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Henry Adams Auctioneers
Lot 96

A George V silver dressing table pot and cover cylindrical shape with engine turned decoration, 9cm

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Henry Adams Auctioneers
Lot 98

Two Old English pattern silver ladles; a silver sifter ladle; a silver butter knife; two small `berry` spoons and two Georgian table spoons, 9oz

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Henry Adams Auctioneers
Lot 108

A George V silver dressing table set, Birmingham 1927, of four brushes, handmirror and comb cased (a/f)

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Henry Adams Auctioneers
Lot 114

Various silver items to include a pair of short table candlesticks (loaded), a christening egg cup and spoon in case, a pair of napkin rings in case and a pair of pepper in case, weighable 4oz

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Henry Adams Auctioneers
Lot 124

A silver part canteen of Rat Tail pattern flat ware, maker Goldsmiths & Silversmiths Co., London 1932 comprising six table forks, seven table spoons, six soup spoons, six dessert forks, three dessert spoons, seven tea spoons and two sauce ladles, 65oz

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Henry Adams Auctioneers
Lot 131

A set of six silver Old English pattern table forks, maker Joseph Ridge, Sheffield 1921, 11.5oz

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Henry Adams Auctioneers
Lot 133

An Edward VII silver dressing table tray, Birmingham 1904, serpentine border embossed with angels heads, 37cm; two silver backed dressing table brushes, a hand mirror and a comb

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Henry Adams Auctioneers
Lot 136

A set of six silver Old English pattern table forks, maker Joseph Ridge, Sheffield 1916, 12oz

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Henry Adams Auctioneers
Lot 147

A George VI silver circular dressing table pot, Birmingham 1930, with domed cover, 12cm; a heart shaped trinket box, 8cm and an oval shaped box, 10cm both on cabriole legs

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Henry Adams Auctioneers
Lot 149

A George V silver four piece dressing table set, of three brushes and a hand mirror, with engine turned decoration, Birmingham 1925

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Henry Adams Auctioneers
Lot 155

A set of six Naval blue enamel dressing table items including a George VI silver travel clock, a George V silver compact, a George VI silver topped jar, a cigarette lighter, lipstick (a/f) and comb with case, each decorated in blue enamel and mounted with a Navy crown

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Henry Adams Auctioneers
Lot 170

A George II Old English pattern silver table spoon, London 1733, 4oz and another similar

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Henry Adams Auctioneers
Lot 172

An Edwardian silver `Aladdin`s Lamp` table cigarette lighter, Birmingham 1902

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Henry Adams Auctioneers
Lot 228

A George III Scottish silver Old English pattern silver table spoon, Edinburgh 1784; a pair of tablespoons, London 1789 and two other George III table spoons, including one by Hester Bateman, 8.5oz

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Henry Adams Auctioneers
Lot 230

A pair of late Victorian silver serving spoons, with shell bowls pierced handles and apostle terminals, London 1899 and a pair of berry table spoons with fruiting vine decorated bowls, 8oz

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Henry Adams Auctioneers
Lot 231

Six various early 19th century silver fiddle pattern table spoons, various dates and makers (crested)

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Henry Adams Auctioneers
Lot 232

A matched part Victorian silver canteen of Kings pattern flatware of two sauce ladles, three table forks, a table spoon, and four egg spoons, various dates and makers (crested), 21oz together with ten plated Kings pattern table spoons

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Henry Adams Auctioneers
Lot 234

A part canteen of Victorian silver fiddle pattern flatware, maker Jacob Wintle, London 1846, comprising twelve table forks, eight dessert spoons, nine dessert forks and a pair of basting spoons (all initialled R), 65oz

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Henry Adams Auctioneers
Lot 235

A pair of Victorian silver table spoons with shell handles; a pair of Exeter silver fiddle pattern table spoons; a pair of George III table spoons with bright cut handles and a silver fish knife (initialled R), 14oz

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Henry Adams Auctioneers
Lot 236

A set of six Victorian fiddle pattern table forks, maker George W Adams, London 1849 (initialled R), 14oz

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Henry Adams Auctioneers
Lot 237

Four silver fiddle pattern table spoons, maker George Ferris, Exeter 1824 (initialled R) (a/f); together with six various fiddle pattern dessert spoons and three forks (initialled R), 20oz

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Henry Adams Auctioneers
Lot 277

Three 18th century Old English silver table spoons; two Old English pattern silver ladles, two fiddle pattern silver sugar tongs and two other bright cut decorated tongs (some initialled), 11.5oz

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Henry Adams Auctioneers
Lot 285

A small collection of silver items including pierced pepper pot, small tortoiseshell dressing table pot, a vesta case, two pocket watches (a/f), various small spoons, pair of tongs and a walking cane top

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Henry Adams Auctioneers
Lot 291

A Victorian silver hip flask, London 1892, a Victorian silver topped cut glass dressing table bottle, a silver mounted glass cruet, a ladies silver pocket watch, a Chinese silver plated rickshaw

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Henry Adams Auctioneers
Lot 294

An early 19th century silver part canteen of fiddle, thread and shell pattern flatware, makers Joseph and Albert Savory and Francis Higgins, London 1837 and 1859, comprising six table spoons, six dessert spoons and twelve tea spoons (JS & AS), six table forks, six dessert forks, two sauce ladles (FH), together with four plated egg spoons, six silver handled table knives and dessert knives and carving knife and fork (crested), weighable 84oz

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Henry Adams Auctioneers
Lot 298

An Edward VII silver dressing table hand mirror with embossed decoration and a silver mounted dressing table brush

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Henry Adams Auctioneers
Lot 302

A Victorian silver `World Globe` table lamp base (now electric), maker probably John Newton Mappin, London 1890, the globe supported by three caryatid figures on scroll base and plinth, 24cm high

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Henry Adams Auctioneers
Lot 326

A collection of small Chinese silver and metal items to include a condiment set (stamped Sterling); a Rickshaw; a Rickshaw cruet; a table; a man with a barrow, cage and wheel barrow

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Henry Adams Auctioneers
Lot 335

A Chinese silver back hand mirror, clothes brush and hair brush; four Chinese silver egg cups; a silver table bell; an Indian box and various other metal items

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Henry Adams Auctioneers
Lot 482

A glass part table service (probably French) with engraved flowered pattern and applied gilt decoration comprising six champagne flutes, dessert bowl and smaller bowls, plates and small dishes

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Henry Adams Auctioneers
Lot 604

A heavy white marble table lamp with ormolu cherubs holding swags of leaves on circular base, 43cm high

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Henry Adams Auctioneers
Lot 800

A 19th century mahogany bedside table with gallery top, single drawer on turned legs, 49cm

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Henry Adams Auctioneers
Lot 802

A painted rectangular coffee table with mottled marble top, 100cm by 50cm and another marble top

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Henry Adams Auctioneers
Lot 803

A Victorian mahogany folding coaching table on cross leg support with turned stretcher, fully open 90cm by 60cm

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Henry Adams Auctioneers
Lot 833

A George III mahogany card table with rising bowfront top with beize lining on square tapered legs, 92cm

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Henry Adams Auctioneers
Lot 835

A Victorian black lacquered paper mache pedestal work table with shaped edge hinged top on turned column and flat tripod base, the whole with floral and mother of pearl decoration and gilt enrichment, 44cm by 28cm

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Henry Adams Auctioneers
Lot 836

A Jacobean style oak refectory table with carved bulbous supports and low stretchers, 197cm

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Henry Adams Auctioneers
Lot 848

An early 19th century brass inlaid rosewood sofa table, with two drawers on shaped supports with four brass terminals and casters, 96cm

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Henry Adams Auctioneers
Lot 866

A Regency mahogany pedestal Pembroke table with coromandel banded edge top and two drop flaps with one drawer on column and quadruple splayed leg base, 92cm

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Henry Adams Auctioneers
Lot 870

A Victorian mahogany extending dining table with three extra leaves and moulded edge top on four turned tapered legs with casters, fully open 222cm by 117cm

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Henry Adams Auctioneers
Lot 872

A George III mahogany bowfront card table with green baize lined folding top on four square tapered legs, 92cm

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Halls Fine Art Auctioneers
Lot 187

A part set of Hanoverian and Thread pattern silver flatware, LAC, London 1929, comprising; seven tablespoons, eight dessert spoons, three serving spoons, two sauce ladles, eight table forks and eight dessert forks, total weight 81oz (36)

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Halls Fine Art Auctioneers
Lot 193

A cased canteen of Old English pattern silver cutlery, James Dixon & Sons Ltd, Sheffield 1918-1925, comprising; twelve table forks, twelve dessert forks, twelve dessert spoons, twelve soup spoons, twelve teaspoons, four salt spoons, a mustard spoon, six egg spoons, six tablespoons, a pair of sugar tongs, a butter knife, two knife rests, two sauce ladles, a basting spoon, a soup ladle, twelve ivorine handled stainless steel table knives, twelve ivorine handled stainless steel side knives, carvers and a steel, all with engraved initials 'C N', presented within fitted Wellington style oak canteen with brass swing handles and cartouche, 48cm wide, 21cm high, 33.5cm deep, total weight of silver approx 145oz (114)

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Halls Fine Art Auctioneers
Lot 196

A set of late 20th century silver Grecian pattern cutlery, United Cutlers Ltd, Sheffield 1992, 1993 & 1999, comprising; ten table forks, ten teaspoons, ten dessert forks, ten dessert spoons, ten soup spoons, four serving spoons, ten silver handles table knives, ten silver handled side knives, a silver handled cheese knife and a silver handled carving knife, fork and steel, together with a pair of silver plated salad servers, within cutlery cloths and original boxes, total weight approx 104oz (80)

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Halls Fine Art Auctioneers
Lot 203

A silver swan table centrepiece, C J Vander Ltd, London 1974, the swan naturalistically cast with bowed head, with gilt metal grille, 22cm high, weight 77oz

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Halls Fine Art Auctioneers
Lot 218

A matched set of Kings and Queens pattern silver flatware, comprising; twelve serving spoons and eight dessert spoons, Jonathan Hayne, London 1825-1835, fourteen teaspoons, John, Henry & Charles Lias, London 1829-1832 and twelve dessert forks, Thomas Wallis II & Jonathan Hayne, London 1814, together with four matched table forks and two dessert spoons, some with engraved initial to terminal, total weight 114.4oz (52)

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Halls Fine Art Auctioneers
Lot 225

A three drawer canteen of Hanoverian and rat tail pattern silver cutlery, C W Fletcher & Son Ltd and William Yates Ltd, Sheffield 1912 & 1960, comprising; twelve tablespoons, twelve table forks, twelve dessert spoons, twelve dessert forks, a basting spoon, twelve silver handled side knives and twelve silver handled table knives, together with twelve teaspoons, JR, Sheffield 1896, all presented within fitted three draw part walnut veneered serpentine canteen with four cabriole legs total weighable silver 102.5oz (85)

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Halls Fine Art Auctioneers
Lot 230

A Victorian coromandel dressing table box with silver topped glass jars, T.W, London 1878, the rectangular box with domed cover opening to reveal seven silver topped glass jars together with three silver plated topped bottles, the hinged cover with removable hidden mirror inset and envelope compartment, front panel of the box drops down to reveal two interior draws with brass swing handles, 20cm high, 31cm wide, 23.5cm deep

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Halls Fine Art Auctioneers
Lot 248

A six piece silver and pink guilloche enamel dressing table set, Adie Brothers Ltd, Birmingham 1927, comprising; a hand mirror, two clothes brushes, a hair brush, an oval trinket box and a glass jar, together with two white metal and pink guilloche enamel handled manicure instruments (8)

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Halls Fine Art Auctioneers
Lot 253

A matched six piece silver and blue guilloche enamel dressing table set, William Neale & Son, Birmingham 1933 & 1934, comprising; a hand mirror, a hair brush, a glass powder jar and a trinket box, together with a clothes brush, London and an atomizer (at fault) (6)

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Halls Fine Art Auctioneers
Lot 254

A silver and enamel seven part dressing table set, W G Sothers Ltd, Birmingham 1953-54, each piece with cream ground guilloche enamel with floral motif, comprising; a hand mirror, two hair brushes, two clothes brushes, a hand comb and a combined come in case (at fault)

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Halls Fine Art Auctioneers
Lot 625

Please note this lot will not available for online bidding. For further information and to bid on this lot please contact Halls Fine Art 01743 450 700 Dirck Van Delen or Dirck Christiaensz Van Delen (Heusen 1605-1671 Arnemuiden) 'Dives and Lazarus', Figures Banqueting at a Dining Table in an Architectural Capriccio, other Figures and Servants nearby with Musicians in a Gallery above, signed with the artists initials and indistinctly dated, possibly 1626, oil on panel, 61.5cm x 73cm We gratefully acknowledge Mr Bernard Vermet's assistance in cataloguing this lot. Mr Vermet is currently writing the catalogue raisonne on the artist. Dirck van Delen was born in 1604 or 1605 in Heusden, Holland. His father was Corstiaen Dircksse from The Hague, who married a local girl, Cornelia Jansdochter. Van Delen's first tutor was thought to be the little known Hendrick Aerts, although another candidate is Jan Steenwijk the younger (c.1580-before 1649), whose influence and that of many of the architectural painters in Antwerp at the time, is very clear on Van Delen's first period The artist seemed to have been largely self-taught, using prints and books as inspiration. He may have been a pupil of Jacob Wijnants (c.1600-1637). Wijnants was a witness at his marriage to Maria van der Gracht, who was the daughter of the burgomaster of Anemuiden. Van Delen succeeded his father-in-law as burgomaster and also served as Consul of Zeeland. From 1718 he became a pupil of Frans Hals (1583-1666) and there are stories of how the painters, Adriaen Brouwer and Dirck van Delen, played practical jokes on their master. Most of the artists pictures from the 1620's feature dark angular Renaissance-style architecture and usually includes a vanishing point exactly in the middle of the work. Rarely would van Delen attempt asymmetrical views in early examples. Views of palaces and church interiors were some of van Delen's favourite subjects. The present work depicts the parable of the rich man and Lazarus, also known as "Dives and Lazarus". It is taken from the Gospel of Luke XVI: 19-31. It is most likely identical to the one sold for 19 guilders to Jonkers at the auction of the collection of the late Mr.D.G.Van der Burge van Kronenburg on 6th September 1824. The entry number 110 reads as follows: "In a beautiful room with a gallery, on which Lazarus seems to be sitting, one sees a distinguished company dining." Bernard Vermet tells us that the painting is one of the earliest known by the artist so far. There are at least three other pictures from later in 1626, A church interior and two Palace exteriors, showing that Van Delen used all three types of common architectural scenes from the very beginning of his career. Vermet goes on to tell us that all four paintings are already highly characteristic of the artist's personal style, with only small deviations, such as, in our case, a colonnade with pillars instead of columns, and a console above the middle of the windows. The Renaissance architecture, with it's dominance of black,red/brown and yellowish marble is imaginary and far too rich and heavy for a realistic interior. The silver glass ball that is hanging from the ceiling-as in Vermeer's "Allegory of Faith" should theoretically show us the distorted image of the painter at work, but this is not as such recognisable. The present work is of great value in that it sheds more light on Van Delen's development as an artist and shows that he made extensive use of sources in a very personal way and never to the extent of mere copying. The first and most important source for the artist was a work of the same subject by Bartholomeus van Bassen (1590-1652) that was auctioned in 1926 in Amsterdam. This is extremely interesting in that our vendor can remember his father purchasing the present work from "Gooden and Fox" of Bury Street, St. James's, London during the 1930's, when it was attributed to Bartholomeus van Bassen. John Quilter of that firm was a cousin of the family, and our vendor has a very clear recollection of the work hanging in his parents home "Bagpath Court" in Gloucestershire, as well as in several other earlier residences. The entire foreground, of our picture, including the dog between the vase and the wine cooler, as well as the table with all it's figures are directly copied from Van Bassen's picture (see accompanying documentation) however the staffage in his work was painted by Esaias van de Velde (1587-1630), who himself based his rich man behind the table on the work of Frans Francken II (1581-1642). This work is not dated, but from around the same time as a painting of the same subject by Van Bassen and Van de Velde that is signed and dated 1624. Both artists occasionally worked together on other versions, one of which can be seen in the Alte Pinakothek in Munich. In our painting the staffage and the figures are entirely painted by Van Delen, hence they are not transparent, do not show architecture underneath, and details like the shining light on the balustrade, were added after the staffage was finished. The couple entering the hall through the doorway on the right, though not too far in style from Van de Velde, is clearly based on a prototype by Dirck Hals and used by Van Delen on a number of occasions. This fact alone - that there are figures based on two different artists in a single painting - proves that neither of these two were involved personally here. Over the years however Van Delen's skills grew to such a level that there is a persistent misunderstanding that Dirck Hals, in the 1620's, and Anthony Palamedesz, in the 1630's, added the staffage to many of Van Delen's pictures.. **For further extensive documentation relating to the artist and his work, please refer to the printed material by Bernard Vermet, displayed in the Saleroom.

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Halls Fine Art Auctioneers
Lot 698

James Poulton (fl.1844-1859) 'A Still Life of Fruit, Consisting of Grapes, Pineapple, Peaches, a Melon, a Large Ivory Tankard and other objects upon a Marble Table, a Lake and Mountains in the Distance', signed, oil on canvas, 71cm x 91.5cm

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Halls Fine Art Auctioneers
Lot 15

A part set of Victorian Fiddle pattern silver flatware, Elizabeth Eaton, London 1856, comprising; five table forks and three dessert forks, each with engraved 'S' to the terminal, total weight 18.4oz (8)

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Halls Fine Art Auctioneers
Lot 16

Seven Fiddle pattern silver table forks, comprising; a pair by John Sutter, Chester 1844, a pair by John William Blake, London 1824, a pair by William Eaton, London 1830 and a further fork, all engraved 'S' to the terminals, total weight 18.4oz (7)

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Halls Fine Art Auctioneers
Lot 17

Five Irish silver Fiddle pattern table forks, Joshua Buckton, Dublin 1821, each with engraved 'S' to the terminal, total weight 10oz (5)

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Halls Fine Art Auctioneers
Lot 27

A German silver partridge table ornament, naturalistically modelled as a partridge, 11cm high, weight 5.7oz

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Halls Fine Art Auctioneers
Lot 64

A set of twelve silver handled knives, William Comyns & Sons Ltd, London 1960, comprising; six table knives and six side knives (12)

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Halls Fine Art Auctioneers
Lot 125

A part set of Victorian Fiddle pattern silver forks, William Eaton, London 1844, comprising; seven table forks and seven dessert forks, all engraved 'W' to terminals, together with a further silver Fiddle pattern fork, Edinburgh, total weight 29oz (15)

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Halls Fine Art Auctioneers
Lot 179

A pair of German silver fighting cockerel table ornaments, import mark for London 1928 and stamped '925', each naturalistically modelled as a cockerel in fight, 11cm high and 13cm high, total weight 16oz (2)

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