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A small group of Dutch miniature silver furniture, comprising:- a miniature grand piano with two hinged covers, import marked for London 1902 (sponsor's mark of Isaac Manheim), 6.5cm; a miniature settee, import marked for London 1896 (sponsor's mark of Edwin Thompson Bryant), 7cm wide; a miniature circular table on ropetwist supports, import mark for London 1903 (sponsor's mark PB), 5.75cm diameter; two small corner chairs, import marked for Sheffield 1896 (sponsor's mark of Samuel Boaz Landeck), 3.5cm high and a miniature box iron, import marked for London 1896 (sponsor's mark of David Bridge), 4.5oz total weight (6)
A service of silver Dognose pattern flatware, by Edward & Sons, Sheffield 1925, comprising:- six tablespoons with rat tail bowls, twelve tableforks with three tines, twelve soup spoons, 12 dessert forks with three tines, twelve dessert spoons, two sauce ladles, a pair of sugar tongs, cased together with twelve bone handled table knives and twelve matching cheese knives, carving knife and a steel , 159oz (96)
A Regency rosewood library table in the manner of Gillow, with painted inset Grand Tour marble tablet depicting classical figures after the Antique, to a border decorated with sphinx and arabesque, the table with a gadroon carved border, to lapit carved column ends and on shaped feet 74 x 136 x 84cm (29 x 53 x 33in) Other Notes: Dancing Bacchante (or Maenads) were copied from the murals of Cicero's villa in Pompeii, one holding a sapling and sceptre or sword; another holding bucket and offering a cup or plate; and a third holding a thyrsus, representing Spring. Bacchantes played an important part in Greek and Roman mythology, literature and art . The women worshiped the god Bacchus, (Dionysus), and are often depicted intoxicated and abandoning themselves to frenzied dancing.
A fine miniature ormolu cased table clock, the silvered rectangular dial engraved and with printed Roman numerals in black, the rectangular case engraved, inset with malachite cabochon to the top and with agate lozenges to the sides all raised on four scrolled mask supports, the back cover with apertures for winding with dust covers and with a small thermometer attached, 9cm high movement not examined
A George II Irish mahogany table, on carved lion mask and foliate carved cabriole legs and hairy paw feet 73 x 167 x 173cm (28 x 65 x 67in) Other Notes: Throughout much of the 18th century, Irish furniture was stylistically very different from English. Low relief carvings on the aprons of tables included festoons, winged birds and rosettes. Goblin heads, scallop shells and lion masks were often depicted, and on the cabriole legs of table and chairs, acanthus leaves were caved alongside the masks. Some furniture took on an almost animal nature with muscle or a fetlock being carved above the paw or claw feet; hairs and muzzles were carved in detail. The lion mask, a motif used from antiquity as an emblem of strength, courage, and majesty, was not necessarily realistic, sometimes described as Bacchic with bunches of grapes and often with "human" features, in particular the eyes, reminiscent of paintings such as the Carpaccio St Mark's Lion in Venice, or drawings by Albrecht Durer. Original country house condition, needs restoration.
Circle of Pieter Nason (Dutch, 1612-1690) Portrait said to be Hildebrand, 5th and last Baron Alington (1641-1722/3), standing three-quarter length, in armour, resting his helmet upon a table oil on canvas 116 x 92cm (45 x 36in) Provenance: By descent within the Alington family to the Little Barford line Other Notes: The presumed sitter succeeded his nephew Giles in the Irish barony of Alington in 1691 and at his death the title became extinct. He never married but was in the retinue of his cousin Charles, 6th Duke of Somerset (the Proud Duke) to the Continent in 1680 (see Dr Catherine Parsons, "Horseheath Hall and its Owners" in the Proceedings of the Cambridge Antiquarian Society, Vol. XLI, 1948, p.22) where in a letter to him, his elder brother, Lord Alington, described the attempt in Parliament to exclude the Duke of York from the succession which would result in their brother-in-law William Russell's execution. A horizontal line can be seen 12in down from the top. Lined. Dirty. Hildebrand - Lely Oil on canvas which has been lined. The paint layer is actively flaking in many areas with small, scattered paint losses. The painting is compromised by an old degraded varnish which is uneven yellowed and no longer saturating the paint layers below. There are a few scattered old retouchings which have darkened. Surface dirt and dark accretions lie on top of the varnish.An attribution has been suggested to Jacob Huysman Flemish (1633 - 1696)
A part service of silver fiddle pattern flatware, by the Alexander Clark Manufacturing Company, Sheffield 1923, comprising:- six table forks, six dessert forks, six dessert spoons, two table spoons, six teaspoons, cased together with six bone handled table knives and six matching Cheese knives and a three piece carving set, 46.8oz (41)
A pair of late Victorian silver table candlesticks, by Thomas Bradbury & Sons, London 1899/1900, each of rococo design raised on a heavily repousse decorated circular base below a similarly decorated tapering stem below a campana socket with matching nozzle, 24.5cm high, loaded (2) Generally in good condition, loading to the bases in place but needs a little attention
English School (18th-19th Century) Figures in an interior with a large globe, heavily squared, 19 x 30.5 cm (7.5 x 12in.); Sir Godfrey Kneller, Bt. (British, 1646-1723), Gentlemen gathered at a table, pen and brown ink, 20.5 x 25.5 cm (8 x 10in.); together with English School, previously attributed to Mortimer, A study of a seated gentleman, 13.5 x 11.5 cm (5.3 x 4.5in) (3)
Dining / snooker table by W. Jelks & Sons, rectangular four leaf table top with cut corners, green baize covered table with slate bed, replacement pockets by Riley all standing on four barley sugar twist legs, nb. there are no accessories with this table, width 198cm (78"), depth 107cm (42"), height 79cm (31"). Condition report: Small water mark to baize, there are no accessories, balls, cues, marker boards etc. being sold with this lot. Condition report: see terms and conditions
A part canteen of Georgian silver flatware, comprising 12 tablespoons, 12 dessert spoons, 12 table forks and 12 dessert forks. Plain Old English pattern with diagonal grooved borders. Assorted dates, last quarter 18th century. Assorted makers to include 'W.C.' and 'L.A.W.' Total silver weight approx. 77.8 ozt. Together with 8 stainless steel bladed table knives. Condition Report: Very good, scratches, minor wear and tear only. Fork tines and spoon bowls showing very little wear. No obvious sign of damage or repair. Condition report: see terms and conditions
17th century design oak side table, the two plank top standing on four gun barrel turned legs, united by rectangular section stretchers, length 183cm (72"), width 61cm (24"), height 80cm (32"). Condition report: This table originally would have been a side table but would often be used as a dining table, the long rail on one side only fitted with brackets which would have been appropriate for a side table. Condition report: see terms and conditions
Victorian black lacquered games table, top with mother-of-pearl inlay forming chess board, each flap decorated with ornamental birds and insects, single frieze drawer, trestle base with sledge feet, all over decorated with chinoiserie, width 59cm (31"), depth 49cm (19"), height 76cm (30"). Condition report: Top to games table warped, the scrolling brackets supporting the table damaged and repaired with steel plates. Condition report: see terms and conditions
William IV mahogany dressing table mirror, the rectangular glass mounted on two turned and reeded stick supports, platform base with moulded ring turned bead and four disc feet, width 51cm (20"), depth 23cm (9"), height 65cm (26"). Condition report: Overall condition good, slight surface scratch to mirror frame. Condition report: see terms and conditions
Edwardian rosewood veneered nest of four occasional tables, each with rectangular tops and trestle bases with sledge feet, largest table width 48cm (19"), height 76cm (30"), depth 30cm (12"). Condition report: Overall condition good, however the top of each of the four tables is banded with cock beading, in all cases a section of this is missing. Condition report: see terms and conditions
Victorian rosewood veneered loo table, circular top supported on single tapering octagonal column, platform circular base with three scroll feet, original steel castors, diameter 117cm (46"), height 68cm (27"). Condition report: Centre of table discoloured, pedestal base with water damage and split to veneer. Condition report: see terms and conditions
Victorian mahogany extending dinning table, rectangular top with moulded edge incorporating two short and one longer leaf, four supports of baluster form terminating with articulated brass castors, length 277cm (109"), width 110cm (43"), height 71cm (28"). Condition report: Overall condition good, this table does not have a wind out action, there are D-shape brackets to fix loose leaves together. Condition report: see terms and conditions
George III walnut dressing table mirror, the rectangular glass with gesso slip mounted on two stick supports, box base with three ogee shaped drawers all standing on small bracket feet, width 38cm (15"), depth 21cm (8"), height 56cm (22"). Condition report: Mirror with multiple silvering missing, gilding missing from gesso slip, box base some stains, replacement lock. Condition report: see terms and conditions
Late 19th century French occasional table, marble top with copper veined decoration, four turned and fluted tapering legs united by fretwork stretcher with central brass finial, diameter 61cm (24"), height 76cm (30"). Condition report: Overall good condition. Condition report: see terms and conditions
An Edwardian nest of four occasional tables, each table with raised cock beading and whitewood stringing standing on spider leg supports with bowed stretcher and sledge feet, largest table width 56cm (22"), depth 38cm (15"), height 71cm (28"). Condition report: Smallest table with damaged stretcher, overall condition fair to good. Condition report: see terms and conditions
English Provincial School (circa 1800) Portrait of the Reverend William Alington (1761-1849), seated full-length, beside a table with a view of Twywell Church beyond oil on canvas, 126 x 91cm (49 x 35in) Provenance: By descent from the sitter at Little Barford Manor to the present owner Other Notes: The sitter, who was founder of the line of Alingtons of Little Barford, married Sarah, daughter of John Williamson of Baldock, Hertfordshire. Dirty and with craquelure overall. Oil on canvas which is unlined. The canvas tension is slightly slack but generally in plane. The paint layers are thinly applied and have a prominent network of age cracks which appear light. The cracks are stable and the paint layer is in a sound condition. The varnish is yellow and has a layer of surface dirt present. There are white opaque scuffs to the varnish. The frame is dusty with a few small chips and losses.
A quantity of Victorian silver fiddle and thread pattern flatware, a mixture of double and single struck, various makers and dates, comprising:- forty-two table forks (31 x Mary Chawner & George W Adams, London 1840, 11 x George Adams), six single struck dessert forks by William Eley and William Fearn with six matching dessert spoons, together with three butterknives, 154.21oz (57)
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1181390 item(s)/page