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Lot 224

MAISON CHARLES STYLE TABLE LAMPS, a pair, with shades, 73cm H x 33cm. (2)

Lot 170

LOW TABLE, 140cm x 80cm x 42cm, contemporary X frame supports.

Lot 503

BREAKFAST TABLE, 73cm H x 151cm W x 119cm D, Regency figured rosewood and mahogany crossbanded, with carved pillar and quadripartite platform.

Lot 392

SCRIBES TABLE, Chinese firwood with traces of scarlet lacquer and trestle supports, 222cm x 38cm x 83cm H.

Lot 27

DRESSING TABLE, 115cm x 45cm x 78cm H with a rising centre panel with mirrors.

Lot 385

LOW TABLE, rectangular glazed on hand carved giltwood supports, 131cm x 97cm x 40cm H.

Lot 449

MAISON JANSEN STYLE LOW TABLE, 93cm Diam x 42cm H.

Lot 390

FARMHOUSE TABLE, 19th century French bleached oak and yewwood with tapering supports, 218cm x 84cm x 76cm H.

Lot 284

LOW TABLE, contemporary design, 140cm x 90cm x 44cm. (faults to top)

Lot 156

CENTRE TABLE, 120cm diam x 77cm H 1960s style lacquered finish with gilt detail.

Lot 528

FARMHOUSE TABLE, 175cm x 80cm x 75cm, 19th century walnut with one drawer.

Lot 470

DUTCH CARD TABLE, early 19th century mahogany and satinwood marquetry, foldover baize lined with frieze drawer, 65cm x 35cm x 71cm H.

Lot 585

OCCASIONAL TABLE, 62cm H x 47cm Damascus walnut, parquetry and mother of pearl inlaid with later leather inset octagonal top.

Lot 246

CONSOLE TABLE, 73cm x 102cmx 29cm, 1960's French style, gilt metal, smoked glass top.

Lot 192

LOW TABLE BY XERTRON, rectangular marble on gilt metal tubular supports, 102cm w x 59cm D x 42cm H.

Lot 239

MONKEY AMONGST THE PALM TREES TABLE LAMP, 50cm H, with shades.

Lot 414

TRAVERTINE CONSOLE TABLE, Italian rectangular travertine on plinth base, 131cm x 46cm x 75cm H.

Lot 407

TABLE LAMP, Belik style white ceramic with applied basket work and cord, of drum form with pleated shade, 77cm H.

Lot 610

CONSOLE TABLE, 81cm x 41cm x 77cm H, French style, demi lune, grey painted, with pierced frieze.

Lot 434

WRITING TABLE, 73cm H x 91cm W x 48cm D, Victorian pine with two drawers.

Lot 608

HALL/CONSOLE TABLE, vintage rattan framed, woven panelled and cane bound with short drawer, 77cm W x 43cm D x 76cm H.

Lot 259

EXTENDABLE DINING TABLE, 165cm x 90cm x 73cm unextended, contemporary, frosted glass top with central wooden leaf.

Lot 497

TABLE LAMPS, a pair, Chinese ceramic bird and cherry blossom decorated of vase form, 70cm H. (2)

Lot 598

LIBRARY LOW TABLE, 45cm H x 103cm x 67cm in the manner of Maitland Smith, stacked brown leather books with gilt detail and two drawers.44 h x 66 x 103 w cm

Lot 297

FAUX RATTAN GARDEN TABLE, together with four chairs, table 75cm H x, chairs 85cm H x 50cm W. (5)

Lot 498

WRITING TABLE, 95cm x 91cm H x 53cm, Regency mahogany, with 3/4 gallery and two frieze drawers.

Lot 579

DRESSING TABLE, 93cm W x 80cm H x 52cm D, by Chelsea textiles in a distressed finish with stool. (2)

Lot 476

ITALIAN CENTRE WRITING TABLE, 78cm D x 91cm W x 73cm H, 19th century Sorrento walnut and inlaid, with oval inset writing surface, frieze drawer and tapering supports.

Lot 153

COACH HOUSE TABLE LAMPS, a pair, 91cm H farmhouse style turned wood. (2)

Lot 200

TABLE LAMPS, a pair, 78cm H, gilt glass bases, with shades. (2)

Lot 157

CENTRE TABLE, 120cm diam x 77cm H 1960s style lacquered finish with gilt detail.

Lot 161

CONSOLE TABLE, 170cm x 45cm x 80cm Romeo Rega style.

Lot 394

WRITING TABLE, George III mahogany with full width frieze drawer, 80cm x 48cm x 72cm H.

Lot 433

CARD TABLE, 91cm W x 74cm H x 46cm D William IV rosewood with a foldover top enclosing a green baize.

Lot 60

A mahogany Chippendale style silver or centre table with pierced gallery and stretchers 50 x 72cm.

Lot 26

A Poole Pottery table lamp and matching oval shaped vase

Lot 38

A selection of early 20th century moulded table glass including bowls, dishes comports etc

Lot 42

A mixture of table ceramics, pottery ornaments, Port Merion mantle clock, jug and bowl, glass etc

Lot 332

A 1970s designed waney edged coffee table on grey slate twin pillar supports, 150 cm L

Lot 117

A mixed lot of table ceramics including Satsuma, Minton, Willow Pattern etc

Lot 49

Two modern table lamps and a moulded glass vase

Lot 35

A selection of early to mid 20th century moulded Depression style table glassware

Lot 279

A pair of glass sided table top display cabinets

Lot 3

Twelve items of Noritake dressing table ware including vases, table centrepiece etc.

Lot 320

19th Century mahogany Pembroke table with supporting central legs

Lot 43

A selection of early 20th century coloured Depression style table glass

Lot 361

An Edward VII oak wind out dining table

Lot 11

An extensive Adams Ironstone table service in the Old Colonial pattern

Lot 37

Mixed table pottery including Blue and White lidded tureen on oval plate, 5 x Jackfield items, Jasperware jug, figures etc

Lot 292

Small oak drop leaf table

Lot 293

Edwardian marquetry mahogany occasional table

Lot 153

A small collection of dollhouse miniature furniture including: a milking stool, a pair of rush seat chairs, a wicker chair, a café table and chair, plus two deck chairs and a doll.

Lot 295

A mahogany fold over top games table with beize surface

Lot 347

A satinwood Edwardian dressing table

Lot 35

Oil paint on table From 1652 Pope Innocent X inaugurated the tradition, which was carried on until 1865 albeit in a discontinuous way, of closing the fountains of Piazza Navona every Saturday and Sunday in August, so as to let the water overflow into the square and create a sort of lake. All this represented for the Romans a source of fun and a way to refresh themselves in the summer culture. 35x80 cm, in frame 91x48 cm

Lot 182

Tempera on table The saint - identified as St. Peter's for the presence of his attribute, the key, held in his right hand and for the inscription at the top which reads: CB. APOS. PÉTRZ, whose translation means SAINT APOSTLE PETER-is depicted standing, with his eyes wide and fixed, thus emphasizing his spiritual nature. In his left hand, however, he holds a white scroll containing a formula, which translated reveals: YOU ARE THE SON OF THE LIVING GOD.It is clear that we are not dealing with a table that traditionally depicts a saint whose features would refer to the sphere of Byzantine influence, rather we observe the agile hand of a painter, linked to strongly Latin stylistic features. Some elements - both graphic and stylistic - bring our table back to that production area that can be geographically placed in a well-circumscribed area, in which ecclesiastical Slovenian, a language developed from the 9th onwards, was in use in the liturgical context. century thanks to the brothers Methodius and Cyril who used it to be able to translate the Holy Scriptures from the Greek language, therefore, an area that embraces Serbia, Croatia, Bohemia, eastern Poland as well as the Russian principalities.The painting is strongly linked to all those more innovative aspects of the Italian area of ??the 15th century, such as the hint to the perspective depth, revealed by some timid lines of flight that recall the presence of a pavement on which the saint stands. , and, in the background, instead, it is possible to distinguish some clouds, connoting an external environment. Spatiality opens the scene, becoming the unifying element of our table which was certainly part of a larger polyptych, whose pieces were originally connected and united. The ductus of our painter also highlights his Latin influence in the rendering of some details, such as the use of small strokes of the brush to make the softness of the beard, in the use of chiaroscuro that highlights the voluminous drapery of the apostle by defining the shadows produced by a light coming from the left.An artist really attentive to the real thing and this can be seen from the well-built veins in the left hand and a small wrinkle that furrows the forehead of the saint.One could think of an area closer to Italy, such as the Dalmatian peninsula in connection with the Venetian lagoon. An artist, therefore, who necessarily had to adapt and conform to the language of icons - such as the fixity of his gaze - but at the same time giving his figures all the updates of his time.Chipped paint at the bottom, along the sides. H 128x62x3.8 cm

Lot 7

Oil painting on table Color falls, breaks and spinning 130x110 cm

Lot 121

Inlaid polychrome table with floral decorations in light woods and turtle plated and ivory. Interstante worked on the surface, at the base and on the feet. H 77x106x70 cm

Lot 248

German, coin operated, table top, upright, double comb, 48 cm (19") disc music box. Plays well, teeth in the comb appear intact, manual start and stop, comes with 1 disc. In wood case with gallery and glass door, lock is intact but no keys, wood cabinet overall in very good condition. Not available in auction hall, item will be shipped from Switzerland. Please contact us for viewing options. Video link - https://youtu.be/ugQshqVcNKA Size: 112 x 58,5 x 35,5 cm. Condition: Very Good.

Lot 93

Original Swiss Sublime Harmony table top cylinder music box from the late 19th century. Music box comes with the original melody card on the inside lid and is still in readable, good condition, only missing a small corner. Music box plays 10 melodies and sounds wonderful. All parts and wooden case are in great condition. The inner glass cover is missing the leather pull tab to open it. Cylinder measures 38 cm (15") long. Size: 19 x 71 x 26,5 cm. Condition: Very Good.

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