A fine late 19th century engraved gilt brass Renaissance-style small striking 'Turmchenuhr' with alarmSigned Planchon à Paris, no. 4376The case on a moulded base with turned feet, fluted pilasters to the corners and surmounted by a pierced dome and thoughtful cherub finial, engraved all over with scrolls and strapwork. The circular gilt Arabic dial with cast bezel and fancy blued steel hands. The two train movement with lever platform escapement striking the hour and half hour on gong, alarm setting dial mounted on the back plate. Sold with the original fitted leather case and winding key. 8 in (20.2cm) highFootnotes:Provenance: The collection of Dr Eugene Antelis. Mathieu Planchon had a shop at Palais Royal and was active c.1870-1900. A number of his clocks have sold through these rooms. He was often inspired by a Romanticised notion of 17th century European table clocks, which he 'miniaturised' and brought up to date with 8-day spring driven movements, lever platform escapements and travelling cases. It is easy to see why they remain popular.This lot is subject to the following lot symbols: ** VAT on imported items at a preferential rate of 5% on Hammer Price and the prevailing rate on Buyer's Premium.For further information on this lot please visit Bonhams.com
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A very rare mid 19th century French automata carriage clock with the original travelLing caseSurmounted by an elaborate cast handle over Green-Man masks to the corners, foliate scrolls and lions paw feet, the upper half enclosing a pair of seated gilt figures drinking at a 'table' made up of the bell, secured by a resting bird, the figure's arms appearing to strike the hours and half hours on a bell, over a glass inspection panel, the lower half of the case housing the 3.25 inch white enamel Roman dial with blued steel Breguet style hands and twin winding squares to the spring driven movement with silvered lever platform escapement and compensated bimetallic balance with outside countwheel striking the hours and half hours on a bell. Ticking and striking. Sold with a brass double ended winding key and original leather and velvet lined travelling case. 23cms (9inches) high (3)This lot is subject to the following lot symbols: ** VAT on imported items at a preferential rate of 5% on Hammer Price and the prevailing rate on Buyer's Premium.For further information on this lot please visit Bonhams.com
A fine and very rare late 17th century ebony veneered quarter repeating table timepieceThomas Tompion, Londini Fecit, un-numbered, circa 1680-85Surmounted by a bold facetted foliate-bud handle on internal pommels set on flowerhead mounts, the caddy with four applied foliate scroll mounts set against red silk, the moulded cornice over long rectangular glazed side panels to a moulded plinth base on turned bun feet, the front door with pierced brass sound fret over twin escutcheons to the uprights. The 6 inch square gilt brass dial signed 'Tho. Tompion Londini Fecit' along the lower edge within a single line border enclosing the winged cherub's head spandrels, the silvered chapter ring with five-minute Arabic numerals, minute track and Roman hours divided by meeting arrow-head half-hour markers and inner quarter hour track, the finely matted centre with good blued steel hands, and typical three latched dial feet to the movement.The movement united by six latched, knopped and ringed pillars, the frontplate measuring 15cms x 21cms (6ins x 8.25ins) and cut to accommodate part of the elaborate brass and steel quarter striking train, the larger backplate measuring 16.5cms x 21cms (6.5ins x 8.25ins) cut with an arched aperture to accommodate the protruding hour bell, and further cut for the pivotted quarter striking levers, signed across the centre 'Tho Tompion Londini Fecit' in a rectangle, the lower third of the plate decorated with symmetrical flower heads on stalks emanating from the lower edge, the upper portion of the plate with a further six flowerheads within foliage. The verge escapement mounted on a knife edge and driven by a chain fusee and short pendulum with pear shaped bob. The hours and quarters struck at will by pulling a cord from either side of the case (each repeat cord passing through a brass ferrule), struck on two bells and hammers. 35cms (13 1/2ins) highFootnotes:Jeremy Evans lists only five un-numbered 8-day spring driven timepieces by Thomas Tompion. All are in ebony Phase One cases and all have the bell set into a cut-out aperture in the large backplate. Two emanate from two of the great 20th century collections, the first from The Wetherfield Collection, inventory number 23, which with the added complication of an alarm train sold at Christies, London, June 2011 for £289,000. The second from the Iden collection, (illustrated in Percy Dawson's overview published by the Antique Collectors Club 1987 on page 87) which is now in private hands.The cut out was necessary because at this time Tompion used a backplate that was larger than the frontplate. It is a rare feature, but others are known, the latest known to us dates to circa 1687. R.W. Symonds in his standard work illustrates three backplates with cut-outs for the bell:Figure 174 - the backplate of clock number 22, the angle of the shoulders are comparable with the current lot, however the repeat slots run all the way to the edge of the plate, the signature sits within a full pattern of flowers and foliage. Figure 176 - the backplate of clock number 66 has smaller, shallower shoulders and the repeat is activated via a Z-bar. The engraving is lighter than figure 174 and more comparable to the current lot. Figure 181 clock number 96. A similar engraved backplate with cut-out but a Z-bar repeat system was sold in these rooms and is illustrated in Dzik, 'Engraving on English Table Clocks: Art on a Canvas of Brass 1660-1800', 2019, Wild Boar Publications, p.109, Fig.7.10.This lot is subject to the following lot symbols: ** VAT on imported items at a preferential rate of 5% on Hammer Price and the prevailing rate on Buyer's Premium.For further information on this lot please visit Bonhams.com
A good mid 18th century brass-banded mahogany quarter-repeating table clockWilliam Nightingale, LondonThe bell top case with handle and pine cone finials over circular and shaped fish scale frets on a moulded base with brass banding and ogee bracket feet, the 6.75 inch arched brass dial with strike/silent over the silvered Roman and Arabic chapter ring, matted centre, shaped signature plaque and date with gilt-brass foliate spandrels, engraved pendulum aperture and blued steel hands, the movement with knife edge verge escapement and twin gut fusee repeating the quarters on a run of 6 bells, with another for the hour, the signed backplate with engraved foliate scrollwork and engraved apron. Sold with one winding key and two case keys. 52cms (20ins)high (4)Footnotes:William Nightingale, active 1747-70.For further information on this lot please visit Bonhams.com
A fine and rare late 17th century Chinoiserie table clockGeo Tyler, Popeshead Alley, LondonThe highly decorated case surmounted by a knopped and foliate handle on bold internal pommels, the caddy depicting a pair of figures in a landscape over a balustraded lower section framed by four urn finials, rectangular glass side panels on a moulded plinth base and block feet, the 7 inch square brass dial with silvered Roman and Arabic chapter ring with half quarter markers and fettled blued steel hands to the matted centre with recessed signature plaque and date aperture (now filled), all framed by winged cherub head spandrels, the twin chain fusee movement united by five knopped pillars, now converted to anchor escapement and simple hour strike on a bell, the backplate with single line border framing a symmetrical pattern of foliate scrolls and a harebell lambrequin framing the signature. Ticking and striking, sold with two case keys and an associated winding key. 45cms (17 1/2ins) high (5)Footnotes:George Tyler had premises in Pope's Head Alley, Lombard Street, London until around 1720. He was apprenticed in 1692 through the Clockmaker's Company to Robert Dingley (see lot 76 in this sale) and was a member of the Company 1699-1723.For further information on this lot please visit Bonhams.com
A fine and rare mid 18th century miniature brass-bound ebonised timepiece with pull quarter striking and alarmJohn Ellicott, LondonThe case with small foliate-cast handle over a brass-bound inverted bell top, the sides with arched glazed panels framed in brass, as are both doors, on a brass-bound base on cast block feet, the 3.5inch arched brass dial with Roman alarm-setting dial in the arch framed by rare spandrels featuring Roman helmets over the silvered Roman and Arabic chapter ring with minute track and chamfered quarter hour track around the matted centre, the movement plates measuring 5ins by 3.75ins united by five knopped pillars, the single chain fusee movement with maintaining power to a knife edge verge escapement repeating the hours on a single bell and hammer, followed by the quarters on a rack of three bells and hammers, the alarm sounded via a double-headed hammer mounted within the larger hour bell 29cms (11.5ins) high.Footnotes:John Ellicott was born in 1706, the son of a clockmaker of the same name. He was one of the outstanding clockmakers of the 18th century, producing a large number of high quality clocks for the home market and export, his work was particularly valued by the Spanish Royal family. He developed his own form of temperature compensated pendulum and was instrumental in the perfection of the cylinder escapement. He was clockmaker to King George III, a position which paid £150 per annum. He was elected a fellow of the Royal Society on the 26th of October 1738 and published articles on clocks and an equation of time table in the Philosophical Transactions for the Society. He supplied portable regulators to astronomers notably; Nevil Maskelyne, Charles Mason and James Cook for the recording of the transit of Venus. Ellicott was a keen astronomer and observed the transit of Venus in 1761 from an observatory built in his home in Hackney. He worked from St Swithins Alley, Royal Exchange, London. He was thus capable of making the highest grade precision timekeepers, the most elaborate 'fancy' clocks with finely cast and chased silver mounts, but also the beautifully proportioned and eminently usable fare such as the current clock.This lot is subject to the following lot symbols: ** VAT on imported items at a preferential rate of 5% on Hammer Price and the prevailing rate on Buyer's Premium.For further information on this lot please visit Bonhams.com
A good late 17th century ebony basket top table clock with pull cord repeatWm.Speakman, Londoni FecitSurmounted by a knopped foliate handle on facetted internal pommels, the shallow repousse basket framed by a moulded edge and four ovoid finials, the rectangular glass side panels with elaborate repousse frames, on a moulded plinth on claw feet, the 5.5 inch Roman dial with outer Arabic minutes and fleur de lys half hour markers, with fettled blued steel hands, matted centre and chamfered date aperture, all framed by cherub's head spandrels, the signed twin gut fusee movement with knife edge verge escapement, the backplate signed in a leafy cartouche within a pattern of symmetrical foliate scrolls with buds and flowerheads, further set with a strike/silent lever marked '0-Z', striking the hours on a bell and repeating the quarters on a smaller bell and hammer. Ticking, (striking and repeat functions in need of attention). Sold with a case key and winding key. 34cms (13inches) high (3)Footnotes:William Speakman was apprenticed to Peter Closon in 1654 until Closon's death in 1660 and then Andrew Prime until 1661, when he obtained his Freedom in 1661. He was Master of the Clockmakers Company in 1701. He is known to have worked in Westminster and later in Hatton Garden.A very similar signature cartouche on the centre of the backplate can be found in Dzik, Engraving on English Table Clocks: Art on a Canvas of Brass 1660-1800, 2019, Wild Boar Publications, p.145, fig.8.16.This lot is subject to the following lot symbols: ** VAT on imported items at a preferential rate of 5% on Hammer Price and the prevailing rate on Buyer's Premium.For further information on this lot please visit Bonhams.com
A fine and rare late 17th century ebony veneered table clockHenry Jones, LondonThe caddy top with facetted handle set on internal pommels and centred by tied foliage, each of the four sides applied with repousse gilt brass mounts over a moulded cornice, the sides further set with repousse sound frets above long glazed panels, the front door with four applied mounts over a moulded base raised on brass-mounted bun feet, the 6.25 inch square brass dial with winged cherubs head spandrels framing the Roman and Arabic silvered chapter ring with outer minute band marked in 5s, and inner quarter hour track, the half-hours demarcated by elaborate meeting-arrowheads, the finely matted centre with chamfered date aperture and fettled steel hands, the twin gut fusee movement united by three square-section pillars to the lower half and two knopped pillars to the upper part with knife edge verge escapement with pear shaped bob to the pendulum, the strike train with an engraved silvered outside countwheel centred by a multi-leaved flowerhead, the plain backplate with double line border signed in a shield-shaped drapery cartouche 'Henricus Jones Londini', further mounted with outside barrel ratchets with elaborate stops supported by a shaped and pierced brass spring. 34cms (1ft 2ins) high. Footnotes:Henry Jones (1642-1695) was the son of a vicar and in 1654 he left home for London. He was originally apprenticed to Benjamin Hill but quickly turned over to Edward East. He became a Freeman of the Clockmakers Company in 1663, was an Assistant in 1676 and became Master in 1691. During his thirty year working life he took on fourteen apprentices. In October 1692 he matched Edward Easts contribution of £100 to the Clockmakers Charity for '5 poor widows having Annually the Benefitt thereof Forever'. A study of his work reveals the debt he owed to East's teachings - his early flat-topped table clocks in tall rectangular cases, clocks with engraved fruit corners and night clocks for instance. But however much his work was influenced by his Master, he managed to develop certain personal flourishes that allow his work to stand out from the crowd even today. His use of dotted half-hour markers and heavy engraved lines on movements, and the visible barrel ratchets with elaborate stops mounted on the backplates are just some of the visual cues to his work. An extensive account of the life and work of Jones 'Henry Jones - Clockmaker of London' by C.Stuart Kelley was published in four parts in Antiquarian Horology, beginning Volume 27, No.2, December 2002.For further information on this lot please visit Bonhams.com
A good late 17th century walnut marquetry month-going longcase clock with ten inch dialRobert Dingley, London The case surmounted by a (later?) carved cherub and scroll cresting over a velvet-backed pierced soundfret raised on turned three-quarter Doric columns, the 41 inch long trunk door with half-round moulded edge framing six panels of bird and foliate inlay in different woods and green-stained boxwood, all within an oyster veneered ground, the base panel featuring a bird with outstretched wings, raised on bun feet, the sides inlaid with oyster-veneered panels. The ten inch square brass dial framed by well cast and finished winged-cherubs head spandrels, signed along the lower edge Robert Dingley London, the chapter ring with Arabic minute track enclosing the Roman numerals, fancy half hour markers and inner quarter hour track, the finely matted centre with Arabic subsidiary seconds ring and chamfered date aperture, the tall rectangular plates united by seven knopped and ringed pillars, with five-wheel trains, the going terminating in an anchor escapement, the strike operated via a small outside countwheel and detent. 2.02m (6ft 7ins) high.Footnotes:Robert Dingley was the son of Thomas Dingley of Ewell in Surrey . He was apprenticed to Richard Pierce from 1661 until 1668. He established his business at George Yard, Lombard Street and worked for another thirty years although surprisingly little of his work survives. He took on seven apprentices including Benjamin Willoughby and George Tyler (see lot 70 in this sale). It is noted that he experimented with the power supply to quarter repeating table clock movements. One of his later clocks, a seaweed marquetry longcase, is illustrated in Dawson, Drover, Parkes, Early English Clocks, Woodbridge 1982, plate 400. Another with similarities to the Knibb workshop is illustrated in R.A.Lee in 'The Knibb Family Clockmakers' Byfleet 1964, plate 188 described as follows:'Long case clock by Robert Dingley, London showing the influence of the Knibb family in dial design. Case also from Knibbs' casemaker.' and again as an 'Olivewood long case clock inlaid with panels of floral marquetry with green stained ivory leaves. Delicately cut skeleton dial similar to many by Joseph Knibb.' This clock was sold in these rooms 13th December 2011, lot 110.The backboard carries an 18th century (?) handwritten label 'Mr J W Stee...Chew Stoke to be left....call for....'The interior of the trunk door carries a late 17th/early 18th century printed Equation of Time chart entitled: 'A TABLE of Equation of Natural Days SHEWING How much a Clock or Watch ought to be faster or slower than a Sun Dial, and Day of the Year....Printed for Joseph and Thomas Windmill, Watchmakers at the Dial in Tower Street, London.'This lot is subject to the following lot symbols: TPTP Lot will be moved to an offsite storage location (Cadogan Tate, Auction House Services, 241 Acton Lane, London NW10 7NP, UK) and will only be available for collection from this location at the date stated in the catalogue. Please note transfer and storage charges will apply to any lots not collected after 14 calendar days from the auction date.For further information on this lot please visit Bonhams.com
A good mid 18th century ebony table clock with pull repeatCharles Clay, LondonThe case surmounted by a knopped handle over an inverted caddy top and moulded cornice, over arched glass side panels on a raised base, the 5 1/2 inch arched brass dial with strike/silent set above the signed Roman and Arabic chapter ring with matted centre and chamfered apertures for the date and mock pendulum, framed by unusual warrior head spandrels, with blued-steel hands, the twin wire fusee movement with replaced verge escapement and rack striking the hours on a bell with pull cord repeat (the quarter repeating train now lacking) the backplate engraved with foliate scrollwork centred by a basket of fruit within a single line border. Ticking and striking, together with 3 case keys. 42cms (16 1/2ins) high (4)Footnotes:Charles Clay was born in Yorkshire and was established as a clockmaker in London by 1716. He is particularly known for his musical organ clocks, examples of which can be found in the British Royal Collection at Kensington Palace and Windsor Castle. His musical clocks were in the form of miniature temples, advertised in contemporary newspapers and tickets were sold for the public to view his pieces. They played tunes from contemporary Italian opera performed in London including those transcribed by George Frideric Handel for Mr Clay's use. He was clockmaker to his Majesty's board of works between 1723 until his death in 1740.A similar design of warrior head spandrel can be found in Cescinsky & Webster, English Domestic Clocks, p.93, image 15.For further information on this lot please visit Bonhams.com
A good last quarter of the 18th century miniature tavern clockJohn Davis, Windsor The 17 inch painted dial with moulded edge framing the Arabic minute track and Roman numerals, with heart-shaped hands (the minute counter balanced), over a shaped section boldly signed 'John Davis. Windsor' within painted gilt scrolls, the short trunk door applied with a coloured print of two gentlemen dining at a table, the lower section with unusual ogee moulded door, hinged to the right and locking to the left, the weight driven movement wound through a shuttered aperture in the dial and with five knopped pillars, five-wheel train terminating in an anchor escapement powered by a barrel of seven turns. 88cms (2ft 11ins) high.Footnotes:John Davis is recorded as working circa 1749-1784. Provenance: Single family ownership for the last 30 years. Purchased from Strike One, Islington, London, February 1991.Literature:This clock is recorded as 'A very rare miniature white round dial.' in Gatto, M. (2010) The Tavern Clocks. Bath: Tavernicus Publishing, p119. It is the only Davis wall clock recorded and the only miniature example with a print on the door. It is also featured in 'Millers Clocks' 2000, and Clocks Magazine January 1984.This lot is subject to the following lot symbols: * TP* VAT on imported items at a preferential rate of 5% on Hammer Price and the prevailing rate on Buyer's Premium.TP Lot will be moved to an offsite storage location (Cadogan Tate, Auction House Services, 241 Acton Lane, London NW10 7NP, UK) and will only be available for collection from this location at the date stated in the catalogue. Please note transfer and storage charges will apply to any lots not collected after 14 calendar days from the auction date.For further information on this lot please visit Bonhams.com
A RARE DATED MID 17TH CENTURY LITHUANIAN ENGRAVED GILT BRASS TABLE CLOCKJacob Giercke, Villnya, 1654The 3.75 inch square dial with chiselled decoration to the four corners depicting birds and flowers framing the silvered Roman chapter ring with T-shaped half-hour marks and twelve brass touch pieces, the centre engraved with Jesus standing before Pontius Pilate, in an engraved square frame, over four oval glazed panels raised on silvered winged claw-and-ball feet, the hinged base plate set with the bell on a blued steel bridge and engraved gilt brass locking piece opening up to reveal the signed and dated backplate 'J.G. Vilny. 1654' with pierced and engraved cock over the steel un-sprung balance to a verge escapement and chain fusee with engraved brass barrel, the strike with floral engraved countwheel and shaped brass hammer head engraved with a stylised head, powered by a spring within an engraved barrel and pierced blued steel locking gate. 10.5cms (4ins) squareFootnotes:J.G. would appear to be Jacob Giercke, listed as working in Willensis, Vilnius (Lithuania), circa 1660. One of his clocks is in the National Museum of Lithuania.Another is illustrated in Vehmeyer H.M. (2004) Clocks their Origin and Development. Gent Snoeck-Ducaju & Zoon, page 160, item G33. Provenance:Purchased from Klein Westphal Antiques, Amsterdam, June 1991.This lot is subject to the following lot symbols: ** VAT on imported items at a preferential rate of 5% on Hammer Price and the prevailing rate on Buyer's Premium.For further information on this lot please visit Bonhams.com
A good mid 18th century quarter repeating ebonised table clockCharles Blanchard, LondonThe inverted bell top case with handle and four cone finials over circular sound frets and glazed panels to the sides, on a moulded base and ogee brass feet, the 7 inch arched brass dial with silvered Roman and Arabic chapter ring below strike/silent subsidiary dial, the matted centre with date and mock pendulum apertures, the twin gut fusee movement with knife edge verge escapement rack striking the hours on a bell and repeating the quarters on a run of six bells and hammers, signed 'Cha Blanchard, London' within symmetrical foliate scrolls. 49cms (19ins) highFootnotes:Charles Blanchard of London, born 1688, died 1768.For further information on this lot please visit Bonhams.com
A rare mid-18th century Swiss gilt wood quarter striking table clock with alarm, enamel dial and 'Chevalier de Bethune'-type escapementP. Jaquet Droz, Chaux de Fondsthe caddy top with handle and cone finials over a further four finials, long shaped glazed side windows and a moulded base, the wood gesso-covered and decorated with matting and wriggle-work on turned brass feet, the 7.5inch one-piece white enamel dial with Roman and Arabic numerals, brass alarm-setting disc and blued steel hands, signed in the strike/silent subsidiary dial above XII, framed by well-cast foliate spandrels, the plates united by four turned pillars pinned through the backplate, the two large spring barrels with chain drive to pair of squat fusees, the going train terminating in a Chevalier de Bethune-type escapement with a 'scape wheel of 8 teeth cocked on the backplate now receiving impulse via a shaped steel block set on an arbor with a toothed rack meshing with another (in the style of a mole's foot) mounted on the crutch arbor (the current steel block a probable replacement for the original Chevalier de Bethune pallets), the strike train with high count pinions striking the quarters and hours on a pair of bells via vertical hammers, the alarm with separate spring barrel wound from the rear and sounding on a separate bell with internal T-hammer, the striking and repeating work in polished steel mounted on the backplate. Ticking and striking. 51cms (20ins) high.This lot is subject to the following lot symbols: ** VAT on imported items at a preferential rate of 5% on Hammer Price and the prevailing rate on Buyer's Premium.For further information on this lot please visit Bonhams.com
A good second quarter of the 19th century mahogany and walnut inlaid table clock with original signed pendulumVulliamy, London No.1158. Circa 1832.The break arch case surmounted by cast brass handle over canted front corners with applied carved foliate pilasters, arched fish-scale frets to the sides, the front base panel veneered in walnut with applied acanthus carving and ripple moulding around the centre with ebony stringing on brass ball feet, the 8 inch signed painted Roman dial with original fancy blued steel hands, strike/silent lever at III and rise and fall regulation arbor below XII, all framed by a cast brass bezel and walnut border, the twin chain fusee movement secured to the oak seatboard by brass L-shaped brackets, the thick plates united by five heavy pillars, anchor escapement with rise and fall regulation and rack strike on the bell, the backplate signed and numbered, the original pendulum also signed. Ticking and striking. Sold with a case key and winding key. 51cms (20ins) high (4)For further information on this lot please visit Bonhams.com
TABLE TOP CUPBOARD. A mahogany table top cupboard comprising a drawer below a cupboard with twin doors. H24xW24xD15cm. Please note that all items in this auction are previously owned & are offered on behalf of private vendors. If detail on condition is required on any lot(s) PLEASE ASK FOR A CONDITION REPORT BEFORE BIDDING. The absence of a condition report does not imply the lot is perfect.WE CAN SHIP THIS LOT, but NOT if part of a large, multiple lots purchase.
CHERUBS ETC. Plaster wall cherubs, a plaster cherubs wall bracket, etc. Also a Bavarian porcelain table lamp, a miniature easel etc. Please note that all items in this auction are previously owned & are offered on behalf of private vendors. If detail on condition is required on any lot(s) PLEASE ASK FOR A CONDITION REPORT BEFORE BIDDING. The absence of a condition report does not imply the lot is perfect.WE CAN SHIP THIS LOT, but NOT if part of a large, multiple lots purchase.
CORNISH SERPENTINE. A turned Cornish serpentine lighthouse table lamp. Height, including fitting 33cm. Please note that all items in this auction are previously owned & are offered on behalf of private vendors. If detail on condition is required on any lot(s) PLEASE ASK FOR A CONDITION REPORT BEFORE BIDDING. The absence of a condition report does not imply the lot is perfect.WE CAN SHIP THIS LOT, but NOT if part of a large, multiple lots purchase.
TABLE LAMP ETC. A pottery table lamp (possibly a West Cornwall Pottery). Height incl. fitting 26cm. Also, a 1970's spun aluminium & fabric lamp base by Durlston Designs Ltd. Please note that all items in this auction are previously owned & are offered on behalf of private vendors. If detail on condition is required on any lot(s) PLEASE ASK FOR A CONDITION REPORT BEFORE BIDDING. The absence of a condition report does not imply the lot is perfect.WE CAN SHIP THIS LOT, but NOT if part of a large, multiple lots purchase.
CARLTON WARE ETC. A Carlton ware table lighter & matching ashtray. Also, a 1960's Poole pottery jardiniere & a 1970's Poole pottery jardiniere by Cynthia Bennett. Jardiniere, 18cm. Please note that all items in this auction are previously owned & are offered on behalf of private vendors. If detail on condition is required on any lot(s) PLEASE ASK FOR A CONDITION REPORT BEFORE BIDDING. The absence of a condition report does not imply the lot is perfect.WE CAN SHIP THIS LOT, but NOT if part of a large, multiple lots purchase. Proceeds from this lot will be donated to the RNLI Penlee Crew Comfort Fund.
CLOCKING-IN RECORDER. A Gledhill Brook oak table top, clocking-in recorder. 30x25x21cm. All clocks in this auction are previously owned & are offered on behalf of private vendors. We cannot guarantee that any clock is in continuous working order or may not require attention. If detail on condition is required on any lot(s) PLEASE ASK FOR A CONDITION REPORT BEFORE BIDDING. The absence of a condition report does not imply the lot is perfect.WE CANNOT SHIP THIS LOT due to fragility, size or weight. Our recommended carrier is MBE Plymouth on +44 (0) 1752 257224 or info@mbeplymouth.co.uk.
20th century oak chest of two short over three long drawers and a dressing table mirror (2) (Made mid 20th century as a wedding present by Sir Robert Pigot, 6th Baronet)Condition ReportThere are a couple black marks to the top. The handles look newer to the piece and there are filled in holes where the old handles would have been. There are 3 spaced out holes on the back that suggest a piece was on the top. There are some scratches to both the top and the front. The mirror has several spots of wear. See attached images.
19th century worktop games table with chessboard inlaid parquetry and marquetry octagonal top, opening to reveal part fitted interior to the trumpet-shaped faceted body, on three ogee supports, 78cm high Condition ReportDiameter of top approx. 45cmWidth of base approx 48cm
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