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Click here to subscribePETER KLASEN (Born 1935) Mirrors and switch, circa 1970namelled table, silk-screen printing on metal and metal legs Editions MMM (Mobilier Modulaire Moderne)30 × 112 × 65 cm Bibliography :Atelier A, Françoise Jollant Kneebone and Chloé Braunstein, Norma Editions, Paris, 2003, see reproduction page 161
Nest of Table, Suite aus vier in Vernis Martin Style gefertigten Beistelltischen, Holz, Trägergestell imitiert Bambusmaterial, Deckblatt des größten mit Galanteriedarstellung, die kleineren Blätter mit Landschaftsdarstellung geschmückt, Maße des größten Tisches (HxBxT): 73 x 55 x 40 cm, Gebrauchsspuren.
A Fine & Rare James A Sinclair Tropical Una High Power Telephoto 'Everest' Outfit, English, c.1910, signed to the ivorine (early celluloid plastic) plaque 'The Una Camera, James A Sinclair co Ltd, 64 Haymarket, London S.W.', the 6x4 camera constructed of French polished mahogany with all brass bindings with single rack and pinion extension, complete with Atkin-Swan tilting table with adjustable lens support, Dallmeyer lens engraved 'J. H. Dallmeyer London, No62787, No.4 Stigmatic Series II Patent', with corresponding tele-photo mount engraved 'J. H. Dallmeyer, London No. 63269Telephoto Attachment Patent', Ross Zeiss Convertable Anastigmat, Sinclair double extending lens hood, 2 French polished mahogany DDS's, a red leather and French polished mahogany film back, all in the original fitted case with trade label to inside.Note: James A. Sinclair & Co. Ltd started trading in 1903/1904 at 54 Haymarket London SW till 1925 when the company moved to Charing Cross, London. The only other auction sale we can find was at Westlicht Auctions, Vienna, back in 2009, lot 531
A Large Selection of Various Leica Accessories, including Meter MC, table tripods, NOOKY, filters, adapters and more (a lot) Note: Lot imported under Temporary Admission. 5% UK import VAT will be charged on the ‘hammer’ and 20% UK VAT will be charged on the ‘buyer’s premium’ and invoiced on an inclusive basis under UK Margin Scheme rules.
A HANDWRITTEN LETTER AND SONNET FROM DANTE GABRIEL ROSSETTI TO FREDERIC J SHIELDS written on the 20th May 1880 for the purpose of Shields' sketch of William Blake's work room and death room, 3 Fountain Court, Strand. Together with a reprint of an article reprinted from the 'Manchester Quarterly' April 1910 'Blake's Work Room and Death Room and Rossetti's Sonnet' which references this letter and sonnet.Provenance: Kerrison Preston Esq. and by descentKerrison Preston Esq. (1884-1974) practised as a solicitor in Bournemouth, Hampshire (now Dorset) from 1909 to 1949. He was a noted connoisseur with a collection including Pre-Raphaelite works by Rossetti and Burne-Jones, which were saved for the nation by Duke’s in 2007 and now form part of the collection of the Ashmolean Museum in Oxford. The letter reading as follows: My dear Shields, Thanks for you loving words on the sonnet, and thanks most of all for the chance of using it. I subjoin a revised copy. I write this line because I expect Mrs Gilchrist & her son abt 5 tomorrow (Saturday) & thought I shd tell you so. But I dare say you wont think this forbids work. Hoping to see you Yours ever affec. DGR The Sonnet reading: To Frederick (sic) Shields, on his sketch of Blake's work room and death room, 3 Fountain Court, Strand. This is the place. Even here the dauntless soul, The unflinching hand, wrought on; till in that nook, As on that very bed, his life partook New birth and passed. Yon river's distant shoal, Beyond the steep wynd's teeming gully-hole, Faced his work-table, whence his eyes would stare Not unto any sight that met them there, But to the unfettered irreversible goal. This cupboard, Holy of Holies, held the cloud Of his soul writ and limned, this other one, His true wife's charge, full oft to their abode Yielded for daily bread the martyr's stone, Ere yet their food might be that bread alone, The words now home - heard from the mouth of God D.G. Rossetti, May 1880Frederic James Shields (14 March 1833 – 26 February 1911) was a British artist, illustrator, and designer closely associated with the Pre-Raphaelites through Dante Gabriel Rossetti and Ford Madox Brown.
An English guittar by Michael Rauche, London, third quarter of the 18th century, the two piece back and ribs of maple, the table with incised floral rose, the pegbox laterally pegged for five double courses and one single course strings, square finial, the neck pierced for four cap tasto positions, the capo tasto of bone with brass fly nut, inscribed Rauche in ink on the button, total length 78.5cm
Good Scottish violin by and labelled John Craig, Maker, Edinburgh.A.D 1905 no. 13, the two piece back of faint medium curl with similar wood to the sides and head, the table of a medium width grain and the varnish of a reddish-brown colour on a golden ground, 14 1/16", 35.70cm, case - **This violin is sold with a nickel mounted bow by and stamped Arnold Voigt
French violin labelled Charles Brugere Luthier, 11 Faubourg Poissonniere, Paris, no. 186, A.N.1918; also stamped Ch. Brugere to the inner back, the two piece back of faint medium curl with similar wood to the sides and head, the table of a medium width grain and the varnish of a light reddish-brown colour on a golden ground, 14 1/16", 35.70cm
Good English violin by and labelled Wilfred G. Saunders, 33 Julian Road, West Bridgford, Nottingham, no. 22, 1965, the two piece back of faint medium/narrow curl with medium curl to the sides and head, the table of a medium width grain and the varnish of a reddish-brown colour on a golden ground, 14", 35.60cm, case
French violin circa 1910, unlabelled, the two piece back of medium curl with similar wood to the sides and head, the table of a medium/fine width grain and the varnish of a light reddish-brown colour on a golden ground, 14 1/16", 35.70cm, case and three bows - **This violin was sold by Christie's on 20th June 1994 (lot 99, estimate £600-900). The Christie's catalogue is also included in the lot
Good French violin by and labelled Lutherie Artistique Jean Baptiste Colin, annee..., the two piece back of medium curl with similar wood to the sides and head, the table of a fine width grain widening to the flanks and the varnish of a light reddish-brown colour on a golden ground, 14 3/16", 36cm
French violin by and labelled Ch.J.B. Collin-Mezin, Luthier á Paris, Rue du Faub G. Poissonniere, no. 10, 1887; also signed to the inner back on the lower treble side, the two piece back of faint medium curl with similar wood to the sides, the head of fine curl, the table of a medium width grain and the varnish of a light reddish-brown colour on a golden ground, 14 1/8", 35.90cm
Violin labelled Fait sous la Direction de Marius Didier, Luthier, Mattaincourt, 1922..., the two piece back of faint medium curl with similar wood to the sides and head, the table of an irregular medium width grain and the varnish of a light reddish-brown colour on a golden ground, 14", 35.60cm, bow
Interesting early English transitional small viola with original Baroque set-up, with inked purfling, inscribed on the button M+S, 1817, the one piece back of irregular curl with similar wood to the sides, the head of plainish wood, the table of a medium width grain and the varnish of a light reddish-brown colour on a golden ground, 14 3/4", 37.50cm
Very interesting late 18th century violin attributed to the Landolfi School, Milan circa 1790, labelled Antonius Stradivarius..., the two piece back of fine faint curl with similar wood to the sides, the head of plainish wood, the table of a fine width grain slightly widening to the flanks and the varnish of a light reddish-brown colour on a golden ground, 13 15/16", 35.40cm, two bows, case - **This violin is sold with two insurance valuations from Edward Smith (formerly of J & A Beare for £17500 dated 18th August 2006 and for £35000 dated 30th October 2006) *There is also a repair receipt from Edward Smith dated 18th August 2006
Violin labelled Averna Gerualdo fecit 1920 Caltanissitta Sicilia, fecit 1920; also stamped AG on the button, the two piece back of wild flame with plainish wood to the sides and head, the table of a medium width grain and the varnish of a light reddish-brown colour on a golden ground, 14", 35.60cm, Jaeger Etui oblong case - **This violin is sold with a nickel mounted violin bow stamped Walter Mettal
Modern Italian violin by and labelled Federico Fiora, fece Cremona, 2012, signed on the label; also stamped Federico Fiora to the inner back, the two piece back of medium curl to the sides and head, the table of a medium width grain and the varnish of an orange-brown colour on a golden ground, 14", 35.60cm - **This violin is sold with a certificate of authenticity from Cremona Citta D'Arte, dated 2nd December 2012
Modern Italian violin by and labelled Dario Aguzzi in Vidigulfo, Anno 2012, the two piece back of faint medium curl with similar wood to the sides, the head of plainish wood, the table of a fine width grain widening to the flanks and the varnish of a golden-brown colour, 13 15 /16", 35.40cm - **This violin is sold with a certificate of authenticity from the maker dated 2012
Violin labelled Sacchetti Giannetto & F.llo, Liutai, S. Martino in Rio (Reggio E), Anno 1934, also signed on the label, the two piece back of fine curl with similar wood to the sides and head, the table of a fine width grain and the varnish of a light reddish-brown colour on a golden ground, 14 18", 35.90cm
Good English violin by and labelled Emanuel Whitmarsh, London - 1909, the two piece back of broad curl with similar wood to the sides, the head of medium curl, the table of a medium width grain and the varnish of a plum red colour on a golden ground, 14 1/16", 35.70cm, case - **This violin is sold with an insurance valuation from Restalls dated 28th November 2016
Interesting late 18th/early 19th century violin labelled John Hart, 14 Princes St., Leicester Square, School of Goffriller Violin, Venice 1700, no. 290, the two piece back of plainish wood with similar wood to the head, the sides of faint medium curl, the table of a medium width grain and the varnish of a plum red colour on a golden ground, 14 1/8", 35.90cm
French violin by and stamped Salzard to the inner back, also stamped Salzard on the button, circa 1870, the one piece back of medium/fine curl with faint medium curl to the sides and head, the table of a medium width grain and the varnish of a reddish-brown colour on a golden ground, 14 1/8", 35.90cm
French violin by and labelled Lutherie Artistique, Albert Deblaye, Luthier, no. ****, An 1946; also signed on the label, the two piece back of medium/fine curl with faint medium curl to the sides and head, the table of a fine width grain slightly widening to the flanks and the varnish of a reddish-brown colour on a golden ground, 14 1/4", 36.20cm
Good German viola of the Knilling School workshop circa 1860, indistinctly signed in ink at the base of the peg box above the fingerboard, the two piece back of medium curl with similar wood to the sides and head, the table of a fine width grain and the varnish of a reddish colour on a golden ground, 14 15/16", 37.90cm
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