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Click here to subscribeA late 19th/early 20th century French fruitwood folding occasional table, height 50cm, diameter 51cm, together with a mid-20th century food hutch, height 43cm, width 44cm.Buyer’s Premium 29.4% (including VAT @ 20%) of the hammer price. Lots purchased online via the-saleroom.com will attract an additional premium of 6% (including VAT @ 20%) of the hammer price.
A modern Italian 'Saporti' coffee table, designed by Giovanni Offredi, the glass top raised on an angular concrete pedestal, height 34cm, length 140cm, depth 89cm. Provenance: from the estate of Jeannette and Wilfred Cass, Cass House, Goodwood, Chichester.Buyer’s Premium 29.4% (including VAT @ 20%) of the hammer price. Lots purchased online via the-saleroom.com will attract an additional premium of 6% (including VAT @ 20%) of the hammer price.
A mid-Victorian rosewood rectangular library table fitted with two opposing end drawers, the frieze applied with scroll mouldings on two turned columns and four cabriole legs, height 73.5cm, width 136cm, depth 67cm.Buyer’s Premium 29.4% (including VAT @ 20%) of the hammer price. Lots purchased online via the-saleroom.com will attract an additional premium of 6% (including VAT @ 20%) of the hammer price.
A mid-20th century teak extending dining table by A.H. McIntosh & Co Ltd, the top with two extra leaves, height 74cm, extended length 234cm, depth 91cm, together with a set of six matching chairs, height 85cm, width 47cm.Buyer’s Premium 29.4% (including VAT @ 20%) of the hammer price. Lots purchased online via the-saleroom.com will attract an additional premium of 6% (including VAT @ 20%) of the hammer price.
A George III mahogany side table, fitted with three oak-lined drawers, height 71cm, width 74cm, depth 47cm (cut down).Buyer’s Premium 29.4% (including VAT @ 20%) of the hammer price. Lots purchased online via the-saleroom.com will attract an additional premium of 6% (including VAT @ 20%) of the hammer price.
A mid-century French chromium plated coffee table by Juliette Belarti, the tiled top above a tubular metal base, height 38cm, length 121cm, depth 46cm.Buyer’s Premium 29.4% (including VAT @ 20%) of the hammer price. Lots purchased online via the-saleroom.com will attract an additional premium of 6% (including VAT @ 20%) of the hammer price.
A late 18th century French walnut serving table, fitted with two frieze drawers, on carved tapering legs, height 75cm, width 140cm, depth 85cm.Buyer’s Premium 29.4% (including VAT @ 20%) of the hammer price. Lots purchased online via the-saleroom.com will attract an additional premium of 6% (including VAT @ 20%) of the hammer price.
A 20th century Indian fruitwood occasional table with a carved foliate top, height 37cm, diameter 57cm, together with a reproduction hardwood wine table, height 71cm, diameter 51cm.Buyer’s Premium 29.4% (including VAT @ 20%) of the hammer price. Lots purchased online via the-saleroom.com will attract an additional premium of 6% (including VAT @ 20%) of the hammer price.
A pair of Georgian style mahogany table lamps by Theodore Alexander, the tapering fluted stems with brass Corinthian capitals and foliate cast loop finials, fitted with pleated silk cream shades, height 95cm.Buyer’s Premium 29.4% (including VAT @ 20%) of the hammer price. Lots purchased online via the-saleroom.com will attract an additional premium of 6% (including VAT @ 20%) of the hammer price.
An Edwardian mahogany and satinwood crossbanded demi-lune fold-over card table, height 74cm, width 84cm, depth 42cm, together with a Victorian chair, height 80cm, width 47cm.Buyer’s Premium 29.4% (including VAT @ 20%) of the hammer price. Lots purchased online via the-saleroom.com will attract an additional premium of 6% (including VAT @ 20%) of the hammer price.
A good and unusual early 20th century two-tier barrel-shaped oak table in high Liberty Arts & Crafts style: four pierced heart motifs to each tusked tenoned end, single, smaller stretcher below (76cm wide including tenons x 37cm widest x 69cm high to tip of end handles)Looks as though it may have had a ‘clean’ on the shelves but this, in the Auctioneer’s opinion, does not detract too much. On one side there is a split to the handle on the top right through and the split continues to the bottom and on the other handle there is a vertical split but these could be rectified by an experienced restorer. Generally in good order.
An unusual late 18th century amboyna-topped and rosewood crossbanded table of slender proportions: the brushing slide above a full-width oak-lined drawer crossbanded in rosewood; raised on four slender square tapering outset cabriole legs with boxwood stinging to the extremities; the legs united by an unusual four-sided concave stretcher terminating in brass castors (40 cm between the cabriole legs x 31 cm deepest x 75cm high)
A 19th century amboyna and gilt metal-mounted (faded) bijouterie table of exceptional quality: the hinged glazed lid above sides with gilt metal mounts as female masks, the pronounced square cabriole legs with fine quality cast chutes-and-sabot (76.5cm wide x 49cm deep x 72.5cm high)
A late 18th century circular oak cricket table: three legs united by a central triangular platform stretcher (62cm wide x 70cm high)Quite a nice colour noted on top. Four planks, historic split and a few holes that look like screw holes. Where the top meets the leg there is an old iron reinforcement on the corner. Triangular stretcher underneath is pretty good, knocks and scuffs commensurate with age. Would benefit from a professional clean and polish.
A late 18th century circular-topped oak cricket table of good colour and patination: the two-plank top above triangular tapering, slightly outset legs (71cm diameter x 56cm high)It has been cleaned at some stage, the patination very nice. Two part top, nice underneath, the two halves have been strengthened with very old iron T-bars, evidence of old woodworm. Very good colour around the edge. Historic woodworm, scuffs and knocks commensurate with age
A set of four early 19th century late Regency period rosewood quartetto tables: the second table top inlaid with parquetry chessboard (the largest 50cm wide x 33cm deep x 70cm high)Condition Report: Table 1Small circular watermarks to top and corners bumped. Table 2.Crack to left hand lower corner (10cms) and corners bumped. Table 3.Crack left hand centre (21.5 cms) and corners bumped. Table 4.Good order corners bumped.
A 17th/18th century oak cupboard: single panelled door opening to reveal shelves and the door and flanking sides carved with Gothic tracery and linenfold panels, on panelled ends and upon mounted upon a later oak table with incised lunettes to the friezes and block and turned legs (81cm wide x 35.5cm deep x 118cm full height)
A pair of fine 19th century ormolu table lamps: each modelled as two cherubic-style figures with cornucopia as the candle holders; each also fitted with a central electrical fitting with three individual bulb housings; black and gilt highlighted adjustable toleware lampshades surmounted with a pineapple-style finial. The bases composed of circular white-marble soccles on square cream-coloured marble plinth-style bases; the front and backs decorated with inlaid gilt-metal key fret designs (each approx. 72 cm high).
A heavy hallmarked silver grenade table-lighter: of spherical form and with flaming fuse screw-top; maker's mark of Goldsmiths & Silversmiths Co. Ltd, assayed London 1900. (12.5 cm high) . (approx. 301g)Condition Report: Assay marks good. Surface dents and scratches commensurate with age and use.
A pair of early 20th century (circa 1915 - 1930) Herend porcelain two-light table candelabra decorated with gilded leaves, printed marks to undersides (23 cm to top of ceramic candleholders excluding faux candles), together with four pleated silk shades (some damage) The candelabra are quite dirty but the damage refers to the pleated shades which are ripped in several places.
A 19th Century English porcelain quatrefoil shaped tray / table centrepiece, reticulated guilloche border, applied with central oval cartouche painted with pink roses, gadroon border on rocaille scroll feet, gilt heightened, 41cm long, unmarked (1) Further details: some wear to gilding, pitting to central reserve, one foot with old repair
A collection 20th Century silver mounted dressing table sets to include: Elizabeth II engine turned mirror, hair and clothes brush, hallmarked London, 1952; Victorian style chased and engraved mirror and hairbrush, hallmarked Birmingham, 1926, lot also includes a King's pattern letter opener and a plain letter opener with mother-of-pearl handle, a plain clothes brush, Birmingham, 1924 and two plate mounted combs (1 bag)
A pair of late 19th century Worcester Parian figures, a pair of 19th century Continental pottery figures, a pink ground pottery table lamp set with putti and a 19th century Continental table comport - height of comport 40cm. Minor chips and losses to all pieces.
A large collection of silver plate, EPNS, Electro plated, A1 plate flatware to include: 7 various boxed sets (pastry forks, butter knives, grapefruit spoons, fruit knives and forks) together with an assortment of various late 19th/early 20th Centur Fiddle, Fiddle & Thread, King's and other pattern table forks and spoons, some crested or initialled with miscellaneous dessert spoons, butter knives, Elkington style fish forks and knives etc (1 box)
A Thomas Moore of Ipswich three-train verge table clock. Striking on 8 bells and a single bell, with a six pillar fusée movement and verge escapement. Engraved backplate with makers name 'Thos Moore Ipswich'. Contained in an ebonised case with brass architrave, four brass pineapples on the top corners. Brass carrying handle. Glazed panels to sides and a glazed back door. Raised on a brass base with four brass bracket feet.8" arch brass dial, mask and Rococo-style spandrels. Cartouche: 'Thos Moore of Ipswich below 12 o'clock', strike silent in the arch. Dimensions: 23" (to top of handle) x 13" x 8". Condition report : A good clock restored by seller and working at time of cataloguing. Good condition with winding key and one door key. Movement not fully tested.Note Thomas Moore is listed as working in Ipswich in the early 1700s and his work is of very good quality.
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