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Lot 274

A Victorian mahogany side/serving table, rectangular top above a single frieze drawer, tapered cylindrical legs, 91cm wide

Lot 893

Lady's Accessories - a selection of costume jewellery; a collection of compacts; a dressing table set

Lot 727

Textiles - linen and lace, table cloths, sampler, etc

Lot 1

An oak gateleg table, rectangular top with fall leaves, above a frieze drawer, turned supports, rectangular stretchers, the legs indistinctly stamped, opening to 130cm, elements 18th century

Lot 306

A Japanese Satsuma table lamp, as a small elephant atop a large elephant, 33.5cm high over fitting

Lot 890

Lady's Accessories - an early 20th century silver and hardstone set brooch, as an Irish harp; a silver pill box, Birmingham hallmarks; a Chinese white metal pierced trinket box; silver topped dressing table jars; hat pins; table mirror, etc

Lot 698

Treen - a table comport; Standish; hardwood figure of Chinese gentleman; tobacco jar; etc

Lot 659

An early-mid 20th century combination serving trolley/card table; a similar serving trolley; an aesthetic movement inspired centre table; a pair of ebonised two tier occasional tables (5)

Lot 725

Textiles - a candlewick bed cover; a quantity of table linen and lace, some embroidered

Lot 299

A Victorian mahogany breakfast table, elliptical top inlaid with stylised foliage, turned column, cabriole legs applied to the knees with acanthus, 134.5cm wide

Lot 367

A '19th century' mahogany gateleg table, opening to 144.5cm

Lot 11

A pair of brass table lamps, 53cm high overall

Lot 256

A refectory type mahogany dining table, 152cm long

Lot 240

A George III oak side table, crossbanded rectangular top above a long cockbeaded frieze drawer, tapered square legs, 84.5cm wide

Lot 194

A contemporary painted table top 'post box', 102cm high

Lot 858

An early Victorian mahogany coaching table, with divided hinged rectangular top, on folding 'x' shape base with turned stretchers, 89cm wide x 70cm high.

Lot 351

A rectangular silver mounted glass dressing table box, Birmingham 1911, with pull-off cover, 12.5cm wide, a silver mounted and tortoiseshell pique decorated glass toilet jar, another similar, a miniature silver Jersey jug pepperette, Birmingham 1909, a silver tooth pick, a silver 'Brandy' label and a silver two-handled tea strainer, 3.4ozs weighable (7).

Lot 931

A Regency mahogany pedestal table, the rectangular tilt-top, on a ring turned vase pillar and tripod base, 53.5cm wide x 45cm deep x 72.5cm high.

Lot 326

A set of three Victorian fiddle pattern silver tablespoons and two matching dessert spoons, Joseph & Albert Savory, London 1845, a pair of similar desert spoons, William Chawner, 1831, three similar table forks, Henry John & Henry John Lias, 1859 and another, George W Adams, 1846, 23ozs weight combined, all engraved with a castle crest and motto (11).

Lot 370

A circular silver mounted tortoiseshell dressing table box, London 1912, the pull-off cover with a ribbon tied basket of flowers, 6cm diameter, another similar, London 1911, with hinged cover, velvet lined, 7cm diameter, and another, Birmingham 1918, with plain tortoiseshell hinged cover, velvet lined, 7cm diameter (3).

Lot 307

A set of ten Victorian Old English pattern silver table forks, George W Adams, London 1855, 23ozs, crested.

Lot 872

A reproduction Italian rosewood mahogany burr walnut and floral marquetry extending dining table, gilt metal mounted, the moulded oval top with fold-away leaf, having shaped aprons, on cabriole legs, 174cm wide x 108cm wide x 77cm high.

Lot 952

A reproduction walnut cross and feather banded kidney shape writing table, in early 18th century style, with five drawers around a shaped kneehole, on leaf carved cabriole legs and pad feet, 112cm wide x 56cm deep x 77cm high.

Lot 340

An Edwardian silver rectangular dressing table tray, Walker & Hall, Sheffield 1902, heavily embossed with flowers, 'c' and leafy scrolls on a matted ground and around a vacant cartouche, 26.5 x 20cm, 9ozs.

Lot 884

A 'Sheraton Revival' satinwood ebony banded polychrome painted rectangular two-tier side table, the frieze with ribbon tied bell-flower swags and rosettes, on square tapered legs headed by ribbon tied bell-flower pendants, 48cm wide x 33cm deep x 73cm high.

Lot 852

A George II walnut demi lune tea table, with hinged fold over top enclosing a compartment, on club legs and pad feet, 83cm wide x 41cm deep x 72.5cm high.

Lot 25

A French circular table snuff box, early 19th century, the pull-off cover with a gilt metal portrait roundel of Napoleon, Galle fecit, tortoiseshell lined, 8.5cm diameter, a mould for the roundel, 8cm diameter, a gilt metal portrait roundel of William Pitt, 5.5cm daimeter and an 1851 Great Exhibition souvenir, in square giltwood frame (4).

Lot 862

A Regency style mahogany 'D' end dining table, 19th century, with extra leaf, on twin baluster turned pillars, the quadripartite downswept bases with brass caps and castors, 191cm long x 122cm deep x 71cm high.

Lot 260

A matched George III style silver Old English pattern canteen, William Hutton & Sons, Sheffield 1914, 1917, 1919, 1930 & 1931 & London 1896, twelve each table spoons, dessert spoons and tea spoons, table forks and dessert forks and a butter knife, 101ozs (61).Illustrated

Lot 926

A George III mahogany drop leaf dining table, the deep hinged rounded leaves with reeded edge, on ring turned legs and castors, 118cm wide x 55cm deep x 69cm high.

Lot 967

A reproduction Louis XVI style grey and gilt painted oval table de nuit, with a frieze drawer above an elliptical door cupboard, carved with a floral swag, rosettes and laurel pendants, on turned and fluted legs, 47cm wide x 37cm deep x 78cm high.

Lot 261

A silver capstan shape inkwell, Birmingham 1915, 10cm diameter, loaded, a George III style silver oval mustard pot frame, Birmingham 1915, an Edwardian cylindrical silver mounted cut glass dressing table jar, Levi & Salaman, Birmingham 1902, the pull-off cover embossed with cherubs amongst clouds, 8cm high and a small mounted circular glass jar (4).

Lot 329

A Victorian silver fiddle pattern part canteen, Charles Boyton, London 1885, two table and one dessert spoon, five table and six dessert forks, 28.5ozs, all engraved with a crest and motto.*** The crest is that of Bradshaw.

Lot 905

A reproduction Regency style mahogany 'D' end dining table, the reeded edge rectangular top with two extra leaves, on twin gun barrel turned pillars, with reeded downswept quadripartite bases, brass caps and castors, 302cm wide x 114cm deep x 74cm high.Illustrated

Lot 854

A George III mahogany side table, the moulded rectangular top above a frieze drawer, on square chamfered legs, 91cm wide x 51cm deep x 71cm high.

Lot 891

A Regency mahogany needlework table, the rectangular top with hinged rounded drop leaves, fitted with two boxwood banded drawers disguised as three, on ring turned legs united by an undertier, 46cm wide (84cm extended) x 39cm deep x 71cm high.

Lot 283

A matched canteen of electroplate Old English pattern flatware, a boxed set of six Cooper Brothers rat tail table knives and other items (qty).

Lot 954

A George III oak side table, the moulded rectangular top above a frieze drawer, having shaped aprons, on moulded square chamfered legs, 84cm wide x 50cm deep x 74cm high.

Lot 890

Gillow & Co; a late Victorian mahogany satinwood ebonised boxwood strung writing table, stamped '3185', the moulded rectangular inset top above two frieze drawers, on ring turned and fluted round tapering legs headed by carved lotus, united by a stretcher with demi lune ends and centred by a rosette, 101cm wide x 57cm deep x 76cm high.Illustrated

Lot 959

A reproduction Regency style mahogany drum library table, the gilt tooled inset top above four frieze drawers, on a vase turned pillar and moulded downswept quadripartite base with brass claw terminals and castors, 89cm diameter x 78cm high.

Lot 962

A reproduction Elizabethan style oak refectory table, the cleated planked rectangular top above a leafy scroll carved frieze, on leaf carved turned cup and cover end standards and trestle bases united by a centre stretcher, 200cm wide x 86cm deep x 76cm high.

Lot 308

A pair of George III silver Old English pattern table forks and three matching dessert forks, Richard Crossley, London 1796 and two other dessert forks, 9.3ozs weight combined, crested (7).

Lot 893

A Regency mahogany pedestal table, the rosewood crossbanded rectangular tilt-top with rounded corners, on a baluster turned and ebonised ring turned pillar, the reeded scrolled quadripartite base ebony strung, with brass claw terminals and castors, 66cm wide x 53cm deep x 73cm high.

Lot 280

A late 19th century oval silver dressing table box, English Import marks for London 1892, the hinged cover embossed with putti and a goat in a landscape, gilt lined, 16 x 10cm, 9ozs.Illustrated

Lot 887

A George III oak tea table, the circular tilt-top, on a baluster turned pillar and tripod base, 78cm diameter x 70cm high.

Lot 1198

An Italian brass pricket type altar candlestick, in 17th century style, adapted as a table lamp, with a wide circular drip pan, baluster and ringed knop stem, the stepped spreading triangular base, on claw feet, 51cm high.

Lot 722

Edgar Thomas Wood (British, 1860-1935), Still life of a vase on a table, signed 'E T Wood' (lower left), watercolour, 20 x 26cm.

Lot 310

An electroplate classical vase shape table cigar lamp, Mappin & Webb, with flambeau finial, the bat fluted sides below a frieze of ribbon tied bell-flower swags, rams mask side handles, on a knop stem and spreading circular foot, 22cm high.

Lot 932

A George III mahogany boxwood and ebony strung dressing table, the crossbanded top with a pierced cast gilt metal gallery, long frieze drawer above two short drawers and an arched chequer banded kneehole, on square tapered legs and castors, 99.5cm wide x 53cm deep x 81cm high.

Lot 360

An oval silver mounted tortoiseshell dressing table box, William Comyns, London 1912, the domed hinged cover pique decorated with ribbon tied bell-flower swags and a central classical roundel, velvet lined, 12 x 9.5cm.

Lot 1190

A George III style gilt metal mounted glass corinthian column glass table lamp, circa 1900, on a stepped square plinth base, star cut, 48.5cm high.Illustrated

Lot 116

Naval Interest: a rare Victorian silver table lighter and inkwell setHorace Woodward & Co Ltd, London 1898 Modelled as seamen from the Naval Brigade, one hinging open at the middle to reveal the glass inkwell, the other with a lighter in the back-pack, the cap pulling off to act as a taper holder, both on black stone bases, height 17cm. (2)NOTICE:Please note one of the figures has hallmarks for 1898, the other 1899

Lot 119

A possibly unique Victorian silver table lighterFrederick Courthope, London 1890Accurately modelled as an RML field gun and carriage with working elevating gear, the seats with sliding foot rests, the lighter wick positioned where the ignition vent would be, the ramrod acting as taper-holder, with two removable 'buckets' presumably for extinguishing the taper, length 28.5cm, weight 28oz.

Lot 270

A William IV silver table lighterRobert Garrard, London 1835 Columnar form, the oil reserve unmarked, height 20cm.

Lot 315

English School, 18th centuryThe Court Fright signed 'Vander Smokehim' (lower right)oil on canvas68.6 x 122.2cm (27 x 48 1/8in).The artist's signature seems to be an alias.Footnotes:This work replicates a 1744 print by an anonymous printmaker that satirises the lack of British preparedness for an invasion planned by the French. Please see the British Museum object number 1868,0808.3745 for an example of the print after which this is copied. The British Museums's entry on this print is accompanied by a fine description of the scene as follows:'Satire on British lack of preparedness for the French invasion planned in early 1744. George II is seated in an elegant room being bled by two surgeons while an ailing Britannia crouches at his side saying, 'Alas I'm Weak'. He appears to have thrown up in anger an 'Express from [Sir John] No[rri]s' (commander of the Channel Fleet which had failed to engage with the French). The bespectacled Duke of Newcastle responds, 'Forgive I'm ignorant of ye Marine', while John Carteret pulls back protesting, 'And I of ye French Scheme'. On the table beside the king is a pile of loyal addresses. An open doorway on the left shows the French fleet in flames, and another, on the right, shows a pedlar with a tray loaded with catholic relics on board a French ship. In the foreground are symbolic representations of the protagonists: a fox representing Cardinal Tencin attempts to mount a British lion who kicks out forcefully; English and French dogs fight over a bone labelled 'The Bone of Trade gone'; a paper lettered, 'Genoa on the Treaty of Worms' (a reference to the loss of Genoese territory under the treaty) lies on the ground; the lion of the United Provinces rides a Dutch hog lettered '6000 for fear of an invas[io]n' (a reference to the British claim of the assistance of 6,000 Dutch troops); the Hanoverian horse, a map of Britain draped across its back with a note indicating ships off 'Lizard P[oint]', gallops over a man marked 'Bankrupt'. On the wall behind is a picture entitled 'Promotion' showing a semi-naked woman, presumably the Countess of Yarmouth, waist-high in a pool with a dog swimming towards her.'Please note that some details in this work are slightly different from those described above.

Lot 340

English School, 19th centuryFull-length portrait of an officer of the 2nd Dragoon Guards (Queen's Bays), late 1840s - early 1850s.oil on canvas 76.2 x 58.4cm (30 x 23in).Footnotes:Provenancewith The Parker Gallery, London.Private collection, UKWith his Undress cap on the table beside him, this officer wears the typical Dragoon Guard uniform of the period before the Crimean War of 1855. At that date the elaborate sabretache, worn here from exceptionally long slings, disappeared as an encumbrance unsuitable for campaigning. Indeed the war against Russia had a profound effect in modernising British Army uniforms - tail-coats disappeared and were replaced with tunics.We would like to thank Dr Andrew Cormack for his assistance cataloguing this lot.

Lot 531

A Regency mahogany wine, hunt or social tablein the manner of GillowsCirca 1820, of typical horseshoe form, with a removable central leaf flanked by two hinged end drop leaves, the brass rail mounted with a detachable swivel-hinged arm terminating in two papier mache decanter coasters, on four ring turned and reeded tapering legs terminating in brass cappings and castors, the detachable brass arm probably later, 152cm wide x 81cm deep x 72cm high, (59 1/2in wide x 31 1/2in deep x 28in high)Footnotes:Furniture such as the offered lot was made for the principal purpose of sociable drinking and historically sitters would imbibe either wines, fortified wines or spirits while seated at these tables, typically after dinner time. The main brass rail or rod would rotate two decanters set within their respective coasters among the various recipients. They were also used by riders either before or after a hunt, hence the different names that one can equally apply to them.A design for this type of table was produced by George Hepplewhite and published posthumously in The Cabinet-Maker's Book of Prices in 1793 under the title of 'Gentlemen's Social Table'. Related examples include two by Gillows, one of which is illustrated in S. Stuart, Gillows of Lancaster and London, 1730-1840, Vol. I, 1988, Woodbridge, pl. 247, p. 249, and the other which appears in P. Macquoid & R. Edwards, The Dictionary of English Furniture, Vol. III, 1954, London, fig. 1, p. 319.This lot is subject to the following lot symbols: TPTP Lots denoted with a 'TP' will be moved to an offsite storage location (Cadogan Tate, Auction House Services, 241 Acton Lane, London NW10 7NP, UK) and will only be available for collection from this location at the date stated in the catalogue. Please note transfer and storage charges will apply to any lots not collected after 14 calendar days from the auction date.

Lot 553

OF MARITIME INTEREST - A table decorated to commemorate the Battle of Trafalgar almost certainly painted during the Edwardian periodpossibly a Victorian breakfast table converted to a table with a fixed topThe top decorated with the busts of Lord Nelson and Vice Admiral Collingwood amidst warships in conflict, all within interlocking wreaths, surrounding a compass star and the inscriptions: 'England expects this day that every man will do his duty. H.M.S. VICTORY, LORD HORATIO NELSON, THE BATTLE OF TRAFALGAR, H.M.S. ROYAL SOVEREIGN, VICE-ADMIRAL CUTHBERT COLLINGWOOD, A GREAT AND GLORIOUS VICTORY, 1805' within a border inscribed with a list of the British fleet: 'Dreadnought, Euryalus, Naiad, Phoebe, Entreprenante, Temeraire, Neptune, Conqueror, Leviathan, Ajax, Orion, Agamemnon, Minotaur, Spartiate, Britannia, Sirius, Pickle, Mars, Belleise, Tonnant, Bellerephon, Colossus, Achille, Polyphemus, Revenge, Swiftsure, Defense, Thunderer, Defiance, Prince', 121cm wide x 120cm deep x 75cm high, (47 1/2in wide x 47in deep x 29 1/2in high)Footnotes:It is highly likely that the offered lot was painted in 1905 in honour of the centenary of Trafalgar since numerous commemorative acts and events took place across the nation over the course of that year. However, despite this widespread patriotic activity, there was notably minimal involvement or participation from the Royal family. This was due to their desire to uphold the Entente Cordiale by not upsetting or aggravating the French, with whom Great Britain had signed this series of agreements only the previous year.Nonetheless Edward VII lent his official backing to the 'Nelson Centenary Memorial Fund' which organised the sale of Trafalgar centenary souvenirs each marked with the Royal cypher. Also, the proceeds from a gala which took place in the Royal Albert Hall on 21st October that same year went towards the aforementioned fund. This event, which incorporated the premiere of a specially commissioned film called Our Navy along with the first performance of the Fantasia of British Sea Songs by Sir Henry Wood, ended diplomatically with renditions of both La Marseillaise and God save the King.This lot is subject to the following lot symbols: TPTP Lots denoted with a 'TP' will be moved to an offsite storage location (Cadogan Tate, Auction House Services, 241 Acton Lane, London NW10 7NP, UK) and will only be available for collection from this location at the date stated in the catalogue. Please note transfer and storage charges will apply to any lots not collected after 14 calendar days from the auction date.

Lot 638

A George IV mahogany 'Imperial' extending dining tablein the manner of GillowsIn two parts, with a rounded rectangular top, on ten ring turned baluster and reeded tapering legs terminating in brass cappings and castors, with three leaves and a concealed compartment, 365cm wide x 153cm deep x 74cm high, (143 1/2in wide x 60in deep x 29in high)Footnotes:A comparable dining table to the offered lot sold Christie's, 17 November 2016, The English Collector, lot 39.This lot is subject to the following lot symbols: TPTP Lots denoted with a 'TP' will be moved to an offsite storage location (Cadogan Tate, Auction House Services, 241 Acton Lane, London NW10 7NP, UK) and will only be available for collection from this location at the date stated in the catalogue. Please note transfer and storage charges will apply to any lots not collected after 14 calendar days from the auction date.

Lot 646

An early 20th century French mahogany stereoscopic viewer table top cabinetthe stepped moulded cabinet with plated carrying handles, the lower section with a hinged door enclosing three drawers containing a selection of glass slides, the upper section with applied ivorine makers plate inscribed LE TAXIPHOTE STEREO-CLASSEUR DISTRIBUTEUER AUTOMATIQUE BREVET S.G.D.G with various addresses in Paris, 49cm high, 27.5cm wideThis lot is subject to the following lot symbols: TPTP Lots denoted with a 'TP' will be moved to an offsite storage location (Cadogan Tate, Auction House Services, 241 Acton Lane, London NW10 7NP, UK) and will only be available for collection from this location at the date stated in the catalogue. Please note transfer and storage charges will apply to any lots not collected after 14 calendar days from the auction date.

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