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Keys - Aylsham Salerooms
Lot 1126

A Silver and enamel part Dressing Table Set comprising, Hand Mirror, Hairbrush and Clothes Brush, each decorated with pale yellow enamel to an engine turned background, (3)

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Keys - Aylsham Salerooms
Lot 1127

A Mixed Lot comprising: A Silver mounted Dressing Table Hand Mirror, decorated with floral foliate and cherub decoration, to an initialled cartouche and a further Clothes Brush with applied ribbon decoration, various dates and makers, (2)

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Keys - Aylsham Salerooms
Lot 1128

A Mixed Lot comprising: A circular Dressing Table Hand Mirror together with a heart shaped tray and further shaped oval Ashtray of Eastern manufacture, various dates and makers, (3)

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Keys - Aylsham Salerooms
Lot 1170

A George V Silver and Tortoiseshell mounted Dressing Table Casket of shaped rectangular form, the hinged cover with gadrooned border, set with a plain polished Tortoiseshell panel and inlaid with ribbon and floral swag decoration, to a plain serpentine body, raised on four cast and applied feet, to a velvet lined interior, width 3 7/8", Birmingham 1910, Makers Mark HM

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Keys - Aylsham Salerooms
Lot 1185

An Elizabeth II cased Dressing Table Set comprising: Hand Mirror, Hair Brush, Silver backed Comb and Clothes Brush, all of plain geometric form with all over engine turned decoration in a fitted Morocco type covered case, Birmingham 1961

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Keys - Aylsham Salerooms
Lot 1190

A Mixed Lot comprising: A pair of squat Candlesticks (one repaired), together with a Trumpet Vase, a Capstan Inkwell, a Dressing Table Hand Mirror and a Silver lidded glass Condiment Jar, various dates and makers, (6)

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Keys - Aylsham Salerooms
Lot 1332

An 18th Century Walnut Table Cabinet, the two hatched inlaid doors enclosing a fitted interior with drawers, the base fitted with a frieze drawer (constructed from period timbers), 20" wide

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Keys - Aylsham Salerooms
Lot 1393

An unusual Mahogany and Birds Eye Maple Table Top or Postmaster's Cabinet, the ogee top and fall front enclosing a fitted interior of drawers and pigeon holes, all with recessed brass handles, 23"wide

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Keys - Aylsham Salerooms
Lot 1400

A Victorian Walnut Sewing Table, of octagonal pedestal form, the top inset with a parquetry type inlaid checkerboard, and raised on a tripod base with scroll feet, 18" wide

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Keys - Aylsham Salerooms
Lot 1402

A late 19th Century lacquered Table, with rectangular top, raised on pierced supports, japanned with mythological dragon designs etc (part of a nest), 15" wide

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Keys - Aylsham Salerooms
Lot 1420

A Mahogany fold-top Tea Table, of rectangular form, fitted with a full width frieze drawer and raised on cabriole supports with pad feet, 19th Century, 37" wide

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Keys - Aylsham Salerooms
Lot 1421

A late 19th Century Oak "D" ended Dining Table with Lunette carved border, raised on a central pedestal with quadruped base, decorated with animals and terminating in scroll feet, 67" long

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Keys - Aylsham Salerooms
Lot 1428

A 19th Century Mahogany wind-out Extending Dining Table, with moulded edge, plain frieze, and raised on fluted and ring turned supports, extends to 69" including one loose leaf, 45" wide

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Keys - Aylsham Salerooms
Lot 1429

A 19th Century Yew and Mahogany rectangular Pedestal Table, the yew top with rounded corners, raised on a mahogany support, with tripod base, 20" wide

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Keys - Aylsham Salerooms
Lot 1431

A Mahogany Pedestal Table, the later canted square top raised on a ring turned and balustered support, terminating in a tripod base, 29" wide

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Keys - Aylsham Salerooms
Lot 1433

A Victorian Mahogany Centre Table, of rectangular form with rounded corners, plain frieze and raised on square supports, joined by a ring turned stretcher, terminating in scroll feet, 48" long

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Keys - Aylsham Salerooms
Lot 1441

An early 20th Century Mahogany Side Table, full width frieze drawer and raised on cabriole supports, 33" wide

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Keys - Aylsham Salerooms
Lot 1442

A large 20th Century Oak Boardroom/Dining Table, raised on eight moulded and balustered and ring turned supports, extends to 204" including five loose leaves, 66 1/2" wide

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Keys - Aylsham Salerooms
Lot 1453

A late 18th Century Country Elm Drop Leaf Table, to plain flaps, and raised on tapering supports with pad feet, 33 1/2" wide

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Keys - Aylsham Salerooms
Lot 1473

A 19th Century Mahogany Extending Dining Table, either end fitted with a drop flap, and raised on ring turned and fluted tapering supports, with brass caps and castors, extends to 114" including two loose leaves

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Dreweatts Donnington Priory Salerooms
Lot 100

A collection of twenty various bracket, table and mantel clock keys, mainly 19th century. Including a foliate pierced and engraved table clock key of late 17th century design (repaired) and a five-pipe star key. Provenance: The Workshop of John Hooper. Visit www.dnfa.com for condition reports.

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Dreweatts Donnington Priory Salerooms
Lot 101

A collection of assorted bracket and table clock parts and castings, 17th century and later. Including four square brass dial plates, a silvered chapter ring, a selection of verge contrate and escape wheel blanks, spandrels, 17th century design winding keys, bells, backcock castings, aprons and other related items (qty). Provenance: The Workshop of John Hooper. Visit www.dnfa.com for condition reports.

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Dreweatts Donnington Priory Salerooms
Lot 102

A selection of brass longcase, table and bracket clock case mount castings, 17th/18th century design, late 20th century. Including a set of early pattern Corinthian column, festoon swag and other longcase hood mounts; Knibb and Tompion pattern table clock mounts and small quantity of other related items. Provenance: The Workshop of John Hooper. Visit www.dnfa.com for condition reports.

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Dreweatts Donnington Priory Salerooms
Lot 116

A 2.5 inch miniature table globe, J Manning, London, mid 19th century. The sphere applied with twelve hand- coloured gores and signed OUTLINE OF THE EARTH BY J. MANNING to the North Pacific, mounted via two conical pivots at the poles onto a brass meridian half-circle supported on a turned upright with disc base, some damage, 12.5cm high overall. See Museum Boerhaave, Leiden and Christies The World In Your Hands - An Exhibition of Globes and Planetaria 18th March - 24th September 1995 page 78 for a similar slightly larger globe. Visit www.dnfa.com for condition reports.

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Dreweatts Donnington Priory Salerooms
Lot 133

A fine French gilt brass and Belge noir marble four glass table regulator with perpetual calendar and moonphase, unsigned, late 19th century. The eight-day bell-striking movement with compensated pendulum and visible brocot escapement to the two piece white enamel Roman numeral dial, set into a foliate engraved rectangular gilt brass mask with further enamel two-piece dial annotated with months of the year to circumference enclosing subsidiaries for date of the month, day of week and moonphase, the whole in a substantial bevel glazed case with moulded marble top and conforming base with caddy moulded uprights between, 48cm high. The above description should be read in conjunction with IMPORTANT NOTES REGARDING THE CATALOGUING OF CLOCKS printed in the sale catalogue. Visit www.dnfa.com for condition reports.

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Dreweatts Donnington Priory Salerooms
Lot 142

A Congreve type rolling ball clock, built to a design by John Wilding, late 20th century. The four-pillar single fusee movement with skeletonised pediment-shaped plates applied with silvered hour, minutes and seconds rings above rectangular frame enclosing pivoted table balance with zig-zag channel for the rolling ball within column turned uprights, on turned steel ball feet, 40cm high. The above description should be read in conjunction with IMPORTANT NOTES REGARDING THE CATALOGUING OF CLOCKS printed in the sale catalogue. Visit www.dnfa.com for condition reports.

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Dreweatts Donnington Priory Salerooms
Lot 166

An impressive George III scarlet lacquer table clock, John Taylor, London, late 18th century. The five-pillar twin fusee rack and bell striking movement now with deadbeat escapement, the backplate engraved with symmetrical foliate scrolls, the 8 inch brass break-arch dial with recessed shaped silvered nameplate engraved John Taylor, London to the matted centre, within an applied silvered Roman numeral chapter ring with Arabic five minutes, the angles with foliate scroll cast spandrels beneath STRIKE/SILENT dial flanked by conforming mounts to arch, now in an elaborate case with flambeau urn finials to the bell-top upstand decorated in gilt with bird inhabited foliage above gilt blind fret infill and four further finials to the break-arch cornice, the front with panels of figures within terrace landscapes to door surround flanked by finely chased gilt metal female caryatid corner mounts, the sides with brass handle above rectangular windows, on concave moulded base with shaped apron and turned brass pendant feet, 73cm high overall. John Taylor is recorded in Baillie, G.H. Watchmakers & Clockmakers of the World as working in London circa 1780. Although it appears that the movement and dial did not start out life in this case they are certainly 'in period'. The case is very rare as it retains most of its original decoration and would respond very well to sympathetic restoration. The above description should be read in conjunction with IMPORTANT NOTES REGARDING THE CATALOGUING OF CLOCKS printed in the sale catalogue. Visit www.dnfa.com for condition reports.

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Dreweatts Donnington Priory Salerooms
Lot 170

A George III mahogany table clock, John Waldron, London, circa 1760. The five-pillar twin fusee bell-striking movement with verge escapement, hour trip-repeat and delicate foliate-scroll engraved backplate, the 8 inch square single-sheet silvered Roman numeral dial (viewed through a brass-bezel lined 7.5 inch circular aperture to the front door) with calendar aperture, blued steel hands and signed John Waldron, Cornhill, London to centre, with Arabic five minutes and Strike/Silent switch at 12 o'clock, the mahogany bell top case with brass carrying handle above circular brass-bezel applied quarter veneered front door and rectangular side windows, on mounded base with brass ogee bracket feet, 43cm high excluding handle. Provenance: The property of a private collector. John Waldron is recorded as working in Cornhill 1765-82. The design of the current lot with the circular aperture in the front door only revealing the central section of the square dial was first introduced by John Ellicott in around 1760. The above description should be read in conjunction with IMPORTANT NOTES REGARDING THE CATALOGUING OF CLOCKS printed in the sale catalogue. Visit www.dnfa.com for condition reports.

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Dreweatts Donnington Priory Salerooms
Lot 177

Thomas Tompion, London, an important William and Mary eight-day longcase clock in a 'mulberry' veneered case, number 253, circa 1695. The fully-latched five knopped and finned pillar inside countwheel bell-striking movement with anchor escapement, bolt-and-shutter maintaining power and long crutch, the backplate cut with an aperture for the anchor pallets and punch-stamped 253 to the centre of the lower edge, the 11 inch square brass dial with subsidiary seconds dial and calendar aperture with pin-hole adjustment to the finely matted centre within an applied silvered Roman numeral chapter ring with cruciform half-hour markers and Arabic five minutes to the narrow outer track, with fine pierced blued-steel hands and angles applied with winged cherub mask and scroll cast spandrels with foliate engraved infill between, maintaining power lever at 2 o'clock and signed Tho: Tompion, Londini fecit to lower edge, in a stained field maple ('mulberry') veneered case with moulded cornice and foliate pierced fret above rectangular side windows and plain integral pilasters to hood, the trunk with convex throat moulding and 42 inch rectangular door with brass edged circular lenticle, each side divided by fine narrow ebony and box triple-line inlay into two panels, the base with conforming border, on a later mounded skirt, case with some restoration, 203cm high. Thomas Tompion has often been referred to as the 'father of English clockmaking'. When considering the legacy of his work and influence on subsequent generations of clockmakers, such a compliment is justly deserved. Born in Ickwell, Suffolk in 1639 Thomas Tompion appears to have developed an affinity for metalworking from his father, also named Thomas, who worked as a blacksmith. By 1670 Tompion had moved to London and had become involved in the clockmaking trade. Although there is no record of his apprenticeship or whether he had received any formal training prior to moving to London, he quickly became established, becoming Free of the Clockmakers Company in 1674. His early clocks demonstrate a close working relationship with the Fromanteel, East and Knibb workshops. Around this time Tompion became friendly with the eminent mathematicians and scientists Jonas Moore and Robert Hooke, perhaps the most progressive and inventive minds of the day. Such associations led to Royal commissions, firstly from Charles II for whom Tompion is known to have made one of the earliest balance-spring watches in 1676, and later William III who ordered numerous clocks to furnish his various palaces throughout his reign. As well as being an extremely talented artisan Tompion was also commercially minded, cleverly introducing serial numbering for his clocks in around 1682. This, as well as maintaining a high degree of refinement in both the construction and design of his clocks, ensured the highest level of exclusivity for clients purchasing examples from his workshop. By the 1690s his reputation was such that Tompion was receiving orders from all levels of European nobility. In around 1700 Tompion took a former apprentice, Edward Banger, into partnership however this arrangement came to an abrupt end in 1707-8 for reasons unknown. In 1711 a second partnership with George Graham was established who, in turn, inherited the business when Tompion died in 1713. Graham continued the business to the same exacting standards as his former master until his death in 1751. The current lot is numbered 253 which, according to Jeremy Evans (THOMAS TOMPION at the Dial and Three Crowns page 71), would date the movement and dial to around 1695. The movement, although of relatively standard specification, is very finely finished with details such as the fine wheelwork and exquisitely worked tail to the steel hammer spring being a delight to behold. The dial is a good example of Tompion's refined layout, with engraving almost certainly by 'G195'. The case exhibits details in design and construction commensurate with other examples supplied to Tompion by one of his many case makers at this time. Eight-day longcase clocks by Tompion are relatively rare with only ten known surviving examples numbered between 200 and 300 (compared to around 40 table clocks) dating approximately to the period 1692-8. Provenance: Acquired by Alfred Loader (Greiner) circa 1910, thence by descent. (Full provenance available in the printed catalogue). The above description should be read in conjunction with IMPORTANT NOTES REGARDING THE CATALOGUING OF CLOCKS printed in the sale catalogue. Visit www.dnfa.com for condition reports.

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Dreweatts Donnington Priory Salerooms
Lot 178

A fine George I quarter repeating ebonised table clock Thomas Hughes, London, circa 1725. The six knopped- pillar twin fusee bell-striking movement with verge escapement and pull-quarter repeat on a graduated nest of six bells, the backplate with original heart-shaped backcock and engraved with a ho-ho bird within symmetrical foliate scrolls and a herringbone border, the 8 inch brass break-arch dial with border-engraved calendar and false-bob apertures and shaped applied silvered nameplateThos. Hughes, LONDON to the matted centre, within an applied silvered Roman numeral chapter ring with diamond half hour markers and Arabic five minutes, with pierced blued- steel hands and female mask-and-scroll cast gilt spandrels to angles, the arch with silvered strike/silent ring flanked by conforming female sphinx cast mounts, the inverted bell top case with substantial brass handle and slender flambeau vase finials above blind fret infill and raised canted-angle corner panels to the break-arch frieze, gilt floral trail mounted canted angles and conforming break-arch windows to sides, on a double stepped and mounded base with squab feet, 51cm high excluding handle. Provenance: The propery of a private collector. Thomas Hughes is recorded in Baillie G. H.Watchmakers & Clockmakers of the World as becoming Free of the Clockmakers Company in 1712, Steward in 1730 and Master in 1742, he died in 1753. Thomas Hughes appears to have been a fine maker with noteworthy examples leaving his Broad Street Buildings workshop including a full Grande Sonnerie table clock only 25cm high -one of the smallest ever made. The current lot appears to have survived in very original condition retaining its original crown wheel escapement. The above description should be read in conjunction with IMPORTANT NOTES REGARDING THE CATALOGUING OF CLOCKS printed in the sale catalogue. Visit www.dnfa.com for condition reports.

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Dreweatts Donnington Priory Salerooms
Lot 179

A very fine Queen Anne brass mounted quarter-repeating ebony table clock, Richard Haughtin, London early 18th century. The five finned and knopped pillar twin fusee movement with verge escapement, rise/fall regulation and pull quarter repeat on six bells, the very unusual burnished gilt, foliate and herringbone-border engraved backplate with ho-ho bird above shaped reserve, signed Richard Haughtin, Fetter Lane, London to centre, the 7.5 inch gilt brass break-arch dial with ringed winding holes and herringbone border engraved calendar and false bob apertures to the matted centre within an applied Roman numeral chapter ring with stylised fleur de lys half hour markers and Arabic five minutes, with delicate pierced blued-steel hands and angles applied with finely cast female mask and drapery scroll spandrels with foliate engraved infill between, the arch with central gold damascened steel circular signature boss Richard Haughtin, Fetter Lane, London flanked by rosette engraved subsidiary regulation and Strike/Silent dials within a leafy scroll decorated burnished gilt field, the inverted bell-top case with gilt brass handle and foliate scroll pierced fret to the upstand flanked. by foliate cast finials, above brass lined break-arch windows to front, back and sides, the front door with fretwork infill to the upper quadrants and foliate cast brass escutcheons, on moulded base with cast brass squab feet, 47cm high excluding handle. Richard Haughtin was apprenticed to Peter Wise becoming Free of the Clockmakers Company in 1689. A fine maker with most clocks signed with his Fetter Lane address, the last known record of him dates to 1714. The current lot has many fine and rare features, these include very early use of the break-arch dial with extremely rare damascened steel signature boss, burnished gilding to both dial and movement (to the inside of the backplate and pillars as well as the engraved visible surfaces) and engraved decoration to backcock and rise/fall arm. This attention to detail coupled with the sophisticated dial layout and design of the case is reminiscent of the work of Daniel Quare (particularly whilst he was in partnership with Stephen Horseman). A clock of very similar specification and with gilded surfaces to the movement by Richard Vick is also known. The current lot confirms Haughtin's status as one of the finest makers of the period. The above description should be read in conjunction with IMPORTANT NOTES REGARDING THE CATALOGUING OF CLOCKS printed in the sale catalogue. Visit www.dnfa.com for condition reports.

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Shapes Auctioneers & Valuers
Lot 292

A mahogany demilune card table with gadrooned hinged top on cabriole legs with claw and ball feet, 77cm high x 83cm wide

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Shapes Auctioneers & Valuers
Lot 294

An early 19th century mahogany tripod table, the circular top on a fluted column and cabriole legs, 68.5cm high x 51cm diameter

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Shapes Auctioneers & Valuers
Lot 299

A Victorian oval figured walnut tripod table, 66cm high together with a walnut octagonal table with bobbin turned legs, 67cm high and a revolving piano stool (3)

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Shapes Auctioneers & Valuers
Lot 304

A regency mahogany pedestal dining table, the rounded rectangular top with one leaf, on two urn shaped column supports, with brass capped sabre legs on castors, 74cm high x 248cm long x 137cm wide

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Shapes Auctioneers & Valuers
Lot 309

A George III style mahogany tripod tea table, the circular top on a birdcage support and urn shaped column, on cabriole legs with pad feet, 70cm high x 77cm diameter

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Shapes Auctioneers & Valuers
Lot 312

A Victorian mahogany Sutherland table, 62cm high together with a Regency style mahogany bedside cupboard, 73cm high (2)

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Shapes Auctioneers & Valuers
Lot 315

A Victorian lobed oval rosewood table, on floral carved turned supports and cabriole legs with ceramic castors, 71cm high x 114cm wide

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Shapes Auctioneers & Valuers
Lot 317

A Victorian oval mahogany looe table, the hinged top on a baluster turned support and floral carved cabriole legs with ceramic castors, 78cm high

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Shapes Auctioneers & Valuers
Lot 318

A Victorian rectangular two tier table, the top with canted corners, on turned legs with ceramic castors, 73.5cm high

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Shapes Auctioneers & Valuers
Lot 327

A mahogany drop leaf dining table, on square tapered legs with spade feet, 75cm high x 177cm long x 106cm wide

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Shapes Auctioneers & Valuers
Lot 513

Guy Blackwell (Modern) Paint brushes and paints on a table Signed oil on canvas, 102x81cm

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Shapes Auctioneers & Valuers
Lot 195

A Japanese bronze table lamp of pierced baluster form, on foliate Arabesque base, 55cm high

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Shapes Auctioneers & Valuers
Lot 237

A Naples porcelain group of a family, mounted in a rectangular table lamp, 30cm high

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Shapes Auctioneers & Valuers
Lot 339

A Victorian rosewood triple dressing table mirror, with acorn finials on scroll feet, 64cm high

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Shapes Auctioneers & Valuers
Lot 346

A chrome framed glass topped coffee table, 47cm high x 127cm long

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Shapes Auctioneers & Valuers
Lot 347

A George III circular mahogany tripod table, the snap top on urn shaped column and cabriole legs, 67cm high x 80cm deep together with a two tier mahogany wall bracket and a window grill (3)

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Kent Auction Galleries Ltd.
Lot 14

Late C18th Mahogany Snap Top Occasional Table with vase turned centre column, 3 cabriole pad footed supports 27 1/4"D top

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Kent Auction Galleries Ltd.
Lot 17

C19th Mahogany Wine Table on open double screw twist stem with carved cabriole style tripod supports

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Kent Auction Galleries Ltd.
Lot 22

C18th Cuban Mahogany Drop Flap Dining Table on pad footed base with twin leg supports approx. 51" x 60" x 27 1/2"

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Kent Auction Galleries Ltd.
Lot 26

Mid Victorian Figured & Burr Walnut Quarter Veneered Snap Top Breakfast Table with beaded frieze on turned & carved centre column, carved cabriole supports supported on brass & iron castors approx. 50"dia

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Kent Auction Galleries Ltd.
Lot 28

Early Victorian Rosewood Circular Snap Top Dining Table on tapering faceted supports to tricorn platform base with animal paw feet

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Kent Auction Galleries Ltd.
Lot 31

Mid C19th Mahogany Side Table on 4 turned supports, 45" x 32 3/4"

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Kent Auction Galleries Ltd.
Lot 340

Mahogany Cased 1920's Radio & Table Top Gramophone Combined, gramophone with Marconiphone Pick Up No. 17 with chain driven mechanical motor, lower section enclosing radio with 2 lacquered brass dials, Bakelite tuning knobs etc. in quarter veneered cabinet, rear with various electrical connections for speakers etc. with pull -down & slide back front panel approx. 21"W x 19 1/2"D x 21 1/2"H

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Batemans Auctioneers & Valuers
Lot 22

A Queen Anne style dressing table with matching walnut veneer stool

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Batemans Auctioneers & Valuers
Lot 28

A pine square kitchen table, 1.2m x 1.2m with two drawers

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Batemans Auctioneers & Valuers
Lot 30B

A coffee table, quartered and cross banded

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Batemans Auctioneers & Valuers
Lot 35

A serpentine fronted side table in the white

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Batemans Auctioneers & Valuers
Lot 37

A pine coffee table, the top painted white, raised on cabriole legs

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Batemans Auctioneers & Valuers
Lot 38

A pine coffee table, the top painted white, raised on cabriole legs

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