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Dreweatts 1759
Lot 242

Diana Savostaite In the Bedroom, 2021 Acrylic on Paper Signed verso 15 x 10cm (5¾ x 3¾ in.) Diana Savostaite (b.1983) was born and raised in a small Lithuanian village. She is a graduate of Vilnius Academy of Arts (2006) and holds a BA honours degree in Fine Arts / Painting. Diana moved to London in 2006, where she has been actively participating in group and solo exhibitions across the UK. Diana uses oil painting as a primary medium to create colourful and expressive paintings. Her artworks combine lots of colour tones (from light and airy to dark and gloomy) and variety of brush strokes. The painting process is especially important to Diana. She begins her artwork with applying thin transparent colour washes, then progresses it with texture and bold brush strokes, then finishes it by adding any detailed touches. All of this creates a unique and vibrant atmosphere in her paintings. Diana is inspired by her closest surroundings, observation of daily experiences and especially - nature and a personal connection with it. In her latest work, Diana experiments with new shapes and combines them together in a various ways, so paintings interconnect with each other and create a visual story on the wall. This practice has allowed her artwork to break free from the traditional painting format or rules and has encouraged her to search for a new form of expression. Through this, Diana discovered an interesting combination between painting and shape.   Exhibition/Awards   Diana has had several solo shows in UK - Cole's Gallery, Leeds (2020), Thames Side Studios, London (2019 and 2017), Art Fix Gallery, London (2017), ASC - Unit 3, London (2013), London Regatta Centre, London (2013). Diana's work has been selected for variety group exhibitions across the UK in venues like Royal Academy of Arts (London), Sunny Art Centre (London), Mall Galleries (London), Peterborough Museum (UK), The Bishop's Palace in Wells (UK), The Old Truman's Brewery (London), Penarth Pier Pavilion Gallery (UK), Hundred Years Gallery (London), Unit-3 Gallery (London), Arch Gallery (London), Saatchi Screen in Saatchi Gallery (London).   In 2017 Diana was awarded with Winsor and Newton Young Artist Award while exhibiting her work in Mall Galleries (London). Recently, Diana won an artist's open call with Colle's Gallery in Leeds and has been awarded a solo exhibition. Diana's artworks are held in several private art collections across the UK, Europe and USA.   2019 - Digital Marketing Strategy, UAL, online short course. 2001- 2006 Vilnius Academy of Arts, Kaunas Faculty of Arts, Lithuania. Bachelor of Fine Arts, Study programme - Painting.   Solo Exhibitions: 2020 - Cole's Gallery, Leeds, UK 2019 - Private Spaces,Viewing Room, Thames-Side studios, London 2017 - Lounge, Thames-Side Studios, London, UK 2017 - Art Fix Gallery, Woolwich, London, UK 2013 - Paintings, ASC Unit-3, London, UK 2013 - City Signs, London Regatta Centre, London, UK 2006 - Underground, degree show - Vilnius Academy of Arts, Kaunas, Lithuania   Group Exhibitions: 2020 - Summer Exhibition 2020, Royal Academy of Arts, London, UK 2020 - Sunny Art Prize 2020, Sunny Art Centre, London, UK 2020 - House Bound, Chapel Arts Studios, selected for an online group exhibition 2020 - A World Without End, no barking aRt gallery, selected for an online group exhibition 2019 - 'Dinner Table' painting chosen for Saatchi Screen, Saatchi Gallery, London, UK 2019 - New English Art Club Annual Exhibition, Mall Galleries, London, UK 2019 - Open exhibition, Peterborough Museum Gallery, Peterborough, UK 2018 - Royal Institute of Oil Painters Annual Exhibition, Mall Galleries, London, UK 2018 - Wells Art Contemporary, The Bishop's Palace, Wells, UK 2018 - Society of Women Artists Annual Exhibition, Mall Galleries, London, UK 2018 - 'Sunday Morning in the Bed' selected for Saatchi Screen, Saatchi Gallery, London, UK 2018 - Royal Society of British Artists Annual Exhibition, Mall Galleries, London, UK 2017 - Royal Institute of Oil Painters Annual Exhibition, Mall Galleries, London, UK 2017 - Society of Women Artists Annual Exhibition, Mall Galleries, London, UK 2016 - Summer Exhibition, New Artist Fair, The Old Truman's Brewery, London, UK 2016 - Pavilion Open Art Exhibition, Penarth Pier Pavilion-The Esplanade, Penarth, UK 2016 - Le Dame Gallery, Melia White House Hotel, London, UK 2016 - Open Art Exhibition, City Gallery, Peterborough, UK 2015 - Bells from the Deep, Hundred Years Gallery, London, UK 2015 - Pastel Society Annual Exhibition, Mall Galleries, London, UK 2013 - On Site, ASC Unit-3, London, UK 2013 - Dazed and Refused, Arch Gallery, London, UK   Awards: 2020 - Winner of a solo exhibition with Cole's Gallery, Leeds, UK 2020 - Selected for RA Summer Exhibition 2017 - Winsor and Newton Young Artist Award, Royal Institute of Oil Painters Annual Exhibition, Mall Galleries, London    

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Dreweatts 1759
Lot 243

Diana Savostaite Warming Hands, 2021 Watercolour and Pencil on Paper Signed verso 15 x 10cm (5¾ x 3¾ in.) Diana Savostaite (b.1983) was born and raised in a small Lithuanian village. She is a graduate of Vilnius Academy of Arts (2006) and holds a BA honours degree in Fine Arts / Painting. Diana moved to London in 2006, where she has been actively participating in group and solo exhibitions across the UK. Diana uses oil painting as a primary medium to create colourful and expressive paintings. Her artworks combine lots of colour tones (from light and airy to dark and gloomy) and variety of brush strokes. The painting process is especially important to Diana. She begins her artwork with applying thin transparent colour washes, then progresses it with texture and bold brush strokes, then finishes it by adding any detailed touches. All of this creates a unique and vibrant atmosphere in her paintings. Diana is inspired by her closest surroundings, observation of daily experiences and especially - nature and a personal connection with it. In her latest work, Diana experiments with new shapes and combines them together in a various ways, so paintings interconnect with each other and create a visual story on the wall. This practice has allowed her artwork to break free from the traditional painting format or rules and has encouraged her to search for a new form of expression. Through this, Diana discovered an interesting combination between painting and shape.   Exhibition/Awards   Diana has had several solo shows in UK - Cole's Gallery, Leeds (2020), Thames Side Studios, London (2019 and 2017), Art Fix Gallery, London (2017), ASC - Unit 3, London (2013), London Regatta Centre, London (2013). Diana's work has been selected for variety group exhibitions across the UK in venues like Royal Academy of Arts (London), Sunny Art Centre (London), Mall Galleries (London), Peterborough Museum (UK), The Bishop's Palace in Wells (UK), The Old Truman's Brewery (London), Penarth Pier Pavilion Gallery (UK), Hundred Years Gallery (London), Unit-3 Gallery (London), Arch Gallery (London), Saatchi Screen in Saatchi Gallery (London).   In 2017 Diana was awarded with Winsor and Newton Young Artist Award while exhibiting her work in Mall Galleries (London). Recently, Diana won an artist's open call with Colle's Gallery in Leeds and has been awarded a solo exhibition. Diana's artworks are held in several private art collections across the UK, Europe and USA.   2019 - Digital Marketing Strategy, UAL, online short course. 2001- 2006 Vilnius Academy of Arts, Kaunas Faculty of Arts, Lithuania. Bachelor of Fine Arts, Study programme - Painting.   Solo Exhibitions: 2020 - Cole's Gallery, Leeds, UK 2019 - Private Spaces,Viewing Room, Thames-Side studios, London 2017 - Lounge, Thames-Side Studios, London, UK 2017 - Art Fix Gallery, Woolwich, London, UK 2013 - Paintings, ASC Unit-3, London, UK 2013 - City Signs, London Regatta Centre, London, UK 2006 - Underground, degree show - Vilnius Academy of Arts, Kaunas, Lithuania   Group Exhibitions: 2020 - Summer Exhibition 2020, Royal Academy of Arts, London, UK 2020 - Sunny Art Prize 2020, Sunny Art Centre, London, UK 2020 - House Bound, Chapel Arts Studios, selected for an online group exhibition 2020 - A World Without End, no barking aRt gallery, selected for an online group exhibition 2019 - 'Dinner Table' painting chosen for Saatchi Screen, Saatchi Gallery, London, UK 2019 - New English Art Club Annual Exhibition, Mall Galleries, London, UK 2019 - Open exhibition, Peterborough Museum Gallery, Peterborough, UK 2018 - Royal Institute of Oil Painters Annual Exhibition, Mall Galleries, London, UK 2018 - Wells Art Contemporary, The Bishop's Palace, Wells, UK 2018 - Society of Women Artists Annual Exhibition, Mall Galleries, London, UK 2018 - 'Sunday Morning in the Bed' selected for Saatchi Screen, Saatchi Gallery, London, UK 2018 - Royal Society of British Artists Annual Exhibition, Mall Galleries, London, UK 2017 - Royal Institute of Oil Painters Annual Exhibition, Mall Galleries, London, UK 2017 - Society of Women Artists Annual Exhibition, Mall Galleries, London, UK 2016 - Summer Exhibition, New Artist Fair, The Old Truman's Brewery, London, UK 2016 - Pavilion Open Art Exhibition, Penarth Pier Pavilion-The Esplanade, Penarth, UK 2016 - Le Dame Gallery, Melia White House Hotel, London, UK 2016 - Open Art Exhibition, City Gallery, Peterborough, UK 2015 - Bells from the Deep, Hundred Years Gallery, London, UK 2015 - Pastel Society Annual Exhibition, Mall Galleries, London, UK 2013 - On Site, ASC Unit-3, London, UK 2013 - Dazed and Refused, Arch Gallery, London, UK   Awards: 2020 - Winner of a solo exhibition with Cole's Gallery, Leeds, UK 2020 - Selected for RA Summer Exhibition 2017 - Winsor and Newton Young Artist Award, Royal Institute of Oil Painters Annual Exhibition, Mall Galleries, London    

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Dreweatts 1759
Lot 269

Hannah Tilson Life Painting Landscape 1, 2021 Homemade Paint with Pigment on Paper Signed verso 15 x 10cm (5¾ x 3¾ in.) Hannah Tilson (b.1995) is currently attending a scholarship programme at the Royal Drawing School, since completing her Bachelors in Painting from the Slade School of Fine Art in 2018.   Education   Currently on a scholarship programme at the Royal Drawing School, BA Slade School of Fine Art '19, exchange at New York Studio School '162020   Exhibitions/Awards   Cure3, Bonhams, 5th-8th September, London The London Art Fair, Business Design Centre, London The Amber Room 2 curated by Rosie Reed, Notting Hill, London In Response, The Viewing Room, Blue Shop Cottage, London Curated for Covid, Online Exhibition Tankers and Pumpers, OXO tower, London 2019 Royal Academy Summer Exhibition, Royal Academy of Arts, London Guts Gallery Opening Exhibition, Guts Gallery, London A High Hang, Eccleston Place, London 18/11/1, PMQ, Hong Kong Voi rubate del tempo alla fretta a noi il mare ci impone lentezza, Castro Projects, Ansedonia, Rome, Italy The Amber Room curated by Rosie Reed, Notting Hill, London If you know you know, Eccleston Place, London Time Cannibal, Brockley Gardens, London Paperweight, Late Works, Vardaxoglu, Mallord's, London Fresh Air, Hot Sauce, Eccleston Place, London Hannah Tilson, Zetter, London 2018 Paper Cuts, The Saatchi Gallery, London The Lotus Eaters, Aindrea Contemporary, London Oh SHE does like to be beside the Seeside, Shelf London, Spanish City Gift Table, Exhibition Laboratory, Helsinki Bridge, Izo Gallery, Moscow BA Degree Show, Slade School of Fine Art, London Hot Milk, Post Institute, London Art on a Postcard, The Other Art Fair, London Gift Shop, Exmouth Market, London The Pink Panther Show, Gallery 46, London JUICE, 5th Base Gallery, London A View with a Room, Mercer Chance, London 2017 Tongue and Chic, Peckham Pelican, London From Cornucopia, Centre for Recent Drawing, London 2016 Art is The Highest Form of Hope, New York Topless Palaces, New York Hannah Tilson and Marco Palli, New York Legumes, 4 Malden Road, London   About the postcard artworks   I have recently started buying pigment and making my own paint in the studio. This approach to making has opened different doors for me, and I am excited to see where it takes me. These two paintings were painted from a life model (in times when we could have life classes!). And are exploring the human body as a landscape. "  

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Dreweatts 1759
Lot 270

Hannah Tilson Life Painting Landscape 2, 2021 Homemade Paint with Pigment on Paper Signed verso 10 x 15cm (3¾ x 5¾ in.) Hannah Tilson (b.1995) is currently attending a scholarship programme at the Royal Drawing School, since completing her Bachelors in Painting from the Slade School of Fine Art in 2018.   Education   Currently on a scholarship programme at the Royal Drawing School, BA Slade School of Fine Art '19, exchange at New York Studio School '162020   Exhibitions/Awards   Cure3, Bonhams, 5th-8th September, London The London Art Fair, Business Design Centre, London The Amber Room 2 curated by Rosie Reed, Notting Hill, London In Response, The Viewing Room, Blue Shop Cottage, London Curated for Covid, Online Exhibition Tankers and Pumpers, OXO tower, London 2019 Royal Academy Summer Exhibition, Royal Academy of Arts, London Guts Gallery Opening Exhibition, Guts Gallery, London A High Hang, Eccleston Place, London 18/11/1, PMQ, Hong Kong Voi rubate del tempo alla fretta a noi il mare ci impone lentezza, Castro Projects, Ansedonia, Rome, Italy The Amber Room curated by Rosie Reed, Notting Hill, London If you know you know, Eccleston Place, London Time Cannibal, Brockley Gardens, London Paperweight, Late Works, Vardaxoglu, Mallord's, London Fresh Air, Hot Sauce, Eccleston Place, London Hannah Tilson, Zetter, London 2018 Paper Cuts, The Saatchi Gallery, London The Lotus Eaters, Aindrea Contemporary, London Oh SHE does like to be beside the Seeside, Shelf London, Spanish City Gift Table, Exhibition Laboratory, Helsinki Bridge, Izo Gallery, Moscow BA Degree Show, Slade School of Fine Art, London Hot Milk, Post Institute, London Art on a Postcard, The Other Art Fair, London Gift Shop, Exmouth Market, London The Pink Panther Show, Gallery 46, London JUICE, 5th Base Gallery, London A View with a Room, Mercer Chance, London 2017 Tongue and Chic, Peckham Pelican, London From Cornucopia, Centre for Recent Drawing, London 2016 Art is The Highest Form of Hope, New York Topless Palaces, New York Hannah Tilson and Marco Palli, New York Legumes, 4 Malden Road, London   About the postcard artworks   I have recently started buying pigment and making my own paint in the studio. This approach to making has opened different doors for me, and I am excited to see where it takes me. These two paintings were painted from a life model (in times when we could have life classes!). And are exploring the human body as a landscape. "  

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Dreweatts 1759
Lot 451

Angela A'Court From Here To There, 2021 Screenprint on Paper Signed verso 15 x 10cm (5¾ x 3¾ in.) "I am an artist and printmaker who works predominantly in soft pastel, whether painting, printing, collaging or paper making.
Originally from London, New York has been home for the last thirteen years, with a recent break of eighteen months spent in Tokyo.
My evolution has been influenced by living in and experiencing different cultures, which have offered up a visual and emotional dimension to the work. As an onlooker, I have observed in each the routines and customs that provide a structure for day to day interactions and our need for connection. I am interested in re-defining soft pastel as a modern medium for reflecting contemporary life by distilling and exalting its intrinsic immediacy and tactile distinctiveness. I move slowly in the studio, so that ideas can free-float. There is a rhythm and pace here that enables me to feel my way around a painting. With a sensibility rather than an single idea, I'll begin painting so that randomness and equilibrium work along side each other. My working process is an explorative, intuitive mix borrowed from several disciplines, combining and alternating pastel with print or collage. My information comes from careful observation, from reflecting on a familiar scene and drawing a narrative from it. The scenes are not staged but usually stumbled upon, perhaps a friend's window sill, kitchen table or a glimpse of two people engaged in conversation. It is the overlooked aspects of everyday life that draw me in, a stolen glance of another's day to day and the rhythm of routine that we all share. My experience in Japan is evident in my more recent work. Prompted by curiosity and a need to adapt to a different culture, I tentatively explore the surrounding new, in contrast with older recollections. I place a beloved cup next to a chicken wire lantern, unearthed at a Japanese flea market, and a new conversation begins. It's about absorbing change and finding a way through, using the spaces in between. The resolution comes in recognizing when a balance is found and there is a connection between the contrary: the new and old, the unfamiliar and familiar. I gather my visual language from the grace of everyday ordinariness, private worlds, unguarded moments, the unsaid - the trace of human presence. I paint what makes me curious and seek to render the truest emotional response that made me first stop and take note."  

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Dreweatts 1759
Lot 452

Angela A'Court Tokyo Days, 2021 Screenprint on Paper Signed verso 10 x 15cm (3¾ x 5¾ in.) "I am an artist and printmaker who works predominantly in soft pastel, whether painting, printing, collaging or paper making.
Originally from London, New York has been home for the last thirteen years, with a recent break of eighteen months spent in Tokyo.
My evolution has been influenced by living in and experiencing different cultures, which have offered up a visual and emotional dimension to the work. As an onlooker, I have observed in each the routines and customs that provide a structure for day to day interactions and our need for connection. I am interested in re-defining soft pastel as a modern medium for reflecting contemporary life by distilling and exalting its intrinsic immediacy and tactile distinctiveness. I move slowly in the studio, so that ideas can free-float. There is a rhythm and pace here that enables me to feel my way around a painting. With a sensibility rather than an single idea, I'll begin painting so that randomness and equilibrium work along side each other. My working process is an explorative, intuitive mix borrowed from several disciplines, combining and alternating pastel with print or collage. My information comes from careful observation, from reflecting on a familiar scene and drawing a narrative from it. The scenes are not staged but usually stumbled upon, perhaps a friend's window sill, kitchen table or a glimpse of two people engaged in conversation. It is the overlooked aspects of everyday life that draw me in, a stolen glance of another's day to day and the rhythm of routine that we all share. My experience in Japan is evident in my more recent work. Prompted by curiosity and a need to adapt to a different culture, I tentatively explore the surrounding new, in contrast with older recollections. I place a beloved cup next to a chicken wire lantern, unearthed at a Japanese flea market, and a new conversation begins. It's about absorbing change and finding a way through, using the spaces in between. The resolution comes in recognizing when a balance is found and there is a connection between the contrary: the new and old, the unfamiliar and familiar. I gather my visual language from the grace of everyday ordinariness, private worlds, unguarded moments, the unsaid - the trace of human presence. I paint what makes me curious and seek to render the truest emotional response that made me first stop and take note."  

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Dreweatts 1759
Lot 453

Angela A'Court Trois Fois, 2021 Mixed Media on Paper Signed verso 10 x 15cm (3¾ x 5¾ in.) "I am an artist and printmaker who works predominantly in soft pastel, whether painting, printing, collaging or paper making.
Originally from London, New York has been home for the last thirteen years, with a recent break of eighteen months spent in Tokyo.
My evolution has been influenced by living in and experiencing different cultures, which have offered up a visual and emotional dimension to the work. As an onlooker, I have observed in each the routines and customs that provide a structure for day to day interactions and our need for connection. I am interested in re-defining soft pastel as a modern medium for reflecting contemporary life by distilling and exalting its intrinsic immediacy and tactile distinctiveness. I move slowly in the studio, so that ideas can free-float. There is a rhythm and pace here that enables me to feel my way around a painting. With a sensibility rather than an single idea, I'll begin painting so that randomness and equilibrium work along side each other. My working process is an explorative, intuitive mix borrowed from several disciplines, combining and alternating pastel with print or collage. My information comes from careful observation, from reflecting on a familiar scene and drawing a narrative from it. The scenes are not staged but usually stumbled upon, perhaps a friend's window sill, kitchen table or a glimpse of two people engaged in conversation. It is the overlooked aspects of everyday life that draw me in, a stolen glance of another's day to day and the rhythm of routine that we all share. My experience in Japan is evident in my more recent work. Prompted by curiosity and a need to adapt to a different culture, I tentatively explore the surrounding new, in contrast with older recollections. I place a beloved cup next to a chicken wire lantern, unearthed at a Japanese flea market, and a new conversation begins. It's about absorbing change and finding a way through, using the spaces in between. The resolution comes in recognizing when a balance is found and there is a connection between the contrary: the new and old, the unfamiliar and familiar. I gather my visual language from the grace of everyday ordinariness, private worlds, unguarded moments, the unsaid - the trace of human presence. I paint what makes me curious and seek to render the truest emotional response that made me first stop and take note."  

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Duke's
Lot 135

THIRD REICH TABLE AWARD "REICH MINISTRY FOR FOOD AND BREEDING SERVICES" Staats Ehrenpreis to the reverse Condition GVF+

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David Duggleby Auctioneers & Valuers
Lot 2177

Two George III silver serving spoons, old English pattern by Richard Crossley, London 1786 and two similar silver table spoons by James Beebe, London 1818, approx 7.2ozClick here to view further images, condition reports, sale times & delivery costs for this lot.

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Hansons Auctioneers and Valuers
Lot 1404

An Anglo Indian folding table with a brass engraved top, carved folding base, and a collection of assorted Indian brass wares

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Hansons Auctioneers and Valuers
Lot 1407

A collector's lot to include: Cricket - a miniature cricket bat - the Keith Miller autograph Australians 1941 bearing various facsimile signaturesTwo glass decantersA wall paper blockTwo pair of opera glassesscraperTwo various copper traysa brass conical measuring juga linen table cloth and two Victorian style skirts (Q) 

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Hansons Auctioneers and Valuers
Lot 2030

A pair of early 20th Century bamboo occasional tables, each of two tier form, comprising rectangular table with canted edges, 70cm high, 66cm wide, 45cm deep; together with an octagonal table measuring 71cm high and 48cm in diameter (2)

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Hansons Auctioneers and Valuers
Lot 2032

A Victorian mahogany work table, the top with satinwood banding and ebony stringing, with two fitted drawers, formerly with a bag below, raised on turned and tapering legs, brass castors, approx 48cm wide

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Hansons Auctioneers and Valuers
Lot 2037

An Austin 1970s teak mirror-backed dressing table, fitted with six drawers, raised on square sectioned legs, 120cm high, 154cm wide, 43cm deep

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Hansons Auctioneers and Valuers
Lot 2044

A George III mahogany fold over tea table, fitted with a single drawer, 73cms high, 90cms wide approx together with a Chippendale style mahogany side chair (2)

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Hansons Auctioneers and Valuers
Lot 2045

A linenfold TV cabinet and a matching HiFi stand, a nest of three oak tables, a mahogany pedestal occasional table and an mid 20th Century standard lamp,  (5)

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Hansons Auctioneers and Valuers
Lot 2050

A late Victorian mahogany occasional table, raised on turned columns

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Hansons Auctioneers and Valuers
Lot 2051

A mid Victorian mahogany tilt top breakfast table, raised on a pedestal base, having a decagonal column and raised on three carved cabriole legs, 140cm high, 110cm wide, 75cm deep

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Hansons Auctioneers and Valuers
Lot 2054

A Victorian walnut occasional table

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Hansons Auctioneers and Valuers
Lot 2055

An early 20th Century Chippendale style mahogany tilt top table, carved top

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Hansons Auctioneers and Valuers
Lot 2058

A George III joined oak side table, fitted with a single drawer

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Hansons Auctioneers and Valuers
Lot 2061

A 19th Century elm circular topped cricket table, having a pine under-tier, ash stretcher, 66cm high, 65cm in diameter

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Hansons Auctioneers and Valuers
Lot 2062

A late 20th Century dark wood tilt top wine table

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Hansons Auctioneers and Valuers
Lot 2068

A 1970s teak bedroom suite, retailed by 'Loughborough Furniture' and bearing labels, comprising double wardrobe measuring 176cm high, 107cm wide, 56cm deep; a six drawer chest measuring 115cm high, 83cm wide, 45cm deep; a mirrored back dressing table with three drawers measuring 124cm high, 97cm wide, 41cm deep; a pair of bedside tables each fitted with a single drawer, having a gallery edge to top and united by a slatted stretcher tier, each measuring 57cm high, 50cm wide, 33cm deepPlease note: the stool pictured is not included in the sale of this lot.

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Hansons Auctioneers and Valuers
Lot 2071

An Ercol elm drop leaf dining table

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Hansons Auctioneers and Valuers
Lot 2072

Late 19th Century arts and crafts two drawer hall table, probably German, with carved back

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Hansons Auctioneers and Valuers
Lot 2074

An Arts and Crafts oak side table, with a two plank top

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Hansons Auctioneers and Valuers
Lot 2081

A collection of four teak bookcases, three originally purchased by Hunters of Derby, one open bookcase 86 x 92cms, along with teak small coffee table (5)

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Hansons Auctioneers and Valuers
Lot 2103

An early 20th Century tavern table, with a wooden top and a cast iron black painted frame

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Hansons Auctioneers and Valuers
Lot 2104

A 19th Century mahogany Pembroke table, fitted with a single drawer, raised on square tapered legs, 70cm high, 82cm wide, 52cm deep

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Hansons Auctioneers and Valuers
Lot 2105

A 1970s nest of three tables, comprising a long table and two smaller tables, sliding out from below (3)

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Hansons Auctioneers and Valuers
Lot 2107

A Victorian mahogany tilt top tripod table, the rectangular top raised on a turned column and standing on three feet

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Hansons Auctioneers and Valuers
Lot 2112

A Victorian papier-mache black lacquered work table, circa 1880, with mother-of-pearl inlaid decoration, gilded decoration throughout, raised on a square platform base with paw feet, 77cm high, 45cm wide, 38cm deep

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Hansons Auctioneers and Valuers
Lot 2120

A 19th Century mahogany tripod table, the rectangular top raised on a turned column with a tripod base, with brass toe caps and casters, 74cm high, 74cm wide, 61cm deep, together with an oval tripod table with four legs, (2)

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Hansons Auctioneers and Valuers
Lot 2121

A mahogany circular tripod table, probably 19th Century, raised on a tripod base, 68cm high, 59cm in diameter

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Hansons Auctioneers and Valuers
Lot 2125

A 19th Century mahogany single drawer side table, bow fronted form, raised on turned legs, 79cm high, 96cm wide, 52cm deep

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Hansons Auctioneers and Valuers
Lot 2126

A 19th Century mahogany side table, fitted with two drawers, raised on square tapered legs, 77cm high, 95cm wide, 50cm deep

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Hansons Auctioneers and Valuers
Lot 2130

An Edwardian mahogany two drawer side table, the drawers with moulded fronts, 90cm high, 152cm wide, 55cm deep

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Hansons Auctioneers and Valuers
Lot 2132

An Art Deco oak dressing table, circa 1930, fitted with six small drawers and a central drawer, 103cm high, 114cm wide, 47cm deep, together with a mahogany record cabinet with a single drawer to top, 85cm high, 63cm wide, 42cm deep (2)

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Hansons Auctioneers and Valuers
Lot 2134

A Regency style mahogany twin pillar pedestal extending dining table, complete with an extra leaf, vase turned columns having reeded quadruple splay leg bases, with brass top caps and castors

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Hansons Auctioneers and Valuers
Lot 2135

A 19th Century mahogany single drawer side table

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Hansons Auctioneers and Valuers
Lot 2141

A 19th Century mahogany side table, fitted with a single drawer over square tapered legs, 72cm high, 53cm wide, 40cm deep

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Hansons Auctioneers and Valuers
Lot 2146

A 19th Century mahogany side table, fitted with a frieze drawer on turned tapering legs, 69cm high, 91cm wide, 50cm deep

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Hansons Auctioneers and Valuers
Lot 2151

A Jacobean style oak refectory table, early 20th Century, the top with cleated ends, the frieze with gadrooning and carved lions heads to corners, raised on cup and cover bulbous turned supports, with moulded feet, 74cm high, 145cm long, 76cm deep

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Hansons Auctioneers and Valuers
Lot 2152

A late Victorian pine topped windout dining table, raised on heavy turned legs with reeded decoration, 73cm high, 141cm long, 105cm deep, together with a set of four Victorian mahogany dining chairs, with green upholstered seats (5)

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Hansons Auctioneers and Valuers
Lot 2156

A collection of furniture, comprising a bureau, a corner chair, a piano stool and an occasional table (4)

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Hansons Auctioneers and Valuers
Lot 2157

A 1920's Georgian style mahogany two drawer writing table, inset leather top, raised on cabriole legs, 77cm high, 122cm wide, 76cm deep

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Hansons Auctioneers and Valuers
Lot 2160

An Edwardian mahogany two-tier occasional table, serpentine form, raised on 71cm high, 67cm wide, 45cm deep

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Hansons Auctioneers and Valuers
Lot 2161

A 19th Century captains chair with a spindle back, together with an early 20th Century occasional table, measuring 72cm high, 55cm diameter (2)

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Hansons Auctioneers and Valuers
Lot 2163

A 20th Century oak tripod Pembroke table, having two leaves rising to form a circular top, having a pedestal support and three cabriole legs, 74cm high, 90cm in diameter; together with a bergere chair, a balloon back chair, a small occasional table and a stool (5)

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Hansons Auctioneers and Valuers
Lot 2164

A Victorian oak Pembroke table, raised on octagonal sectioned legs, measuring 100cm long, 77cm high, 97cm wide, (lacking drawer)

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Hansons Auctioneers and Valuers
Lot 2168

A late 19th Century mahogany buffet table with scrolled pediment and six Victorian mahogany balloon back chairs (7)

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Hansons Auctioneers and Valuers
Lot 2174

A Nathan teak extending dining table, D ended, 75cm high, 152cm wide, 96cm deep, with a set of four chairs***Please note: the seat cushions have been detached and the chairs will be sold without the seat cushions***

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Hansons Auctioneers and Valuers
Lot 2183

A French green painted two drawer side table, probably late 19th Century, hand painted decoration, raised on cabriole supports, 76cm high, 118cm wide, 50cm deep

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Hansons Auctioneers and Valuers
Lot 2186

A 19th Century mahogany tilt top tripod table, the circular top raised on a turned column, standing on three cabriole legs, 71cm high and 88cm in diameter

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Hansons Auctioneers and Valuers
Lot 2191

A 19th Century pedestal Pembroke table, fitted with a single drawer, raised on sabre legs, 74cm high, 95cm wide, 57cm deep

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Hansons Auctioneers and Valuers
Lot 2192

A 20th Century mahogany tray topped table, raised on cabriole legs, claw and ball feet, having a removable gallery tray top, 52cm high, 94cm wide, 64cm deep

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Hansons Auctioneers and Valuers
Lot 2196

An Ercol dining room suite, comprising four chairs and a drop-leaf dining table (5)

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Hansons Auctioneers and Valuers
Lot 2198

A Regency style small serpentine fronted side table, of recent manufacture, fitted with two drawers, raised on turned legs, 76cm high, 84cm wide, 45cm deep

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Hansons Auctioneers and Valuers
Lot 2199

A collection of furniture comprising oak bureau, 100cm high, 76cm wide, 42cm deep, a modern glazed wall hanging corner cabinet, measuring 66cm high, and a reproduction drum table, measuring 58cm high, 50cm diameter (3)

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