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1181627 item(s)/page
HUDDERSFIELD TOWN Twelve original black & white Press photographs previously the property of Huddersfield player Jimmy Naylor: 2 different 11" X 8" photos showing the Huddersfield Town team being introduced to King George V, 10" X 8" action of the 1930 FA Cup Final, 8.5" X 6.5" playing table tennis in civilian attire, 8.5" X 6.5" of the tem around a piano and singing X 2, 10" X 8" showing 5 players sitting on a fence, 8.5" X 6.5" playing golf, 8.5" X 6.5" preparing to start racing, 8.5" X 6.5" showing 6 players reading Football Followers Guide, 8.5" X 6.5" showing 6 players in training, small paper loss bottom left, 8.5" X 6.5" showing 8 players advertising the Daily Herald with tears and minor paper loss bottom left and a 7" X 5.5" showing 7 players on Blackpool beach skylarking in training before the 1930 FA Cup Final, plus two 4" X 3" snapshots also showing players on Blackpool beach. Fair to generally good
ËœHofner 5156 Western twelve string acoustic guitar, made in Germany, no. 781; Back and sides: mahogany, one or two light blemishes and surface marks; Table: natural spruce, hairline crack running from the bridge towards the lower edge (not considered structural), other blemishes and marks consistent with age; Fretboard: rosewood; Frets: dent wear to the first position and minor wear further up; Electrics: later Fishman sound hole pickup; Case: later TKL hard case; Overall condition: good for age
˜1930s Gibson Roy Smeck Stage Deluxe conversion acoustic guitar, made in USA, ser. no. indecipherable; Back and sides: mahogany, heavy scratches and other blemishes, five vacant holes to the end, probably where an old tailpiece was once installed; Table: sunburst finish spruce, two significant cracks which appear to have been repaired; Fretboard: Brazilian rosewood; Frets: re-fret; Hardware: bridge previously re-glued, new saddle and bridge pins, reset scratchplate, replaced tuners; Other: back of the neck, head and front of head stripped, face of head refinished and missing original logo; Case: Kinsman compressed foam case
Gibson B25N ladder braced acoustic guitar, made in USA, circa 1965, ser. no. 3xxxx8; Back and sides: mahogany, lacquer checking, heavy scratches and various blemishes; Table: natural spruce, two hairline cracks to lower bout area; Fretboard: Indian rosewood; Frets: minor wear, re-fret; Hardware: replacement Schaller tuners installed; Overall condition: fair
Sigma Guitars DM-4 acoustic guitar, made in Korea; Back and sides: mahogany, scratches and minor blemishes; Table: natural, minor blemishes and play wear; Fretboard: rosewood; Frets: generally good, minor dent wear in first position; Hardware: missing bridge pins; Overall condition: fair
Late 1960s Framus Texan acoustic guitar, made in Germany; Back and sides: mahogany, minor blemishes; Table: sunburst finish, various blemishes and scratches; Fretboard: rosewood; Frets: dent wear up to the ninth fret; Electrics: later fitted with control knob to the bass shoulder and input to the treble lower bout, in need of attention; Case: gig bag; Other: action in need of attention with bow to neck; Overall condition: fair
Epiphone AJ-10 acoustic guitar, ser. no. SI2xxxxx09; Back and sides: mahogany, minor surface imperfections; Table: natural spruce, minor blemishes; Fretboard: rosewood; Frets: generally good, minor dent wear to first position; Case: soft case; Other: small chip to back tip of headstock; Overall condition: good
1997 Taylor 610 acoustic guitar, made in USA, ser. no. 97xxxxxx2; Back and sides: natural maple, repaired crack to the bass rib; Table: natural, lacquer cracks and various other blemishes; Fretboard: ebony; Frets: good; Hardware: rubbing to gold plating on tuners, upper E string bridge pin replaced; Case: Gator hard case; Overall condition: fair
1960s Hagstrom acoustic guitar, made in Sweden, ser. no. 9xxx9; Back and sides: mahogany, lacquer checking; Table: sunburst finish, lacquer checking and minor blemishes; Fretboard: rosewood; Frets: generally good; Electrics: later fitted electrics wired through the end pin; Hardware: replaced nut, replaced tuner buttons; Case: Hiscox hard case; Overall condition: good
1930's Vega arched acoustic guitar, made in USA; Back and Sides: maple, lacquer checking and heavy wear to varnish in places, repaired crack to the base rib side of the neck heel; Table: arched spruce, minor blemishes; Fretboard: ebony; Frets: good; Case: original hard case with interesting labels applied externally, including a Cunard Line "Aquitania" luggage label and two White Star Line labels; Overall Condition: fair
Jimi Hendrix & Zoot Money - Jimi Hendrix played mid 1960s Wandre Blue Jeans electric guitar, made in Italy, brunette finish with custom stickers added to the table and back, within a vintage Stone Case Company hard case. Sold with a hand written letter of provenance from Zoot Money and a signed, sealed re-mastered vinyl edition of his 1966 album 'Zoot Money's Big Roll Band' *In September of 1966, Chas Chandler of The Animals arrived at Heathrow, London with Jimi Hendrix via an overnight flight from New York. As was customary for Chas when in town, he went straight by Zoot's flat in West London to see if he knew anyone with a left handed guitar that Jimi could borrow to perform at the Bag 'O' Nails or Scotch of St. James that evening. Zoot recalls 'I couldn't let him use one of Andy Summers guitars that were in the flat below because he would have killed me!'. As they were sat discussing who to call, Jimi played around on his Wandre Italian guitar with Zoot saying that he would be happy to re-string the guitar in reverse if he was desperate, which he refused, but did comment on it having a nice easy action. This visit with Chas has been written of and mentioned in many biographies to date. Although Jimi never used this guitar in a gig, it was in fact the first guitar he ever played in England. Zoot remembers 'I had only purchased it to start some Chuck Berry songs on stage, because as I said Andy would not let me near his guitars! The strings are in fact still the strings that were on it that night! Later many other people tinkered on it including Jose Feliciano. Since those days, mainly it has been hidden as I later purchased an acoustic to use for writing'
Eric Clapton - 1978 Guild D-55NT acoustic guitar, made in USA, ser. no. 173299; Back and sides: rosewood; Table: natural spruce; Fretboard: ebony; Frets: good; case; original hard case; Overall condition: good *Ex lot 95 - Christie's New York 'A Selection of Eric Clapton's Guitars - in aid of The Crossroads Centre' 24th June 1999. Sold with original Christie's certificate and laminated lot card. Also sold with a copy the ow collectable, original auction catalogue. In the original 1999 auction listing Eric Clapton said that he had used this guitar for writing and recording. Lee Dickson recalls that Clapton had owned this guitar since the late 1970s. The guitar was later sold again at Christie's, Knightsbridge, London on 10th July 2008, lot no. 9
1970s Aria John Joyce JJ6 acoustic guitar, made in Japan, ser. no. 0xxx9; Back and sides: mahogany, minor surface scratches; Table: natural, minor play wear and other minor blemishes; Fretboard: rosewood; Frets: generally good, minor dent wear to first position; Case: none; Overall condition: good
Besson Aristone Model 110 classical guitar, ser. no. 3172; Back and sides: flame maple, minor imperfections; Table: spruce, minor play wear; Fretboard: rosewood; Frets: good, but with oxidisation; Case: good quality hard case; Other: slight bow to neck causing high action; Overall condition: good
1969 Levin LG-10 classical guitar, made in Sweden, ser. no. 4xxxx0; Back and sides: birch, repaired crack to bass side of the rib, lacquer imperfections; Table: spruce, repairs, lacquer checking and other blemishes; Fretboard: rosewood; Frets: generally good; Case: semi-hard case; Other: high action; Overall condition: fair
Alhambra 4P classical guitar, made in Spain, ser. no. 0xxxx6; Back and sides: rosewood, minor imperfections; Table: natural spruce, blemish to the edge of the upper bout; Fretboard: rosewood; Frets: good, although require cleaning; Case: original hard case; Overall condition: good; also a BM Estudio half size classical guitar, case (2)
1963 Levin model 113 classical guitar, made in Sweden, ser. no. 4xxxx3; Back and sides: figured maple, light checking, hairline crack to end; Table: natural spruce, minor hairline cracks, checking and other minor marks; Fretboard: ebony; Frets: good; Case: fitted hard case; Overall condition: good
Early 20th century French classical guitar by and labelled Julian Gomez Ramirez...J. Rowies, 8 Rue Pigalle, 8-Paris, Annie 19xx; Back and sides: rosewood; Table: spruce, boxwood and ebony string banding to the edges and sound hole, minor hairline to the lower bout; Fretboard: rosewood; Frets: generally good; Head: open peg box with replacement tuning strips, possibly replacement head with visible graft; Case: soft case; Overall condition: good *Ex lot 428, Sotheby's, 26th November 1992
Late 19th century Spanish guitar by and labelled Manuel Guerra...Cadiz and dated 1873; Back and sides: three piece rosewood back separated by fruitwood strips, various restored hairline cracks; Sides: similar fruitwood band through the centre, further restored hairline cracks; Table: fine grain spruce widening to the flanks, geometric circular ebony inlay to the lower bout, geometric fruitwood and ebony banding to the edges, boxwood, ebony and pearl inlay to the sound hole; Fretboard: rosewood; Frets: very worn; Head: closed tapered peg box; Case: old semi-hard case; Overall condition: fair
19th century Spanish guitar by and labelled Antonio Carlos Garcia, Madrid, Alban Voigt & Co, 14 Edmund Place, London; Back and sides: birds eye maple with ebony banding; Table: fine grain spruce with multiple string banding to the edges and sound hole, the sound hole also with inlaid floral decoration; Fretboard: ebony; Frets: good, re-fret; Head: open peg box with engraved brass tuning strips; Case: soft bag; Overall condition: fair
Good 19th century French small bodied guitar, possibly by Boulangier, labelled Madame R. Sidney Pratten, 38 Welbeck Street, Cavendish Square, London, 1863; Back and sides: figured birds eye maple with bands of ebony and ivory, small crack to the centre of the back; Table: fine grained spruce with decorative edging and sound hole inlaid with mother of pearl forming a repeated floral pattern, similar inlay to the bridge, hairline crack from the bridge towards the end of body; Fretboard: ebony; Frets: generally good; Case: old tooled leather case and a later protective hard case included; Overall condition: good for age
Interesting 19th century French small bodied guitar, bearing a partially decipherable inscription 'Belleqxxxx, Fils Amiens' on a mother of pearl shield inlaid to the face of the head; Back and sides: satinwood, various small cracks to the edging of the back and restorations to binding, various cracks to the sides; Table: fine grain spruce with ebony and ivory string banding highlighted with pearl dots to the edges and sound hole, similar inlay to the bridge face, large open crack running the length of the lower bout through the bridge, warping to table; Fretboard: ebony inlaid with ivory lines and mother of pearl dots; Frets: generally good, re-fret; Head: shaped open peg box bearing engraved 'Rance' tuning strips with pearl buttons; Case: soft bag; Other: bow to neck; Overall condition: poor and in need of restoration
Interesting 19th century small bodied guitar; Back and sides: birds eye maple, some binding separation, over-varnished; Table: spruce with a continuous band of boxwood and ebony trapezoid binding to the edge, similar banding with mother of pearl inlay to the sound hole, over-varnished; Fretboard: ebony; Head: shaped closed peg box with engraved brass tuning plate and ivory buttons; Case: soft bag; Overall condition: good, but with restorations
Interesting 19th century Wappen style guitar; Back and sides: various small hairline cracks; Table: fine grain spruce with ebony and ivory string inlay to the edges and sound hole, section of binding missing, small hairline crack running through the centre of the table, varnish stripped; Fretboard: ebony; Frets: visible wear, sharp to edges; Head: shaped closed peg box; Case: soft bag; Overall condition: fair
1837 René Lacote small bodied guitar; Back and sides: satinwood, restored crack running the length of the back, other restorations to the ribs; Table: spruce, repaired cracks; Fretboard: ebony; Frets: good re-fret; Other: replaced tuning strips, restoration to heel join; Case: contemporary Hiscox hard case; Overall condition: fair
2012 Eric Joseph custom double cut electric guitar, made in USA; Body: partially chambered basswood centre with Bocote table, walnut control plate and Cocoblo back; Fretboard: pink ivory wood; Frets: good; Electrics: working, Bill Lawrence L500 humbucker pickups; Hardware: good; Case: oblong hard case; Overall condition: good *Eric Joseph is a builder of one-off custom guitars based in Maine, USA
Emile Grimshaw Revelation acoustic guitar, circa 1933, made in England, no. 47; Finish: wine red, various wear including pick wear to the table, general scuffs and blemishes; Fretboard: ebony; Frets: heavily worn; Hardware: pickguard removed but retained; Case: fitted hard case; Other: bow to neck; Overall condition: fair
1970s Kimbra 12-string acoustic guitar, made in Korea; Fretboard: rosewood; Frets: generally good, minor dent wear to first position; Back and sides: Indian rosewood, light blemishes; Table: natural spruce, light blemishes; Case: old semi-hard case; Other: action requires attention; Overall condition: good
1941 Epiphone Blackstone archtop guitar, made in USA, ser. no. 1xxx6; Finish: sunburst, restored cracks and re-finishing to the table, lacquer checking and other light wear; Fretboard: Brazilian rosewood; Frets: dent wear and green oxidisation; Hardware: missing pickguard; Case: vintage hard case; Other: damage to binding on bass side in the first position, which will require re-attaching, wear to the back of the neck; Overall condition: fair *Purchased by the vendor from the original owner in Montreal, who purchased the guitar in Chicago
1950s Hans Frederik Jensen Single acoustic archtop guitar; Finish: sunburst, wear allover consistent for age, hairline split to table; Fretboard: ebony; Frets: dent wear; Hardware: missing pickguard, replacement Grover tuners; Case: soft case; Overall condition: fair * Made for Danish guitarist Jorg Ingarman
1960 Hofner Colorama II electric guitar in need of restoration; Finish: red, heavy lacquer checking and other blemishes; Fretboard: rosewood; Frets: require cleaning; Electrics: working; Hardware: in need of attention; Case: soft case; Other: later bridge unit installed, which appears to have pulled up the table and would require immediate attention; Overall condition: poor
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1181627 item(s)/page