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Lot 538

AN EARLY 20TH CENTURY MAHOGANY TABLE CLOCK, the silvered dial with two chapter rings having Roman and Arabic numerals and three train German chiming movement, the break arch case with boxwood stringing, twin metal side frets and skirt base raised on brass ogee bracket feet, 18 ½" high

Lot 540

AN EARLY 20TH CENTURY MAHOGANY TABLE CLOCK, the convex silvered dial with Arabic numerals inscribed Sedman, Scarborough, and ting-tang Winterhalder & Hoffmeier movement, the arched case with twin inset panels, skirt base and brass ogee bracket feet, 14" high

Lot 541

A 19TH CENTURY FRENCH POLISHED SLATE AND ORMOLU TABLE CLOCK by F. Barbedienne, Paris, the black dial with applied gilt Roman numerals and twin train movement with bell strike, the under-slung works beneath a flat top mounted with a classical lidded urn of fluted form with twin open handles and swag decoration, the whole raised on foliate decorated feet (the dial, ormolu and movement signed), 26" high

Lot 573

AN EARLY 20TH CENTURY GERMAN WALNUT TABLE CLOCK, the arched gilt dial with silvered Roman chapter ring with Arabic five minutes, matted centre and slow/fast ring above, flanked by scroll mounts, the twin train Winterhalder & Hofmeier movement striking the hours and quarters on two coiled gongs, the case with raised arched top over half column sides and moulded base, 15" high

Lot 614

AN ITALIAN MAJOLICA VASE of urn form with snake entwined handles and all over painted with grotesque dolphins, swags of foliage in renaissance style, now with gilt metal base and converted as a table lamp, 18" high (see illustration)

Lot 673

A WILLIAM IV MAHOGANY SIDE TABLE in the manner of Gillows, the top with a moulded edge above two frieze drawers with turned wooden handles, turned and lobed legs, brass terminals, castors, 48" wide (see illustration)

Lot 674

A GEORGE IV EXTENDING MAHOGANY FALL FLAP DINING TABLE, the top with a reeded edge above six ring turned and tapering legs, brass terminals, castors, 8 ft 2" x 4 ft including three extra leaves but with the capacity to extend to approximately 10 ft 3" x 4 ft (see illustration) The dining table previously belonged to Ellen Mary Maria Eaton (artist) until her death at Whatmer Hall, Sturry, near Canterbury in 1949 before coming into the possession of our current vendor`s family. The Eaton Fund for artists, nurses and gentlewomen was founded in 1954 from the will of Miss E.M.M. Eaton and continues its charitable works today.

Lot 105

Flegel, Georg1563 Olmütz - 1638 Frankfurt/Main Breakfast of Grapes, Nuts, Chestnuts and Bread. Oil on oak. 38,7 x 48,6cm. Framed. Verso: panel maker`s stamp. Provenance: Private estate, Stuttgart. Assessment from Dr. Hana Seifertová on November 12th, 2004. Assessment from Dr. Anne-Dore Ketelsen-Volkhardt on January 24th, 2011. "This image of a laid table of snacks belongs to the much admired themes of Georg Flegel, who belongs to the first specialists in still lifes of the 17th Century. He varied the so-called breakfasts or snacks (Dutch Ontbijtje) throughout his oeuvre in different ways and often in many of his editions. It is in this realm that our image of Breakfast with Grapes, Nuts, Chestnuts and Bread belongs to. It represents a small snack, one which only the well-to-do society could enjoy: beside bread and butter on a white and blue decorated plate are the secretly depicted grapes in a silver bowl; white wine in a pitcher, a glass cup produced in Germany, and finally the hazelnuts displayed in an expensive Chinese bowl. Chestnuts and medlars, as well as half of a lemon (an expensive fruit at the time) are displayed in two simple tin cans. Beside the lemon is a knife with an ornamental handle. This entire image can be seen as a representation of the dining at the time." (Dr. Seifertová)."After first glance regarding the painting, the motifs and the composition, as well as the format, the image has large similarities with two other Breakfast still lifes from Georg Flegel 1566 - 1638: Breakfast with Grapes, Crayfish and Bread, oil on wood, 39 x 47cm, Monogrammed on the blade of the knife, Brotmuseum, Ulm; Large Breakfast with Fruit, oil on canvas, 40 x 48cm, private collection. Due to these similarities, it is in my opinion that "Breakfast with Grapes, Nutes and Bread" can be attributed to Georg Flegel." (Dr. Ketelsen-Volkhardt).

Lot 401

India various 19th century maps of India. All large folding c1853 mostly coloured inc. India & Adjacent Countries – Afghanistan Baluachistan & Persia; Political Map of India with details of acquisitions to British India with chronological table c1850; Military Map of India by John Walker coloured; Revenue Map of India; British Possession of the North West Frontier of India coloured in outline; General Commercial Map of India and Adjacent Countries and Islands

Lot 297

A George VI Canteen of Flatware, Elkington & Co Ltd, Birmingham 1936/40, Hanoverian pattern, comprising twelve each of table forks, table spoons, dessert forks, dessert spoons and teaspoons; and Twelve Each of Modern Table Knives and Dessert Knives, 101oz 4dwt weighable silver, in fitted case

Lot 301

A George V Canteen of Flatware, Joseph Rodgers, Sheffield 1930, Hanoverian pattern, comprising twelve each of table forks, table spoons, dessert forks, dessert spoons and teaspoons, with modern table knives and dessert knives, 107oz dwt, all in fitted case

Lot 302

A George V Canteen of Flatware, Goldsmiths & Silversmiths Co Ltd, London 1919/21/22, Old English pattern, comprising eighteen table forks, six table spoons, twelve dessert forks, twelve dessert spoons, twelve soup spoons, twelve fish knives, twelve fish forks, a pair of sauce ladles, a serving spoon, a soup ladle and a pair of asparagus tongs, all crested, 181oz 7dwt, in fitted case

Lot 325

A Victorian Canteen of Flatware, Martin, Hall & Co, Sheffield 1900, Queen`s pattern, comprising twelve each of table forks, table spoons, dessert forks, dessert spoons, ten teaspoons, two sauce ladles and a soup ladle, with twelve modern table knives and dessert knives, crested and initialled, 165oz 4dwt, in fitted case

Lot 328

A Pair of Victorian Neo-Classical Table Candlesticks, Henry Harrison, Sheffield 1885, each with corinthian capitals and concave sided bead edge sconces, on stop fluted square tapered stems and swept square (filled) bases, engraved R&S A MOORE, 28.5cm high

Lot 340

A George IV and Later Service of Flatware, William Traies, London 1826, and others, retailer`s mark LEWIS, King`s husk pattern, comprising twelve table spoons, twelve table forks, twelve dessert spoons, twelve dessert forks, two sauce ladles, four salt spoons, a butter knife and a serving spoon, with eleven Victorian silver handled table knives and dessert knives, and twelve fish knives and forks, London and Sheffield, 143oz weighable silver

Lot 341

A George IV Service of Flatware, mainly William Eaton, London 1828 and earlier, fiddle and thread pattern, comprising twelve each of table forks, table spoons, dessert forks, dessert spoons and teaspoons, two sauce ladles, a serving spoon and a soup ladle, crested; and Twelve Modern Silver-Handled Table Knives and Dessert Knives, 138oz 4dwt weighable silver

Lot 348

A William IV Part Service of Flatware, William Eaton, London 1836, fiddle and thread pattern, comprising twenty-four table forks, twenty-four table spoons, twelve dessert forks, twelve dessert spoons, nine teaspoons and three egg spoons, 198oz 18dwt

Lot 366

A Set of Six George III Irish Table Spoons, two Isaac D`Olier, four JS, all Dublin, 1790, Old English Celtic taper bright cut engraved, crested, 24cm long, 12oz 5dwt

Lot 834

Henry Spernon Tozer (1864-c.1938) Interior scene with a lady seated beside a fire place knitting Signed and dated 1906, pencil and watercolour heightened with white, 22.5cm by 30.5cm; together with Interior scene with a gentleman seated at a table smoking a clay pipe Signed and dated 1908, pencil and watercolour heightened with white, 23cm by 26cm (2)

Lot 946

Anglo-Chinese School (19th century) Interior scene with Chinese figures beside carved furniture; Interior scene with an elderly Chinese gentleman seated beside a table Oil on canvas, each 51cm by 63.5cm (pair)

Lot 1076

A French Ormolu and Sèvres Style Porcelain Panel Mounted Table Casket, circa 1870, of round ended rectangular form, the hinged lid as two doves near a flaming torch amongst ivy leaves, and a portrait medallion of a young woman with lace bonnet, velvet lined interior, the front panel painted with a couple with sheep by a river in the manner Watteau, with gilt scroll edges against a turquoise ground, 19cm high, 27.5cm long

Lot 1078

An Ebonised Wood and Gilt Brass Mounted Table Inkstandish, French, circa 1830, rectangular, with acanthus sheathed outscroll handles, twin pen depressions, central taper stick flanked by (later associated) brass inks, on lion paw feet, 35cm wide

Lot 1079

A Viennese Ormolu and Enamel Miniature Mounted Table Casket, late 19th century, of rectangular form, the hinged lid centred by an oval miniature depicting Princess Victoria (daughter of Louis XV) as Diana the Huntress, signed Drouis, within rose trellis, scrolls and musical instrument trophies, the four other faces similarly decorated with the Duchesse de Chartres (front), Princess Henriette, daughter of Louis XV (back), Adelaide of France (right) and Marie José de Saxe, mother of Louis XVI (left), internally with floral silk lining, 21.2cm by 14.2cm by 17.2cm

Lot 1123

A Gilt Brass Mounted and Cut Glass Table Oil Lamp, perhaps Osler, circa 1880, the domed hobnail cut base with slice cut semi-ovoid cabochons to the angles beneath a part octagonal panelled stem, to a conforming capital and compressed spherical oil reservoir supporting a Hinks & Sons` patent burner, funnel and decorative engraved globe shade, 78cm high overall

Lot 1183

An Ebonised and Brass Inlaid Striking Table Clock, signed Perigal & Duterrau, London, circa 1820, the lancet top case with brass inlaid front, side sound frets and lion mask carrying handles, raised upon brass ball feet, 7-inch circular painted dial with Roman numerals, twin fusee movement with anchor escapement and striking on a bell, backplate signed and engraved to the borders, secured by brackets, 41cm high

Lot 1184

A Mahogany Inlaid Striking Table Clock, circa 1890, the arched top with brass ball finials, pierced wooden side frets, brass stop fluted corners, inlaid stringing and butterfly to the front, raised on brass ball feet, 5-3/4-inch silvered dial with Roman numerals, fast/slow adjustment above 12, twin fusee movement with anchor escapement and striking on a gong, 50cm high

Lot 1185

A Small Mahogany Inlaid Chiming Table Clock, retailed by Elkington, circa 1900, the arched case with inlaid stringing and scroll decoration to the canted corners and base, pierced side sound frets, silvered presentation plaque to the front door The Carnegie Hero Fund Trust for the heroic endeavour to save human life at the Old Fold Pit, felling on October 31st 1911 To James Frederick Booth, signed 5-inch arched silvered dial with applied Arabic numerals and three dials for chime/silent, St Michael/Westminster, fast/slow selections, engraved to the corners with floral decoration, triple fusee movement with anchor escapement, quarter chiming with eight hammers striking eight gongs and a further hammer striking a larger gong for the hours, secured by brackets, 33.5cm high

Lot 1186

A Mahogany Striking Table Clock, signed Jno Parker, London, the single pad top arched case with carrying handle, pierced side sound frets, moulded rectangular base, 7-inch arched silvered dial with Roman numerals, the arch with strike/silent selection (now detached), twin fusee movement with anchor escapement and rack striking on a bell, backplate with highly elaborate scroll engraving throughout and signed, 37cm high

Lot 1187

An Oak Chiming Table Clock, signed Lund & Blockley, To The Queen, Pall Mall, London, 2/814, circa 1870, the arched case with applied metal mounts to the front, pierced side sound frets, rectangular base raised on block feet, signed 8-inch silvered dial with Roman numerals, engraved scroll decoration to the corners, the arch with subsidiary dials for fast/slow and chime/silent, triple fusee movement with anchor escapement, eight hammers chiming onto a nest of eight bells and a further hammer striking a gong for the hours, backplate signed and secured by brackets, 49cm high

Lot 1188

A Burr Walnut Striking Table Clock, the arched veneered case with side carrying handles and sound frets, inlaid stringing to the front and raised on brass ball feet, 9-inch circular painted dial with Roman numerals, twin fusee movement with anchor escapement and striking on a bell, dial and movement later, 47cm high

Lot 1192

A 19th Century Rosewood Striking Table Clock, the chamfered top with pineapple finial, side carrying handles and sound frets, recessed panels to the front with brass inlay and mounts, raised on brass ball feet, 6-inch silvered dial with Roman numerals, twin fusee movement with anchor escapement and striking on a bell, 41cm high

Lot 1194

A Rosewood Chiming Table Clock, signed Martin, Baskett & Martin, Cheltenham, circa 1860, the Gothic style case with arched top and single finial, pierced side sound frets, signed 8-1/2-inch one piece silvered dial with Roman numerals, the arch with strike/silent selection, triple fusee movement with anchor escapement and quarter striking eight hammers onto a nest of eight bells, a further hammer striking a gong for the hours, backplate signed and secured by brackets, 73cm high, together with matching wall bracket

Lot 1195

A Regency Rosewood Striking Table Clock, surmounted by a pineapple finial, side carrying handles and sound frets, recessed panels to the front and brass mounts, raised on brass ball feet, indistinctly signed 8-inch painted dial with Roman numerals, twin fusee movement with anchor escapement and striking on a bell, secured by brackets, 50cm high

Lot 1196

An Ebonised Table Timepiece with Alarm, signed Anty Marsh, London, circa 1750, the inverted bell top case with carrying handle, side viewing windows, pull cord to wind up alarm work, raised on wooden block feet, 6-1/4-inch arched brass dial with silvered Roman and Arabic chapter ring, matter dial centre with central alarm disc and single winding aperture, the arch with signed circular plaque, single fusee movement with verge escapement and alarm striking on a bell, 45cm high

Lot 1197

A Good George III Mahogany and Gilt Metal Mounted Striking Table Clock, signed Thos Pace, London, circa 1790, the inverted bell top with urn shaped finials, side carrying handles and mask and scroll gilt metal sound frets, mask and floral mounted front canted corners, raised on scroll feet, pull repeat cord to the underside, signed 8-inch arched brass dial with a central circular silvered dial with Roman and Arabic numerals, date aperture, the arch with strike/silent selection, twin fusee movement with verge escapement and striking on a bell, backplate finely engraved with floral and scroll decoration, secured by brackets, seatboard inscribed with an old label, 60cm high Thomas Pace, a fine clockmaker, is recorded working at Whitechapel, London 1784-1825. He has a lever pocket watch in the Guildhall Museum. See Baillie (GH) Watchmakers & Clockmakers of the World, pg.241.

Lot 1198

A Fine George III Mahogany Brass Mounted Striking Table Clock, signed Yeldrae Norton for (Eardley Norton), London, No.1381, circa 1760, the inverted bell top with carrying handle, four foliate urn finials, glazed side viewing windows and pull repeat cord, front canted corners with applied mask and floral brass mounts, moulded base raised on ogee bracket feet, 7-inch arched brass dial with silvered Roman and Arabic chapter ring, signed matted dial centre with date aperture and numbered on a silvered recessed plaque, the arch with strike/silent selection, twin fusee movement with verge escapement and striking on a bell, bob pendulum, backplate with engraved scroll work and numbered 1381, also stamped to the side of the movement edge, secured with brackets, 51cm high Eardley Norton is recorded as a maker of great repute and was working from 49 St.John Street, Clerkenwell in the mid 18th century. He was free of the Clockmakers Company from 1770-1794. In 1771 he patented a striking mechanism and many of his clocks and watches are in major collections and museums around the world today.

Lot 1199

A Fine and Rare George II Ebonised Pull Quarter Repeating Alarm Table Clock with Unusual Dial Display, signed William Scafe, London, circa 1730, the inverted bell top with acorn finials, side carrying handles and pierced wood sound frets, pull repeat cord, raised on block feet, 8-1/2-inch arched brass dial with Roman and Arabic silvered chapter ring, matted dial centre with alarm dial and mock pendulum aperture, the arch with silvered plaque with strike/silent selection and signed corresponding hand, date subsidiary dial and engraved sunburst decoration to the dial plate, twin fusee movement with verge escapement, quarter striking four hammers onto a nest of four bells and a further hammer striking a bell for the hours, backplate displaying two racks and engraved throughout with mask, bird and scroll decoration and signed to the centre, secured by brackets, 55cm high William Scafe is recorded as a maker of repute, who worked at King Street, Guildhall, London in 1721, and was Master of the Clockmakers Company 1749-64. He is best known for the distinctive design to his dials and workmanship. See Baillie (GH) Watchmakers & Clockmakers of the World, pg.283. A very similar table clock is illustrated in Barder (Richard CR) The Georgian Bracket Clock 1714-1830, pg.52.

Lot 1294

A Late 17th Century Oak Eight-Seater Gateleg Table, the rectangular top with two rounded drop leaves above gatelegs, raised on bobbin turned and block legs joined by an understretcher, 142cm by 185cm extended by 77cm (restorations)

Lot 1300

A Joined Oak Refectory Table, basically 17th century, the rectangular three-plank top with cleated ends above a moulded frieze, raised on four square chamfered legs joined by a peripheral understretcher, 183cm by 91cm by 82cm (repairs)

Lot 1301

An 18th Century Joined Elm Refectory Table, the rectangular top of three plank construction with cleated ends above a plain frieze, raised on square chamfered legs joined by a peripheral understretcher, 183cm by 77cm by 72cm

Lot 1306

A Satinwood, Tulipwood and Purple Heart Crossbanded Pembroke Table, George III and later, with two rounded drop leaves above a frieze drawer and opposing sham drawer, raised on ebony strung tapering legs with brass toes and castors, 81cm by 46cm by 75cm

Lot 1311

A George III Mahogany Tripod Table, late 18th century, the dished circular flip top raised on a turned vase shaped and part wrythen baluster support, with three cabriole legs and flattened pad feet, 46cm by 76cm

Lot 1315

A George III Mahogany Concertina Action Foldover Card Table, late 18th century, the hinged lid enclosing a modern green baize above a plain frieze, raised on plain tapering legs with simple decoration to the knees, terminating in flattened pad feet, 89cm by 44cm by 73cm (restorations)

Lot 1316

A Victorian Carved Walnut and Floral Marquetry Games Top Tripod Table, 3rd quarter 19th century, the shaped top with inset games board decorated with various buildings and landscapes, raised on a turned carved bulbous support with cabriole legs, scrolling toes and castors, 62cm by 71cm

Lot 1317

A Victorian Walnut Writing Table, mid 19th century, the rounded rectangular top with inset green and gilt skiver, above two real and two sham drawers, raised on gothic style carved and foliate end supports joined by a turned carved stretcher, raised on castors, 144cm by 76cm by 75cm Bearing paper label of G Trollope & Sons, 15 Parliament Street

Lot 1321

A Victorian Mahogany Centre Table, mid 19th century, the rectangular top with reeded edge above two narrow frieze drawers and opposing sham drawers, raised on turned baluster supports with sledge bases, compressed bun feet and castors, 117cm by 64cm by 73cm

Lot 1322

A Regency Rosewood and Brass Strung Foldover Card Table, 2nd quarter 19th century, the rectangular top with canted corners enclosing green baize lined interior, above a strung frieze, raised on a slender vasiform shaped support, quadreform base and cabriole legs with scroll toes and brass castors, 86cm by 43cm by 73cm

Lot 1323

A George III Mahogany Concertina Action Foldover Card Table, late 18th century, the rectangular top above a plain frieze, raised on square chamfered legs with fretcut pierced brackets, 91cm by 45cm by 74cm (restorations)

Lot 1336

A Mahogany Chippendale Style Card Table, of inverted breakfront form, the hinged leaf enclosing a velvet lined interior with gaming wells, the plain frieze raised on acanthus carved cabriole legs with ball and claw feet, 81cm by 39cm by 73cm (alterations)

Lot 1340

A George III Mahogany Harlequin Card/Writing Table, late 18th century, the folding top with two hinged leaves above a single gateleg, leather skiver and sprung mechanism, the box structure fitted with pigeon holes and small drawers, raised on four tapering legs with flattened pad feet and recessed leather castors, 79cm by 40cm by 73cm closed Provenance: Ex P H Ingham Antiques, receipt dated 1972, Ex Grosvenor Antique Fair For similar examples, see Bowett (Adam) Early Georgian Furniture 1715-1740, pg.265, pl.5

Lot 1344

A Rosewood and Brass Strung Sofa Table, 2nd quarter 19th century, the rectangular top with two hinged leaves above two real and two sham drawers, raised on C scroll end supports joined by a wavy shaped understretcher, raised on castors, 98cm by 63cm by 75cm

Lot 1352

A William IV Rosewood Foldover Card Table, 2nd quarter 19th century, the hinged lid enclosing a red velvet interior above a plain frieze, raised on a square tapering support, moulded socle and quatrepartite base with scrolling toes and recessed castors, 97cm by 47.5cm by 74cm

Lot 1354

A George IV Mahogany Pembroke Table, 2nd quarter 19th century, with reeded edge and two drop leaves above two frieze drawers, raised on turned tapering reeded legs with brass toes and castors, 94cm by 57cm by 74cm

Lot 1358

A George III Mahogany Circular Dining Table, early 19th century, with reeded edge and plain frieze, raised on a turned gun barrel support with four cabriole legs with ornate brass cast feet and castors, 144cm by 70cm Ex The former Judges` Lodgings, Lendal, York, lot 564, 27 July 1978

Lot 1367

A Mahogany Sofa Table, 19th century with alterations, the rectangular top with reeded edge and two rounded drop leaves, above four real drawers with lion mask loop drop handles, raised on spiral turned supports and reeded splayed legs with brass toes and castors, 88cm by 76cm by 68cm

Lot 1378

An Impressive Victorian Mahogany Extending Dining Table, circa 1860, the serpentine shaped top above a plain frieze, raised on carved cabriole legs with acanthus scrolling toes and recessed castors, with six additional leaves and brass clips, 505cm long extended by 136cm by 74cm

Lot 1379

A George IV Mahogany D End Dining Table, early 19th century, with two rounded rectangular end sections and rectangular centre section, raised on twelve turned and reeded tapering legs with brass toes and castors, one extra leaf, 215cm by 122cm by 73cm (alterations)

Lot 1380

A George III Mahogany Dropleaf Dining Table, late 18th century, the rounded rectangular top with two hinged leaves above two pivoting gatelegs, raised on tapering legs with carved shoulders and flattened pad feet, 119cm by 132cm by 73cm

Lot 1381

A Victorian Mahogany Extending Dining Table, 3rd quarter 19th century, the rounded rectangular top extending on a wind-out mechanism, with plain frieze, raised on carved baluster legs with brass castors, two additional leaves, 263cm extended by 136cm by 78cm

Lot 1382

A William IV Mahogany Telescopic Dining Table, 2nd quarter 19th century, the rounded rectangular top above a pull-out mechanism and plain frieze, raised on six turned and reeded tapering legs with brass toes and castors, with three additional leaves, 124cm (259cm extended) by 131cm by 75cm

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