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†An early 20th century Chinese hardwood table screen, the rectangular screen with a mountainous landscape in hardstone and ivory, the reverse with a large green jadeite panel with a five-clawed dragon amidst swirling clouds, the stand ornately openwork carved with flowers and leaves, 43cm wide, 30.5cm high
A good Regency mahogany and gilt metal mounted musical and quarter chiming table clock, circa 1820. By Barrauds, London, the arched floral festoon painted dial signed Barrauds, Cornhill, London, with subsidiary dials for chime/silent and tune selection, the similarly signed and foliate engraved three train fusee and chain movement, chiming on the quarter hour and playing one of seven tunes on thirteen bells, the arched case inlaid with a lion cresting and flanked by twin sphinx caryatids, with gothic pierced sound frets and raised on brass toupie feet
A large Iberian walnut centre table, circa 1700, the thick one piece rectangular top above a pair of leaf and flowerhead carved drawers and opposing dummy drawers, the sides conformingly carved, raised on baluster turned legs with end stretchers and bun feet. 185cm wide, 82cm high, 80cm deep
A George III and later mahogany triple pedestal dining table, with two leaf insertions, the rounded rectangular top with a reeded edge, raised on ringed turned column supports and downswept legs terminating in brass caps and castors (one leaf and central section are of later date). 104cm wide, 72cm high, 234cm long (unextended), 359cm long (extended)
A George III rosewood work table, with brass line inlay, the oblong top with bowed ends above a frieze drawer and leather inset slide, the slender square outline twin supports joined by a ring turned stretcher and sweeping down to patera topped cylinder feet and brass castors, 61cm wide, 78cm high, 42cm deep
A William IV rosewood teapoy. By William Hean of London, of sarcophagus form, enclosing two lidded caddies and labelled twice 'William Hean, Cabinet Manufacturer, Upholsterer, Undertaker, House Agent & Appraiser, 30 Great Russell Street, Bloomsbury - Many Years Foreman to R & J Newton, Late of Wardour Street', on a lappet carved baluster column with egg and dart carved collar and quadrapartite platform base ending in scroll feet and castors, 40cm wide, 80cm high, 40cm deep. Note: Hean was active at his first premises at Little Wild Street between around 1815 and 1835, entering into a partnership with William Prentice. He moved to Great Russell Street in 1836. A number of labelled Hean pieces are recorded, some similarly labelled twice. Literature: A library table by Hean and further notes on the maker can be found in C.Gilbert's 'Pictorial Dictionary of Marked London Furniture' (F.H.S. 1996)
A William IV mahogany library table, circa 1830. Attributed to Gillows, the tooled green leather inset rounded top with a gadrooned edge above two frieze drawers, raised on reeded and lobed turned supports with platform bases and bun feet with concealed castors. 138cm wide, 74cm high, 79cm deep. Provenance: Firle Place, West Sussex
An Italian neo-classical carrara marble centre table, circa 1800, the circular top with a dot and dash moulded frieze, raised on a splayed stop fluted column ending in a square platform base, 99cm diameter, 79cm high. Provenance: Formally in the garden of 'The Elms', Newport Rhode Island, which was the summer residence of Edward Julius Berwind of Philadelphia
A fine late 19th century mahogany, purpleheart and gilt bronze mounted side table. By Henry Dasson, in the Louis XVI style, after Jean-Henri Reisener, the shaped parquetry veneered top with a pierced three-quarter gallery, above a single kingwood panelled frieze drawer, opposed by a conforming dummy drawer, raised on square tapered legs terminating in sabots with brass castors, the underside stamped in two places Henry Dasson, 69cm wide, 73cm high, 47cm deep. Henry Dasson established his workshop at 106, Rue Vielle du Temple, after a brief career at Rue des Nonnains-d' Hières in the fabrication of bronze artefacts and clocks in association with Godot. In 1871, he bought the workshop and stock for 14,000 francs from the widow of the ébéniste Charles-Guillaume Winckelsen, and soon became recognised as a brilliant ébéniste and bronzier. Specialising mostly in the production of works from the Garde Meuble National, he participated in the 1878 Paris Exposition Universelle prompting critic Louis Gonse to comment: 'nouveau venu dans la carrière industrielle Henri Dasson s'est rapidement crée par la perfection de ses oeuvres une très haute situation à laquelle nous applaudissons chaleureusement.' He was made a Chevalier of the Légion d'honneur in 1883 and was awarded the Grand Prix Artistique at the 1889 Paris Exposition Universelle. His remaining stock was auctioned upon the closure of his business in 1894.
An amboyna, ebonised and parcel gilt foldover games table, circa 1890. By Gillows of Lancaster, the rectangular swivel top with tooled green leather skiver and foliate roundel inlaid border enclosing a baize inset and maker's stamp to front corner 'GILLOW & CO. 4632', the crossbanded frieze on twin turned and fluted supports with fluted guttae capitals, on dual splay legs united by a pole stretcher, on brass castors, 94cm wide, 73cm high, 47cm deep
A large 19th century carved giltwood and gesso marble topped centre table, the moulded serpentine shaped mottled red and yellow marble top above shaped aprons with carved shells and foliate scroll corners, on leaf carved moulded cabriole legs ending in hairy hoof feet. 146cm wide, 88cm high, 103cm deep
An Edwardian satinwood and painted work table, the rectangular top with single frieze drawer and surmounted by a four drawer superstructure with bentwood carrying handle, on square tapered swept legs united by an X- stretcher, allover painted with trophies, rosebuds, ribbons and trailing bell flowers, 38cm wide, 111cm high, 35.5cm deep
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1181627 item(s)/page