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Lot 69

A circular teak dining table

Lot 43

A McIntosh teak extending coffee table

Lot 189

A Victorian mahogany extending windout dining table

Lot 170

A 17th Century style carved oak single drawer side table

Lot 143

A French Louis XV style giltwood and marble topped gueridon table

Lot 195

A Regency style mahogany drop-leaf sofa table

Lot 246

Two pine stools, two cane chairs, a wrought iron demi-lune console table, a pine bookcase, etc.(8)

Lot 131

A Victorian bamboo occasional table

Lot 315

A 19th cent Chinese table and other oriental style small tables  Additional images on request 

Lot 308

A 1950s Walnut bedroom suite to include Dressing table , cabinets, wardrobes and bed 

Lot 196

An islamic brass table 

Lot 316

A 19th century walnut dressing table 

Lot 8

A fine W.A.Macleay & Son (Inverness) Edwardian Scottish taxidermy Golden Eagle (aquila chrysaetos), mounted in a naturalistic setting perched upon a modelled rocky outcrop amid ferns and grasses against a light blue painted backdrop in a flat fronted table top ebonised glazed case, with applied paper trade label bottom right, remains of Kidderminster Museum label to front glass. 86.3cm x 56.8cm x 34.5cm. Provenance: Andrew Grant ex lot 31, 26th October 2000, £1,835 inc. premium.

Lot 71

An comprehensive canteen of German .800 silver fiddle and thread pattern flatware for twelve place settings, by Gebruder Reiner, to include; 12 x table forks, 12 x table knives, 12 x table spoons, 12 x dessert forks, 12 x dessert knives, 12 x dessert spoons, 12 x fish knives, 12 x fish forks, 12 x teaspoons, 12 x coffee spoons, 12 x pastry forks, 12 x butter knives and 12 x sundae spoons, together with 1 x large ladle, 1 x sauce ladle, 1 x ice cream spoon, 1 x pair of serving fork and spoon, 1 x two tine fish fork and serving knife, 1 x large two tine serving fork and spoon, 1 x small two tine serving fork and spoon, 1 x pastry serving fork and two small serving knives, in five drawer fitted twin handled canteen, 52,2cm x 32.6cm x 30.5cm. (weighable silver approx. 6,060g/194.85Toz.). (169 pcs.) Condition note: one table knife as found, otherwise all items in very good condition. 

Lot 1642

STOIZNER-MILLINGER, JOSEF (1911-1982), "Stillleben", 1942, Früchte, Topfpflanze und Schenkkanne auf Tisch drapiert, u.re. signiert und datiert, Gouache/Papier, HxB: Passepartoutausschnitt ca. 52x67 cm (72x87 cm mit Rahmen). Alters- und Knickspuren, Farbfleck. Im Passepartout hinter Glas gerahmt. | STOIZNER-MILLINGER, JOSEF (1911-1982), "Still life", 1942, fruits, potted plant and serving jug draped on the table, bottom right. signed and dated, gouache/paper, HxW: passepartout cutout approx. 52x67 cm (72x87 cm with frame). Traces of age and creases, paint stains. Framed in a passe-partout behind glass.

Lot 25

Puppenstube mit Püppchen, 19./20. Jh. rechteckige Wohnstube mit zwei Fenstern (nicht zum Öffnen), Innenbereich tapeziert und mit 'Papierparkett' ausgekleidet, bestückt mit verschiedenem Mobiliar, wie eine Anrichte, 1 Sofa, Sessel, Tisch und 2 Stühle, sowie detailreiche Ausstattungsobjekte wie 2 Vogelkäfige, einem kleinen persischen Musterteppich, Bücher, 1 Tannenbaum uvm. Anbei 9 Puppenstubenpüppchen: 5 Püppchen mit Brustblattkopf und Gliedmaßen aus Biskuitporzellan, bemalte Augen, Körper aus Stoff, Puppenmann, H 16 cm, -frau, H 15 cm und 4 Ganzkörper-Biskuit-Püppchen in Miniaturformat, H 5-6 cm. Alle Kleidungsstücke wurden aus alten Stoffen handgenäht. Dazu 11 Schalen aus Bleikristall, diverse Garnrollen und Nähzeug aus Bein sowie 2 Bücher " Faszinierende Puppenstuben" und "Das schönste Puppenhaus der Welt", Maße der Stube L 53, 5 cm x H 23,5 x T 26, 5 cm. Insgesamt in sehr gutem Erhaltungszustand mit leichten Altersspuren. Aus einer süddeutschen Privatsammlung. | Dollhouse with dolls, 19th/20th century, Rectangular living room with two windows (not opening), interior wallpapered and lined with 'paper parquet', equipped with various furniture, such as a sideboard, 1 sofa, armchair, table and 2 chairs, as well as detailed furnishings such as 2 bird cages, a small Persian pattern carpet, books, 1 Christmas tree and much more. Enclosed 9 dollhouse dolls: 5 dolls with breastplate head and limbs made of bisque porcelain, painted eyes, body made of fabric, doll man, H 16 cm, woman, H 15 cm and 4 full-body bisque dolls in miniature format, H 5-6 cm. All clothing items were hand-sewn from old fabrics. In addition, 11 bowls made of lead crystal, various rolls of thread and sewing kit made of bones as well as 2 books "Fascinating Dollhouses" and "The Most Beautiful Dollhouse in the World", dimensions of the room L 53.5 cm x H 23.5 x D 26.5 cm. Overall in very good condition with slight signs of age. From a southern German private collection.

Lot 2818

KLEINER SALONTISCH Italien, Anfang 20.Jh., runder Tischkorpus mit 1 Schublade auf drei schlanken, sich nach unten verjüngenden viereckigen Beinen, HxD: 75/46 cm. Altersspuren.| SMALL SALON CHEST OF DRAWERSItaly, early 20th century, round table corpus with 1 drawer on three slender, downward tapering square legs, HxD: 75/46 cm. Signs of age.

Lot 2825

KARL FRIEDRICH SCHINKEL (1781-1841) „Nähtisch und Armlehnstuhl“, Berlin, um 1829, Palisander, Messing und Kupfer, in flächenbetonter und formaler Schlichtheit gestaltete klassische Nähtischform auf Pilastern mit kapitellartigem Abschluss und abgespritzten Klauenfüßen, die in Tendenz des Biedermeier flächenbündig eingelegte Ornamentik aus Metall zeigt mittig der Deckplatte eine Nachbildung eines etrurischen Spiegels mit der Szenerie des Besuches des jungen Bacchus bei seiner Mutter Semele in der Unterwelt, die übrigen Messingeinlagen bestehen zumeist aus stilisierten Efeuranken, Akanthusblättern und Palmetten; Der Lehnstuhl von der Ornamentik passend dekoriert ist in seiner Form einem griechischen Stuhlmodell nachempfunden, welches nur aus Reliefdarstellungen in Seitenansicht überliefert ist, wie im antiken Vorbild ruht das Gestell mit doppelter Quergliederung über der Seitenzarge und der an Volutenpfosten angebrachten Rückenlehne auf vier kantigen in Balusterform gestalteten Beinen mit dreiseitigem Zwischensteg. HxBxT Nähtisch: 73/54/41 cm, HxBxT Lehnstuhl: 91/49/46 cm. Restaurierter Zustand mit partiellen Alters- und Gebrauchsspuren, am Nähtisch seitlich Oberflächlich eine hell abgesetzte Stelle, am Lehnstuhl part. Fehlteile an den Profielleisten bzw. einer Ziervolute (zwei Teile lose anbei), fehlende Ziermutter an einem Zwischensteg und an einem unteren Fußteil eine abgelöste Bandeinlage aus Messing. Dieses Objekt wurde unter Verwendung von Materialien hergestellt, für die beim Export in Ländern außerhalb der EU eine Genehmigung nach CITES erforderlich ist. Literatur: 1) Sievers 1950 S. 44, Abb. 136 bzw. Abb. 134. 2) Karl Friedrich Schinkel / Architektur Malerei Kunstgewerbe 1981 S. 304, Pos. 251 & 252. Provenienz: Dieser Nähtisch und der Armlehnstuhl wurden von dem Politiker Peter Christian Beuth bei seinem Freund Karl Friedrich Schinkel in Auftrag gegeben und befinden sich seither in Familienbesitz.| KARL FRIEDRICH SCHINKEL (1781-1841) "Sewing table and armchair", Berlin, c. 1829, rosewood, brass and copper, a classical sewing table, formed with an emphasis on surfaces and formal simplicity, supporded by pilasters with a capitell-like finish and spattered claw feet. The metal ornamentation is inserted flush with in the surface in Biedermeier style shows a replica of an Etrurian mirror in the centre of the top plate with the scene of the visit of the young Bachus to his mother Semele in the underworld; the other brass inlays consist mostly of stylised ivy vines, acanthus leaves and palmettes; The armchair, suitably decorated by the same ornamentation, is modelled from a Greek chair which has only survived from relief depictions in side view; as seen in the antique model, the frame with double transverse structure over the side frame and the backrest attached to volute posts rests on four angular, baluster-shaped legs with a three-sided itermediate web. HxWxD sewing table: 73/54/41 cm, HxWxD armchair: 91/49/46 cm. Restored condition with partial signs of age and use, on the side of the sewing table is a light-coloured spot, the armchair is partly missing parts on the profile mouldings and on the backrest. Missing pieces on the profile mouldings and a decorative volute (two parts loose), missing decorative nut on an intermediate bar and a detached brass band inlay on a lower foot section. This object was made using materials for which a CITES permit is required for export to countries outside the EU. Literature: 1) Sievers 1950 p. 44, fig. 136 and fig. 134. 2) Karl Friedrich Schinkel / Architecture Painting Arts and Crafts 1981 p. 304, pos. 251 & 252. Provenance: This sewing table and the armchair were commissioned by the politician Peter Christian Beuth from his friend Karl Friedrich Schinkel and have been in the family ever since.

Lot 284

FOTOGRAFIEN VON GRAF NOSTITZ Wien: J. Blechinger 189631,5 x 45 x 1,8 cm Gebunden im Kattuneinband des Verlags. In gutem Zustand, einige Gebrauchsspuren. Titelseite und Inhaltsverzeichnis in Russisch und Französisch. Auf dem Einband und auf der Titelseite gibt es einen Hinweis: „Verkauf zugunsten der Pankowski-Unterkunft in der Nähe des Dnjepr, Woiwodschaft Jekaterinoslaw . “ Album mit Porträts der königlichen Familie, Ansichten von Moskau und der Krim (Livadia, Jalta, Foros, Sewastopol). Seltene Ausgabe!PHOTOGRAPHS BY COUNT NOSTITZVienna: J. Blechinger 189631.5 x 45 x 1.8 cm Bound in the cotton cover of the publisher. In good condition, some signs of wear. Title page and table of contents in Russian and French. On the cover and on the title page there is a note: “Sale in favor of Pankovsky’s accommodation near the Dnieper River, Ekaterinoslav Voivodeship . ” Album with portraits of the royal family, views of Moscow and Crimea (Livadia, Yalta, Foros, Sevastopol). Rare issue!

Lot 69

TISCH MIT 2 STÜHLEN China, Holz, mit Steinplatte im Rücken der Stühle, wohl 1. Hälfte 20. Jh.Tisch: 74 x 42,5 x 42,5 cm, Stühle: 92 x 46 x 35 cmCHINESE TABLE WITH 2 CHAIRSWood, with a stone on the back of the chairs, probably 1st half of 20th c.Table: 74 x 42.5 x 42.5 cm, chairs: 92 x 46 x 35 cm

Lot 193

2 TISCHFEUERZEUGE 8,4 x 7,5 x 4 cm und 8 x 9 x 4,5 cm2 TABLE LIGHTERS8.4 x 7.5 x 4 cm and 8 x 9 x 4.5 cm

Lot 640

A cast iron pub table with mahogany top, COLLECT ONLY.

Lot 1577

A Victorian mahogany extending dining table with one leaf (10 ft when extended) COLLECT ONLY.

Lot 543

A small mahogany drop side table, COLLECT ONLY.

Lot 650

A 19th century mahogany work table, COLLECT ONLY.

Lot 721

An old pine kitchen table with two drawers, COLLECT ONLY.

Lot 1528

An oak gateleg table, COLLECT ONLY.

Lot 651

A good gold finish dressing table with oval mirror, COLLECT ONLY

Lot 553

A good Victorian long drop leaf table in good condition, COLLECT ONLY.

Lot 556

A nice ceramic urn shaped table lamp.

Lot 1521

An oval mahogany centre pedestal table, COLLECT ONLY.

Lot 1515

A circular mahogany tip top table, 75cm diameter. COLLECT ONLY

Lot 702

An oak gate leg drop leaf table, COLLECT ONLY.

Lot 673

A modern figural table lamp, COLLECT ONLY.

Lot 691

A Victorian oval mahogany loo table, COLLECT ONLY.

Lot 695

A Victorian mahogany oval tip top table, COLLECT ONLY.

Lot 598

A folding table with brass top. COLLECT ONLY.

Lot 638

A cast iron pub table with mahogany top, COLLECT ONLY.

Lot 569

An early 20th century mahogany framed dressing table mirror, COLLECT ONLY

Lot 1222

A 1930's Nelson's Column table lighter.Chrome in good condition with only minor ware, slight crack on bone where 1 lion plinth meets bone of column, lighter flint sparks, hinged lid sits well. total H25cm

Lot 1475

A bronze effect figural table lamp, COLLECT ONLY.

Lot 659

A Victorian mahogany centre pedestal fold over card table, COLLECT ONLY.

Lot 710

A late Victorian oval mahogany table, COLLECT ONLY.

Lot 1517

A Victorian mahogany Pembroke table, COLLECT ONLY.

Lot 674

A Victorian mahogany oval table on bird cage base with splay legs, COLLECT ONLY.Table does not tilt and base does not remove from top, some minor marks to top, otherwise in good condition for age. Top 112cm x 153cm x H72cm

Lot 667

A pair of good quality glass table lamps, COLLECT ONLY,

Lot 668

A 10 foot French mahogany dining table with ten chairs, COLLECT ONLY.

Lot 635

A pair of good quality table lamps complete with shades, COLLECT ONLY.

Lot 657

A Victorian cabriole leg wine table with carved top. COLLECT ONLY.

Lot 1522

An oak barley twist  gate leg table, COLLECT ONLY.

Lot 589

A Victorian mahogany sewing table, COLLECT ONLY.

Lot 596

An Edwardian satin walnut triple mirror dressing table, in good condition, COLLECT ONLY.

Lot 676

A Victorian burr walnut fold over games table, COLLECT ONLY.

Lot 575

A hand painted ceramic table lamp.

Lot 1530

A Victorian mahogany Pembroke table on brass castors, COLLECT ONLY.

Lot 1540

A good quality oval mahogany extending dining table, 152 x 100 x 75 cm closed. COLLECT ONLY.

Lot 644

A gilded chandelier style table lamp, COLLECT ONLY.

Lot 90

Tempera on panel Present expertise of Prof. Claudio Strinati: "The panel depicting the Madonna enthroned with Child between Saints JohnBaptist and Jerome (tempera on wood, 42.5 x 32.5 cm) is an unpublished work dated, for stylistic reasons and with relative approximation, to the firstquarter of the fifteenth century and attributable, albeit circumstantially, tolack of certain comparisons, to Gaspare da Pesaro, a painter activelong in southern Italy, attested by numerous archive papersand handwritten and then printed testimonies from the sources that inform usof his activity, but of to which not even a certain work remains, for signaturesor documents.And yet the clues found in the painting may lead us to think that we are faced with a work of very fine quality as well as excellent conservation and significant historical-artistic interest, probably by thehand of this legendary painter. The sources allow us, in fact, to framefirst of all the certain chronological terms of his work.Born in n the last decade of the fourteenth century, the painter andminiarist Gaspare da Pesaro died in 1461 after a fervent andcareer also honored by great clients such as the king of Naples Alfonso themagnanimous who invited him to the court of Gaeta to entrust him with a taskinherent in his skills as a miniaturist which, for that time, meantthe supply of both works on paper and paintings on small o div>very small format, suitable to be placed on a desk or in a study.Specialist in sacred painting, especially banners and banners,but also specialized in smaller-sized and elegant worksiconography, Gaspare da Pesaro was certainly a leading exponent ofthat Marche school of the fifteenth century which includes a series ofremarkable figures, including Giovanni Antonio da Pesaro in the first halfup to Nicola di Maestro Antonio da Ancona in the second half. The style ofour painting, under examination here, is purely Marche, with a mixture ofnaturalism (the beautiful and very shapely child and the almost spherical faceof the Madonna) and an abstract gothic tendency (the figure of the Baptistso emaciated or the witty Saint Jerome intent on reading). These figuresbelong to a typology of images that characterize the entire culture of the Adriatic area, influenced only partially by the school Venetian but also a participant in that Dalmatian culture which was sodecisive for another excellent Veneto-Marche native, Carlo Crivelli with which our painting has some point of contact. Traditionattributes, often with little foundation, to Gaspare da Pesaro worksvery different from each other, including even the Triumph of Death in Palermo.Nevertheless, the belonging of our table to the MarcheAdriatic culture would seem clear, while the impossibility of conducting convincing comparisons with other works by renowned authors leads us to think that we are faced with an illustrious artist, yes, but largely forgottenby historiography.All these deductions lead me, then, to think that the probable identikitof Gaspara da Pesaro may coincide with what can be seen inour painting. The clear canopy also brings to mind the processional painting of which Gaspare da Pesaro was a well-known master and the idea, fromauthentic illuminator, not to paint the Virgin's nimbus but to derive itfrom the gold background on which the entire panel is painted, would seem like a ploy /div>refined and elegant, worthy of a cultured pictorial mind.That mixture of the ironic and the solemn is a peculiar characteristic ofthis Adriatic art and a certain relationship with the other famous Pesaro of thetime, Giovani Antonio, makes the identification ofour painting with this unknown but notable painter. And even moreinteresting is to learn from the sources that Gaspare, in the first period of his activity, was in close relations of collaboration with a painter, about whom we also know nothing, called Niccolò di Magio, from Siena.And a certain influence of the Sienese environment of the early fifteenth century is alsopresent in our work under examination here. The first news we have ofGaspar are inherent to his first marriage contracted in 1415. It seemsprobable that our painting can be dated precisely in that period of time." 42.5x32.5 cm Gaspare Da Pesaro (attribuito a) Tempera on panel 42.5x32.5 cm Gaspare Da Pesaro (attribuito a) Tempera on panel

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