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A Georgian style three light table candelabrum, the octagonal stepped base rising to a flared column and urn-shaped sconce, removable scrolling branches with similar sconces above drip trays, removable nozzles, fully hallmarked, maker`s mark of Goldsmiths & Silversmiths Co. Ltd, Sheffield 1922, height 37.5 cm (14 3/4 in.), base loaded, approx. weight of branches 21 troy oz
A pair of Victorian Corinthian column two-light table candelabra, the square bases moulded with acanthus leaves, ram`s heads and festoons of bell husks, the removable scrolling branches with a fleur de lys to the centre, the batswing sconces moulded with acanthus leaves, removable nozzles, maker`s mark of Elkington & Co, Birmingham 1893, height 26 cm (10 1/4 in.)
A collection of six 18th Century Hanoverian pattern table spoons, comprising two with fancy backs to the bowls, maker`s mark of Henry Bailey, London 1758; another fancy back spoon with maker`s mark of Jos. Bell (date letter obscured), and three plain spoons, total approx. weight 9 troy oz (6)
A mixed quantity of Georgian and later flatware, comprising six teapoons, seven coffee spoons, a set of three Victorian fiddle and thread pattern salt spoons, a plain fiddle and thread pattern salt spoon, two small forks, a dessert spoon, and an Indian fiddle pattern table spoon, total approx. weight 13 1/2 troy oz (21)
A mixed quantity of flatware, comprising a set of three Victorian fiddle pattern table spoons, and a dessert spoon, London 1868; a fiddle pattern sauce ladle, London 1867; a George IV small fiddle pattern sauce ladle, a Victorian fiddle pattern table fork, and two other spoons, total approx. weight 14 troy oz; together with a set of six plated fish knives and a pickle fork (16)
A set of seven Scottish George III king`s pattern table spoons, seven dessert spoons and a sauce ladle, single struck, maker`s mark of J. McKay, Edinburgh 1812; together with six mustard spoons of the same pattern, Edinburgh 1836; and a pair of small sauce ladles, Edinburgh 1843, total approx. weight 36 troy oz (23)
A Rosewood Chiming Table Clock, signed Marten & Bishopp, 20 Bunhill Row, London, circa 1850, the rosewood veneered case with an arched pediment, pierced side sound frets, angled base raised upon gadroon feet, 8-1/4-inch arched silvered dial with Roman numerals, the arch signed, triple fusee movement with anchor escapement, quarter chiming eight hammers on to a nest of eight bells and a further hammer striking a larger bell for the hours, 62cm high see illustration
An Oak Chiming Table Clock, circa 1890, the arched case with acorn finials, pierced side opening doors, rectangular base raised upon turned feet, 6-inch arched brass dial with silvered Roman and Arabic chapter ring, the arch with three subsidiary dials for chime/silent, fast/slow and chime on eight gongs/chime on four gongs, triple barrel movement quarter chiming eight hammers onto eight gongs and a further hammer striking a larger gong for the hours, movement backplate stamped W&H Sch (Winterhalder & Hofmeier), 62cm high see illustration
A Mahogany Table Timepiece, signed D J Parkes & Son, London, circa 1860, the drum head case with a moulded rectangular base, 7-1/2-inch silvered dial with Roman numerals and signed, blued steel spade hands, single fusee movement with anchor escapement, movement secured in by brackets, 37cm high see illustration
A Regency Mahogany Striking Table Clock, Nicoll, Gt Portland St, London, the good coloured case with chamfered top and single pineapple finial, fish scale pierced side sound frets and later ringed carrying handles, pull repeat cord, rectangular base upon brass ball feet, 8-inch white painted dial with Roman numerals, twin fusee movement with anchor escapement, striking on a bell, movement secured by brackets, 51cm high see illustration
A Regency Rosewood Striking Table Clock, the chamfer top case with single pineapple finial, side ring carrying handles and fish scale sound frets, rectangular base raised upon ball shaped feet, 8-inch painted dial with Roman numerals, strike/not strike lever positioned above 12, twin fusee movement with anchor escapement and striking on a bell, the movement secured by brackets, movement backplate engraved to the borders, pendulum bob with matching engraving, 52cm high see illustration
A George III Mahogany Striking Table Clock, signed Timothy Richardson, Darlington, circa 1790, the case with inverted bell top and single gilded carrying handle, oval shaped side viewing windows, backdoor glass missing, 8-inch arched brass dial with silvered Roman and Arabic chapter ring, dial centre signed, strike/not strike lever above 12, the arch with date dial, twin fusee movement with anchor escapement and striking on a bell, engraved movement backplate with a vase with floral decoration and engraved around the borders, 52cm high see illustration
An Ebonised Table Clock Timepiece with Alarm, signed Anty Marsh, London, circa 1750, the inverted bell top case with carrying handle, side viewing windows, pull cord to wind up alarm work, rectangular base raised upon wooden block feet, 6-1/4-inch arched brass dial with silvered Roman and Arabic chapter ring, matter dial centre with central alarm disc and single winding hole, the arch with circular plaque signed, single fusee movement with verge escapement and alarm striking on a bell, 45cm high see illustration
An Ebonised and Brass Inlaid Chiming Table Clock with Calendars, signed James McCabe, No.2826, circa 1830, the arched case with brass stringing and surmounted by a pineapple finial, inlaid canted corners flanked by carrying handles and pierced sound frets to the sides, rectangular plinth upon brass turned feet, 8-inch white painted arched dial with Roman numerals, strike/silent above 12, the arch with two dials for day of the week and date, twin fusee movement with anchor escapement, eight hammers striking the quarters onto a nest of eight bells and a further hammer striking the hours on a large bell, movement backplate signed and numbered, movement secured by brackets, 63cm high see illustrations James McCabe superseded McCabe & Strahan in 1825/26, operating from the Royal Exchange at 97 Cornhill until it burnt down in 1838, and then moved to 32 Cornhill.
A Fine Late 17th Century Pull Quarter Repeating Verge Table Clock, signed John Bushman, London, circa 1695, the case with foliate cast brass and pierced basket top and carrying handle, above a moulded cornice, brass repousse sound side frets, pull quarter repeat cord and small vacant hole for the hour repeat cord (cord lacking) to the opposite side, mounts to the front door possibly later, rectangular moulded base raised upon later claw feet, 7-inch brass dial with silvered Roman and Arabic chapter ring with half-quarter marks and elaborate half hour marks, strike/not strike lever positioned above 12, matted dial centre with mock pendulum aperture revealing a silvered plaque signed John Bushman, London, date aperture surrounded by engraved scroll work, ringed winding holes, winged cherubs head spandrels, movement with seven baluster pillars and verge escapement, rack striking on a bell and pull quarter repeating on a nest of five bells, the backplate with foliate scroll work throughout and central cartouche signed by the maker, pierced apron, 45cm high see illustrations John Bushman (b.1691) has pieces in the V&A Museum, the Metropolitan Museum of Art in New York, the Ilbert Collection, etc. He was made a Brother of the Clockmakers Company in September 1692, and is thought to have worked as a clock and watch maker in London until 1725. See Loomes (Brian) The Early Clockmakers of Great Britain, p.129.
A Joined Oak Trestle Table, the boarded `elm` top with cleated ends above a carved frieze and raised on profile cut end supports with carved lozenge shaped motifs, the platform bases raised on block feet united by an understretcher, 148cm by 65cm by 79cm See illustration
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1181627 item(s)/page