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Click here to subscribe[HORNE (Thomas Hartwell)] The Complete Grazier; or, Farmer and Cattle-Breeder’s Assistant, 8vo, frontispiece (repaired), 2 plates, folding table (backed), text vignettes, half calf (repaired), L., 1805; Treatise on the choice, buying, and general management of Live Stock . . . with an Appendix on the improvement of British Wool, 8vo, 1 plate, woodcut text vignettes, printed boards (rebacked), 2nd Edn., L 1810 (2)
LAURENCE (Edward) The Duty and Office of a Land Steward, 8vo, folding frontis. (repaired tears) & 1 folding plate, calf (rebacked), 2nd Edn., L. 1731; KENT (N.) Hints to Gentlemen of Landed Property, 8vo, 10 plates, recent calf, 1st Edn., L., 1775; [LAWRENCE (John) The Modern Land Steward, 8vo, half calf (rebacked), 1st edn., L., 1801; MORICE (Francis) An Essay on Agriculture, and the Management of Landed Estates, 8vo, 2 folding plates, stains to contents, untrimmed in recent half calf, Aberdeen, 1824; MORDANT (John) The Complete Steward, 2 vols, 8vo, folding table, pagination irregular, calf, 1st Edn., L., 1761 (6)
A CHINESE ELM WOOD SIDE TABLE, DATED 1888, QING DYNASTY. Of rectangular form with slightly tapered cylindrical legs, gilt lacquer panel insert to top decorated with sixteen bats amongst clouds over crashing waves. To the left are painted characters reading 'Guangxu Wuzi year' dating to 1888. With later protective glass top. 195cm length x 41cm deep x 80cm tall.Overall good condition.
A CIRCULAR WOOD TABLE, 20TH CENTURY. The top with spinning glass insert over a strip of interior LED lights (Lost controller). The table top connects to the tapered cylindrical base by four screws. Table top 140cm diam. 70cm tall. One screw missing. No controller to control lights. Minor wear to edge of table top. No major damages.
AN ANTIQUE PRINTED MAP BY J. B. DU HALDE / E. BOWEN, London 1738. PROVINCE V. CHE-KYANG; DRAWN ON THE SPOT ... IN THE YEAR 1714. Copperplate Uncoloured. Very detailed map of this Chinese province, from the manuscript map compiled by Regis, de Mailla and Henderer, three missionaries, in 1714. There is a table of the latitude and longitude for the principal cities of the province. 255 by 230mm (10 by 9 inches).
ARCHIE SHINE DESIGN FOR HEAL FURNITURE: A ROSEWOOD CONSOLE TABLE the rectangular top above three frieze drawers with simple recessed circular handles, one drawer baize lined and fitted with divisions for cutlery, standing on four rectangular straight legs, 152.5cm wide x 46cm deep x 74cm high Sold with Cites certificate no. 621895/01
NIELS KOEFOED: SET OF EIGHT 'EVA' CHAIRS comprising: two carvers and six single chairs, the shaped backs with central vertical cushioned and upholstered splats, with matching padded and upholstered seats, the carvers 95.5cm high x 53cm wide x 50cm deep, the single chairs 95.5cm high x 47cm wide x 50cm deep; together with a Gudme Mobelfabrik teak extending dining table, the shaped oval top with two additional leaves, 161cm long (closed) x 105cm wide x 73cm high (258cm long fully extended) (9)
SILAS BIRTWISTLE (B. 1963) 'A Table From The Sea's Edge' driftwood sculpture in the form of a conference table and twelve chairs, the table 540cm long x 141cm wide x 72cm high, with the added flexibility of separating into two individual tables if required.The chairs, whilst all sharing the same classic proportions, each have a unique identity and character that represents a different part of the world.A Table From The Sea’s Edge is an art project, devised by Silas Birtwistle to raise awareness of environmental issues and to promote conservation of the world’s coastal and marine biodiversity. It was the artist’s contribution to the UN International Year of Biological Diversity in 2010. The project aims to embody the rich biodiversity of nature by crafting a large conference table surrounded by twelve chairs, made entirely from beautiful examples of driftwood - collected from four key hotspots around the world: Belize, British Columbia, Malaysia and the East coast of Africa. It is a dramatic statement on the environment, uniting different cultures and coastal communities, connecting land with sea, and symbolizing the boundary between marine and terrestrial ecosystems, making connections between man's land-based activities and the marine and coastal environment.The sculpture was unveiled during the International Year of Biodiversity at the tenth meeting of the Conference of the Parties to the Convention on Biological Diversity (COP-10) which took place in Nagoya, Japan on October, 2010. It provided a platform for a multitude of high-level UN debates on environmental issues, and ceremonial signings of agreements. Since Nagoya, it has been exhibited and used at a number of venues, including The Annual Meeting of The World Economic Forum, The World Museum, Liverpool, the London office of Price Waterhouse Coopers, The South Bank Centre, Save The Children International, Canary Wharf, Google and most recently on exhibition at The National Maritime Museum, Greenwich. All profits from the sale of 'A Table from the Sea's Edge' will go to The Toledo Institute for Development and Environment (TIDE).For further information about the project please visit www.atablefromtheseasedge.com
*GUY SYDENHAM (1916-2005) FOR POOLE POTTERY: A LARGE TABLE BOWL the wide rim with incised decoration, the bowl interior with central spiral and radiating colour from red to orange, plain glazed exterior with impressed and incised marks to the underside, 38cm diameterProvenance: The Collection of Bournemouth & Poole College.
Haselor Bros. Edward John Haselor & Noble Haselor, A silver cream jug of Classical trophy form, London 1900, 77.5g, together with a cased set of six silver handled tea knives, Sheffield 1919, and a sterling silver lidded, cut glass dressing table jar, weighable silver: 151g
An early 19th century mahogany sofa table, with drop end sections, fitted two frieze drawers the trestle ends being twin ring turned columns on out swept supports with ebony string detail, cast brass paw casters, the stretcher shaped & terminating with turned roundels at the trestle ends, with flaps down top is 100cm x 69cm, with leaves up, 155cm
A 19th century Continental centre table, mahogany quarter veneer top, serpentine shape, deeply crossbanded, carved frieze on four cabriole supports with acanthus scroll feet, central stretchers with carved knop, raised on casters, possibly Scandinavian, 115cm x 75cm
Walker & Hall, a pair of silver mounted grenade form scent bottles, the hinged covers revealing stoppers, the glass bodies, decoratively cut with swags, 10cm high, together with the matching cut glass table jar, with silver lid made by Adie Brothers, all Birmingham 1922
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