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Classiques de la Table, Les.: A l`usage des practiciens et des gens du monde...Paris, Dentu, Tresse, Renouard u.a. 1844. Mit Holzschn.-Titelvign. ("Au rocher du Cancale"), einigen Textholzschn. u. 15 Taf. in Stahlst. u. Holzschn. 2 Bl., XIII S., 1 Bl., 528 S. Hldr. d. Zt. Drexel 163. Vicaire 176 ff. Vgl. Brivois 104 f. Horn/A. 360. Simon 104. - Die Sammlung enthält Schriften v. Brillat-Savarin, Berchoux, Grimod de la Reyniere, Colnet, de Cussy, u.a. Die Tafeln zeigen Portraits (Talleyrand, Janin, Gaubert, Berchoux, Grimod de la Reyniere, Colnet, de Cussy), eine Karikatur u. eine römische Wandmalerei. - Etw. fleckig, St.a.T. - (316)
Lavoisier, A. L., G. de Morveau u. a.: Methode de nomenclature chimique on y a joint un nouveau systéme de caractères chimiques, ... nomenclature par MM. Hassenfratz & Adet. Paris, Cuchet 1787. 2 Bl., 314 S. Mit 6 gefalt. Kupfertaf. Ldr. d. Zt. (Kap. mit Fehlst. tls. berieb.). Duveen-Klickstein 126. - Erster Druck d. ersten Ausgabe. - Lavoisier's New terminology of Chemistry was an important part of bis reforms in the sciences, and it has been in use, with some modifications, ever since its introduction«. (Duveen). - (Falttabelle fehlt). - Hs. Name auf Vortitel. - Tls. etw. gebräunt. - - Large folding table at p. 100 is missing. - Hs. Name auf Vortitel. - Tls. etw. gebräunt. (299).
A canteen of Hanoverian feather edge pattern flatware. Comprising: -13 soups spoons12 dessert spoons, plus 5 other dessert spoons.13 table forks,13 dessert forks,9 teaspoons - plus five other teaspoons.12 silver handled table knives12 silver handled dessert knives. The majority London 1876 by Heny Holland. Knives London 1964 by Garrard and co. 105ozt weighable
A quantity of mixed flatware comprising six Hanoverian pattern table forks with crests engraved to terminals, Four London 1801 and two London 1800 by Soloman Hougham; a set of eight beaded old English pattern teaspoons with scratch initials to terminals by Hester Bateman, bearing the lion passant and maker’s mark only; together with a six condiment spoons, a teaspoon and a pair of sugar tongs. 20ozt.
A carved white nephrite jade ring set with tsavorite and rubies, with a D-section band carved out of white nephrite (trade name Hetian jade or Mutton fat jade), attached with a scrolled openwork mount set with an oval chequerboard-cut tsavorite of 11.8 x 9.2 mm, flanked by two faceted rubies, yellow metal mount marked 'G18K JYXW', size P, total weight of item 8.2 grams.Change of lustre on table facet could be observed on one of the rubies therefore probably glass-filled
A George II Hanoverian pattern tablespoon, scratch initials to terminal, London 1751 by James Tookey; together with a pair of George III table spoons with later berried decoration. London circa 1770 by Robert Sallam; a Victorian silver rat tail soup ladle, London 1893 by Josiah Williams & Co (George Maudsley Jackson), a large toddy ladle monogram engraved to base of bowl, and with turned ebonised handle, Probably London 1732, and a George III Scottish silver fiddle pattern sauce ladle, Edinburgh 1829 by J Asherheim. 15.5ozt weighable.
A quantity of silver and silver plate contained in a leather bound case by Finnegans; including a pair of silver sauceboats, Birmingham 1913 by Zimmerman; a silver cigarette box, a cigarette case a dressing table box, three silver napkin rings, a silver topped dressing table pot. The plate to include a set of four old Sheffield plate salts, a biscuit barrel, a coffee pot and other items.Gross weight weighable 17ozt (Much A/F)
A Dutch novelty silver windmill, 11cm, a small assayed silver trinket box, six assayed silver topped and cut glass dressing table bottles, a small silver bon bon dish, two white metal figures of musicians, 8cm & 10cm, a pair of mother of pearl opera glasses by Lemaire - Paris, and a small bronze figure of a clown holding three balloons,15.5cmQty: 13
Garrad & Co. A three piece silver gilt dressing table set, with engraved Chinoissiere decoration of scenes from apocryphal lives; London 1953; together with a silver backed hand mirror and matching clothes brush; two silver mounted button hooks, and two silver plated trophy cups on plinths.
An early 19th-century mahogany single-drawer side table with square tapering legs, 92 cm wide x 50 cm deep x 76 cm overall height, 60 cm height knee room. Together with another early 19th-century mahogany single-drawer side table, 61 cm wide x 44 cm deep x 72 cm overall height.Qty: 2Second table has damage to the stretcher
Otto Wagner (1841-1918), attributed to Vienna Pancota (Thonet),A bent beechwood salon suite, Austria, ca. 1910-15,Comprising a stained beechwood settee and two armchairs, upholstered with a modern Secession-style fabric, together with a circular mahogany and stained beechwood side table.,Settee: 79x124x60 cm, chairs: 81x57x55, table: H 77 cm, D 70 cm,,
A suite of Anglo-Indian carved hardwood furniture,Second half 19th century, probably Bombay,Comprising a pair of armchairs with blue upholstery and a circular centre table, each with carved openwork decoration of foliage and animals.,Armchairs: H 91 cm, table: H ca. 81 cm, D 110 cm,,
A Polish gilt-bronze and brass horizontal table clock,By Johan Eich, Danzig, early 18th century,The hexagonal case with six glazed side windows, on six foliate cast feet, with a brass chapter ring and a second ring to set the alarm, the mechanism with a verge and balance wheel escapement, with striking mechanism, striking on the whole hour in full on a silver amalgamated bell, both trains driven by a fusee and spring barrel, with alarm mechanism.,8x13x11 cm,Gilding worn, chapter ring and feet possibly of later date, going train functioning, striking mechanism blocked.,
A Restauration ormolu-mounted mahogany dressing table,Ca. 1820,The arched swivel mirror flanked by circular columns surmounted by vase finials, above a Petit Granit moulded top, above a frieze drawer, on column supports.,169x82x45 cm,,Provenance: Jacques Fijnaut, Amsterdam, 1997.
Bas van Pelt (1900-1945),An oak dining suite, ca. 1938-40,Comprising an oak dining table and a set of six oak dining chairs, the table with a rectangular top above a pair of H-shaped supports joined by a plank stretcher, the throne chairs each with a high backrest with round wooden uprights, above a square cushion covered in light green silk, on four tapering plank legs joined by an H-shaped stretcher, the table and chairs marked 'bas van pelt'.These pieces are part of a dining room suite (comprising an oak table, six dining chairs and a sideboard [see lot 7513]), which was the last set of furniture Bas van Pelt designed before the arrival of World War II in the Netherlands. The striking play of vertical lines in the high backrests of the dining chairs are emblematic of the influence of the American architect and designer Frank Lloyd Wright. Wright's oeuvre impacted the work of a great number of The Hague designers such as Henk Wouda, Frits Spanjaard, Cor Alons and Jan Wils. Moreover, in Van Pelt’s choice for the warm and humble quality of wood we can also recognize the influence of Dutch Arts and Crafts tendencies, such as the work of Alexander Kropholler. It is this mindset that led Van Pelt to convert the simple steel tubular frame into a wooden equivalent. However, one key element that sets Van Pelt's designs apart from his colleagues is the element of doubt, as characterized by art historian Timo de Rijk. Van Pelt alternated modern influences with more traditional European forms and techniques, such as wicker seats and curved armrests. In these experiments, Van Pelt's work approaches much more the curvaceous style of designer Sybold van Ravesteijn, which deviated from the functionalist tendencies in the world of architecture and design during the 1920s and 1930s.This exact dining room suite was included in an exhibition of the Haagse Kunstkring (The Hague Art Circle) in the Gemeentemuseum, The Hague (the current Kunstmuseum) in 1941. While this exhibition was primarily organized to celebrate the 50th anniversary of the Kunstkring, it also facilitated the handover of the Kunstkring's building on the Lange Houtstraat to the German occupier. Moreover, the exhibition was also an opportunity to fill the empty rooms of the museum, a void that was a result of the removal and storage of undesirable art by the nazis. In 1949, the dining room suite was bought by the father of the current owner as a wedding gift for his wife, and has stayed in the family since.,Table: 75x180x99 cm, chairs: 117x55x62 cm,,Literature: This exact set was discussed and illustrated in the exhibition catalogue Jubileum Haagsche Kunstkring 1891-1941 (Gemeentemuseum, The Hague, 1941), and in P. Koomen, Binnenhuis: karakter en sfeer: het werk van Bas van Pelt (The Hague 1943).Provenance: Exhibition: Gemeentemuseum, The Hague, 1941, on the occasion of the 50th anniversary of the Haagse Kunstkring.Bought from the shop of Bas van Pelt in 1949 by the father of the current owner.With thanks to Karel Bodegom, Bas van Pelt, The Hague.
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1181390 item(s)/page