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Len Shevill Patent Combination guitar, no. 5174, with four standard tenor strings and an additional two drone strings, the table with many cracks in need of attention, hard case *Len Shevill was a banjo tutor and bluegrass player in Maida Vale, London. He often designed instruments and had them made by J.G Abbots, London. The tailpiece is the same as found on many Windsor banjos, such as the popular M1 of 1922. The most unusual aspect of this instrument is the additional two drone strings
Interesting antique guitar converted to slide action - signed George Formby 1942 to the table, case *Within the case is a pack of strings with an Isle of Man 'Blakemore & Sons, Douglas 'stamp to the outside. Interestingly, George Formby was a regular attendee at the TT motor racing on the Isle of Man, which could have been where this guitar was signed
Gretsch Electromatic Pro Jet electric guitar, made in China, ser. no. CYG05xxxxx9, black finish defaced with control markers to the table and other minor imperfections, control knob tops and truss rod cover defaced with glitter decoration, electrics in working order, Gretsch hard case defaced with glitter decoration, condition: fair
1980s Washburn A-20 electric guitar, ser. no. 8xxxx1, black finish with heavy wear including damage to the table between the controls, damage to neck pickup surround, replaced bridge pickup, missing truss rod cover, dent wear to frets, electrics in working order, condition: poor
Jimi Hendrix & Zoot Money - The first guitar Jimi Hendrix played on UK soil. A mid 1960s Wandre Blue Jeans electric guitar, made in Italy, brunette finish with custom stickers added to the table and back, within a vintage Stone Case Company hard case. Sold with a hand written letter of provenance from Zoot Money and a signed, sealed re-mastered vinyl edition of his 1966 album 'Zoot Money's Big Roll Band' *In September of 1966, Chas Chandler of The Animals arrived at Heathrow, London with Jimi Hendrix via an overnight flight from New York. As was customary for Chas when in town, he went straight by Zoot's flat in West London to see if he knew anyone with a left handed guitar that Jimi could borrow to perform at the Bag 'O' Nails or Scotch of St. James that evening. Zoot recalls 'I couldn't let him use one of Andy Summers guitars that were in the flat below because he would have killed me!'. As they were sat discussing who to call, Jimi played around on his Wandre Italian guitar with Zoot saying that he would be happy to re-string the guitar in reverse if he was desperate, which he refused, but did comment on it having a nice easy action. This visit with Chas has been written of and mentioned in many biographies to date. Although Jimi never used this guitar in a gig, it was in fact the first guitar he ever played in England. Zoot remembers 'I had only purchased it to start some Chuck Berry songs on stage, because as I said Andy would not let me near his guitars! The strings are in fact still the strings that were on it that night! Later many other people tinkered on it including Jose Feliciano. Since those days, mainly it has been hidden as I later purchased an acoustic to use for writing'.
A CREAM-PAINTED AND PARCEL-GILT CONSOLE TABLE in the manner of Robert Adam, the satinwood top painted with a circular mythological medallion, suspended from ribbon-tied bows with scrolling leafy foliage issuing from the sides and enclosed by a green painted border with swags, anthemia and paterae, the frieze with a musical trophy and a running band of oak leaves and acorns, on panelled square tapering legs, carved with oval paterae, joined by shaped stretchers with a central flaming urn finial and ending in carved hoof feet, 41.75" wide . Provenance: The Hoare Family and thence by descent The overall form of this table relates to Thomas Sheraton's "The Cabinet-Maker and Upholsterer's Drawing Book", published 1793, plate IV from the appendix - Pier Tables.
•ROBERT "MOUSEMAN"THOMPSON (b. 1876 - d.1955): AN ARTS AND CRAFTS STYLE PALE OAK COFFEE TABLE, the adzed rectangular top supported on octagonal shaped legs, joined by a stretcher, signed carved mouse, 36" long x 17.5" high x 15" deep Provenance: Purchased as wedding present in the 1960's.
MATTHEW BURT – SPLINTER GROUP: AN ASH AND OLIVE ASH CONFERENCE TABLE with an elongated oval top on two pedestal supports, 106” wide x 48.5” high. Matthew Burt (b.1951) is a furniture designer-maker who runs a contemporary practice from a studio and workshop (established 1978) based in South West Wiltshire. His work has been displayed in significant public exhibitions, most notably in the OneTree touring show and at the House of Commons in 2008 in a selection of work intended to raise the profile of UK furniture making to members of Parliament. His solo museum exhibition Idea to Object was held at the Crafts Study Centre, Farnham in 2008.Matthew Burt’s workshop steadily built on a reputation for furniture design that allies structurally robust work that fulfils its function with a lean, elegant line and the occasional bravura surface. Burt has said that he regards the 'intermingling of science, engineering, mathematics, aesthetics and metaphorics' as the fundamental building blocks for his furniture
AN ITALIAN EBONY AND IVORY INLAID TABLE CABINET of chamfered rectangular form, fitted with a pair of doors enclosing a recess with drawers, flanked by a bank of drawers, two short drawers beneath, all delicately inlaid with ivory scrolls inhabited by birds, cherubs and other figures, 14 1/4" high x 17 3/4" wide x 12" deep
CIRCLE OF JUSTUS SUSTERMANS (1597-1681) A portrait of a gentleman standing three-quarter length in an interior with his hand holding a flower and resting on a table, inscribed lower right "IAC. Frncvs B" oil on canvas, 48.5" x 37.5". Provenance: A Collection of Old Master Paintings from a European Noble Family
AN IMPORTANT GEORGE II GILTWOOD CONSOLE TABLE in the Manner of William Kent with a green marble top over a frieze carved with a central scallop shell flanked by flowering branches and the sides with conforming carving, on twisted dolphin supports with scaly bodies with winged fins issuing from the mouth, 49" See Illustration. Provenance: The Hoare Family and thence by descent. The bold execution of this distinctive pier table is reminiscent of William Kent's oeuvre. It relates closely to the published designs of Batty Langley and William Jones. Langley's "The City and Country Builder and Workmen's Treasury of Designs", published in 1740, includes several plates which relate to the present table. Plate CXLVI (the design published in 1739) is comparable in overall form, although there are marked variations. This particular plate indicates the table offered here may originally have had a rectangular plinth base.
A GEORGE IV ROSEWOOD BREAKFAST TABLE now with extensions to form a dining table, the circular top inlaid with brass lines and florettes on a bold turned column and three leaf caped hipped down-curved legs, the four later segment extension leaves similarly inlaid, table 60" dia., 126" dia. extended. Leaf cabinet made by Partridges
ATTRIBUTED TO FRANS BREYDEL (1679-1750) A classical scene of figures dining around a table in an arcadian interior, oil on canvas, 21" x 18", and the companion painting of classical figures gathered around a woman playing a musical instrument (2). Provenance: The Batten Family, Church Farm, Ryme Intrinsica, Dorset.
•A DAVID JOEL WALNUT FURNITURE SUITE; COMPRISING TABLE AND FOUR CHAIRS, SIDEBOARD AND COFFEE TABLE: The table of long rectangular form, supported on four outswept feet, 29.5" high x 59" length The sideboard with plain top over sliding cupboard doors enclosing a cutlery drawer and lower wooden shelf, 33" high x 53.5" wide The coffee table of circular form with a plain top supported on outswept feet, 18.5" high x 26.5" dia
A MAIOLICA SHELL-SHAPED EWER of Renaissance design supported on a winged figure, with cockerel mark and numbered 22, 8" high, and a Maiolica tri-form table salt painted with a portrait of "Alesandro Seorsa", 6.25" high (2). Provenance: A Collection of Maiolica from a European Noble Family
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1181390 item(s)/page