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Click here to subscribeA Regency mahogany twin pedestal dining table, the top having two extra leaves, each with a reeded edge, the end pedestals each with pull-out action and on turned and square tapering supports, the ends on outswept reeded supports with brass lion paw caps, the whole raised on large brass ball castors, width 132cm, length 272cm, height 73cm
A yellow and white metal, emerald and diamond three-stone ring, featuring a centre Old European cut diamond with an octagonal cut emerald to either side, all in claw settings, diamond dimensions approx 4.45 x 4.55 x 3.6mm, weight estimated as 0.47 carats, assessed mounted colour I to J and clarity SI1 to SI2, emerald dimensions approx 3.6 x 2.6 x 2.1mm and 3.7 x 2.9 x 2.1mm, total weight estimated as 0.25 carats, size N½, gross weight 2.4g, partial hallmark for 18ctSlight chip on table of diamond.
A Queen Elizabeth II cased silver part cutlery suite, in the Kings pattern, comprising twelve table forks, eleven dessert forks, four tablespoons, twelve soup spoons, twelve dessert spoons, twelve teaspoons, eleven coffee spoons, twelve steel-bladed dinner knives, and twelve steel-bladed dessert knives, maker Francis Howard, Sheffield 1967, table fork length 21cm, tablespoon length 22cm, table knife length 24cm, coffee spoon length 12.5cm, weighable silver gross weight approx 142oz, housed in a velvet lined mahogany case measuring 45.5 x 30.5cm
A William IV mahogany library chair, the whole upholstered in a buttonback grey leatherette, on tulip carved forearms and tulip carved forelegs, with deep brass casters (lacking reading stand)Chair stands well, good and strong, structurally excellent. Castors good. No splits or tears to upholstery, some modest marks and stains only. Lacks reading table. Otherwise good original example.
A pair of Chinese famille verte table lamps, each of baluster form upon figural supports, flanked by shishi mask handles and enamel decorated with figures within a landscape, 福 fu zhuanshu seal to the underside, h.44cm including fittings, each with a green pleated shade as purchased from HarrodsPossibly Japanese.Enamel is a little rubbed in places.A few nibbles to the feet.One foot has been reattached.Some scratches to the bodies.Both have a thick glue residue to the interior of the neck where they’ve been converted.One is missing the circular metal plate from the fittings.
Ducarel, Andrew Coltree: A Repertory of the Endowments of Vicarages in the Dioceses of Canterbury and Rochester, J Nichols, London 1782, quarter leather with marbled boards and gilt tooled banded spine, with bookplate for John R Lambert and previous owners notes, 8vo, together with Boys, John: A General View of the Agriculture of the County of Kent…,second edition, McMillan, London 1805, with fold-out map and table of principal woodland, in quarter morroco with marbled boards and gilt tooled to spine, marble edged, 8vo. (2)
A pair of Bohemian blue and white overlaid glass table lustres, 19th century, each enamel decorated with flowers and heightened in gilt, having eight cut glass drops, h.35.5cmNo chips or cracks.Enamel to panels is good.Some gilt wear, principally to top edges.Otherwise no apparent faults.
Jermoe, K. Jerome: Three Men In A Boat (to say nothing of the dog), Bristol, J.W. Arrowsmith Ltd., Quay Street, London, 1889, publishers blue cloth, 8vo., together with Stage-Land (1889), Paul Kelver (1902), Passing Of The Third Floor Block (1908), The Idle Thoughts Of An Idle Fellow (1932), Second Thoughts Of An Idle Fellow (1901), Sketches In Lavender Blue And Green (1934), They And I (n/d), Malvina Of Brittany (n/d), Three Men On The Bummel (n/d Unwin's Colonial Library), Told After Supper (1891), Tea-Table Talk (1908), The Observations Of Henry (1901) and My First Book (1897). (14)General condition – all are worn and well-read with bumps to corners and spines etc.Three Men in a Boat – overall OK with bumps to corners of spine, general wear, some discolouration to the pages outside edges but not affecting text.My First Book – foxing throughout.Some leaves coming loose.Many with sun-bleached boards and previous owners inscriptions.
A late 19th century French amboyna, tulip wood and ebonised table top drinks cabinet, the interior with rosewood lining, etched glass decanters and glasses within a removable tray, width 35.5cmOne decanter repaired to neck but complete.Otherwise all glass good.Timbers all good with some very minor surface scratches only.Hinges all good.
A 17th century oak Bible box, of joined construction, the top on replacement iron strap hinges and with chip-carved ends above a thumb-carved frieze, later applied plinth, w.62cm, d.38cm, h.22cm; together with associated circa 1700 joined oak table, with replacement planked top, w.68cm
A cased Edwardian silver cutlery suite, in the Hanoverian pattern, comprising serving spoon, length 32cm, twelve table forks, twelve dessert forks, ten tablespoons, nine dessert spoons, and a pair of sauce ladles, maker Josiah Williams & Co (George Maudsley Jackson & David Landsborough Fullerton), London 1908 & 1909, all housed in a fitted baize-lined two level box by Mappin Brothers (Mappin & Webb Ltd); together with a matching later loose set of twelve table knives, maker William Comyns & Sons Ltd (Richard Comyns), London 1965; and three mid-20th century teaspoons, gross silver weight approx 126.35oz
A George III fruitwood topped cricket table, as a circular 5 section plank top, to a fruitwood and joined pitch pine base, the turned tapering legs with pad feet, dia. 75cm, height 69cmStands well, no wobble.Top fashioned from five cuts of timber, of which one has a full length shrinkage split, one has a 6” and another has a 3” split.Some ink marks and surface scuffs, otherwise good.Legs good, no breaks.Some wear and minor losses to feet.Some traces of glue where top meets base and with new screws.A strengthening brace runs across the underside.Probably a tripod table top.
A George V silver twelve-place setting fitted mahogany canteen table and near-complete contents, in the Hanoverian pattern, comprising twelve table forks, six tablespoons, twelve dessert forks, eleven dessert spoons, twelve soup spoons, twenty-one teaspoons, twelve fish knives, twelve fish forks, a pair of fish servers, pair of salad servers, pair of butter knives, pickle fork, soup ladle, pair of sauce ladles, pair of sugar bows, caddy spoon and a single mustard spoon, together with various faux ivory handled table and dessert knives, cake slice, carving knife and fork etc, the whole housed in a fitted canteen table having hinged cover, two drawers and platform undertier, maker Viners Ltd (Emile Viner), Sheffield 1937, gross silver weight 197ozt, table w.57cm
A collection of Delft blue and white items, each a reproduction of an 18th century design, 20th century, to include a nine nozzle tulipiere, a Liverpool style puzzle jug, an hexagonal tea caddy, a violin dish, a pair of candlesticks, a figure of a woman washing her feet, a double inkwell, a miniature table, a scrolled vase and a miniature Orkney type chair, Boch Keramics, De Porceleyne Fles and other factories, largest h.22cm (11)
An early Victorian rosewood and marquetry inlaid pedestal breakfast table, the circular tilt-top decorated with trailing flowers and foliage within a burr walnut band, the whole on a circular pedestal raised on three scroll carved supports with pot casters, dia.131cm, h.72cm
A 19th century and later six-place setting associated silver cutlery suite, in the Fiddle pattern and some pieces with engraved monogrammed terminals, comprising six table forks, six dessert forks (one silverplate example), six dessert spoons (one silverplate example), six Sanderson table knives, and six Sanderson tea knives, various dates and makers to include William Theobalds & Lockington Bunn, Samuel Hayne & Dudley Cater, and Charles Lias, London circa 1830 onwards, weighable silver approx 29ozt, table fork length 20cm, dessert fork length 16.5cm
Seven various 18th century and later silver table spoons, in the Hanoverian pattern, all with monogrammed terminals, makers to include Alexander Clark & Co Ltd and William Sumner I, all London 1797-1814, approx length 22cm; together with a set of six dessert spoons in the Hanoverian pattern with engraved monogrammed terminals, maker William Bateman II, London 1837, length 17.5cm, gross weight 20.5oz
An Irish George II Carved Mahogany Centre Table, mid 18th century, the moulded top above a shell-carved frieze, on acanthus carved cabriole legs with claw feet62cm by 55cm by 69.5cmNumerous deep scratches. Some slight discolouration in the top corner. Some fine splits (as photographed). The shell carving is to both sides. The table is structurally sound. From part of a deceased estate.
A French Louis XV Style Kingwood and Gilt Metal-Mounted Bijouterie Table, late 19th century, the hinged glazed lid enclosing a green velvet-lined interior, on slender cabriole legs with gilt foliate cast mounts and scrolled sabots65cm by 41cm by 76cmAverage quality mounts. Otherwise, the table is in generally good cosmetic condition with the exception of the interior where some of the veneer is rather dry and starting to lift. Later brass hinges. The glazed top has some scratches.
An Adam-Style Cream-Painted Marble-Top Demi-Lune Hall Table, 20th century, the green malachite and red porphyry marble top with a Greek Key pattern border above a central tablet as an urn and swags flanked by a fluted frieze, on tapering fluted legs with spade feet92cm by 41cm by 74cm
A Toastmaster's Glass, circa 1715, the deceptive waisted bucket bowl on blade collar on plain stem with central swelling knop and circular foot15.5cm highFor a similar example see Bickerton (L M) Eighteenth Century English Drinking Glasses: An Illustrated Guide, item 187Free from chips, cracks and polishing. Heavy scratching under the foot. Some other very minor wear and scratches above. A small manufacturing fault under the foot. The glass sits flat on the table.
A Heavy Baluster Wine Glass, circa 1710, the conical bowl with solid base on an inverted baluster stem with air tear and folded foot16.5cm highSee Bickerton (L M) Eighteenth Century English Drinking Glasses: An Illustrated Guide, item 52No chips, cracks or re polishing. Expected surface wear and scratches. The foot sits squarly on the table but the glass leans very slightly from manufacture.
An Early 19th Century North European Mahogany and Ebony-Strung Marble-Top Serving Table, of D shape form, with grey and white Carrara marble above a plain frieze, on tapering supports with carved and ebonised busts and claw feet117cm by 57cm by 97cmInside leg measurements - Narrowest point between 101cm, height between floor and underside 84.5cm
A Regency Rosewood and Polychrome Painted Work Table, early 19th century, the octagonal shape top painted with a figure and swans in a landscape, the hinged lid enclosing a pivoting mirror and divided interior, the sides painted with flower garlands and classical figures, on a column support with bell shape base and two-tier octagonal shape platform stand47cm by 42cm by 85cm
A George III Mahogany Drum Table, early 19th century, with a red and gilt leather skiver above four sham and four real mahogany-llined drawers, on a baluster turned support with cabriole legs, brass-capped feet and castors87cm by 71cmGood cosmetic condition. Recent leather top, though there is some slight movement in the table top. Some scuffs around the turned support and legs consistent with age. Signs of recent polishing. Some general scratches throughout the top and a small split (see images).
A Regency Rosewood Carved Flower Stand or Table, attributed to Gillows, 2nd quarter 19th century, the moulded top with gadrooned border and double corners, on a fluted and carved vasiform support, the lower section with three fluted columns and acanthus-carved cabriole legs35cm by 27cm by 74cmSee Stuart (Susan E) Gillows of Lancaster and London, 1730-1840, pg.97, pl.644 where it illustrates and almost identical pairThe top with various scratches and small dents. There is a section of moulding missing? to the base section above the carved cabriole legs. Some bruising and scuffs around the legs. Otherwise good.
A Victorian Carved Mahogany Circular Dining Table, part 19th century and adapted, the later top with six removable curved extension leaves above a plain frieze, on substantial carved and scrolled legs246cm extended by 79cm (181cm without leaves)In our opinion the table top is later. The legs are only Victorian. The table top is reasonable however it does have some scuffs. Circular section with some fine splits (natural?). The legs have some general scuffs and bruises. The table is structurally sound.
An Irish George II Style Carved Mahogany and Marble-Top Side Table, early 20th century, the rouge-veined marble top above a carved frieze centred by a mask with swags and acanthus scrolls, on shell and flower-carved cabriole legs with ball and claw feet108cm by 51cm by 77cm
An Ebony Veneered Quarter Chiming Table Clock, signed William Webster, Exchange Alley, London, circa 1730, inverted bell top with carrying handle, glass side panels, 7-inch arch brass dial with a silvered Roman and Arabic chapter ring, matted dial centre with mock pendulum and date apertures, dial arch with two dials for rise/fall and strike/silent selections and signed above on a silvered plaque, triple chain fusee movement now converted to an anchor escapement, quarter chiming with six hammers on a nest of six bells and striking a further bell for the hours, movement backplate elaborately engraved with floral and scroll decoration, backplate signed in a central cartouche, movement secured in by engraved brackets, sold with recent service paperwork51cm high See illustrations Case with minor cracks in parts and minor chips to the veneers, brass surfaces are nicely discoloured and have a good aged patina, dial is clean, movement now converted from a verge to an anchor escapement, later back cock and later pendulum, chiming correctly, movement is clean and in going order.
A Late George III Mahogany, Rosewood, Satinwood-Banded and Boxwood-Strung Work Table, early 19th century, the top drawer with a divided interior, a larger mahogany-lined drawer below, on turned and reeded tapering legs with brass-capped toes and castors50.5cm by 50.5cm by 79cmSome fading and variations in colour, mainly around the top. Some deep scratches and ring marks (as photographed). Very small shrinkage around the cross-banding. The drawers are oak and mahogany-lined. The table is structurally sound.
A Regency Mahogany Triple-Pillar Dining Table, early 19th century, of rounded rectangular form, with four additional original leaves, the pivoting middle section on a platform above a vasiform turned support with acanthus carved and scrolled sabre legs with brass hairy paw feet and castors480cm extended by 143cm by 74cmDining table is of fairly uniform colour. Some faults/splits around the leaves (see images). The table is structurally sound. We only have four clips (hence why the additional leaves have not been fitted). The additional leaves on the floor are a different colour and have numerous deep scratches throughout. Some general scuffs around the legs consistent with age. Provenance: A private client in the Lake District areaThe smaller leaves only suitable to use on one pedestal
A Late 19th Century French Mahogany, Marquetry-Inlaid and Gilt Metal-Mounted Table en Chiffonnière, the top inlaid with musical trophies, with drop leaves and a gadrooned metal border above a mahogany-lined drawer decorated with a Greek Key border, on turned and fluted tapering legs with acanthus leaf gilt metal mounts joined by a turned flattened stretcher79cm by 56cm by 73cm
A Regency Rosewood, Tulipwood-Crossbanded and Brass-Inlaid Sofa Table, early 19th century, with canted rectangular drop leaves above two oak-lined frieze drawers with opposing sham drawers, on a scrolled vasiform support with quadripartite base and sabre legs with brass-capped feet and castors89cm by 66cm by 71cm153cm extended
A Regency Mahogany and Ebony-Strung Dropleaf Oval Work Table, early 19th century, with reeded edge and pivoting supports, one side fitted with a deep two-as-one drawer, the opposing side with two mahogany-lined drawers, on turned and splayed legs with brass-capped toes and castors56cm by 87cm extended by 77cmGood colour and cosmetic condition throughout.
A George I Walnut, Featherbanded, Boxwood and Ebony-Strung Kneehole Dressing Table, early 18th century, the quarter-veneered top above three oak-lined frieze drawers and an arched apron, on shell-carved cabriole forelegs with pad feet74cm by 45cm by 73cmVeneers lifting slightly to one section. Numerous deep scratches and also a shrinkage split (as photographed). Some old decay to the carcass (see photograph). Strengthening work around the legs. The rear-right leg is heavily decayed but repaired (see image). The pad foot has been replaced on the rear-right leg. The table is structurally sound.
Gillows of Lancaster & London: An Early 19th Century Mahogany Serving Table, with a three-quarter gallery above a reeded edge, the central frieze drawer stamped Gillows Lancaster, on reeded and tapering legs186cm by 79cm by 96cmThe top with variations in colour. Numerous fading, marks and staining (as photographed). Slight fading around the frieze drawer and the base of the legs. Section of moulding missing around the drawer (as photographed). The top was previously fitted with a brass rail. The serving table is structurally sound.
A Regency Mahogany, Rosewood-Crossbanded and Boxwood-Strung Breakfast Table, early 19th century, of rounded rectangular form, on a platform base with turned spindle supports above a platform base with brass stringing, on splayed legs with brass cast feet and castors157cm by 105cm by 78cmGood quality timber and an attractive base. The top has some fading/colour loss. Unfortunately, there is an old split which has opened up (see images). Some scratches also to the top.
A Regency Rosewood, Satinwood-Crossbanded and Ebony-Strung Foldover Card Table, early 19th century, of D shape form, with hinged leaf enclosing a red velvet interior above a moulded tablet, on splayed legs92cm by 45.5cm by 75cmVariations in colour. The top is slightly faded and with some small natural shrinkage splits mainly around the cross-banded section (as photographed). The baize interior is stained and with some faults (see images). Some strengthening/repair work around the top of the legs, but the table is structurally sound.
A William & Mary Olivewood and Oyster-Veneered Kneehole Dressing Table, late 17th century, the moulded and crossbanded top above an oak-lined long frieze drawer flanked by six small drawers all around a central cupboard door, on bracket feet85cm by 55cm by 76cmVariations in colour. The drawers and end panels are rather dry and faded. With previous handle marks which have been partly filled and polished (see images). Some splitting to the end panels (as photographed). The back boards have been darkened and there is some general strengthening repair work around the bracket feet. The central cupboard door is slightly bowed and the pins on the hinge are loose.
A Substantial George III Mahogany Tripod Table, late 18th century, the circular one-piece fliptop on a turned vasiform support, on three cabriole legs with pad feet92cm by 70cmGeneral scratches, some deep consistent with age. Variations in colour. The block to the flip-top is heavily decayed - a piece of lead or soft metal is being used as a catch which needs attention. Strengthening brace to the underside. Legs and base with general scuffs consistent with age.
A Regency Mahogany Triple-Pillar Dining Table, early 19th century, with D shape end sections and central support, each on turned column supports with four sabre legs, brass-capped feet and castors205cm by 134cm by 73cmThe table is structurally sound. Various scratches (some deep). Small split (as photographed). Some wormholes to the cross-stretchers beneath the table (see images). Numerous scuffs and deep scratches also on and around the legs. The table has no leaves.
A Regency Rosewood Sofa Table, early 19th century, with rounded drop leaves above two sham and two real mahogany-lined frieze drawers with brass loop handles, on standard end supports with reeded bases and sabre legs with brass-capped feet and castors93cm by 66cm by 75cm
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