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Lot 633

A George III influence oak coffee table, late 20th century, the square cross banded top raised upon four baluster ring turned supports, united by a galleried plank undershelf, 46cm H x 91cm Sq

Lot 641

A Regency style twin pillar mahogany dining table, late 20th century, the rectangular satinwood cross banded top with a reeded edge, raised upon two pedestals each of wrythen baluster form, extending to three reeded down swept supports, brass paw feet and castors, with two extra leaves, 70cm H x 230cm W (extending to 352cm) x 116cm D, leaves are supported by extending rails without brass clips

Lot 644

A Chinese Chippendale style mahogany silver table, late 20th century, the rectangular top with a pierced gallery over a conforming open work frieze, raised upon tri cluster column legs and block feet, 69cm H x 62cm W x 41cm D

Lot 647

A George III and later mahogany wine table, the circular mahogany tray top raised upon an associated  barley twist column, extending to three mahogany down swept supports, 71cm H x 33cm D

Lot 651

A Victorian burr walnut two tier occasional table, the rectangular tiers raised raised upon turned supports, possibly converted from a what not, 70cm H x 60cm W x 40cm D

Lot 653

An Edwardian mahogany table top revolving bookcase, the shaped moulded top upon brass coated supports, plinth base and revolving mechanism, patent label to underside, 34cm H x 32cm W, along with an Edwardian oak and brass magazine rack, on a rectangular plinth base, 34cm H x 36cm W (2)

Lot 654

A Victorian oak extending dining table, the oval top raised upon substantial ring turned tapering legs and ceramic castors, with three extra leaves, 75cm H x 139cm (extending to 239cm ) W x 122cm D

Lot 655

An 18th century style oak dining table, late 20th century, stamped 'R.W.F & Co', the four plank cleated top raised on chamfered legs of square section, with two detachable draw leaves, 76cm H x 183cm extending to 289cm W x 92cm D, along with a set of eight conforming rush seated oak ladder back chairs, to include two carver chairs (9)

Lot 660

A 19th century rustic pine slab top farmhouse kitchen table, the rectangular top above a single frieze drawer, raised upon legs of tapering square section, 77cm H x 170cm W x 78cm D (at fault)Condition reportExtensive historic worm throughout, with some loss and damage to the table top, rot with extensive losses to the table feet, later cutaways to the side friezes.

Lot 664

A mid 19th century golden oak library drum table, the moulded circular top with an inset skiver, above four opposing frieze drawers, supported on an octagonal tapering column anchored at the circular plinth base with a carved scroll collar, raised upon four out swept scrolled feet, 75cm H x 121cm D, one drawer at fault

Lot 665

A Victorian golden oak side table, the rectangular moulded top above a pair of concealed frieze drawers, raised upon a pair of octagonal columns anchored at the circular plinth base with a carved scroll collar, upon out swept scrolled feet, 72cm H x 122cm W x 60cm D

Lot 668

A Victorian mahogany kneehole dressing table, the arched mirrored plate raised upon carved supports and banks of small drawers, the base with a central frieze drawer flanked by two banks of four drawers, upon a plinth base and front bun feet, 150cm H x 95cm W x 56cm D (at fault)

Lot 686

A Victorian mahogany extending dining table, the rectangular moulded top with rounded corners, raised upon fluted and ring turned tapering legs terminating in castors, with two extra leaves, 71cm H x 150cm W extending to 246cm x 120cm

Lot 689

A 19th century mahogany metamorphic table/library steps, the rectangular moulded top on plain legs of square section, hinged to one side enabling folding into a set of seven rung library steps, table measures 73cm H x 69cm H x 48cm D, steps 118cm H x 129cm W x 48cm D Provenance: The Estate of Lord Kenyon, Gredington.Condition reportGeneral tarnishing to metal fittings, 15cm hairline crack to the table top, a second smaller 10cm crack along with a large water stain and multiple minor scratches and marks.Replaced screws to the bracket holding the hinged bar, spliced repair to RH front (tallest) leg at cross stretcher joint. Splice repairs at the brackets where the folding arms connect to the rails above the fourth step, general wear and grime commensurate with age and use 

Lot 70

A selection of silver, silver plated and EPNS wares, to include; a George V silver Punch rattle, Birmingham 1940, 9cm long, an Edwardian novelty silver pin cushion in the form of a canoe, marks for Marks & Cohen, Birmingham 1906, 13cm long (at fault), a George V silver wet mustard by Elkington & Co, Birmingham 1938, 9.5cm high (at fault), a cased set of six silver Franklin Mint Sovereign Queen teaspoons, marked for Sheffield 1977, each 14cm long, a three-part dressing table set silver-backed mirror, hairbrush and clothes brush, a selection of cut glass silver mounted jars, and a further assortment of tableware and dressing table accessories (Qty)

Lot 700

A 19th century French cherry wood draw leaf dining table, the rectangular table top above an angular frieze, raised upon legs of tapering square section terminating in carved paw feet, 74cm H x 140cm extending to 250cm W x 107cm DCondition report Multiple marks/stains to table top and various minor chips to the veneer on the frieze, the longest 5cm. Minor chip to table leg above foot, 6cm long. Later screws to the draw leaf rails possibly indicating light repairs to the underside.Both leaves feel 'tight' when drawn out. Overall table feels sturdy however general minor wear commensurate with age and use 

Lot 701

A 19th century and later elm kitchen table, the cleated plank top raised upon legs of square section united by peripheral cross stretchers, 74cm H x 148cm W x 74cm D

Lot 703

An Anglo-Indian carved hardwood occasional table, early 20th century, the octagonal table top with carved geometric detail, upon a central 'X' shaped pedestal and four baluster uprights, extending to four down swept feet with conforming carved detail, 44cm H x 32cm D (at fault)

Lot 706

A rustic hardwood and iron bound console table, the slab top applied with rivet detail iron work, upon four legs of square section united by a conforming undershelf, 92cm H x 198cm W x 36cm D, reputedly constructed from Manchester railway sidings timber

Lot 708

An Edwardian mahogany Sutherland table, the rectangular drop leaf top with inlaid stringing and canted corners, raised upon slender ring turned legs, 64cm H x 60cm W x 15cm D

Lot 709

An Edwardian mahogany twin pedestal dressing table, the rectangular top with angular cross banding above a central frieze drawer, raised upon twin pedestals each with a single cupboard door moulded as four drawers, 81cm H x 113cm W x 52cm D

Lot 711

An Arts & Crafts honey oak side table, the rectangular top with rounded front corners, raised upon legs of tapering square section and spade feet, 77cm H x 92cm W x 40cm D

Lot 725

An Edwardian Sheraton revival mahogany display cabinet, by 'Old Time Furnishing Co, Westminster', the twin swan neck pediment above a frieze inlaid with satinwood harebell swags, over a pair of bevelled glass doors opening to a mirror back interior with two glass shelves, raised upon a stand with conforming inlay and two frieze drawers upon legs of tapering square section and spade feet, 158cm H x 79cm W x 37cm D, table height 76cm , interior depth 21cmComdition reportWith two glass shelves, beading detached from around the top of both front legs, and on the LHS below the window, other minor beading loss, otherwise only very light wear commensurate with age and useNo warping to the doors which are open but have no key 

Lot 89

An Edwardian sapphire and diamond three stone ring, comprising a round mixed cut sapphire measuring 5.5mm diameter, with a round old cut diamond to either side, all claw set to an 18ct yellow gold band, marked for Birmingham 1905, ring size G, weight 2.0gmsCondition Report; Sapphire: Fair order. There is heavy abrasion, scratching and some small chips to the table of the stone, concentrated on the facet edges. No cracks or large loss. Underside of of the stone is in good order. Please note: This sapphire has not been tested for natural or synthetic origin.Diamonds: Both present. There is a medium size chip to the girdle of one of the diamonds. Scratching and wear present to both diamonds. Underside of stones in good order.Very heavy wear to the claws on all stones; re-tipping required.Shank shows quite heavy thinning, but no signs of re-sizing or repair.Exactly diamond weights can not be accurately calculated, however the diamonds are estimated to be around 0.15 carats each. 

Lot 96

A 19th century and later multi gem set fringe necklace, comprising sixteen graduated oval gemstones, including garnet, andalusite, zircon, citrine, sapphire, spinel etc, (measuring between 6mm x 7mm and 10mm x 12mm), all claw set to a belcher link chain, with spring ring and loop fastening, 40cm long, together with a associated bracelet with similar stones and settings, 18cm long, gross weight of pair 29.2gms (2)Condition Report: Necklace: All stones are present. All show some degree of wear and abrasion ranging from minor to moderate - most of this is concentrated to the facet edges. The two gemstones furthest left have internal cracks which run from the inside to the surface. The sapphire pictured right of the central zircon on the necklace has a fracture on the reverse facets, which is visible with the naked eye through the stone. Some stones have small chips to the girdles and facet edges. All claws show some degree of wear, varying from minor to heavy. Some re-tipping may be required. There is varying degrees of thinning and denting to some of the settings, and a few settings show small signs of splitting. Moderate denting and wear to the chain links. Claw link and safety chain appears to be a later addition and is in working order.Bracelet: All stones are present. All show some degree of wear and abrasion ranging from minor to moderate - most of this is concentrated to the facet edges. Stone pictured fifth from left and stone pictured first on the right have cracks which run from the inside to the surface. Some stones have small chips to the girdles and facet edges. All claws show some degree of wear, varying from minor to heavy. Some re-tipping may be required. Some thinning and minor splitting is visible to the sides of the gemstone settings. Chain in good order. Barrel snap clasp is stiff, but closes securely.PLEASE NOTE: Both the necklace and bracelet are set in yellow metal. There are no marks to the chain or clasps on the bracelet or the necklace, and neither have been tested.The bracelet and necklace are each set to different chains and settings. This could indicate that the stones were removed from a larger original suite and re-fashioned by different hands at a later date. The necklace is set to a belcher link chain, which has a more yellow hue, and has a later attached spring ring fastener which is a more rose hue. The bracelet is set to a curb-link chain with a barrel clasp that appears to be original to the bracelet, and is set to a less vibrant yellow metal then that of the necklace.Please note that the blue stone in the bracelet (pictured fifth from the right) tests as a spinel, not a sapphire. It's measurements are 9.28mm x 6.95mm x 4.69mm.There is one stone in the bracelet testing as spinel (fifth from the right) and one in the necklace (third from right).Please note that exact identities can not be provided for all the gemstones - some sizes and cuts mean that we cannot get an accurate reading.The blue sapphire on the necklace has a small nibble to one of the edges of the table facet, and a more sizable fracture on the reverse, which can be seen with the naked eye. There is also translucent needles running through the sapphire, visible under 10x.All gemstones show some degree of inclusion - the clarity of the gemstones varies from slightly included to moderately included. In the necklace, about half of the stones show inclusions visible with the naked eye. In the bracelet, four stones show inclusions visible to the naked eye.

Lot 1204

Collection of ceramics to include Wedgwood, Royal Winton dressing table set, cut glass celery jar, William Adams jug, Art Deco vase, mid century vase. Not available for in-house P&P, contact Paul O'Hea at Mailboxes on 01925 659133

Lot 1262

Scratch built inlaid chess top table. 43 x 43 x 32 cm H. Not available for in-house P&P, contact Paul O'Hea at Mailboxes on 01925 659133

Lot 1380

Nathan coffee table and one other to measure 112 x 54 cm and 138 x 46 cm. Not available for in-house P&P, contact Paul O'Hea at Mailboxes on 01925 659133

Lot 1381

Mirror top gilded coffee table. Not available for in-house P&P, contact Paul O'Hea at Mailboxes on 01925 659133

Lot 1390

Large rectangular heavy pine coffee table and a pair of matching side tables. Not available for in-house P&P, contact Paul O'Hea at Mailboxes on 01925 659133

Lot 1393

Contemporary glass topped console table and a matching side table, H: 180 cm. Not available for in-house P&P, contact Paul O'Hea at Mailboxes on 01925 659133

Lot 1397

Collection of mixed furniture to include kitchen table. Not available for in-house P&P, contact Paul O'Hea at Mailboxes on 01925 659133

Lot 1398

Nest of two and three tables, tiled side table, foot stool and folding tea trolley. Not available for in-house P&P, contact Paul O'Hea at Mailboxes on 01925 659133

Lot 1406

Large tubular steel glass top garden table. Not available for in-house P&P, contact Paul O'Hea at Mailboxes on 01925 659133

Lot 1407A

Vintage walnut bedding chest and a table. Not available for in-house P&P, contact Paul O'Hea at Mailboxes on 01925 659133

Lot 1410

Antique oak dropleaf table, 60 x 90 cm. Not available for in-house P&P, contact Paul O'Hea at Mailboxes on 01925 659133

Lot 1411

Collection of table, stool, chairs etc. Not available for in-house P&P, contact Paul O'Hea at Mailboxes on 01925 659133

Lot 1419A

Polished marble topped elm coffee table D: 80 cm and a matching nest of tables. Not available for in-house P&P, contact Paul O'Hea at Mailboxes on 01925 659133

Lot 1424A

Bamboo easy chair, table, two towel rails and other furniture. Not available for in-house P&P, contact Paul O'Hea at Mailboxes on 01925 659133

Lot 1425B

Painted pine glass top display/curio table. Not available for in-house P&P, contact Paul O'Hea at Mailboxes on 01925 659133

Lot 1447

Vintage garden table with cast iron support, Slats need replacing Not available for in-house P&P, contact Paul O'Hea at Mailboxes on 01925 659133

Lot 1448

Vintage garden table with cast iron support, Slats need replacing Not available for in-house P&P, contact Paul O'Hea at Mailboxes on 01925 659133

Lot 27

GLASS TOPPED OCCASIONAL TABLE

Lot 334

BEAUTIFUL ANTIQUE LACQUERED ORIENTAL CABINET AND WINDOW TABLE

Lot 364

SMALL DROPLEAF TABLE AND FOOTSTOOL

Lot 437

ANTIQUE FOLDING 2 TIER ORIENTAL TABLE

Lot 468

VICTORIAN PEDESTAL BREAKFAST TABLE AND CHAIRS

Lot 618

GEORGIAN MAHOGANY WAKE TABLE

Lot 10

A late 18th century mahogany table clockJoshua Sarjent, Jermyn Street, St James'sThe bell topped case with handle and four cone finials over arched fish scale side frets and set to the front corners with cast brass uprights, on a moulded plinth and ogee bracket feet, the 7.75 inch arched brass dial with strike/silent subsidiary over a silvered Arabic dial with quarter hours and minute track framing the subsidiary date dial, with matching hands, the twin chain fusee movement with knopped pillars, anchor escapement to a pendulum with engraved bob and rack striking on a bell, the backplate centred by an engraved bird on a column over foliate scrolls within a formal border. With a winding key, ticking, striking and repeating the hours. 56cms (22ins) highFootnotes:Joshua Sargent, active from 106 Jermyn Street from 1794 to 1818.For further information on this lot please visit Bonhams.com

Lot 105

A very rare early 18th century pewter and brass-inlaid Italian table clock with six-hour dialFrancesco Papillion, FirenzeThe break-fronted case surmounted by an elaborate cast handle over a stepped caddy top with moulded edges over the architrave with an inset silk-backed blind sound fret, the sides with long glazed panels, on a moulded base and bun feet, the 5 inch silvered dial marked I to VI framed by a minute ring marked in tens for each hour, with single blued steel hand, mounted on an engraved gilt brass dial plate signed in an engraved cartouche within a pattern of strapwork, scrolls and flowers on a matted ground, the small rectangular movement plates united by four baluster pillars pinned through the backplate, with single 'tandem barrel' driving both wheel trains, the going train with verge escapement (the 'scape wheel mounted at an angle) to a short verge bob pendulum mounted on silk within cycloidal cheeks, the strike train sounding on a vertical bell. Ticking and striking, together with a winding key. 49cms (1ft 7ins) high.Footnotes:There is little information about Francesco Papillion. There are only a few signed clocks by him which include a night clock in the Getty Museum and an alarm watch in the British Museum. Archival records in Florence show that Papillion entered the clockmaker's guild in 1705.The six hour clock was used in Italy, especially in the Papal States, until the end of the 18th century, when Napoleon replaced it with the 12 hour system. The six hour, or 'Roman time' started just after sunset with the evening prayers, and worked around the Canonical hours.For further information on this lot please visit Bonhams.com

Lot 11

A first half of the 19th century brass inlaid rosewood quarter chiming table clockJohn Palmer, Great Marylebone Street, LondonThe arched top case over fish scale side frets, side handles and mother of pearl escutcheon on brass ball feet, the 5.75 inch signed silvered arched Roman dial with Breguet style hands with strike/silent subsidiary, the twin gut fusee movement with anchor escapement rack striking the hours on a bell and the quarters on a nested rack of 8 bells and 8 hammers, the backplate with running foliate border, two labels inside the left door jamb for Hart Bros. Jewellers & Watchmakers, Muswell Hill, London. Ticking and striking, sold with a case key and winding key. 37 (14 1/2ins) high (4)This lot is subject to the following lot symbols: YY Subject to CITES regulations when exporting items outside of the EU, see clause 13.For further information on this lot please visit Bonhams.com

Lot 12

A good early 19th century mahogany table clockGeorge St John, LondonThe break arch case surmounted by a brass handle, over the brass strung door and reticulated side frets, raised on a shallow plinth base and brass bracket feet, the signed 7.75 inch silvered Roman and Arabic dial with engraved floral borders and subsidiary strike/silent dial to the arch, the two train fusee movement with anchor escapement, trip repeat and rack striking on a bell, the plates united by five knopped pillars, the backplate engraved with a vacant foliate cartouche and fitted with a pendulum lock. 48cm (19in)Footnotes:George St John is listed in Westminster in 1808.For further information on this lot please visit Bonhams.com

Lot 19

A late 17th century and later gilt brass mounted ebony and ebonised table clockChristopher Gould, London, with high quality 19th century replacement movement The case with later inverted bell top, four finials and a bold handle over rectangular side panels containing cast brass mounts, the front door with silk-backed sound fret and cast escutcheons, the 7 inch square brass dial with winged cherubs head spandrels framing the silvered Roman and Arabic chapter ring with minute and quarter-hour tracks, the matted centre with curved (now filled and engraved) mock pendulum aperture, and decorated chamfered date aperture, the replacement movement of substantial construction, with thick plates united by five heavy turned pillars, twin gut fusees, the strike train with brass tear-drop shaped hammer head acting on a bell, the going train with anchor escapement. Ticking and striking, with pendulum and two case keys. 41cms (16ins) highFootnotes:Christopher Gould was a maker of great repute who was free of the Clockmakers Company in 1682. He is perhaps best known for the exquisite inlaid cases that so many of his clocks inhabit. In the 19th century it was not unheard of for clockmakers to replace entire movements rather than attempt to restore them. The movement of the current lot is better than many of the time, with good brass work and well finished trains. Benjamin Lewis Vulliamy is perhaps best known for this practice of substitution, famously exchanging the movement from a Thomas Tompion table clock reputedly presented by King Charles II to Barbara Villiers, Duchess of Cleveland. He later presented the movement to the Institute of Civil Engineers where it still resides, displayed in a glass case.For further information on this lot please visit Bonhams.com

Lot 20

A mid-18th century mahogany quarter repeating table clockSamuel Whichcote, LondonInverted bell top with a turned handle over long glazed side panels and arched front and rear doors, on a moulded base and block feet, the 5.75 inch arched brass dial with subsidiary strike/silent in the arch over a Roman and Arabic chapter ring framed by Indian mask spandrels, the finely matted centre with applied nameplate, date and mock pendulum aperture, the twin gut fusee movement united by five knopped pillars, with verge escapement striking the hours on a bell, further sounding the hours and the quarters on six bells and hammers on demand via a pull cord to the right side of the case, the backplate centred by the engraved figure of Harlequin raised on one foot about to lift his feathered hat, flanked by a pair of exotic birds within foliate scrolls and a single line border. 46cms (18ins) highFootnotes:Provenance:Single family ownership for 43 years, purchased Laurie Leigh Antiques, High Street, Oxford, April 1978. Samuel Whichcote worked in Crane Court, off Fleet Street from 1724. The Harlequin engraved backplate ties in with the mid 18th century taste for the 'Commedia dell'arte'.For further information on this lot please visit Bonhams.com

Lot 21

A good 18th century English brass-banded walnut inverted bell top table clock with pull quarter repeatGladman & Williams, LondonSurmounted by a foliate handle over circular and shaped glass side panels on a moulded plinth base and feet, the signed 5.75 inch arched brass dial with silvered Roman and Arabic chapter ring and blued steel hands, matted centre with signature cartouche and date aperture, surmounted by subsidiary dials for Strike/Silent and rise-and-fall regulation, the signed twin fusee movement with pivotted verge escapement striking the hours on a bell, with pull quarter repeat striking on 6 bells and 6 hammers. Ticking, striking and repeating. Sold with two case keys. 43cms (16 1/2ins) high (4)Footnotes:Gladman & Williams were active in London around 1764.This lot is subject to the following lot symbols: ** VAT on imported items at a preferential rate of 5% on Hammer Price and the prevailing rate on Buyer's Premium.For further information on this lot please visit Bonhams.com

Lot 22

A first half of the 18th century ebonised table clock with pull cord repeatRichard Peckover, LondonThe caddy top with knopped handle and moulded cornice over circular and shaped side panels on a moulded plinth base, the 7 inch arched brass Roman and Arabic dial with silvered chapter ring with blued-steel hands, the matted centre with recessed oval signature cartouche and mock pendulum aperture, with subsidiaries for date, strike/silent and rise-and-fall regulation, the twin gut fusee movement with pivotted verge escapement rack striking the hours on a bell, chiming the quarters on a nest of 6 bells and hammers, the signature within a symmetrical engraved pattern of rolling foliage. Two labels attached to the inside of the rear door from Hart Bros. Jewellers & Watchmakers, Muswell Hill, London dated 1918, 1936 and 1940. A further circular label is on the left rear door jamb for Steinmann, London no.153. Ticking and striking, sold with a case key and an associated winding key. 47cms (18 1/2ins) high (3)Footnotes:Richard Peckover may have been born in 1685 in St. Giles, Cripplegate parish, London. He was active circa 1700-1754, based in Change Alley from 1735 and the Royal Exchange from 1751. He probably took over Quare & Horseman's business in 1733. He is buried at St Helen's Bishopsgate.For further information on this lot please visit Bonhams.com

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