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Lot 75

1933 Selmer Eddie Freeman Special tenor guitar, made in France, ser. no. 273, rosewood back and sides and table worn but consistent for age, hairline crack to the table, previous owner's name and address lightly scratched into the back, condition: fair

Lot 84

Len Shevill Patent Combination guitar, no. 5174, with four standard tenor strings and an additional two drone strings, the table with many cracks in need of attention, hard case *Len Shevill was a banjo tutor and bluegrass player in Maida Vale, London. He often designed instruments and had them made by J.G Abbots, London. The tailpiece is the same as found on many Windsor banjos, such as the popular M1 of 1922. The most unusual aspect of this instrument is the additional two drone strings

Lot 383

Interesting antique guitar converted to slide action - signed George Formby 1942 to the table, case *Within the case is a pack of strings with an Isle of Man 'Blakemore & Sons, Douglas 'stamp to the outside. Interestingly, George Formby was a regular attendee at the TT motor racing on the Isle of Man, which could have been where this guitar was signed

Lot 240

Tanglewood jazz style bass guitar, sunburst finish with light imperfections, electrics in working order, soft case, condition: good; together with an Aria LW-2T twelve string acoustic guitar, repair to head, damage to table/rib, soft case, condition: poor (2)

Lot 58

Gretsch Electromatic Pro Jet electric guitar, made in China, ser. no. CYG05xxxxx9, black finish defaced with control markers to the table and other minor imperfections, control knob tops and truss rod cover defaced with glitter decoration, electrics in working order, Gretsch hard case defaced with glitter decoration, condition: fair

Lot 270

1980s Washburn A-20 electric guitar, ser. no. 8xxxx1, black finish with heavy wear including damage to the table between the controls, damage to neck pickup surround, replaced bridge pickup, missing truss rod cover, dent wear to frets, electrics in working order, condition: poor

Lot 277

Joan Cashimira Model 740L left handed classical guitar, with Indian rosewood back and sides and natural table, hard case, condition: good

Lot 398

Jimi Hendrix & Zoot Money - The first guitar Jimi Hendrix played on UK soil. A mid 1960s Wandre Blue Jeans electric guitar, made in Italy, brunette finish with custom stickers added to the table and back, within a vintage Stone Case Company hard case. Sold with a hand written letter of provenance from Zoot Money and a signed, sealed re-mastered vinyl edition of his 1966 album 'Zoot Money's Big Roll Band' *In September of 1966, Chas Chandler of The Animals arrived at Heathrow, London with Jimi Hendrix via an overnight flight from New York. As was customary for Chas when in town, he went straight by Zoot's flat in West London to see if he knew anyone with a left handed guitar that Jimi could borrow to perform at the Bag 'O' Nails or Scotch of St. James that evening. Zoot recalls 'I couldn't let him use one of Andy Summers guitars that were in the flat below because he would have killed me!'. As they were sat discussing who to call, Jimi played around on his Wandre Italian guitar with Zoot saying that he would be happy to re-string the guitar in reverse if he was desperate, which he refused, but did comment on it having a nice easy action. This visit with Chas has been written of and mentioned in many biographies to date. Although Jimi never used this guitar in a gig, it was in fact the first guitar he ever played in England. Zoot remembers 'I had only purchased it to start some Chuck Berry songs on stage, because as I said Andy would not let me near his guitars! The strings are in fact still the strings that were on it that night! Later many other people tinkered on it including Jose Feliciano. Since those days, mainly it has been hidden as I later purchased an acoustic to use for writing'.

Lot 72

Interesting 1930s/40s archtop guitar labelled Carlo Moreno, sunburst finish with typical wear for age, hairline crack to table, some minor binding separation, currently set up for slide with enlarged nut, hard case, condition: fair

Lot 19

A early 19th Century mahogany tripod table with single cut top, 59cm diameter

Lot 51a

A Georgian style mahogany card table with tapestry interior, 82cm

Lot 25a

A Victorian dressing table mirror

Lot 42

A 19th Century mahogany card table with cross banded decoration, 91cm wide

Lot 5

An 18th Century oak side table of rectangular form, 76cm x 47cm

Lot 50

An early 19th Century mahogany tripod table with single piece piecrust top, in the Chippendale manner, 82cm diameter

Lot 49

A 19th Century mahogany supper table with carved claw supports, 86cm

Lot 112

A 17th Century oak side table 87cm x 51cm

Lot 62

A light oak occasional table on shaped base, 63cm diameter

Lot 18

A George III mahogany tripod table in the manner of Thomas Chippendale, with fluted base, 51cm diameter

Lot 119

A brass and marble table lamp and a brass floor lamp (2)

Lot 115

A continental mahogany cased table clock the cast brass dial with enamel numerals and central panel signed 'L Brulefer, A Paris', the movement with silk suspension and count wheel striking the hours and half hours on a bell, 33cm wide, 47cm high

Lot 116

A Victorian style pine kitchen table painted flame, 79cm high x 181cm across

Lot 15

An Arts & Crafts oak refectory table on twin pedestal supports joined by a single stretcher 77cm high x 152cm wide

Lot 326

A Victorian silver plated table centre of trefoil form, together with a small collection of entree dishes, silver on copper basket etc

Lot 23

A Victorian ash tilt top table 50cm max

Lot 61

A 19th Century mahogany cross banded supper table 88cm across

Lot 45

A wrought iron garden suite comprising planters, table etc

Lot 43

A rattan dressing room suite by Cane Contracts of London, circa 1970,  comprising two headboards, stools, table and dressing table

Lot 28

A Victorian walnut games table top with inlaid interior, 60cm wide

Lot 31

A Victorian walnut occasional table of circular form, with pineapple style column, 56cm diameter

Lot 1

A Heals oak book table of octagonal form with two shelves, 62cm high

Lot 1052

H. MOHKER A still life study of a lobster, oysters, fruit and other items on a table top, signed lower right, oil on canvas, 23" x 31"

Lot 112

A CHANTILLY STYLE PORCELAIN TABLE SNUFF BOX with early Worcester porcelain style polychrome painted decoration, a collection of other similar porcelain snuff and patch boxes and a pair of "Sevres" porcelain vases with ormolu mounts (10)

Lot 1540

A LATE GEORGE III MAHOGANY TWO PILLAR DINING TABLE with one extra leaf, the top with rounded rectangular ends, each pedestal ring turned and on three hipped, moulded down-curved legs, 65.5" long extended x 46.5" wide

Lot 1586

A LARGE OAK REFECTORY TABLE, the rectangular three plank top above turned legs joined by a central stretcher, 18th century and later, 89" wide x 30" high x 31"wide.

Lot 1546

A CREAM-PAINTED AND PARCEL-GILT CONSOLE TABLE in the manner of Robert Adam, the satinwood top painted with a circular mythological medallion, suspended from ribbon-tied bows with scrolling leafy foliage issuing from the sides and enclosed by a green painted border with swags, anthemia and paterae, the frieze with a musical trophy and a running band of oak leaves and acorns, on panelled square tapering legs, carved with oval paterae, joined by shaped stretchers with a central flaming urn finial and ending in carved hoof feet, 41.75" wide . Provenance: The Hoare Family and thence by descent The overall form of this table relates to Thomas Sheraton's "The Cabinet-Maker and Upholsterer's Drawing Book", published 1793, plate IV from the appendix - Pier Tables.

Lot 84

A CONTINENTAL PORCELAIN TABLE SNUFF BOX with polychrome painted decoration within gilt and scaled cartouche of figures playing musical instruments and landscapes, on gilt metal mounts, with blue crossed swords mark, 19th century, 3.5" wide

Lot 1549

A GEORGE III MAHOGANY DINING TABLE, with dished top and piecrust border, on a turned column and cabriole legs, George III and later, 37" dia.

Lot 1516

A GEORGE III MAHOGANY TWO PILLAR DINING TABLE with one extra leaf, rounded rectangular ends and moulded edge, each pillar with a blade turned column and four moulded cabriole legs, 92" long extended x 47" wide

Lot 509

•ROBERT "MOUSEMAN"THOMPSON (b. 1876 - d.1955): AN ARTS AND CRAFTS STYLE PALE OAK COFFEE TABLE, the adzed rectangular top supported on octagonal shaped legs, joined by a stretcher, signed carved mouse, 36" long x 17.5" high x 15" deep Provenance: Purchased as wedding present in the 1960's.

Lot 501

•GASTONE RINALDI (b.1920 - d.2006) FOR RIMA: AN ITALIAN TABLE AND CHAIRS, the circular smoked glass top supported on a tubular chrome plated stand together with four matching chrome plated chairs, 42" dia.

Lot 1529

A LOUIS XVI STYLE GILTWOOD VITRINE TABLE with lift up circular top, the frieze carved and pierced with ribbon tied foliage, 30.25" high x 20" dia.

Lot 1415

A CONTINENTAL NEO ROCOCO SILVER COLOURED METAL SURTOUT TABLE of cartouche shape, set with cherubs, 26" wide

Lot 387

A FABRIC TABLE RUNNER worked in silver coloured metal thread with foliate scrolls, 23" x 82"

Lot 1008

FLEMISH SCHOOL, circa 1700 A family at a table, the young girl drinking from a glass, oil on metal panel, 4.25" x 3.5"

Lot 500

•ANGELO OSTUNI: AN ITALIAN TROLLEY TABLE, the glass top supported on a geometric black painted steel frame with lower central bronzed painted metal rack, on four swivel castors, 30" high x 23.5" wide

Lot 1585

AN ITALIAN MARBLE CENTRE TABLE, the broad rectangular variegated top with moulded border, on twin Roman style conjoined winged lion supports with broad single feet, on platform bases, 29.5" high, the top 71" x 35.5".

Lot 1595

MATTHEW BURT – SPLINTER GROUP: AN ASH AND OLIVE ASH CONFERENCE TABLE with an elongated oval top on two pedestal supports,  106” wide x 48.5” high. Matthew Burt (b.1951) is a furniture designer-maker who runs a contemporary practice from a studio and workshop (established 1978) based in South West Wiltshire. His work has been displayed in significant public exhibitions, most notably in the OneTree touring show and at the House of Commons in 2008 in a selection of work intended to raise the profile of UK furniture making to members of Parliament. His solo museum exhibition Idea to Object was held at the Crafts Study Centre, Farnham in 2008.Matthew Burt’s workshop steadily built on a reputation for furniture design that allies structurally robust work that fulfils its function with a lean, elegant line and the occasional bravura surface. Burt has said that he regards the 'intermingling of science, engineering, mathematics, aesthetics and metaphorics' as the fundamental building blocks for his furniture

Lot 953

CIRCLE OF GIOVANNI DE'BUSI, CALLED CARIANI (1485-1547), A concert party with figures eating fruit and drinking at a table, oil on canvas, 35" x 46". Provenance: A Collection of Old Master Paintings from a European Noble Family

Lot 1526

AN ITALIAN IVORY INLAID TABLE CABINET of rectangular form, all over inlaid with ivory lines and foliate scrolls, 17" high x 23 1/2" wide x 14" deep

Lot 1527

AN ITALIAN EBONY AND IVORY INLAID TABLE CABINET of chamfered rectangular form, fitted with a pair of doors enclosing a recess with drawers, flanked by a bank of drawers, two short drawers beneath, all delicately inlaid with ivory scrolls inhabited by birds, cherubs and other figures, 14 1/4" high x 17 3/4" wide x 12" deep

Lot 1580

AN 18TH CENTURY 'FRUITWOOD' SIDE TABLE, the rectangular top above a single frieze drawer, on square tapering legs, 36" wide x 28.75" high x 20.5" deep

Lot 967

CIRCLE OF JUSTUS SUSTERMANS (1597-1681) A portrait of a gentleman standing three-quarter length in an interior with his hand holding a flower and resting on a table, inscribed lower right "IAC. Frncvs B" oil on canvas, 48.5" x 37.5". Provenance: A Collection of Old Master Paintings from a European Noble Family

Lot 1553

AN IMPORTANT GEORGE II GILTWOOD CONSOLE TABLE in the Manner of William Kent with a green marble top over a frieze carved with a central scallop shell flanked by flowering branches and the sides with conforming carving, on twisted dolphin supports with scaly bodies with winged fins issuing from the mouth, 49" See Illustration. Provenance: The Hoare Family and thence by descent. The bold execution of this distinctive pier table is reminiscent of William Kent's oeuvre. It relates closely to the published designs of Batty Langley and William Jones. Langley's "The City and Country Builder and Workmen's Treasury of Designs", published in 1740, includes several plates which relate to the present table. Plate CXLVI (the design published in 1739) is comparable in overall form, although there are marked variations. This particular plate indicates the table offered here may originally have had a rectangular plinth base.

Lot 1514

A GEORGE III STYLE MAHOGANY DISPLAY TABLE of square section, with a rising top, on slender reeded square legs joined by an X stretcher with a pot stand, all with chinoiseries, blind fret carvings, 28.5" high x 15.5" wide

Lot 1512

A GEORGE IV ROSEWOOD BREAKFAST TABLE now with extensions to form a dining table, the circular top inlaid with brass lines and florettes on a bold turned column and three leaf caped hipped down-curved legs, the four later segment extension leaves similarly inlaid, table 60" dia., 126" dia. extended. Leaf cabinet made by Partridges

Lot 1572

A GEORGE III MAHOGANY DRESSING TABLE MIRROR, the oval plate above a serpentine fronted base with three small drawers, 23.5" high x 17.5" wide

Lot 1011

ATTRIBUTED TO FRANS BREYDEL (1679-1750) A classical scene of figures dining around a table in an arcadian interior, oil on canvas, 21" x 18", and the companion painting of classical figures gathered around a woman playing a musical instrument (2). Provenance: The Batten Family, Church Farm, Ryme Intrinsica, Dorset.

Lot 506

•A DAVID JOEL WALNUT FURNITURE SUITE; COMPRISING TABLE AND FOUR CHAIRS, SIDEBOARD AND COFFEE TABLE: The table of long rectangular form, supported on four outswept feet, 29.5" high x 59" length The sideboard with plain top over sliding cupboard doors enclosing a cutlery drawer and lower wooden shelf, 33" high x 53.5" wide The coffee table of circular form with a plain top supported on outswept feet, 18.5" high x 26.5" dia

Lot 188

A MAIOLICA SHELL-SHAPED EWER of Renaissance design supported on a winged figure, with cockerel mark and numbered 22, 8" high, and a Maiolica tri-form table salt painted with a portrait of "Alesandro Seorsa", 6.25" high (2). Provenance: A Collection of Maiolica from a European Noble Family

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