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A large Edwardian silver queens pattern and vine pattern flatware service, by Elkington & Company, Birmingham 1908, comprising a queens pattern service as follows: 24 table spoons, 36 table forks, 36 table knives, 24 dessert spoons, 24 dessert forks, 12 dessert knives, 24 cheese knives, 24 teaspoons, 12 fish knives, 12 fish forks, a pair of fish servers, 1 soup ladle, a pair of sauce ladles, 1 gravy spoon, a pair of butter knives, a pair of sugar tongs, a pair of ice tongs, a pair of asparagus tongs, 2 pairs of carvers in different sizes, 1 crumb scoop, weight 364oz excluding the pair of fish servers, 12 pairs of fish eaters and 12 dessert knives which weigh 73oz to include interiors of handles; ensuite in vine pattern: 12 dessert spoons, 12 dessert forks, 12 dessert knives, 12 ice cream spoons with gilt shovel bowls, 4 fruit spoons with fluted bowls, a pair of grape scissors, 2 pairs of nutcrackers, weight 111oz excluding the 12 dessert knives which weigh 32oz including interiors of handles (299). All monogrammed, in two brass bound oak cases with brass plates, one engraved ‘John Scrini’, one fitted inside cover with trade card. John Scrini (1865-1945) was born on 12 January 1865 in Beirut. He moved to London and became a merchant trader at the Baltic Exchange. In 1909 he married Mina Sechiari at the Greek Orthodox cathedral in Bayswater and the date of the canteen makes it a possibility that it was a wedding gift. Although they had an international lifestyle, the couple lived at 153 Gloucester Terrace, Bayswater after their marriage and John became a British citizen in 1915. After John died, Mina remained living in London until her death in 1967.
A silver old english pattern flatware service, by Viners Ltd., Sheffield 1929/30, monogrammed, comprising: 12 soup spoons, 12 table forks, 12 dessert spoons, 12 dessert forks, 12 fish knives, 11 fish forks, 6 tablespoons, 1 soup ladle, a pair of sauce ladles, total weighable silver approx. 152 oz, in addition: 12 table knives, 12 dessert knives, two pairs of carvers and a steel, all with bone handles, in a three drawer mahogany table (109)
A modern composite dubarry pattern flatware service, made by Poston Products, A E Poston & Company Ltd. and Francis Howard Ltd., Sheffield 1957 to 1965, comprising: 12 soup spoons, 12 table forks, 12 dessert spoons, 12 dessert forks, 12 teaspoons, 12 pairs of fish eaters, 4 tablespoons, 12 table knives, 12 cheese knives, a pair of carvers and steel, 117oz weighable silver excluding knives and fish eaters, in a fitted two drawer table cabinet (103)
A George III/Victorian Scottish silver composite single struck king’s pattern flatware service, various dates and makers, monogrammed, comprising: 12 table forks, 11 tablespoons, 12 dessert spoons, 11 dessert forks, and a tablespoon and dessert fork en suite, London 1886/94, in addition two George III Scottish silver fiddle pattern dessert spoons, by W Marshall, Edinburgh 1812, crested, 88oz (50)
A Victorian silver composite part fiddle pattern flatware service, possibly by James Wintle, London 1836, monogrammed, comprising: 6 tablespoons, 6 dessert forks (one 1838) and 6 assorted dessert spoons en suite, in addition a set of six silver fiddle pattern table forks and six matching dessert forks, by J W Benson, London 1907, also a collection of George III/Victorian silver fiddle pattern flatware, various dates and makers, comprising: 2 tablespoons, 4 dessert spoons, and 6 teaspoons, crested or monogrammed, 64oz (42)
An Edwardian/modern silver composite rat tail pattern flatware service, the majority by Mappin & Webb, Sheffield 1906, comprising: 18 tablespoons, 18 table forks, 18 dessert spoons, 18 dessert forks, 12 teaspoons, a pair of ladles, a gravy spoon, 12 pairs of fish eaters, with bone handles, a pair of fish servers, with bone handles, 12 pairs of fruit eaters, 3 with steel blades, the handles a variant of king’s shaped double thread pattern, in an oak canteen bearing label for Mappin & Webb, weighable silver 158oz (137)
CHINESE CARVED HONGMU ENVELOPE GAMES TABLE LATE 19TH CENTURY the pivoting square top with four triangular hinged leaves carved with prunus opening to a baize playing surface and game piece wells, over a frieze drawer and pierced and carved apron, raised on dragon carved cabriole legs ending on stylised raised claw feet 57cm wide, 76cm high, 57cm deep (closed)
CHINESE CARVED HARDWOOD AND MARBLE INSERT TEA TABLE 19TH CENTURY the square top with a pink marble insert over a pierced and carved frieze depicting fruiting branches, raised on straight carved legs joined by two undertiers and ending on claw and ball feet 49cm wide, 81cm high, 49cm deep
Victorian and later Chinoiserie style tea table cloths, including a linen example with stylized cherry blossom boughs wrought in blue and white satin stitch and one other similar with writhing dragons, together with a later decorative example, (3), late 19th / early 20th Century
A Daguerreotype of a married couple with accent tinting to cheeks, seated side by side the lady rests her elbow on a table of books, housed in a black and gilt wooden case under a decorative Nonpariel mat and preserver, together with a Union Case decorated with fruit boughs, mid 19th Century
Edward Holmes Baldock (1777-1845) Entourage de Table-guéridon tripode. Ronce de noyer, incrustations de laiton, étain et nacre. Ornement de bronze doré. Angleterre, Londres, vers 1840. H. : 74 cm. D. : 128 cm. Cette très belle table-guéridon londonienne du début du XIXème siècle est à l’image d’autres réalisations tout à fait comparables. Une création très vraisemblablement inspirée par l’ouvrage “Furniture with candelabra” de Richard Hicks Bridgens (1785-1856) publié en 1838 présentant un dessin de “marqueterie center table”. Ce meuble est très proche des créations des nombreux “makers” anglais de ce début du XIXème siècle mais n’en est pas moins un meuble exceptionnel. Des tables très semblables peuvent être en effet observées à l’Indianapolis Museum of Art ainsi que dans les collections de Temple Newsham House, Charlecote Park et Carlton Towers. Ces dernières créations, plus documentées et souvent de la main ou attribué au marchand-mercier Edward Holmes Baldock (1877-1845) sont des œuvres commanditées par d’importants personnages de la société anglaise de cette époque et ce sont des pièces uniques. Le plateau principal de notre table-guéridon est orné de six scènes en marqueterie de laiton représentant des passages extraits des Travaux et les Jours ainsi que de la Théogonie d’Hésiode. Ces ouvrages furent traduits pour la première fois vers l’anglais par Sir Charles Abraham Elton (1778-1853) en 1813. Ces six scènes sont reproduites sur la table d’après les gravures de William Blake (1757-1827) publiées en 1817 d’après John Flaxman (1755-1826) afin d’illustrer la traduction inédite d’Hésiode par Elton. Un cartel gravé au dos du plateau central indique les vers du “Elton’s Hesiod” correspondant à chacune des six représentations. Un tampon de “maker” malheureusement illisible figure sur le meuble et permet néanmoins de confirmer la provenance anglaise et londonienne plus précisément. Ce meuble est emblématique d’un âge particulièrement florissant de la créativité anglaise en terme de mobilier, et reste à ce titre un meuble recherché par les collectionneurs et les spécialistes. Ce lot est présenté par M. Grégoire Lacroix.
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1177565 item(s)/page