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Lot 47

A pair of probably 19th century cut glass spirit flasks having unmarked white metal probably silver screwable tops, both initialled "D", approx. 10.5cm high and two matching dressing table toilet boxes, one being of longer shape than the other and having pierced design to top and initialled "D" to tops, hallmarked by Archibald Douglas, London, circa 1828, both approx. 4cm high. Weight: Approx. 84.1 grams (2.7ozt) Further Details: Some tarnishing, slight denting to tops of spirit flasks, some nibbles/small chips to glass in areas.

Lot 55

A matching George V silver dressing table hand brush and clothes brush, having initials, hallmarked by Henry Matthews, Birmingham, 1917, a similar circular dressing table toilet box having initials to top, hallmarked 1911, a faux tortoiseshell and unmarked white metal topped dressing table box, a matching cruet set consisting of cut glass and Victorian silver topped salt, pepper and condiment pots, hallmarked by Henry Manton, Birmingham, 1866, a Victorian cut glass and silver smelling salt bottle with attached spoon, a Victorian silver condiment spoon, a pair of George V silver sugar tongs, hallmarked by Josiah Williams & Co, London, 1912, a pair of sterling silver cufflinks in case, a white metal thimble and an unmarked white metal rim to a cut glass pot. (1 bag) Weight: Approx. 76.9 grams (2.4ozt) Further Details: Tarnishing, some wear, slight dents to parts.  

Lot 58

A collection of 18th & 19th Century flatware including: a pair of George II silver berry spoons, hallmarked London, 1752, no makers marks visible, a Georgian silver fish server with gadrooned handle, a Thomas Streetin London silver table spoon, a pair of George III silver table spoon, London hallmarked, each engraved Phoenix crest and dated 1867. Feb28. 1892, a pair of Scottish silver fiddle patterned ladles, hallmarked by JL, Edinburgh, 1825, a Victorian Birmingham silver sifter, Georgian London silver ladle, sugar tongs and a Sheffield silver handled carving knife. (1 bag) Weight: Approx. 616 grams (19.7ozt) Further Details: Some tarnishing, general wear, scratching etc.

Lot 1077

No reserve - 2-piece set of dressing table flacons silver. Very nice set of 2 crystal cut glass dressing table bottles with silver frame and glass stopper. United Kingdom, Birmingham, A.J. Pepper & Co, 1921, hallmarks: lion, anchor, maker's mark, year letter W - light signs of wear. 474 grams, 925/1000. Dim. H 13.2 cm, diameter 6 cm. This lot will be auctioned without reserve price.

Lot 1078

No reserve - 2-piece lot of dressing table flacons silver. Lot consisting of two crystal vanity / dressing table flacons, one spherical with silver frame and cap. The other with silver frame and glass stopper. United Kingdom, Londer, Charles Henry Dumenil / Corke Brothers & Co, 1890 / 1899, hallmarks: lion, panther's head, maker's marks, year letter p and d - light signs of wear and dents. 424 grams, 925/1000. Dimensions spherical model: H 10.7 cm, diam 7.7 cm. This lot will be auctioned with no reserve price. This lot will be auctioned without reserve price.

Lot 1079

No reserve - Candlestick silver. Table candlestick with 3 arms and matching bobeches. Germany, 20th century, hallmarks: E.T.J. 830S, ZII . 334 grams, 830/1000. Dim. L 21.3cm, W 8.5cm, H 11cm. This lot will be auctioned without reserve price.

Lot 1080

No reserve - Centerpiece candlestick silver. Spectacular table candlestick with 5 arms in stylized design. Germany, Schwäbisch Gmünd, Gottlieb Kurz, 2nd half of the 20th century, hallmarks: moon, crown 925, maker's mark, ZI - light signs of wear. 882 grams, 925/1000. Dim. L 41.5cm, W 9.5cm, H 16cm. This lot will be auctioned without reserve price.

Lot 1238

No reserve - 14K Yellow gold signet ring set with onyx. Set with a table cut onyx In good condition. Hallmarks: 585 Dutch assay mark. Ring size: 20.5 mm / 64.5 mm. Weight: 11.61 grams. This lot will be auctioned without reserve price.

Lot 847

No reserve - Table bell silver. Very fine model with rocaille (empty) cartouches and flower-decorated stem. The inner bell is made of brass. Netherlands, Voorschoten, J.M. van Kempen & Zonen, 1874, hallmarks: lion, Minerva, maker's mark, year letter p - light signs of use (clapper is missing). 226 grams, 833/1000. Dim. L 9.6 cm, W 9.6 cm, H 14.8 cm. This lot will be auctioned without reserve price.

Lot 2091

A Praktica VF camera, together with lens, a Kodak Anastigmat folding camera in case, miner's lamp, oak table lamp, pipe stand, etc. (1 tray and loose) WARNING! This lot contains untested or unsafe electrical items. It is supplied for scrap or re-conditioning only. TRADE ONLY

Lot 2170

General household effects, to include a Canon E77 Cano Vision 8 camcorder, table lamps, tripod stand, commemorative crown, golfing related glass paperweight, knitting needles, two painted lead figures depicting musicians, playing guitar and accordion, etc. (a quantity)

Lot 2315

A Janome cased sewing machine, together with an extension table, boxed.

Lot 691a

Maison Jansen Glass, Chrome and Brass Coffee Table. Having hooved gilded feet. Overall Dimensions: 17 x 38 x 38 in. Approx. Overall Weight 120 lbs

Lot 760

Frederick Grant Young (Massachusetts, B. 1859) Still life painting. Depicting a bouquet of flowers on a table setting in a blue and white Chinese vase. Oil on Canvas. Signed lower left. Housed in a gilt frame. Sight Size: 20 x 16 in. Overall Framed Size: 30 x 26 in.

Lot 226

Limited edition in matte finish modeled as a woman in a pink and white dress sitting at a table playing a dulcimer. The Musicians series. Royal Doulton backstamp. Includes base. Base measures: 7.5"L x 7.5"W x 2"H. Artist: Peggy DaviesIssued: 1975Dimensions: 6.5"HEdition Number: 188 Edition Size: 750Manufacturer: Royal DoultonCountry of Origin: EnglandCondition: Age related wear.

Lot 282

Nice grouping including a small vase, pitcher, bell, gramophone, china plate, a mini vase, a bird in cage, and a table with two chairs. Limoges France backstamp. Largest vase measures: 4.5"W x 4.75"H. Bell measures: 2.5"W x 3.5"H. Pitcher measures: 1.75"L x 2"W x 4"H. Bird in Cage measures: 2.5"W x 4.5"H. Table measures: 2.75"W x 2"H. Chairs measure: 1.75"L x 2"W x 2.75"H. Country of Origin: FranceCondition: Age related wear.

Lot 537

Measurements of each chair: 90 x 50 x 50, table measurements: 80 x 90 x 90 cm. No reserve lot.

Lot 67

A rare Austrian brass hexagonal repeating table clock, 18th century with alterationsJohan Hoffman, TyrnauThe case with beaded bezel over five glazed panels within shaped frames, the sixth side supporting the sprung repeat button, raised on (later?) half-round feet. The 2.5-inch silver champlevé dial with arcaded minute band framing the Roman hours and signed in the centre HOFFMAN, DIRNAU with date aperture, mock pendulum aperture with dummy pendulum and subsidiary regulation. The associated movement with chain fusee to the verge escapement with plain balance, repeating the hours on a later coiled steel gong. 9.5cms (3.75ins) wide. For further information on this lot please visit the Bonhams website

Lot 57

A rare mid 18th century walnut quarter repeating table clockEllicott, LondonThe inverted caddy top with good mouldings and single handle over a moulded concave cornice, canted reeded front and rear angles, long glazed side apertures and a stepped moulded base. The 7 inch arched brass dial with strike/silent subsidiary over the Roman and Arabic chapter ring with chamfered inner quarter-hour track framing the finely matted centre with mock pendulum and date apertures. The twin chain fusee movement united by five knopped and ringed pillars, the verge escapement with rack striking on a large bell. Further sounding the quarters and hours on the pulling of a cord on a nest of six bells and hammers. Ticking, striking and repeating. Together with a later winding key and door key. 50cms (19.5ins) high.For further information on this lot please visit the Bonhams website

Lot 42

An ebonised musical table clock with six tunes playing on 26 hammers and 17 bells, 18th century and laterStephen Rimbault, LondonThe 20th century ebonised case with stepped bell top and cone finials, the sides with substantial handles and silk-backed sound frets to a moulded base on brass ogee feet. The 7.5inch arched brass dial with silvered tune selection arc numbered 1-6 over twin subsidiaries for strike/silent and chime/silent, Roman and Arabic chapter ring, scroll and flower spandrels and a matted centre with mock pendulum aperture, chamfered date aperture and blued steel hands. The large movement with heavy knopped pillars, verge escapement, rack striking on a large bell, chiming the quarters and playing a tune on the hour on the 26 hammers and 17 bells via a 16.5cms (6.5ins) long pinned barrel running across the back of the movement. The backplate with single line border framing an elaborate pattern of foliate scrolls framing the signature Stepn. Rimbault, London. Ticking, striking, chiming the quarters and playing tunes. 58cms (22.5ins)For further information on this lot please visit the Bonhams website

Lot 46

A late 17th century walnut veneered table ClockJoseph Knibb, Londini FecitThe shallow caddy top surmounted by a tied bud handle over rectangular side apertures and a moulded plinth on (later) brass bun feet. The 7.25 inch square brass dial signed along the lower edge Ioseph Knibb Londini Fecit and set with winged cherub spandrels to frame the silvered Roman and Arabic chapter ring and finely matted centre with date aperture and blued steel hands. The twin gut fusee movement with re-converted verge escapement (the knife-edge held in a small shaped cock with sliding cover), the striking train with outside numbered countwheel mounted on the engraved backplate decorated with a pattern of symmetrical tulips and foliage within a single line border, signed in a reserve Joseph Knibb, Londini Fecit. Ticking and striking. Together with a case key, the previous crown wheel and a Knibb style winding key. 37cms (14.75ins) high.For further information on this lot please visit the Bonhams website

Lot 9

A late 18th century mahogany table clockJohn Bryan, ShadwellThe bell top case surmounted by a cast handle and four brass pineapple finials over a moulded cornice, fretted side panels and a moulded base on small ogee bracket feet, the front corners with applied metal mounts. The silvered Roman and Arabic dial with engraved acanthus leaf spandrels, the centre with similar leaf engraving around a tower, chamfered date aperture and blued steel hands, signed John Bryan Shadwell in the arch. The twin gut (now wire) fusee movement united by five knopped pillars, now with anchor escapement, and rack striking on a bell (the interior of the bell with previous repairers initials and dates), the backplate decorated with acanthus leaf and floral engraving, signed in a leaf cartouche John Bryan Shadwell. Ticking and striking, with a mahogany handled crank key and a case key. 53cms (20.5ins) highFor further information on this lot please visit the Bonhams website

Lot 61

A late 17th century/early 18th century silver-mounted tortoiseshell-veneered quarter-repeating table clock with Iden Collection ProvenanceGeorge Etherington, London The caddy topped case surmounted by a cast figural handle above silver scroll and mask mounts to the caddy framed by four flaming urn finials over an intricately moulded cornice, the glazed sides with pierced sound frets, the front door with further silver mounts, on a moulded base and four silver foliate button feet. The front door applied to the inside with the original Iden Collection label, numbered 1817 and signed ETHERINGTON. The 7 inch square brass dial with engraved acanthus leaf border and upper spandrels framing the silver subsidiary arcs for rise-and-fall regulation and strike/not strike, the lower silver winged cherub spandrels framing the silver Roman and Arabic chapter ring, the matted centre with chamfered mock pendulum aperture and blued steel hands. The twin gut fusee movement united by five knopped and finned pillars, with pivoted verge escapement (with later fancy apron), rack striking on a bell and pull quarter repeat on three bells and hammers, the backplate deliberately larger and with single line border framing the symmetrical pattern of foliate scrolls centred by a wheatear oval cartouche signed Geo Etherington London. Ticking, striking and repeating on three bells. (Case possibly associated and some mounts possibly later?) 34cms (13ins) highFor further information on this lot please visit the Bonhams website

Lot 39

A fine mid 18th century brass-banded mahogany table clockEllicott, London The inverted bell top with cast handle over fine mouldings and a bold cornice, the sides with brass-bound glazed panels to a plinth base and block feet, the square front door with typical circular brass bezel revealing the silvered Roman and Arabic dial with original blued steel hands. The main dial plate of square form, signed along the lower edge Ellicott, London and with strike/silent lever in the top left corner. The twin gut fusee movement with substantial plates untied by five knopped pillars, knife edge verge escapement with rack striking on a bell, the backplate unusually decorated with an engraved facetted finial, foliate scrolls and lattice work, signed within a shaped cartouche. Ticking, striking and with operational trip repeat. Together with a door key. 44cms (17.5ins) high.For further information on this lot please visit the Bonhams website

Lot 76

A good mid 18th century brass-bound ebonised quarter chiming table clockWilliam Webster, Exchange Alley, LondonThe inverted bell top case with brass handle over circular and shaped glazed panels framed in brass, the front and rear doors similarly framed, on a brass-bound base on cast block feet. The 6.75inch arched brass dial signed in a shaped reserve between twin subsidiary dials for strike/silent and rise-and-fall pendulum regulation, the silvered Roman and Arabic chapter ring framed by scroll spandrels, with matted centre, curved mock pendulum aperture and chamfered date aperture. The substantial triple chain fusee movement united by seven heavy knopped pillars, pivoted verge escapement with rise and fall regulation, rack striking the hours on a bell and sounding the quarters on a run of eight bells and hammers, the backplate with single line border framing an elaborate pattern of foliate scrolls set with a pair of dragons and a male mask, centred by the signature cartouche William Webster, Exchange Alley, London. Ticking, striking and chiming. 51cms (20ins) high. For further information on this lot please visit the Bonhams website

Lot 41

An impressive first half of the 19th century brass-inlaid mahogany quarter chiming table clockFrodsham, Gracechurch St, London The tall gothic arched case with twin finials over canted front angles inlaid with harebells, foliate scrolls, flowerheads and quatrefoils, the sides with cornucopia ring handles and architectural silk-backed sound frets over ebonised detailing to the shaped base. The 9 inch arched signed painted dial with strike/silent and chime/not chime subsidiaries over the Roman chapters framing the subsidiary date dial, with brass and blued steel hands. The large triple gut fusee movement with steeply shouldered plates united by knopped pillars, the anchor escapement with rack striking on a bell and chiming the quarters on a run of eight bells and hammers. Ticking, striking and chiming the quarters. Together with a door key to operate both doors. 173cm highFor further information on this lot please visit the Bonhams website

Lot 8

A late 19th century ebonised quarter chiming table clockCharles Frodsham, 84 Strand London, No. 1923The arched case with four cast brass pineapple finials, above the cast brass side frets and Corinthian columns to the front, flanking the glazed front door, on a deep moulded base with cast ogee feet. The 6.75 inch arched brass dial with scroll and floral spandrels framing the silvered Roman and Arabic chapter ring signed Chas. Frodsham 84 Strand under XII and London No 1923 above VI, the matted centre under pierced blued steel hands, with two large, silvered subsidiary dials in the arch for regulation, and Chime on Eight Bells/ Chime on Four Bells/ Chime on Four Gongs. The substantial triple chain fusee signed movement with anchor escapement, striking the hours on a large gong, and the quarters on either 4 gongs, 4 bells or 8 bells (both gong stands stamped J.&F. D.). Together with a crank winder, another winding key and two door keys. 51cms (20ins) highFor further information on this lot please visit the Bonhams website

Lot 51

A very fine and small second quarter of the 18th century brass-bound ebonised quarter repeating table clockJames Snelling, LondonThe inverted bell top with carrying handle and brass inserts, over glazed sides and a moulded base on pad feet. The 5-inch arched brass dial signed James Snelling, London in a shaped silvered plaque above the date aperture, framed by silvered subsidiary rings for strike/silent and rise-and-fall pendulum regulation, the Roman and Arabic chapter ring with floating lozenge half hour markers, the finely matted centre with curved mock pendulum aperture and blued steel hands. The twin gut fusee movement united by five knopped pillars, with pivoted verge escapement to a pendulum with lenticular bob and rise-and-fall regulation, the striking train with rack striking on a bell, and repeating the quarters on a run of six bells and hammers, the backplate with a single line border framing a symmetrical pattern of foliate scrolls centred by a winged cherub's head 31cms (12.5ins) high. For further information on this lot please visit the Bonhams website

Lot 64

A late 17th century basket top table clock with pull quarter repeat. The case and movement possibly associated.The movement signed Jonathan Lowndes in ye Pall MallThe repousse basket top with double-bird head and dolphin handle over floral swags, birds and cherubs heads, the moulded cornice over long glazed panels to a moulded base on bun feet, the 6.75 inch square brass dial with winged cherubs head spandrels framing the Roman and Arabic silvered chapter ring, the dial centre now silvered and with evidence of a signature plaque above VI. The twin gut fusee movement with knife edge verge escapement, and outside countwheel striking on a bell. Repeating the quarters on the hour bell and another smaller bell via two hammers set on linkages to the right hand side. The backplate with a single line border framing floral and foliate scrolls surrounding the signature Jonathan Lowndes in ye. Pall Mall. Secured into the case via two L-shaped brass brackets screwing into the base. Ticking, striking and repeating. 38cms (15ins) high.For further information on this lot please visit the Bonhams website

Lot 13

A late 19th century brass bound mahogany table clock with rare shaped platesHaines and H. KnightThe case surmounted by a small gilt pineapple finial on a stepped geometric brass bound top above frond handles and brass fish scale frets to the sides, the front with recessed brass bound quadrants, on four ball feet.The silvered Roman dial signed Haines Fecit to the centre, under blued steel moon hands. The twin chain fusee movement with small anchor escapement (spanning 5.5 teeth) and shaped circular plates, the front plate stamped H. Knight, rack striking on a bell. Ticking and striking with two case keys and a crank key. 37cms (14.5ins) highFor further information on this lot please visit the Bonhams website

Lot 63

A walnut table clockThe movement late 17th century, the dial and case laterThe movement with tall rectangular plates measuring 25.5cms x 17.5cms (10ins x 6 7/8ths ins) united by seven knopped and ringed pillars (all latched except two larger central ones which are pinned), with twin gut fusees, the going train terminating in a knife edge verge escapement held in a heart-shape apron, the striking train with rack striking on a bell, the backplate signed to the centre, L.Bradley, LONDON below a 'Green Man' mask issuing foliate scrolls, all enclosed by a wide stylised wheatear border. Set in the case by two engraved brass L-shaped brackets mounted along the bottom edge, and with no evidence of any other fixings. Now mounted to an associated 17th/18th century 9.25 inch square dial with a later skeletonised chapter ring. The bespoke walnut case probably dating to the first half of the 20th century, with caddy top surmounted by a handle over side glazed apertures to a moulded base 47cms (18.5ins) highFor further information on this lot please visit the Bonhams website

Lot 329

Ringo Starr: An Original ROR (Ringo or Robin) Ltd. Rolls-Royce Table,1970s,the Amboyna table top of rectangular form with banded borders, another shelf beneath of the same construction, flanked by two polished steel Rolls-Royce radiator grilles, each surmounted by a Rolls-Royce 'Spirit of Ecstasy' mascot on spring, each radiator bearing the original Rolls-Royce plaque and ROR (Ringo or Robin) logo sticker to the bottom; accompanied by a Ringo or Robin promotional booklet and a polaroid of the table situated in Hilary Gerrard's apartment, 66in (167.5cm) long x 26in (66cm) high x 23 1/2in (59.5cm) deepFootnotes:Provenance:From the Estate of the late Hilary Gerrard (1933-2023), formerly Business Manager to Ringo Starr from the 1970s onwards.ROR was a British interior design company and partnership between Ringo Starr and Robin Cruickshank. The pair had met when Robin Ltd., Cruikshank's company, aligned itself with The Beatles' Apple Corps. Cruikshank designed furniture for Starr's new house, Round Hill on Compton Avenue in the Highgate district of north-west London. The company was incorporated in 1968 with its offices on the top floor of the Apple Corps headquarters at 3 Saville Row in the West End of London. Starr owned 51% of the company to Cruickshank's 49%. The famous ROR Rolls-Royce table was produced as a limited edition and evolved through a number of design variations to meet the wishes of different clients. Starr had been inspired to create it after passing a car showroom near his house.You can see Ringo discussing his furniture range on BBC's Blue Peter in 1971 here: https://www.youtube.com/watch?v=g38MdrtSWcoThis lot is subject to the following lot symbols: TPTP For auctions held in Scotland: Lots will be moved to an offsite storage location (Constantine, Constantine House, North Caldeen Road, Coatbridge ML5 4EF, Scotland, UK) and will only be available for collection from this location at the date stated in the catalogue. Please refer to the catalogue for further information.For all other auctions: Lots will be moved to an offsite storage location (Cadogan Tate, Auction House Services, 241 Acton Lane, London NW10 7NP, UK) and will only be available for collection from this location at the date stated in the catalogue. Please note transfer and storage charges will apply to any lots not collected after 14 calendar days from the auction date.For further information on this lot please visit Bonhams.com

Lot 246

Bernard Dunstan R.A., R.W.A., N.E.A.C., H.P.S. (British, 1920-2017)The Tea Table signed with initials 'BD' (lower left)oil on board23 x 25.5cm (9 1/16 x 10 1/16in).This lot is subject to the following lot symbols: ARAR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com

Lot 104

A Large No.2 Model Microscope By A. Ross English, c.1858, (date 1858 on engraved plaque on the door), signed in script to the rear of the foot 'A. Ross London 1869' microscope on a 'Y' shaped base with tall uprights supporting the body on trunnions, plano-concave mirror in a gimbal, mechanical stage with X-Y control via rack and screw, course focussing acting on triangular bar, bar limb incorporating fine focus, case contains; 1in objective and can engraved 'Ross London', 1/4in objective and can engraved 'Ross London', Low power eyepiece marked A, Medium power eyepiece marked B, Medium power eyepiece marked C, A micrometer eyepiece, Lucida Eyepiece, Eyepiece analyser, Substage polariser, Wenhams condenser, large table bullseye condenser, stage forceps, a live box. with 2 later objectives by Gundlach Berlin a 3in and a 1/2in in mahogany case with double doors key & Lock, case height 32cm German Silver plaque to the front door engraved in copperplate script 'Presented to G B Wollaston by the parishioners of Chislehurst 1858' George Buchanan Wollaston, born on 26 April 1814 in Clapton, Middlesex, and died on 26 March 1899 in Chislehurst, London Borough of Bromley. He excelled as an architect, watercolour artist, and amateur botanist, gaining renown for his exceptional collection and cultivation of native British ferns. Wollaston had strong family ties to Chislehurst, with his paternal grandfather, Francis Wollaston, serving as the Anglican rector in the area from 1769 to 1815. His educational journey began at The King's School in Ottery St Mary, where he attended grammar school. Following this, he apprenticed under the architect Augustus Pugin and worked in the field of architecture for several years. During his apprenticeship, he developed a high level of skill as a watercolourist. Upon inheriting Conduit Lodge in Eltham, located in the London Borough of Greenwich, Wollaston's career as an architect dwindled, and he wholeheartedly dedicated himself to the study of botany. His focus revolved around the collection and cultivation of various plant species, particularly ferns, and to a lesser extent, orchids. After selling the Conduit Lodge property, he purchased a small property known as Bishop's Well in Chislehurst, where he resided from around 1853 until his demise in 1899. In the late 1850s, Wollaston oversaw the renovation and repair efforts at the Anglican church of St. Nicholas in Chislehurst whihc is probably how he came to be gifted this microscope in 1858 by the parishioners. He also made notable contributions to The Phytologist through his writings. His name appears prominently in the 1899 publication "Flora of Kent" by Frederick Janson Hanbury and Edward Shearburn Marshall, with 33 mentions. In May 1981, Wollaston's watercolour drawings depicting rural England in the 1880s were showcased at the Covent Garden Gallery, located at 20 Great Russell Street.

Lot 141

Unusual Russian Calculator, Russian, dated 1917, signed to the label, the calculator possibly for artillery constructed of a brass frame with a circular rotating disk in the centre, in the lid is a printed table sowing instructions and a tabel with calculations, in the bottom is a signature, this is overlaid on top of an earlier label, case constructed of polished wood with the remains of a leather strap, case 17cm wide

Lot 167

A Fine Table Barometer by Negretti & Zambra, English, c.1860, engraved to the silvered dial, 'NEGRETTI & ZAMBRA, 4 Hatton Garden, London Aneroid Barometer' the silvered dial engraved in barometric inches running from 25 to 31, with English weather predictions, in a lacquered brass case with suspension hoop to the top, in a black wooden table stand, diameter, 12.5cm

Lot 170

A Table Barograph, English, c.1920, unsigned, the barograph mechanism mounted on a brass base plate with 10 bellows stack, 8 day clckwork drum, french polished stained oak case 34cm wide

Lot 171

A Good Table Barograph, English, c.1900, with an ivorine* plque engraved 'SHORT & MASON Ltd LONDON' barograph with aneroid bellows inside the plinth base with 8 day clockwork drum, in French polished mahogany case 31.5cm wide *early synthetic celluloid

Lot 93

An Exceptionally Fine Presentation Rosenhain Metallurgical Microscope, English, dated 1914 from the beck records, engraved to the rear of the foot ‘ROSENHAIN METALLURGICAL MICROSCOPE PATENT R & J Beck London 30170’ and engraved along the front foot ‘TO MAWDSLEY BROOKE FROM H. HOLLINGSWORTH FEBUARY 10TH 1914’, the microscope is on a large and heavy foot with massive trunnions supporting the curved brass body, focusing is via 2 large wheels acting on a diagonal rack, fine focus is via a screw at the base of the stage, the stage has X-Y control via rackwork and can be fully rotated, an unusual and possibly unique addition of a reflected light stage is included with a mirror in a gimbal to one side with a 90deg prism, adjustable aperture and ABBE-type condenser, above this is a stage with clips. When not in use this unusual stage is removed and stored in the case, the body tube is fixed and has 3 apertures with covers to allow an early electric light and reflector to be used for transmitted light down through the objective, at the top is an unusual cam operated fine focus mechanism with pullys to be operated from behind a camera for photomicrography, the microscope comes with a large table condenser objectives and eyepieces all in the original French polished mahogany case with glazed door and large brass carry handle case height 41cm Footnote: the microscope is unique as it is fitted for both transmitted and reflected light. The Rosenhain microscope was only for metallurgical opaque work so this addition of a stage for transmitted light must have been a one off special order. It was never advertised in any of the catalogues. Mawdsley Brooke, was the son of JW Brooke, founder of The Brooke Motor Company in Lowestoft, he played a pivotal role in the company's history. Initially, the company focused on supplying ironworks to the fishing industry. However, it was Mawdsley's encounter with a Mr Estcourt on the Norfolk Broads in 1894 that sparked his fascination with the combustion engine. Inspired by this encounter, Mawdsley took the lead in developing a combustion engine at their Lowestoft works. Incorporating several of Mr Estcourt's patented inventions, the company created Brooke-branded vehicles. Although the motor car business eventually phased out, Mawdsley's passion for marine launches persisted. Under Mawdsley's guidance, the marine launch division of The Brooke Motor Company thrived, achieving both significant business success and personal racing triumphs. Mawdsley's dedication and innovation became synonymous with the enduring success of Mawdsley Brook's division within The Brooke Motor Company.

Lot 95

A Very Fine Ross Type Microscope by Cary, London, English, c.1860, engraved to the rear of the foot 'CARY LONDON' and to all objectives, the microscope is a Ross microscope retailed by Cary, the microscope stands on a typical Ross 'Y' shaped base with tall uprights supporting the body of the microscope on trunnions, with a large plano-concave mirror, adjustable substage condenser with rack and pinion focus, dovetail Wheelhouse stop, mechanical stage with X-Y control, large course focus wheels acting on a rack at the back of a square sectioed bar, limb incorporating screw fine focus, with 2 fitted drawers of accessories Drawer 1 1/8" objective and can engraved CARY LONDON. 1/4" objective and can engraved CARY LONDON. 1/2" can engraved CARY LONDON. 1" objective and can engraved CARY LONDON. 1 1/2" objective can engraved CARY LONDON. 2" objective and can engraved CARY LONDON. Can of selenite filters. Achromatic Condenser. AnalyserSubstage spot lens. Drawer 2 Medium power eyepiece. High power eyepiece. high power eyepiece. Eyepiece lucida. Rotating selenite stage. Livebox. In the main case Compressor. Large live box. Fish/frog plate1" Leiberkuhn & can. Micrometer eyepiece. Side reflector. Stage forceps. large table bulls-eye condenser, glass Zoophyte trough. all in the original French polished Spanish mahogany cabinet, cabinet height 51cm

Lot 166

Nico Wilhelm Jungmann (1872-1935) Dutch, figures seated at a table with onlookers, possibly a wedding, mixed media, mostly bodycolour and watercolour, signed, 14" x 19" (36 x 48cm).

Lot 123

' The Classic ' silver cased table cigarette lighter Adie brothers Birmingham 1928 with an engine turned cylindrical bodyLocation:

Lot 174

A collection of Wedgwood to include a table lamp, a black basalt and enamelled plate and others together with Wedgwood collectors booksLocation:

Lot 181

A mixed lot to include Galway Irish crystal glassware together with other signed crystal glassware and festive table clothsLocation:

Lot 206

A quantity of cut and pressed glass table wares to include boxed sets of Crystal d'Arques drinking glasses, carnival glass bowl, Thomas Webb decanter and stopper, cake stands, and other items Location:

Lot 208

A selection of silver and silver plated cutlery to include a Sheffield stainless steel cutlery set, with silver plated handles, silver clad dressing table mirror, cased silver handled butter knives and other flatware Location:

Lot 216

A white painted metal garden table with pierced decoration, circular top with central parasol hole, and undertier, along with four white painted metal garden chairs Location:

Lot 395

An early 20th century oak side table with extended back, a single frieze drawer on octagonal turned legs 85cm x 89.5cm x 45cm, and a pair of late Victorian inlaid mahogany side chairs Location:

Lot 432

An early Victorian walnut pedestal card table, swivel and fold over top with circular inset baize, on a carved and fluted support, and four splayed legs with scrolled end feet 73cm x 92cm x 46cm (when unextended) Location:

Lot 433

A Regency/early Victorian rosewood tilt top breakfast table, circular top with dentil moulded edge rim, over and turned and carved support column, and splayed tripod base, with carved scroll, and lion paw feet on castors 78cm h x 135cm dia. Location:

Lot 434

Victorian mahogany Sutherland table on turned columns and legs, brass castors 72cm x 90.5cm x 6.5cm (when unextended) x 90.5 (when extended) Location:

Lot 439

A mixed lot of silver plate to include Fiddle pattern table spoons and others, boxed plated teaspoons, dessert spoons and other items together with a pewter sugar bowl, mixed crystal cut glasswareLocation:

Lot 446

An Arts & Crafts oak chair together with a square topped coffee table on wrought iron legsLocation:

Lot 482

A Georgian mahogany snap top occasional table having a dish top and on three cabriole legs, 53cm h x 64.5cm wLocation:

Lot 489

A collection of nine table lamps to include an Adam style example with applied gilt motifs, marble obelisk, Chinse and othersLocation:

Lot 515

A pine kitchen table on turned legs 78cm x 137cm x 90cm, and six kitchen chairs on ring turned legs and H-stretcher Location:

Lot 1

‘Stack House’ a good and important early English painted wooden dolls house and contents, circa 1820, previously on display at the Vivien Greene Dolls House museum, the façade and sides with painted trompe l’oeil, creating a convincing red brick Regency house with stone string course, panelled front door with fanlight, Doric columns to portico and nine sash windows with painted blinds, the kitchen window is particularly interesting and shows a wire blind to keep out flies and a maidservant peering over, awaiting visitors perhaps, the black pitch roof has two chimneys, the front opens in two wings to four rooms, hallway and landing, mounted on a wooden stand. Hallway: this is entered by a painted wooden archway with painted marbled columns, leading to staircase with red silk carpet and ochre painted walls. Kitchen: with plain wood walls and floor, Evans and Cartwright tinplate cooking range with wooden fire surround and brass hand wound mechanical spit Jack, fixed hanging wooden shelves and a selection of kitchen furniture including wooden table, chairs, tinplate Evans & Cartwright chair, food, pots, pans, plates, serving dishes, kettle, utensils and more. Ground floor dining room: with cream floral wallpapers, Evans and Cartwright tinplate fireplace and painted wooden ‘marbled’ surround, good amount of furniture to include wooden tables, pink upholstered chairs with settee, bureau, bird in cage, chessboard (incomplete), and various ornaments, together with two bisque shoulder head seated gentlemen. First floor landing: with blue floral wallpapers, chest of drawers, pram and painted wooden Grodnertal doll in original clothes. First floor bedroom: with cream foliage wallpapers, Evans and Cartwright tinplate fireplace and painted wooden ‘marbled’ surround, Chinois four poster bed, wooden table, chest, Evans & Cartwright washstand, ornaments, Grodnertal and peg wooden dolls (Grodnertal with paint loss to face, peg lacks one lower arm). First floor drawing room: with cream papered walls, Evans and Cartwright tinplate fireplace and painted wooden ‘marbled’ surround, nice mauve upholstered settee and chairs, Evans & Cartwright table, display cabinet, clock, bird cage and more, together with two Parian shoulder head dolls and a Grodnertal wooden doll (face and lower legs overpainted). House (without stand) 36” (91cm) tall, with stand 59 ¾” (151.5cm), 40” (112cm) wide, 15 ½” (39cm) deep. Stand 24” (61cm) tall, (condition: some repaired cracks to façade, marble effect fireplace surrounds and kitchen surround and Jack not original, stand 19th century but probably not original to house). Provenance: The house originates from Settle in Yorkshire, where it is believed to have remained in Stack House with one family for more than one hundred years, it was subsequently sold to, an antique dealer in Sussex who sold it to Miss Mary Titcomb a friend of Vivien Greene’s, the House features in ‘English Dolls’ Houses of the Eighteenth and Nineteenth Century’ Vivien Greene’s first book on Dolls Houses and the house was later exhibited in her famous Rotunda Museum, Oxford. The house was sold in 1998 by Bonhams Auctioneers, London as part of the Vivien Greene museum collection. Jennifer Le Masurier later acquired the house and has since done further extensive research into the history and family which will all be offered with the house. Please note: For viewing, shipping and collection of this lot please contact Leigh Gotch at C&T Auctioneers direct.

Lot 11

A large G&J Lines Bros painted wooden dolls house with lift, English circa 1900, the painted white exterior with gold detail, grand front entrance with pillars and shallow portico, hinged front door with metal decoration and nine glazed windows with moulded surrounds, central red turret to flat roof with string pulley mechanism for lift, the front opens in two wings to four rooms, hallway and landing with rare lift, on two levels, all rooms with built in fire places, interior doors and original wall papers, 34 ½” (88cm) tall, 38” (97cm) wide, 18” (46cm) deep, together with a small amount of furniture including wooden beds, wardrobe, chest of draws, table chairs, chaise, various accessories including vases, candle sticks, pictures, two Parian dolls and more, (condition: all original house, however does have wear/loss and papers are faded/worn, one glazed window pane loose). Please note: For viewing, shipping and collection of this lot please contact Leigh Gotch at C&T Auctioneers direct.

Lot 110

‘The Richardson House’ a large and impressive painted wooden dolls house and contents, English mid 18th century, previously on display in the Vivien Greene Dolls House museum, the sand stone brick effect façade with two steps leading to painted green panelled front door with glazed fanlight, eight recently glazed windows and quoining to each side, with later painted black pitch roof with two chimneys, opening in two wings to six rooms on three levels, hallway and landing with staircase and annex to rear of ground floor landing, all rooms with interior doors and moulded wood surrounds, painted marble effect built-in wooden fireplaces. Hallway and landing with rare original painted wood effect walls, kitchen with painted blue walls, built in plate rake, shelf, cupboard and good Evans and Cartwright tinplate stove with painted marble effect surround, first floor drawing room with fine mid 18th century wall papers with large leaf and rose pattern and rare panel of exotic birds eating fruit. With a good selection of contents including Waltershausen settee with scroll shaped ends, four chairs and a carver all with mauve silk upholstery and three further smaller chairs, sewing table with lyre shaped supports and hinged top (loose), marble top writing desk with pigeon holes, side board with mirror back and painted pillar supports, bureau with two drawers and fold down front, display cabinet with blue lining and two drawers (lacks glass to front) and a chest of drawers all with gold transfer decoration, pair of pink silk upholstered chairs with tassels, painted tinplate mirror on stand with shaped and moulded legs and twisted supports, family of five painted wooden dolls and two with moulded hair styles (both lack lower legs and one lacks arms) and a bisque shoulder head maid together with a good selection of wooden furniture, ornaments, kitchenalia and more, 42 ½” (108cm) tall, 36” (92cm) wide, 15” (38cm) deep , (condition: since this house was sold in the Vivien Greene sale part I in December 1998 the present owner has carefully removed the later red paint to the façade to reveal wonderful original sand stone brick detail, added repainted window brick pediments, replaced sills and repainted front door and steps). Provenance: Prior to being on display at Vivien Greene’s museum the house was the property of the late Sir Albert Richardson, past president of The Royal Academy and pre-eminent authority on 18th century architecture, the drawing room wall paper is of particular interest and has been identified and dated to 1777. Please note: For viewing, shipping and collection of this lot please contact Leigh Gotch at C&T Auctioneers direct.

Lot 111

‘Holly Bush House’ a Silber & Fleming painted wooden dolls house and contents, circa 1890, the stone and red brick effect façade with green base and wooden front door with moulded portico, three glazed windows, and painted green tin-plate balcony, front opening to two rooms on two levels, each room with original wall and floor papers, good tinplate and gold gilt fire places, with a good selection of furniture including tinplate lithographed bedroom suite, bone table and chairs, ornaments, accessories and three bisque dolls, house 23” (59cm) tall, 11” (28cm) wide, 7 ½” (19cm) deep, (condition: portico repainted, small doll lacks one leg and hand, contents a mix of antique and modern).

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