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A selection to include:an early 20th century oak-cased 12-place silver-plated fish-eater service;a cased set of 6 silver-plated coffee spoons and sugar tongs; a cased set of 6 early 20th century silver-plated teaspoons; a cased set of 6 silver-plate-handled tea knives by Joseph Rogers, circa 1930s; a large silver-plated caster; a late 19th century silver-plated circular dish with decoration of various fruits in berry-spoon style; an early 20th century stainless steel box with engine-turned decoration; an address book with a silver-plated repousse decorated front cover;a lady's late 19th / early 20th century cut-glass circular dressing table requisite jar with silver-mounted lid;a salt and pepper cruet set mounted with mother of pearl.
A group of four comprising:an early 20th century hallmarked silver candlestick (weighted) (10cm);a smaller silver table candlestick (also weighted), Chester hallmarks; an early 20th century hallmarked silver pepper grinder (monogrammed);a smaller hallmarked silver pepper grinder engraved with an armorial crest (4)
A 1930s oak two-drawer canteen table containing a mixed set of silver-plated flatware and cutlery to include teaspoons, table forks, cheese knives, table knives, meat carvers, game carvers, a soup ladle, table spoons, soup spoons, dessert spoons and forks and other items. Some items absent and some items replaced. The top drawer labelled Harrod's Ltd, London S.W.1. (68.5cm wide x 47.5cm deep x 80cm high)
Hanoverian pattern, engraved with initials, comprising:A table-spoon6 table-forks6 dessert-spoons6 dessert-forks3 teaspoons, unengraved, by Robert Stebbings, London, 1901A coffee-spoonTOGETHER WITH: the following Old English pattern, engraved with differing initials, by Elkington, London, 1899 and 1901:6 soup-spoons3 dessert-spoons65oz 11dwt, 2,040grEach piece marked on handle as expected. There is some minor wear to the marks on some pieces but in general they are still legible. There is some overall surface scratching and wear, consistent with age and use. The wear is noticeable as a softening to the engraving on some pieces. There is some minor loss to the tines on some.
Admiralty pattern, most pieces engraved with a crest, comprising:6 table-spoons15 table-forks8 dessert-spoons12 dessert-forks8 teaspoons3 sauce-ladles111oz 14dwt, 3,475grProvenance:by family tradition acquired, either as a gift or a purchase, from the Royal Navy by Rear-Admiral Hugh Webb Faulkner (1900-1969) and by descent.The crest, 'upon a pheon a plover close, holding in the beak an ear of wheat', is that of Allsopp, as borne by the Barons Hindlip. Henry Allsop (1811-1887) was created Baronet in 1880 and 1st Baron Hindlip in 1886 so the absence of an engraved coronet on the present service doesn't rule out the crest engraved on the present service belonging to them. The family however doesn't have any obvious naval connections so it is equally possible the crest has been assumed by another family in this instance.The rare pattern, depicting a fouled anchor below the Royal crown and within scrolls, was first made for use of Royal Naval officers in the early 19th century, with the earliest known extant pieces being hallmarked for 1838. As the present service shows it was produced by various makers through the 19th century, apparently being discontinued around the First World War. Ian Pickford notes that serving officers at the time were allowed to purchase services, though pieces are still in use in Royal Navy messes (I. Pickford, Silver Flatware English, Irish and Scottish 1660-1980, Woodbridge, 1995, p.98.Each piece is fully hallmarked on back on handle and further marked with the broad arrow mark. The marks in generally are clear. There is some surface scratching and wear, consistent with age and use. The wear is noticeable as a softening to the high points but in general most pieces are still reasonably crisp. There is some minor bruising and wear to the tines of some forks. The pieces are marked as below:6 table-spoons, four engraved with a crest, four by John Samuel Hunt, 1860, two by Francis Higgins, 187615 table-forks, each engraved with a crest, one by William Theobalds, 1840; three by George Adams, 1841, 1851 and 1852; five by John Saumel Hunt, three 1860 and two 1862; one by Hunt and Roskell, 1866 and five by John Edward Bingham, 18778 dessert-spoons, six engraved with a crest; three by John Samuel Hunt, two 1859 and one 1862; two by Francis Higgins, 1876 and three by John Edward Bingham, 187712 dessert-forks, two engraved with a crest; two by George Adams, 1853; four by John Samuel Hunt, 1864; two by Francis Higgins, 1876 and four by John Edward Bingham, 18778 teaspoons, two engraved with a crest; four by John Samuel Hunt, 1862; two by George Adams, 1876 and by John Edward Bingham, 18773 sauce-ladles, each engraved with a crest; one by William Theobalds and two by John Samuel Hunt, 1858
in the form of a dressing-table on cabriole legs, the top chased with a scene of figures in 18th-century costume in a landscape, with foliage and rocaille borders, with sliding drawer with drop-ring handle20.5cm wideProvenance: Tennants, 2 December 2017, lot 2229.Fully marked on body. The front of the drawer further part marked and stamped with design registration number 'Rd No 335571'. There is some minor wear to the marks but in general they are still legible. There is a solder repair to one of the back legs and overall some surface scratching and wear, consistent with age and use. The wear is noticeable as a softening to the high points. There is some bruising to the edges and the feet which result in the box rocking when placed on a flat surface. The inside of the drawer is wood and velvet lined. The total gross weight is 583gr.
with Fiddle pattern handle, the knives with tapering handles, each with a double row of spirals, comprising:12 table-forks, 196712 soup-spoons, 196612 dessert-forks, 196612 dessert-spoons, 1967and the following with stainless steel blades and filled handles:12 table-knives, 196612 cheese-knives, 1966with twelve original Viners cardboard boxes and twelve 'Treasure Wrap' anti-tarnish wraps92oz 1dwt, 2,862grAs discussed by G. Hughes, Gerald Benney Goldsmiths The Story of Fifty Years at the Bench, Alfriston, 1998, pp. 155-159, Gerald Benney was an astute businessman. Perhaps nothing provides better evidence of this than the royalty he negotiated with Viners of Sheffield, for whom he designed between 1957 and 1969. While he was earning a salary of some £2,000 a year the 1.5% royalty brought him in as much as £60,000 annually, earning him more than the chairman of the company. Besides designing flatware, as well as other items, for Viners he involved himself in improving manufacturing techniques to avoid the wastage which had previously been the norm in the industry. The bulk of his commission was from four stainless steel flatware patterns, Chelsea, Studio, Design 70 and Sable. Each was typified by shallow bowls which allowed automatic robot polishing. The present pattern, which is sometime referred to as Guild, the name inscribed on the boxes in which the present service is contained, doesn’t seem to be among the published patterns, but instead seems to be a variation of Design 70, which has the same truncated Fiddle pattern handle but which is lacking the distinctive swirls which make the present pattern stand out.Each piece marked on back of handle. In generally as new condition with only some minor scratching. The boxes with scuffing and general wear.
A Miyao Bronze Figure of a Craftsman, Meiji period, possibly a swordsmith, kneeling wearing traditional robes picked out in two shades of brown patination and gilt, three-character mark to gilt tablet17.5cm high, together with a hardwood table base decorated with gilt foliate scrollsImplements missing. Some wear to patination, particularly above true left ear, Stand possibly not original. Part of table leg detached.
A Late 19th Century Korean Stained Pine and Metal-Bound Chest, the hinged lid with four decorated pierced hinges and solid metal lockplate enclosing a paper-lined vacant interior125cm by 53cm by 50cmA 19th Century Korean Stained Pine Table Box, the hinged lid and strapwork body with solid iron lockplate enclosing a vacant interior, on bracket feet with shaped apron62cm by 34cm by 23cm (2)
A George III Mahogany Dish-Top Tripod Table, circa 1800, the moulded top above a spiral and part-wrythen turned baluster support with three cabriole legs and pad feet40cm by 72cmReasonable colour. General scratches to the top consistent with age. Scratches to the feet also. Moulding on the underside has split, repair to one of the legs which is done to a good standard. General scuffs around the base. The top has possibly got a very fine split which has been polished and restored to a very good standard (see further images).
A Victorian Amboyna, Walnut and Gilt Metal-Mounted Foldover Card Table, circa 1880, the quarter-veneered and bone-inlaid top enclosing a green baize-lined interior, on tapering fluted supports inset with blue and white circular jasper mounts with a turned stretcher surmounted by a gilt metal urn, on capped feet and ceramic castors91cm by 47cm by 75cm The top with scratches, some deep (see images). The green baize interior is good. Some faults to the veneers, mainly around the legs. There are some small faults and repairs to the sections of bone inlay to the top. The interior of the table has some natural? splits (see image).
A Victorian Gilt and Gesso Bijouterie Table, late 19th century, of serpentine shaped form, the bevelled glass hinged lid enclosing a red velvet-lined interior with rockwork and C scroll moulding below, on slender moulded cabriole legs with scrolled toes joined by a small undertier78cm by 53cm by 76cmStructurally the table is sound. Various natural? cracking to the gesso (see images). Traces of re-gilding throughout, some small losses to the carved decoration. Overall good.
A Regency Rosewood and Brass-Inlaid Foldover Card Table, early 19th century, of D-shape form enclosing a green baize-lined interior above an anthemion brass cut tablet, on a turned support with quadripartite base and sabre legs with brass-capped feet and castors92cm by 45.5cm by 75cmThe top of the table has some defects, mainly in the polish. There is also a section of brass stringing lifting (see photographs). The green baize interior is worn. Turned support has some natural? splitting. There is also a section of veneer missing to one of the legs. Brackets added to the underside of the sabre legs for strengthening, otherwise good.
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1181390 item(s)/page