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Click here to subscribeBEN ARNUP (born 1954); a stoneware trompe l'oeil table and chair, painted signatures and edition nos. L91 & M12, tallest 26.5cm (2). (D)Additional InformationAppears good with no obvious signs of faults, damage or restoration. This lot qualifies for Artist Resale Rights. For further information, please visit http://www.dacs.org.uk or http://artistscollectingsociety.org
A Chinese Chaozhou giltwood panel, 20th century carved with a deity on a mule, an attendant standing at his side offering a peach, 17cm x 30cm; a pair of Chinese carved bamboo brush pots (Bitong), early 20th century, each carved with the seven scholars of the bamboo grove, and verso with four figures conversing, 19.5cm; a pair of early 20th century table lamp bases, carved as Shou Lao, hold ng his gnarled staff and a peach, a crane at his feet, 42cm & 42.5cm; and a cast bronze temple bell supported by carved wood figures, each holding a beater, the bell support with inlaid metal wire decoration, 53cmThe Chaozhou panel has some cracks and small losses. One bitong has cracks, one of which has a repair
A Sheraton style figured satinwood oval centre table, early 20th century, the crossbanded top inlaid and painted with a ribbon band border and central paterae surrounded by swags of harebells. On ebony strung turned legs united by a central under tier with a gilt gallery. 79 cm long x 52 cm wide x 74 cm overall height. Together with a Mann & Scantle, George III style mahogany kettle stand with a square gallery top over a tripod base. 27 cm square x 67 cm high.Private estateOld repair to the gallery of the kettle stand.
A late 17th-century oak two drawer side table each drawer with geometric moulding and split bobbin decoration, supported by baluster supports united by cross stretchers. 139 cm wide x 46 cm deep x 83 cm overall height.Private estateIn need of restorationPossibly reduced from three drawers.
An early 19th century figured rosewood breakfast table, the tilt top with a running band of stylized brass inlayed anthemion. Supported by a simple central column over a "Trafalgar" base with gilt brass lion's paw feet. 129 cm diameter x 73 cm overall heightA crease and a slight crack to the topSome small elements of brass inlay have been replaced by coloured fillerThe bolts are present and the catch locates as it should.The table flexes slightly on the Trafalgar base The veneer is rubbed through on the angles of the base from being rubbed by shoes, and the ends of the pinnacles of the base has been filed and coloured due to the loss of the veneer on the endsSee images for clarification of the above points.
A Howard & Sons of Berner st, mahogany silver table, early 20th century, with cartouch shaped top above a serpentine blind fret frieze on angular architectural supports united by a pierced "X" stretcher. Stamped Howard & Sons and numbered 19379-4307. 76 cm long x 51 cm wide x 74 cm overall height.Damage to the gallery and corner brackets. Old repairs to the fretwork
A Louis XVI style mahogany topped oval side table with single frieze drawer and with gilt metal mounts throughout, on slender shaped supports. 58 cm x 42 cm x 77 cm overall height.Private London estateThe table is generally in good decorative order but the frieze drawer could have been an addition utilising the frieze section
A Louis XVI satinwood and tulipwood Table en Chiffonier of oval section with pierced gallery top above a bank of three short drawers., with ormolu mounts throughout and inlaid with parquet line detail. On slender shaped legs. 44.5 cm wide x 33 cm deep x 70 cm overall height.Private estateThe legs have been braced old and more recent metal braces due to the legs being broken or loose, you can see some poor colouring in the area where they would have come loose from.The drawers have been lined with paper from new this is missing from two of the drawers and these have been finished with a stain but they are periodThe bottom board has a light peppering of flight holes from historic woodwormSome of the cross-grain veneer on the dividers between drawers is missing and also a section of banding from the drawer front.The table is basically late 18th century but as mentioned above has been repaired over the years.
An early 18th-century oak oval gateleg table with single frieze drawer and turned Doric column spindles united by cross stretchers. 122 cm long x 148 cm open , 46 cm closed x 77 cm high. together with a late 17th-century style oak bobbin turned frame table.Private estateThe gate leg is in good antique order the frame table needs a little help.
An 18th-century marble topped carved wood and gilt gesso console table with shaped cabriole supports and elaborate pierced shell stretcher, 82 cm high x 109 cm wide x 47 cm deep.Private estateThe table has signs of being re-gilded at some point.The table has had some restoration to the joints, see the images.The size of the top is 111 cm wide x 57 cm deep x 2.6 cm thick
A Regency dish topped circular mahogany wine table with an urn column and inverted sure supports terminating in spade feet. 48 cm diameter x 72 cm high. Together with another smaller circular dish topped mahogany tripod wine table and a Victorian Gothic oak altar stool with carved and pierced lancet arch frieze.Qty: 2Private London estateSome old marks to the top of the primary item.
A 17th century oak refectory table with clamped plank top on a box frame base with slender cup and cover supports. 212 cm long x 89 cm wide x 76 cm overall height, 59 cm high from floor to friezePrivate estateBasically 17th century with some inevitable repairs and replacements.
An Edwardian marquetry inlaid mahogany break bow-fronted kneehole side table with satinwood crossbanding. With one frieze and two deep side drawers with swag inlay on square tapering supports with swivel castors. 122 cm wide x 56 cm x 75 cm high, 58 cm height to knee.Private London estateCrack to the top and damage to the crossbanding
A 17th-century style oak single drawer side table with a planked top and carved frieze, on turned cup and cover supports united by a box stretcher and bun feet. 133 cm long x 60 cm wide x 84 cm overall height, 64 cm to the underside of the frieze.Not period, but constructed from period timber/ architectural elements
A Richard Young for Merrow Associates 1970s "Mid-Century Vintage" rosewood and chrome circular dining table. 137 cm diameter x 77 cm overall heightPurchased from Harrods in the early 1970s and remained in the same ownership until consigned to saleIt is believed that Merrow Associates was set up by British designer Richard Young. He was the principal designer and had studied at the Royal Academy.The furniture is characterized with it's use of wood (often rosewood) chromed steel and glass. It was very high quality but was only produced in small numbers. It was retailed in only a few exclusive outlets such as Harrods. With it's distinctive style, quality and rarity, pieces are now well sought after.Article 10 certificate No 614764/02Merrow Associates Furniture included Dining Tables and Chairs, Coffee Tables, Drinks Trolleys, Shelf Units, Side Tables, Bookcases, Desks and Sideboards.It is thought the company was operating from the 1960s through to the early 70s. The company is now no longer running.Good order
Joseph Emmanuel Zwiener (1849-c.1900), a late 19th-century French kidney shaped rosewood, Kingwood and tulipwood work table, the hinged top with marquetry musical trophy motif, opening to reveal a simple fitted interior above a trellis parquetry decorated frieze with ormolu mounts throughout, On shaped slender cabriole, supports united by a decorative undertier. Stamped E (?) Zwiener twice to the underside of the carcase.Private estateJoseph-Emmanuel Zwiener was born in Germany in 1849. In 1880 he set up his extensive workshops in rue de la Roquette in Paris where he created many original pieces of furniture. He was awarded the gold medal at the 1882 exhibition of the Union Centrale des Arts Décoratifs in Paris. Zwiener had most of his bronze mounts modelled and cast by Léon Messagé (1842-1901) who was considered amongst the best manufacturers of ormolu embellishments.In 1895, Jean-Henri Jansen (1854-1928) purchased Zwiener's business and stock. Operating under the name of “Zwiener Jansen Successeur”.No apparent damageKey is present
A George IV birds eye maple rectangular writing table by Gillows of Lancaster. With three quarter gallery above with three flush-fitting frieze drawers on shaped profile end supports with turned toupe feet. Stamped Gillows of Lancaster to the leading edge of the middle drawer. 137 cm long x 70 cm deep x 181 cm overall, 61 cm knee heightA small section of veneer missing from one of the drawer dividers and cracks to the end stile supports and some veneer missing from the rear edge of the table
A fine and unusual fire gilt cast bronze circular centre table, 19th century probably by Elkington & Co, in the renaissance style with moulded sunken top fitted with an inset glass liner. The figural base is mounted with an infant Jupiter, Dionysus, Poseidon and Ganymede on a Neoclassical moulded spreading disk base. 45 cm diameter x 63 cm overall height.The glass top is a later additionThe table is sectional and held in place with an internal rod fixed by a later(?) nutThe border or the top is polished back to bronze (Brassy look)Please follow the link below further downloadable Hi-Res images of details of this lothttps://drive.google.com/drive/folders/1kNxA4Q8WjUE1l94A5K9sOGr4lE1ebzrR?usp=sharing
A 17th-century Dutch-style walnut and oak rectangular centre table, probably 19th century (Spanish?) with a thick one-piece top above a base with panelled and shaped frieze fitted a drawer at both ends, on bulbous cup and cover supports over broad box stretchers and compressed bun feet.185 cm long x 82 cm wide x 85 cm overall height.Private estateAlthough of a form usually found in the Low Countries I think this is later than its design might suggest and possibly from the Iberian peninsular rather than Low CountriesGenerally good order for its age
A Regency figured rosewood and brass inlaid circular breakfast table with stylized honeysuckle border, on a simple square section column and quadripartite base with lion's paw feet. 120 cm diameter x 73 cm overall heightPrivate estateSome signs of shrinkage damage to the slab of the base The top is unsplit
A pair of "Hollywood Regency" style carved and giltwood faux tortoiseshell carapace table lamps with distressed gilt decoration, on architectural bases. 42 cm wide x 80 cm overall height.Private estateNote:These lamps must be checked for electrical safety prior to their usage.In good condition
A George I/II ebonized twin fusee repeat chiming table clock, The inverted bell top case with a well-cast swing handle and sound frets to the door and sides. The square dial with applied mask spandrels, silvered chapter ring and a punch matted centre with faux pendulum and calendar aperture, the bottom of the chapter ring bearing the maker's name. The five pillar movement with verge escapement and florid engraved backplate and hook-shaped "holdfast", chiming on one large and three smaller bells. The clock is supported by compressed bun feet and accompanied by a later ebonized wall bracket. 28 cm wide x 18 cm deep x 46 cmA John Austin of Shoreditch is recorded in Brian Loomes Watchmakers and Clockmakers of the World, pp 29 as reported in 1745 for a lost watch however it is likely that his business predates the date of the report mentioned by some years.The movement seems to be fully wound and runs freely for a few minutes and then the pendulum gives an erratic judder then slowly stops, I have been unable to get the clock to chime at the hours and seems unaffected by the Strike / Night lever, however on a pull of the repeat cord it will strike.I think the seat board is a replacement due to signs of holes and former woodwork is evidentThe backplate of the movement has some surplus holes that I can't adequately explain as the chiming system seems intact.The pull repeat activates chiming on the three smaller bellsThe movement has a cover over the top of the rod of the bob pendulum this metal is of a different colour and gauge.The case is in good order for its age it has some scratches and has had some restoration in the past the feet are not original
A Louis XVI style floral marquetry and Kingwood, tulipwood side table with cartouch shaped top and ormolu mounts throughout. With a single frieze drawer over slender cabriole supports. 89 cm long x 45 cm wide x 74 cm overall, 58 cm height to the frieze.A darker spot to the top where a doyley has been.Some lifting to the veneer on the legsSome bubbling on the surface of the marquetry of the top.A large pan ring to the top
A large French porcelain vase shape table lamp, 19th century, in the Sevres style, painted with a scene after Charles Andre Vanloo of a child artist in his studio with assistant and muse, verso a panel of a continental rural landscape, with gilt caryatid handles, all against a bleu celeste ground, with ormolu light fitting, 72cm overallConverted to a lamp.The neck has been reduced and now fitting with a light fitting. Gilding partially rubbed in each caryatid and around the base.,
A pair of late 19th-century French patinated bronze figural candlesticks, each in the form of a male infant holding a toy drum on his head whilst balancing on a ball with a counterweight in his free hand. On a three-legged base strewn with the toys of childhood. Bearing H.P foundry mark to the bases. Together with a french gilt bronze dressing table box of rococo lozenge form inset with hand-painted Sevres style porcelain panels. 23 cm wide x 13 cm deep x 10 cm high.
An Empire period three branch candelabra,19th century, the central stem with gilt leaf from arms suspending glass lustres, above a gilt eagle flanked by scrolling arms terminating in an eagles head, on a square stepped base, 41cm and a rococo style gilt metal table lamp, 20th century, on onyx base, 42cm overallQty: 2Some lustres missing.
Three items consisting of a Victorian tortoiseshell card case, a 19th-century tortoiseshell etui case converted into a lighter, and an Edwardian silver-topped dressing jar, Henry Matthews Birmingham 1903, card case length 10 cm, width 8 cm, etui length 7 cm, width 5 cm, jar height 9 cm, diameter 8 cm.All items are in as found condition and are damaged, dressing table jar has a dent to the lid, there is a split to the card case and the etui has losses and warping.
A pair of 19th century cornucopia vases, the glass horns with cut and frosted decoration seated in gilt metal rams head mounts, on a marble base, 23.7cm; and Leonardo Pezaro (19th - 20th century) a terracotta rams head and cornucopia table lamp, 28cmOne of the pair of cornucopia is cracked near the mouth of the glass vaseThe other one of the pair is cracked across the marble base.The composition cornucopia has an old repair to the bottom of the horn. See the images for clarification.
An electrotype silver plate on copper charger, 19th century, probably Elkington, decorated with classical mythological scenes, with Poseidon and venus in chariots, 40.5cm dia; a pair of Dutch silver armorial spoons, each surmounted by a single masted boat, 22cm; an assayed silver dressing table box; an assayed silver butter dish frame; and a pair of silver plate on copper wine bottle coasters, 13cm dia
A Daoguang Period Unusual Doucai ‘scholars’ hexagonal bowl, the faceted sides rising from a slightly tapered foot to an everted rim. The exterior painted with scholars seated and standing at a table in a fenced garden playing weigi whilst others play qin. Seal mark in under glaze blue.Date: 19th centurySize: 16.5cm diameter 9.8cm highCondition: Hairline crack to the rim & no restorationProvenance: The Hurdle Collection
A 20th century Meissen figure of a flower seller, modelled wearing a yellow dress on a rococo pad base; together with another Meissen figure, allegorical of sight, cross sword marks (2)The of the lady seated, this figure has been restored in parts, the table mirror has been restored, the hands have been restored, other parts of the piece have been restored, come gilt decoration rubs, the other figure small chips to the flower in the ladies hand, and small chips to the floral encrusted decoration in the basket
Royal Crown Derby, Imari ware dressing table set, pattern number 2451 including a pair of candlesticks, pin dishes, jars and covers, and a try (8)The items with gilding rubbed in parts, one of the small trays with a crack to the central blue finial, one of the jars and covers with a small chip on the outer rim, both candlesticks with cracks, chips and one of the bases with staple repair marks to the underside
A large Royal Dux ewer, cobalt blue and gilt borders, painted with flowers in blue; together with a continental porcelain jar and cover, surmounted by four bacchanalian cherubs making wine, a Meissen style table lamp base, rococo style surmounted by four figures, and a large pair of continental porcelain figural lamps of Aphrodite and Cupid (5)
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