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A 19th Century Anglo-Burmese rosewood circular breakfast table, the wavy rim with carved flowerhead edge moulding and with conforming fretted and carved apron, on turned and boldly carved leaf scroll column and on fretted and carved tripod base with bold leaf scroll feet, 37ins diameter x 30ins high
A Victorian silver and tortoise shell triple cased pocket watch (made for the Turkish market) by Edward Prior of London, No. 80194, the white enamel dial with Turkish numerals, to the table roller lever escapement with fusee and maintaining power, plain steel balance, the cock finely pierced and engraved and with diamond endstone in blued steel setting, Tompion type regulator with silver regulating disc with Turkish numerals, secured in pierced and engraved subsidiary plate, contained in plain inner case, the second silver case engraved with basket of flowers within scroll work borders, the silver outer case covered in figured tortoise shell and secured in position by silver pins, 56mm diameter, hallmarked London 1875, case maker's mark "W.C.S." (William Charles Scott, 17 Rahere Street, London), (gross weight 129 grammes) Note: Edward Prior, 18 Powell Street, King Square, Clerkenwell, London, 1800-1868 - a maker of repute, supplying traditional watches to the Turkish market
An impressive George II walnut and marble topped centre table, c.1740-50, the inset rectangular Siena Brocatelle marble top enclosed by a gadrooned edge above a rocaille and curled leaf frieze, on four acanthus leaf carved cabriole legs with ball and claw feet, inventory label under frieze 'T120', W.5ft 4in. D.3ft 1.5in. H.2ft 10in.
A Chinese famille rose and hongmu table screen, early 20th century, finely painted with He Xiangu and Li Tieguai, four character seal mark 'Wang Qi....', porcelain plaque 41.5cm x 30cm, Total dimensions 60.5cm x 41cmProvenance - Mr Keel, purchased from China Art House, 155 Orchard Road, Singapore, 5 December 1956.
A late Victorian Chippendale style mahogany serving table, with pedestal cupboards, each mounted an urn shaped knife box, over frieze drawers and cupboard doors, the serving table with two frieze drawers and blind fret carved squared legs, table W.4ft 6in. D.2ft 2in. H.3ft; cupboards W.1ft 9in. D.2ft 2in. H.6ft
A Chinese 'Hundred Bird' embroidered silk table screen, late 19th century, the panel finely embroidered with birds amid trees and rockwork on an ivory satin ground, 43 x 36cm, with a hongmu foliate pierced frame and matching separate stand with 'Buddhist lion' shaped feet, Total size 72.5 x 56cm
A matched part canteen of George III silver Old English pattern flatware by George Smith & William Fearn and Richard Crossley, with engraved armorial, comprising fifty nine items, London, 1789/90/95, together with twelve dessert and twelve table knives, John Tatum Snr and John Tatum Jnr, with demi-reeded octagonal handles, London, 1798, weighable silver 81 oz.
Guenevere's (Cherie Lunghi) dress from John Boorman's Arthurian adventure film Excalibur. Guenevere wore her dress at the Round Table when Sir Gawain (Liam Neeson) questioned her fidelity to King Arthur (Nigel Terry). The floor-length dress is made from cream cotton that displays an array of faux-gold floral embroidery, with decorative diamond patterning around the neckline. A long, orange, heavily embellished sleeveless trail accompanies the dress, with two circular beads attached to the front. Bonn & Mackenzie labels with the handwritten text "Cheri Lunghi €“ Guinivere [sic]" are adhered to the inside necklines of both garments. The dress displays light plucks, wear to the stitching and a stain on the back of the trail from production use.£800-1200 M
Inga's (Teri Garr) dress from Mel Brooks' horror parody Young Frankenstein. Inga wore her dress at the dining-room table while discussing plans to create a creature from dead tissue with Dr. Frankenstein (Gene Wilder) and Igor (Marty Feldman). This floral-patterned dress features a silk slip interior, an attached pink bodice with drawstrings on the front, and a lace-accented top with shoulder frills. It has a zip closure on the reverse and is labelled "TERRI [sic] GARR" on the interior. The dress exhibits mild signs of wear throughout.£3000-5000 Ω
A Star Wars-themed pinball machine, manufactured in 1992 by the Japanese electronic engineering company Data East. Designed by John Borg, the pinball machine features detailed artwork by Markus Rothkranz, iconic music and sound effects by Brian Schmidt and LED screen and game programming by Neil Falconer. The machine is mostly made of wood, with metal adjustable legs, a glass pane over the table and plastic paddle buttons and pinball launch lever. The table itself features a pinball-triggered moving R2-D2, glowing C-3PO eyes, glowing bumper corners, and various voices, from Luke Skywalker to Obi-Wan Kenobi and Han Solo. The music, sound effects and voices emanate from two Death Star-decorated speakers on either side of the fold-down front display, which also features an LED screen that plays an opening animation of Star Destroyers flying through space, a "bonus" screen with Artoo being disassembled by Jawas, a stormtrooper army screen, and an Obi-Wan "Game Over" screen. The machine features instruction and maker decals, a key that unlocks a front panel to access the electronics, and is powered with a UK mains plug. It has been carefully professionally refurbished and is set to allow for free play. Dimensions: 199 cm x 70.5 cm x 141 cm (78 1/4" x 27 3/4" x 55 1/2")£3000-5000 M *Contains electronics; see electronics notice in the Buyer's Guide*Special shipping required; see special shipping notice in the Buyer's Guide
A Knights of the Round Table sword from Michael Bay's sci-fi action film Transformers: The Last Knight. Rusted swords were laid out on King Arthur's Round Table as Sir Edmund Burton (Anthony Hopkins) showed Cade (Michael Wahlberg) and Professor Vivian Wembley (Laura Haddock) around his castle, which was full of priceless historical artefacts. This sword is made from resin, moulded in an irregular shape and coated in brown paint and crafted to mimic heavy corrosion. It shows some signs of production use, including a few scratches along the blade, likely deliberate ageing by production. Dimensions: 101 cm x 21 cm x 2 cm (39 3/4" x 8 1/4" x 3/4")£1000-1500 †Δ
An engineering PADD from Star Trek: Enterprise. Engineering PADDs (Personal Access Display Devices) were used by members of the engineering crew to access technical information. This PADD is made of plastic painted a metallic faux-silver. It has four resin ridges on the back and features a display screen application, which is adhered to a backlight and shows a Power Conversion Table Update. The PADD is powered by four AA batteries, which are housed in a compartment on the back. It has two rubber buttons at the bottom and a rubber bobble at the top for additional detailing. The piece has some wear from production use and age, including some scuffs and scratches, and areas where the paint has rubbed away, most notably on the back. The rubber bobble at the top has slipped from its previously more central position. Dimensions: 19 cm x 11.5 cm x 1.3 cm (7 1/2" x 4 1/2" x 1/2")£1000-1500 M *Contains electronics; see electronics notice in the Buyer's Guide
A head cast of the Skeksis Gourmand from Jim Henson and Frank Oz's fantasy film The Dark Crystal. The Gourmand was the largest member of the Skeksis clan, often seen in the background of meetings and gorging himself at the dinner table. Head casts were used as tests for the actual pieces used on screen. This head cast is made of fibreglass with a layer of grey paint lacquer. It is mounted on a custom-made display and shows significant wear from production use and aging. There are cracks and missing pieces on the neck and beak, with fractures and holes throughout. Dimensions (displayed): 36.5 cm x 32 cm x 18 cm (14 1/4" x 11 1/2" x 7")£400-600 †Δ
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1181627 item(s)/page