic period antique porcelain table screen tile panel plaque by Wang Bu hand decorated in blue and white depicting two fisherman with nets by tree. Features the seal of Wang Bu to lower right corner. Measures: 33cm x 25cm. Some wear to edges but no visible cracks or repair.
Een zilveren kapset, Model 4000, mt La Pierre Mfg. Co, New York, na 1929, 925/000, lengte spiegel 42 cm. Spiegel is geoxideerd. A silver dressing table set, La Pierre Model 4000, 4002 and 4006, mm La Pierre Mfg. Co, New York, after 1929, 925/000, length mirror 42 cm. The surface of the mirror is oxidized.
Zeldzaam klein zwart houten kunstkabinet met fijn ajour gezaagd zilveren panelen, bovenkant van de kast met een vak met openslaand deksel waaromheen ajour gezaagd zilveren paneel rondom een achthoekige spiegel. Het front met twee openslaande deuren, het interieur met een centraal deurtje geflankeerd door zuilen, daarachter drie laden met zes panelen, rondom aan weerszijden en er onder, 7 laden. De zijkanten met rechthoekige profiellijsten, twee grepen aan de zijkanten missend. De binnenkant van het deksel, alle laden en de binnenkant van de deuren met fijn ajour gezaagd en gegraveerd zilveren panelen met zgn. "Groteske" voorstellingen van figuren, papegaaien, konijnen, bloemen en blad ranken.Het geheel op een bijpassende tafel met vier zuilvormige poten verbonden door een tussenregel en op vier bol poten, mogelijk Frankrijk/ Zuidelijke Nederlanden, eerste helft 17e eeuw/ later h. 42, br. 52, d. 35 cm. onderstel (latere datum): h. 87, br. 55, d. 36 cm. Conditie:reconstructie/ restauratie/ missende delen. Twee sleutels. Herkomst: Vereeniging van Handelaren in Oude Kunsten in Nederland, 20 april 1972, Gemeentemuseum Den Haag, nr. 54 A rare small ebonized wooden cabinet with fine openwork sawn silver panels, possibly Frensh/ Vlamisch, first part 17th century / later. The upper part with a box with a lid containing an openwork sawn silver panel around an octagonal mirror. Two hinged doors in front. The interior with a central door next to which two columns. Behind the door three drawers with six panels. Around the door 7 drawers. The outer sides with missing handles. The inside of the lid, all drawers and the inside of the doors with very fine openwork sawn and engraved silver panels with so called "Grotesque " decoration depicting figures, parrots, rabbits, flowers and foliage, The cabinet placed on a matching table with four collumns on ball feet., h. 42, w. 52, d. 35 cm. table: h. 87 w. 55 d. 36 cm. table: Condition: reconstruction/restoration/later and missing parts. Two keys.
Serie van 12 porseleinen borden met groen en vergulde rand centraal decor van vergulde bloem, gemerkt in onderglazuur Rihouet rue de la Paix, Frankrijk ca. 1820, diam. 24 cm. (Rihouet porselein werd vaak gemaakt in opdracht van Koninklijke huizen over de wereld) Set of 12 green and gilded porcelain dinner plates, signed in underglaze on the reverse with the inscription Rihouet rue de la Paix, France ca. 1820, diam. 24 cm. (Most of the Rihouët porcelain pieces were table services created for royal houses around the world)
Design rechthoekige salontafel ingelegd met 21 abstract polychroom deels geglazuurde tegels, ontwerp Juliette Belarti, België jaren '70, h.40 en bladmaat 109 x 47 cm. Design rectangular coffee table inlaid with 21 abstract polychrome partly glazed tiles, design Juliette Belarti, Belgium 1970s, height 40 and sheet size 109 x 47 cm.
Porseleinen Imari cachepot met decor van pioenrozen bij tuinhek, Japan 19e eeuw, h. 29, diam. 40 cm. op houten rijkgestoken bijzettafeltje, h. 46, diam. 48 cm. Porcelain Imari cachepot with decor of flowers, Japan 19th century, h. 29, diam. 40 cm. on wooden table, h. 46, diam. 48 cm.
Design rechthoekige salontafel ingelegd met 21 abstract polychroom deels geglazuurde tegels, ontwerp Juliette Belarti, België jaren '70, h.40 en bladmaat 109 x 47 cm. Design rectangular coffee table inlaid with 21 abstract polychrome partly glazed tiles, design Juliette Belarti, Belgium 1970s, height 40 and sheet size 109 x 47 cm.
Rare German chromolithographic transfer decorated dolls' house furniture, blonde wood with lustre shell decoration, turned legs and fringing, comprising four chairs, pedestal table and cupboard --3 ¾in. (9.5cm.) height of back of chair (slight loss to transfer, handle replaced); and a similar up-right piano with Dresden paper decoration
American School (late 18th century)Two figures by a card tablepen, ink and watercolour 15.5 x 22cm (6 x 8½ in.)Probably New England, circa 1790.Provenance:Joan Brownstein, MassachusettsPurchased from the above by the present owner in 2014An 18th Century card table, the top half-open to reveal a red baize playing surface is flanked by two bust-length portraits of a man and a woman. This intriguing picture was most probably created in New England in the late 18th Century. The Pinkers Collection of British, American and European Folk Art This charming collection of folk art takes its name from a diminutive 17th Century cottage on the Kent coast where it has hung and grown in size over the last twenty years. It includes watercolours and oil paintings from the 17th to the early 20th Century. Many are in their original frames and in remarkably fresh condition. Despite its rural location and the provincial subject matter of the works it is a truly international collection and many of the lots have come from some of the most important collectors and dealers in folk art on both sides of the Atlantic including Robert Young, Denzil Grant and Charles Plante in England and David Wheatcroft, Joan Brownstein and Austin Miller in America.Folk Art has been described as 'the unselfconscious creativity of academically untrained artists' (Robert Young, Folk Art, 1999) and it is this quality that gives many of the works an immediacy and playfulness that has chimed with generations of collectors. Some of the pictures, by journeymen artists, artisans or amateurs are provincial reinterpretations of more sophisticated works, such as the early 18th Century Yate family portraits (lot 122). Others have a joyful disregard of accepted ideas of scale, perspective and colouring, giving them a timeless quality which draws parallels with 20th Century artists including Alfred Wallis and John Nash, such as View from La Moinerie (lot 120) and the American School Portrait of a girl (lot 103) has an Outsider Art quality reminiscent of the Art Brut movement founded by Jean Dubuffet. Regardless of their origins this unique and varied collection is the manifestation of the vision and passion of a true collector.Condition Report: The sheet has been wrapped around a piece of card and the whole thing laid down on a card mount. Staining and discolouration to the sheet including brown spots throughout. There vertical and horizontal crease marks where the sheet has previously been folded into four. At the centre meeting point of these creases in a small pin hole. There are also various areas of skinning and loss along these crease lines. Where the sheet has been folded around the card, there are also small splits to the weaker areas of the sheet. There are two areas of repair to the upper right edge and a further area of possible repair to the lower right edge. There are also some areas of light water stains throughout but this is largely confined to the lower edges. Some fading to the pen detail in the lady's face. With additional general wear commensurate with age and fragility of the paper.Condition Report Disclaimer
Carle L. F. Rumpf (German, c.1821)Christmas Eve Pencil and watercolour heightened with whiteSigned, inscribed and dated Zur Erinnering an den Weihnachtsabend/1821 (In memory of Christmas Eve) to the mount30.5 x 43.2cm (12 x 17 in.)Provenance: Nick Woodbridge Charles Plante Fine Arts, London Purchased from the above by the present owner in 2002Literature: Praz, M., An Illustrated History of Furnishing, London, 1964, p.211, fig. 181Plante, C., Inside Out, Historic Watercolour Drawings, Oil sketches and Paintings of Interiors and Exteriors, 1770-1870, London, 2000. no.31Exhibited:London, Stair and Company, Inside Out, Historic Watercolour Drawings, Oil sketches and Paintings of Interiors and Exteriors, 1770-1870, 2000. no.31 This charming depiction of a happy and bountiful Christmas Eve was most probably painted in Frankfurt-am-Main in 1821 and shows the custom, held in many northern European countries, of celebrating Christmas Eve with presents. The scene has the air of a children's party and the setting, which is neat and well-kept, has the slightly spartan feel of a school room, boarding house or orphanage. It has been suggested that the children may be choristers in a cathedral school awaiting the midnight mass and services on Christmas day. The city of Frankfurt-am-Main had several artists named Rumpf in the 19th Century so this picture may offer a window onto their extended family. Either way the air is alive with the chatter, music and laughter of a party in full swing. The table is laden with presents and the scene is a visual feast with children enjoying a variety of games, while the split view on the right edge of the picture shows more guests climbing the steps to join the party. The figures appear well dressed and modestly prosperous. In many ways it is a quintessential Biedermeier image, the period from the end of the Napoleonic Wars in 1815 to the middle of the century which brought economic stability to northern Europe and stimulated Industrialisation and a growing urban middle class. Their interest in the arts sits between the Neoclassical and the Romantic and often focussed on the humble elegance of domestic interiors.The Pinkers Collection of British, American and European Folk Art This charming collection of folk art takes its name from a diminutive 17th Century cottage on the Kent coast where it has hung and grown in size over the last twenty years. It includes watercolours and oil paintings from the 17th to the early 20th Century. Many are in their original frames and in remarkably fresh condition. Despite its rural location and the provincial subject matter of the works it is a truly international collection and many of the lots have come from some of the most important collectors and dealers in folk art on both sides of the Atlantic including Robert Young, Denzil Grant and Charles Plante in England and David Wheatcroft, Joan Brownstein and Austin Miller in America.Folk Art has been described as 'the unselfconscious creativity of academically untrained artists' (Robert Young, Folk Art, 1999) and it is this quality that gives many of the works an immediacy and playfulness that has chimed with generations of collectors. Some of the pictures, by journeymen artists, artisans or amateurs are provincial reinterpretations of more sophisticated works, such as the early 18th Century Yate family portraits (lot 122). Others have a joyful disregard of accepted ideas of scale, perspective and colouring, giving them a timeless quality which draws parallels with 20th Century artists including Alfred Wallis and John Nash, such as View from La Moinerie (lot 120) and the American School Portrait of a girl (lot 103) has an Outsider Art quality reminiscent of the Art Brut movement founded by Jean Dubuffet. Regardless of their origins this unique and varied collection is the manifestation of the vision and passion of a true collector.
Attributed to Deborah Goldsmith (American 1808-1836)A portrait of a mother and child, seated in an interior & A portrait of a gentleman, seated in an interiorPencil and watercolour, a pair17.5 x 16.5cm (6¾ x 6¼ in.); and 15.5 x 13.7cm (6.1/8 x 5.3/8 in.) (2)New York State, Maryland, or Southeastern Pennsylvania, circa. 1830.Provenance:Thomas K Woodward, New York CityDavid A. Schorsch. Greenwich, ConnecticutRalph O. Esmerian. New York CityDavid Wheatcroft, MassachusettsAustin T. Miller, OhioPurchased from the above by the present owner in 2005To be sold without reserveThe Pinkers Collection of British, American and European Folk Art This charming collection of folk art takes its name from a diminutive 17th Century cottage on the Kent coast where it has hung and grown in size over the last twenty years. It includes watercolours and oil paintings from the 17th to the early 20th Century. Many are in their original frames and in remarkably fresh condition. Despite its rural location and the provincial subject matter of the works it is a truly international collection and many of the lots have come from some of the most important collectors and dealers in folk art on both sides of the Atlantic including Robert Young, Denzil Grant and Charles Plante in England and David Wheatcroft, Joan Brownstein and Austin Miller in America.Folk Art has been described as 'the unselfconscious creativity of academically untrained artists' (Robert Young, Folk Art, 1999) and it is this quality that gives many of the works an immediacy and playfulness that has chimed with generations of collectors. Some of the pictures, by journeymen artists, artisans or amateurs are provincial reinterpretations of more sophisticated works, such as the early 18th Century Yate family portraits (lot 122). Others have a joyful disregard of accepted ideas of scale, perspective and colouring, giving them a timeless quality which draws parallels with 20th Century artists including Alfred Wallis and John Nash, such as View from La Moinerie (lot 120) and the American School Portrait of a girl (lot 103) has an Outsider Art quality reminiscent of the Art Brut movement founded by Jean Dubuffet. Regardless of their origins this unique and varied collection is the manifestation of the vision and passion of a true collector. Condition Report: Man: The work has been stuck down to the card mount using tabs. The colour is good although there are some brown spots visible to the blue background around the sitter's head. Some light, fine craquelure to the black pigment areas, predominantly in the gentleman's coat and the left edge of the table. Otherwise light wear commensurate with age. Lady: The work has been hinge mounted along the upper edge using two bits of white mounting tape. The colour is good although there are brown spots to the sky around the sitter's head. Some light, fine craquelure to the black pigment, namely in the sitter's dress. There is a small white scratch to the upper left corner (approx 2cm). Light wear and some very light scattered staining to the extreme edges, otherwise light wear commensurate with age.Condition Report Disclaimer
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1181627 item(s)/page