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A Victorian Mahogany Pier Table, the black and gold-veined marble top over a shaped frieze drawer carved with volutes and scrolls centred on a patera, raised on stout cabriole legs carved with acanthus and volutes and headed by green man masks, on scrolled feet, probably Irish, 82cm by 109cm by 51cm See illustration
A Victorian Mahogany Partners' Writing Table, the round-cornered top with a moulded edge and inset with tooled leather, over three frieze drawers to each side, on turned and fluted legs with castors, stamped on one drawer "GILLOWS * LANCASTER", numbered "L 2519" (this corresponds to an approximate date of manufacture of 1874-5), 76cm by 198cm by 106cm See illustration
A 19th Century Chinese Export Work Table, in black and gold lacquer, the shaped rectangular top enclosing a compartmented interior with ivory fittings and a workbag below, on turned end supports joined by a turned stretcher, the sledge bases carved as dragons, 73cm by 65cm by 46cm See illustration
A French Mahogany and Gilt Metal Bijouterie Table, the oval glazed top with a pierced brass gallery, enclosing a velvet lined interior with glazed sides, on square fluted legs joined by two kidney-shaped undershelves, on turned and tapered feet, 86cm by 62cm by 50cm See illustration
A Victorian Figured Walnut and Marquetry Centre Table, the rectangular serpentine top with a central reserve of floral marquetry within a floral border and gilt cabochon-and leaf edge, on a carved giltwood frame, the shaped rococo frieze with a drawer to each end, on cabriole legs headed by female masks, 76cm by 142cm by 85cm
A George IV Mahogany Foldover Card Table, the D shape top broadly crossbanded, the frieze centred by a tablet with inlaid fleur de lys and scroll motif, on four slender knopped columns from a box plateau on four hipped outswept legs with brass paw caps and castors, 91.5cm by 35cm by 73.5cm See illustration
A Victorian Mahogany Partners' Writing Table, the round cornered moulded top inset with tooled leather, over three frieze drawers to each side, on turned and fluted legs with brass caps and castors, stamped "GILLOW "on one drawer and signed below "M Barrow", 78cm by 153cm by 92cm See illustration
A George IV Mahogany Extending Dining Table, comprising D ends and three extra leaves, the narrow frieze with quarter compressed bobbin moulding, raised on eight (operating on telescopic action) tapered and spirally fluted legs with upper "bale" knobs and with gadroon collared heavy brass caps and castors, 304cm by 136cm by 73cm See illustration
A Regency Rosewood and Brass-Mounted Writing Table, the round-cornered, brass-rimmed top with a pierced brass anthemion gallery and inset with tooled leather, over two beaded frieze drawers, raised on lyre end supports joined by an arched stretcher, on sabre feet with brass caps and castors, 78cm by 112cm by 60cm See illustration
A George IV Rosewood Breakfast Table, in the manner of Gillow of Lancaster, the circular top with a gadrooned edge and beaded frieze, on a tapered hexagonal pillar with gadrooned socle and triform beaded base with three ribbed bun feet and castors, 73cm by 125cm diameter See illustration
An Art Deco patinated bronze figural table lamp by Banksway, mid 1930s, the semi naked maiden holding aloft the light fitting and standing on a stepped square base, stamped Registered to the figure and Banksway beneath; with a mottled glass spherical shade, 49cm high overall
A Reformed Gothic light oak centre table, the circular top with chamfered edges raised on four slab sided shaped uprights united by cross stretcher, recent, 68cm x 102cm See Andrews, John. Arts and Crafts Furniture Woodbridge 2005, p. 32, pl. 25 for a table designed by G. E. Street for Cuddesdon College, Oxford on which the present example is based
An Art Deco satin birch and ebonised circular centre table, the radially veneered top with cushion apron between ebony veneered bands, supported on an ebonised and reeded stepped tapered column base, 69.5cm high, 83.5cm diameter. It has been suggested that the designer was Maurice Adams, en suite with the previous lot
An Art Deco burr walnut eleven piece dining suite, attributed to the Epstein Brothers, comprising: a sideboard with fluted bowed centre flanked by shaped door ends with gilt metal handles and raised on scroll supports with acanthus knees and terminals united by a shaped undertier, 114cm high, 167cm wide, 62cm deep; a smaller sideboard with open compartment above fluted central frieze drawer, 105cm high, 121cm wide, 56cm deep; a dining table with rectangular shaped top, 213cm long, 91cm wide; and four single chairs and two carvers with curved rollover backs and broad ribbed upholstery, 103cm high; with glass dust protectors. See Sothebys Olympia sale Decorative Arts and Design from 1870 29th May 2003, lot 120 for a comparable suite
Alvar Aalto, a circular dining table model 91, red laminate top with a birch edge, on four bent birch laminate supports, recent re-issue, 127cm diameter, 72cm high. See Habegger, Jerryll & Osman, Joseph H. Sourcebook of Modern Furniture. 2nd edition, p. 200, pl. 8-11 for a re-issue by Artek
Paul Evans (American, 1931-1987), a walnut and chrome dining table base, 1970s, resembling a thirteen block city skyline, in laminated wood veneered in a figured walnut and chromium plated patchwork, signed AN ORIGINAL Paul Evans, 72cm high, 165cm wide, 49cm deep (lacking the glass top)
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1181390 item(s)/page